Guitar - Beginning SKU: GI.G-5781 Stories, songs, prayers and activiti...(+)
Guitar - Beginning
SKU: GI.G-5781
Stories, songs,
prayers and activities
for use with children
8–12. Composed
by John O'Brien.
Children. Sacred. Book.
With guitar chord names.
GIA Publications #5781.
Published by GIA
Publications (GI.G-5781).
ISBN 9781579991371.
English. Translation:
CEV. Text by John
O'Brien.
An
ecumenical program of
stories, activities,
songs for children
8–12 years old
(grades 3–7). Ten
original songs related to
unit themes of book,
notation in book,
recording on CD (sold
separately). CD also
contains backing tracks
for performance. When We
Listen - We’ve Got
the Power - Good Things -
We Will Bring Your Peace
- I Will Bless You, Lord
- Welcome to God’s
House - Do to Others -
Happy Are All of My
Children - We Will Make a
Place Ready - Nothing Can
Take Us Away.
Guitar SKU: UT.CH-387 Composed by Ferdinando Carulli. Edited by Romolo Ca...(+)
Guitar
SKU:
UT.CH-387
Composed by
Ferdinando Carulli.
Edited by Romolo
Calandruccio. Classical.
Score. Ut Orpheus #CH
387. Published by Ut
Orpheus (UT.CH-387).
ISBN 9790215328235. 9
x 12 inches.
Opus
114 is certainly one of
Carulliâ??s most
important didactic works,
so much so that the
author himself made a
point of writing in the
second edition of his
famous Method op. 27
(1819): The student, when
moving on to the second
part, must continue to
practise on the easy
pieces which are to be
found in opus nos. 50,
15, 35, 36, 93, 7 and
above all in opus 114. He
maintained this
indication also in later
editions of the Method
itself, unlike what he
did with other
collections of studies
which were no longer
recommended. The
purpose of op. 114, in
particular of the
preludes, is clearly
explained by the author
himself in the preface of
op. 265: I have already
offered preludes in my
opus nos. 71 and 114 to
people, but they serve to
study and learn to play
all sorts of difficult
passages, to practise
modulating, and learn to
improvise on the guitar.
Carulli seems to want to
provide his students with
a large handbook of
formulas typical of his
musical writing and he
does so by making use of
the keys which, in his
opinion, are most
congenial to the guitar.
In his Method he points
out: Each instrument has
its favourite keys: the
guitar can be played in
all keys, but the best
ones are: A major and
minor, D major and minor,
E major and minor, C, G,
F. The others are
difficult; [â?¦].
However, some of the
difficult ones are
included but only in the
fourth part. Of course,
the easiness of a key
essentially depends on
the possibility of
extensive use of the open
strings, especially in
the low notes, ensuring
the accompaniment on the
main degrees. This
edition has some unique
features. First of all,
it is the first complete
modern edition of
Carulliâ??s op. 114; it
presents an important
critical apparatus in
which the Carullian
technique is presented
and analysed; finally,
Carulli's original
fingering is indicated in
the score (including that
of the thumb of the left
hand) and the missing one
was obtained from the
comparison of his other
fingerings present in
other works. All this
allows an easy and
complete reading both for
those who perform the
pieces following the
nineteenth-century
performance practice with
a historical instrument,
and for those who play a
modern instrument.
After
being some time away from
classical composition I
decided to challenge
myself and write one
short guitar piece daily.
I did it for a month and
ended up with around 20
Sketches. The original
idea was to make short
pieces for children.
Some turned out to be
too difficult for
students, so they might
become longer pieces in
the future. Some others I
just didn't like that
much. In the end I
selected the 10 Sketches
that I liked the most.
These 10 pieces
are intended for
intermediate level
players and each of them
focuses on a technical or
musical aspect.
Composed by William Bay. Flatpicking, Lute, Baroque, Contemporary, Technique...(+)
Composed by William Bay.
Flatpicking, Lute,
Baroque,
Contemporary, Technique,
Theory and Reference,
Solos.
