Composed by Star Edwards. