Chamber Music harp SKU: PR.114423960 Composed by Chen Yi. Sws. Performanc...(+)
Chamber Music harp
SKU: PR.114423960
Composed by Chen Yi. Sws.
Performance Score. 4
pages. Duration 3
minutes. Theodore Presser
Company #114-42396.
Published by Theodore
Presser Company
(PR.114423960).
UPC:
680160689293. 9 x 12
inches.
Shadowy
lines traced in fading
colors suggest a mountain
range in silhouette
against the night sky in
this mesmerizing and
poetic miniature for solo
harp. The composer takes
the instrument’s full
range as her canvas,
carrying the listener’s
imagination from distant
peaks to shrouded
foothills. Particularly
memorable is a recurring
tremolo motifxa0 played
with a wooden drumstick
on the instrument’s
lowest strings. DARK
MOUNTAINS is artistically
refined, but not
virtuosic, making it a
novel and approachable
addition to the
repertoire for developing
and professional harpists
alike.
Twenty-Three Classic, Traditional, and Ethnic Wedding Arrangements. Compo...(+)
Twenty-Three Classic,
Traditional, and Ethnic
Wedding Arrangements.
Composed by Beth A. Kolle
and Laurie Riley.
Squareback saddle stitch.
Book and online audio.
Published by Mel Bay
Publications, Inc
(MB.98748M).
Composed by Monika Mandelartz. For Folk Harp and Pedal Harp. Saddle-stitched. ...(+)
Composed by Monika
Mandelartz. For Folk Harp
and
Pedal Harp.
Saddle-stitched.
Intermediate-Advanced.
Book.
28 pages. Published by
Mel
Bay Publications, Inc
Harp SKU: HL.14043600 Harp. Composed by Simon Holt. Music Sales Am...(+)
Harp
SKU:
HL.14043600
Harp. Composed by
Simon Holt. Music Sales
America. Classical,
Contemporary. Softcover.
12 pages. Chester Music
#CH82940. Published by
Chester Music
(HL.14043600).
9.0x12.0x0.058
inches.
Simon Holt
's the man in the wind
and the west moon was
composed for Solo Harp in
2013, having been
commissioned by The Tanza
Trust. The piece takes
its title from a line in
a Dylan Thomas poem named
'And death shall have no
dominion'. The four
sections of the work see
shifting harmonies
throughout, with the
first section repeating
but also changing ever so
subtly. The unique thing
about the piece is that
each section is
dynamically different,
but is left open to
interpretation by the
player. The man in
the wind and the west
moon was
first performed on the
2nd of June 2014 at
Milton Court Concert Hall
in London by Alex Rider.
The piece lasts around
7minutes, and the bottom
C and D strings should be
tuned to C# and D#
respectively.
Viola, Electronics SKU: CA.1630200 For Viola and live electronics....(+)
Viola, Electronics
SKU: CA.1630200
For Viola and live
electronics. Composed
by Walter Feldmann. This
edition: Paperbound.
German title: Courbe 2
(1993/2001). Full score.
Composed 1993/rev. 2001.
34 pages. Duration 8
minutes. Carus Verlag #CV
16.302/00. Published by
Carus Verlag
(CA.1630200).
ISBN
9790007099695. Language:
all languages.
The
viola solo courbe 2 is
based on an excerpt from
the viola part in the
Trio for flute, viola and
harp << courbes >> -
sequences. In the densest
time curve of this piece
the viola plays the
leading role for a span
of almost three minutes.
This material is taken
from the Trio, presented
and divided into separate
parts. courbe 2 is three
times longer in duration
than the Trio excerpt
from which it is derived.
The musical text of the
individual fragments
remains as it is in the
original, but, pulsating,
demarcated in seconds.
Fissures emerge between
the fragments, windows
open: - to harmonic
fields, central sounds,
taken over from the
reverberations, from
which new tone material
is derived; the fields in
turn are distorted and
spacialised by the
electronics - to metrical
structures and pulses
freed from the individual
motives of the original
musical text, which forms
new variants in
interaction with these
fields. Thus in courbe 2
which, as already
indicated, is three times
longer in duration than
the original, three
musical levels are
interpenetrated, whereby
all three are derived
from one tone, which
plays an absolutely
central role in most of
my works. It is a
reference to the French
writer Anne-Marie Albiach
(and to her great text <<
H II >> lineaires), and
it remains as the only
tone at the end of the
piece, definitively,
determining everything, b
= 247 Hertz. Walter
Feldmann.
Harp SKU: UT.MAG-274 Composed by Philipp-Joseph Hinner. Edited by Frances...(+)
Harp
SKU:
UT.MAG-274
Composed
by Philipp-Joseph Hinner.
Edited by Francesca La
Carrubba Jessica
Pettenà . Saddle
stitching. Magadis.
Classical. Score and
Parts. Ut Orpheus #MAG
274. Published by Ut
Orpheus (UT.MAG-274).
ISBN 9790215326859. 9
x 12
inches.
Rediscoveri
ng, studying and
analyzing the musical art
of Philipp Joseph Hinner
means enhancing a piece
of the eighteenth-century
harp music mosaic.
Hinner's work intrigues
for its extraordinary
simplicity, for its
regularity and harmony;
the ordered balance of
the parts, symmetry and
sense of proportion are
essential elements for
the author, and give
character and unity to
his work. The harp
repertoire has long been
overshadowed by the
keyboard one, which
boasts extensive solo and
chamber literature, and
consolidated for over two
centuries. The
rediscovery of the
history of our
instrument, however, is
still recent and the
research work in the
field of harp music is
still long. Hinner,
with the apparent
simplicity of his opus
10, can thus regain his
role in the harp
repertoire of the
eighteenth century, as
well as covering a
considerable didactic
value today. The part of
the first harp
undoubtedly presents
characteristics of
greater rhythmic and
virtuosic complexity than
that of the second, which
consists of a continuous
accompaniment
interspersed with simple
thematic imitated
episodes. Furthermore in
the composition are
included arias such as
O ma tendre
Musette, a French
popular melody of the
18th century (previously
set to music by
Pierre-Alexandre
Monsigny), and <>, taken from
the opera-comique
L'erreur d'un moment
ou la Suite de Julie
by Nicolas Dezede, as
well as themes from
Gluck's Iphigenie en
Aulide, which had
been all used also by
Hinner's first harp
master, Francesco Petrini
(1744-1819). Hinner's
opus 10, originally
written in separate parts
for two harps, or harp
and fortepiano, is
presented here updated
and completed with its
score, for a thorough
perception of the
work.