Achieving Guitar
Artistry.
Book. 76 pages. Published
by
Mel Bay Publications, Inc
(Extraites Des Operas De Rossini Et Deux Valses Favorites). By Francois de Fossa...(+)
(Extraites Des Operas De
Rossini Et Deux Valses
Favorites). By Francois
de Fossa (1775-1849).
Edited by Jan De Kloe.
For Guitar. FULL SCORE -
STUDY. Op.8. 6 pages.
Published by Editions
Orphee
Guitar - easy SKU: BT.REG9781898466611 Exam Material. Book Only. London C...(+)
Guitar - easy
SKU:
BT.REG9781898466611
Exam Material. Book Only.
London College Music
#REG9781898466611.
Published by London
College Music
(BT.REG9781898466611).
ISBN 9781905908110.
English.
Designed
for those in the early
stages of studying
classical guitar, this is
part of a progressive
series of ten handbooks,
primarily intended for
candidates considering
taking the London College
of Music examinations in
classical guitar playing.
This handbook covers all
the material needed for
the Grade One
examination, however,
even if you do not intend
to take an examination,
given the handbook's wide
content of musical
repertoire and extensive
educational material, the
handbook provides a
structured and
comprehensive method of
studying classical
guitar. This handbook
contains all the required
pieces, scales, chords
and arpeggios for the
grade and also includes
sectionson musical
knowledge, sight reading
and aural ability - in
fact, absolutely
everything you need for
this grade! There are 12
pieces included, such as
Beethoven’s ‘Ode To
Joy’ and Brahms’
‘Lullaby in G major’,
as well as pieces by
Tchaikovsky, Sor,
Giuliani and others.
(The Art and Technique of the Classical Guitar ) Written by Christopher Parkenin...(+)
(The Art and Technique of
the Classical Guitar )
Written by Christopher
Parkening, David Brandon,
Jack Marshall. For
guitar. Format: method
book. With standard
guitar notation,
instructional photos,
instructional text and
introductory text.
Instructional. Series:
Hal Leonard Guitar
Method. 136 pages. 8.5x11
inches.
Bartok For Guitar Guitare Guitare classique [Partition + CD] Boosey and Hawkes
Book and CD. Composed by Bela Bartok (1881-1945). Boosey & Hawkes Chambe...(+)
Book and CD. Composed by
Bela
Bartok (1881-1945).
Boosey &
Hawkes Chamber Music.
Classical, Hungarian.
Softcover with CD. 40
pages.
Boosey & Hawkes
#M060132421.
Published by Boosey &
Hawkes
10 Contemporary Classical
Guitar Solos.
Saddle-stitched,
World. Classical Guitar.
Book
and online audio. Mel Bay
Publications, Inc
#30979M.
Published by Mel Bay
Publications, Inc
12 Guitar and Lute Pieces With a CD of Performances. Composed by Various. Ed...(+)
12 Guitar and Lute Pieces
With a CD of
Performances.
Composed by Various.
Edited
by Jens Franke and Stuart
Willis. Guitar. Softcover
with CD. 36 pages. Schott
Music #ED13489. Published
by
Schott Music
16 Guitar and Lute Pieces. Composed by Jens Franke. Edited by Stuart Willis. Thi...(+)
16 Guitar and Lute
Pieces. Composed by Jens
Franke. Edited by Stuart
Willis. This edition:
Saddle stitching. Sheet
music with CD. Guitar. 16
Originalwerke von
Komponisten des 17. und
18. Jahrhunderts. Neben
Stucken von Weiss, de
Visee, Hagen und Daube
und anderen bietet der
Band ein sorgfaltig
ausgewahltes Spektrum von
Werken. Baroque,
Classical. Edition with
CD. 36 pages. Schott
Music #ED13446. Published
by Schott Music
(With a CD of Performance and Backing Tracks Book/CD (54 pieces)). By Various. E...(+)
(With a CD of Performance
and Backing Tracks
Book/CD (54 pieces)). By
Various. Edited by Bruno
Szordikowski, Martin
Hegel, and Peter Ansorge.
For Guitar (Guitar).
Guitar. Softcover with
CD. 32 pages. Schott
Music #ED21636. Published
by Schott Music (HL.49
By Corey Christiansen. For Guitar (All). Chord book. Photo Chords. Blues. Level:...(+)
By Corey Christiansen.
For Guitar (All). Chord
book. Photo Chords.
Blues. Level: Beginning.
Book. Size 8.75x11.75. 48
pages. Published by Mel
Bay Publications, Inc.
Guitar SKU: HL.50510141 Performace Pieces, Etudes and Technical Exerci...(+)
Guitar
SKU:
HL.50510141
Performace Pieces,
Etudes and Technical
Exercises for
Advanced. Composed by
Erzsé, Mikló,
bet Nagy, czi, and s
Mosó. EMB. Volume
5. Baroque, Classical,
Hungarian, Renaissance.
Softcover. 108 pages.
Editio Musica Budapest
#Z12891. Published by
Editio Musica Budapest
(HL.50510141).
ISBN
9790080128916. UPC:
073999708516. Bach (23 x
30,2 cm) inches.
Hungarian, English,
German. Erzsebet Nagy;
Miklos
Mosoczi.
This
publication is a
completely revised
edition of our
five-volume guitar tutor.
In the decades since its
first edition, the
musical interests of
students and their
practice possibilities
have changed. To adapt to
this, we have partly
expanded and partly
reduced the musical and
technical material of the
tutor. We have increased
the number of recital
pieces at all levels of
difficulty,so that
students can spend longer
on a varied repertoire at
their respective level.
We have determined the
works in the volume V
which demand a more
developed technique and
musicality to extend the
repertoire of those who
wish to study further.
The transcription of lute
works has sometimes made
significant compromises
necessary. However, in
our view, it is a
significant gain that
students can get to know
a Dowland fantasy or an
early English Baroque set
of variations. This
volume comprises 44
concert pieces from the
early 17th to the 20th
centuries, 18
advanced-level studies by
Carcassi, Coste,
Giuliani, and Sor, as
well as several
advanced-level technical
exercises. Besides
original works by
Giuliani, Sor, Tarrega,
and others, it features
several transcriptions of
works by Dowland, Rameau,
J. S. Bach, and D.
Scarlatti.
In
2013, to celebrate the
second centenary of the
death of Arcangelo
Corelli, I played in an
official concert held in
his memory in Fusignano,
his hometown. Corelli did
not write for the guitar,
but a few of his
compositions were
transcribed by some
contemporary guitarist
and certainly his name
has always been
associated in the history
of music with the theme
of the very famous
<>
(although the origins of
this theme go back a long
way before Corelli). In
the guitar repertoire,
well-known cycles of
variations on this theme
exist. My long history of
friendship and working
together with important
Italian composers has
made it possible for me
to build a concert
program with some new
guitar compositions
dedicated to Corelli, to
which others have been
added. They are all
together in this
anthology, with the
exceptions of Corelliana
by Davide Anzaghi, Per
Arcangelo by Gilberto
Cappelli and Corelliana
Seconda by Paolo
Ugoletti, published
separately. The cover
picture, specially
created by Norma
Lutzemberger for this
publication, celebrates
this meeting between the
modern guitar and
Arcangelo
Corelli. (Piero
Bonaguri)
Guitarra Liturgia Guitare [Conducteur] - Intermédiaire OR-TAV Music Publications
Guitar - Intermediate SKU: OT.26114 Composed by Ariel Lazarus. A short su...(+)
Guitar - Intermediate
SKU: OT.26114
Composed by Ariel
Lazarus. A short suite
for classical guitar
based on themes from the
Spanish and Portuguese
tradition. Classical.
Score. OR-TAV Music
Publications #26114.
Published by OR-TAV Music
Publications (OT.26114).
ISBN 9789655051049.
8.27 x 11.69
inches.
Ariel
Lazarus Guitarra
Liturgia Two pieces
based on music from the
Spanish and Portuguese
tradition.
Contents: Jerusalem
de Sefarad - Suite for
Guitar Contrapunto
Sefardi The composer
writes: For many
years I wanted to compose
a piece for guitar which
would inspire interested
students to expand their
repertoire in the
direction of Jewish
music. The most natural
thing for me was to write
a suite based on themes
from the synagogue in
which I grew up –
the Spanish and
Portuguese synagogue of
Gibraltar. My beloved
grandfather served all
his life as hazzan
(cantor) of this
synagogue, and I always
felt as a composer and
educator that I had a
special obligation to
continue his tradition
and pass it on to a new
generation. In this
composition, I let the
guitar echo the piyyutim
(semi-liturgical poems)
that were part of my
childhood: Adon Olam,
Sh'charchoret, Achot
K'tana, Yigdal, Borei ad
Ana, all of which are
sung in the Spanish and
Portuguese tradition from
Gibraltar to London, and
from New York to
Jerusalem. I let myself
dream the piyyutim, take
them apart and
reconstruct them as a
short suite for guitar,
the results of which you
are invited to hear here.
As a conceptual idea for
the suite, I choose to
suggest about the
cultural continuation
between the Diaspora and
the land of Israel by way
of referencing the
well-known melody of
Naomi Shemer, which is
also popular among the
hazzanim. Dr. Ariel
Lazarus is a unique voice
among Israeli
composer-performers
today. Brought up in a
family with Jewish
musical roots both in
Gibraltar and Westphalia,
he began composing and
playing the guitar in his
teens, and has been
committed to developing
his own compositional
language ever since,
always maintaining an
open dialogue with his
traditions. Lazarus
received his BMus and
MMus degrees from
Oklahoma City University
in classical guitar
performance and
composition where he
studied with American
composer Dr. Edward
Knight. He earned his PhD
from Bar Ilan University,
studying composition with
Prof. Betty Olivero and
Prof. Gideon Lewensohn
and conducting research
under the supervision of
Prof. Edwin Seroussi from
the Hebrew University.
His symphonic works have
been premiered by the
Raanana Symphonette
Orchestra, and his
chamber works have been
performed by various
ensembles in the United
States, Central Europe,
Portugal, Gibraltar,
Scandinavia and Israel.
Lazarus performs
regularly as Art
Ambassador on behalf of
the Israeli Ministry of
Diaspora affairs Amiel
BaKehila program. His
solo album A Hebrew
Capriccio was released by
the German boutique label
SmoothFactor and was
awarded critical acclaim,
among others, in Haaretz,
and Neue Westfalishe.
Dr. Lazarus is the
musical director and
co-founder of the Israeli
Ladino Orchestra. His
work with the orchestra
has been recognized by
the official Carta de
España. He teaches at
the Academic College for
Education Givat
Washington, and the Rimon
School of Music.
Lazarus’s work has
been awarded by the
Israeli Pais Art council
and ACUM.
By Laszlo Vereczkey. EMB.
Volume 2. Pedagogical
performance pieces. Book
Only. 28 pages. Editio
Musica Budapest #Z13867.
Published by Editio
Musica Budapest
(HL.50487725).
As a
sequel to the guitar
volume of the successful
series 'Music dor
Beginners' the present
selection for beginners
offers easy and popular
items from the output of
Spanish, French, Italian,
German and Hungarian
masters including, among
others, works by Fr.
Tarrega, F. Sor, R. de
Visee, L. Roncalli, F.
Molino, H. Newsidler and
Sebestyen Tinodi
Lantos.
Special Deluxe Edition with DVD and 2 CDs. Music Sales America. French Edition, ...(+)
Special Deluxe Edition
with DVD and 2 CDs. Music
Sales America. French
Edition, Spanish Edition,
Blues, Jazz, Instruction.
Music Sales #DV10043N.
Published by Music Sales
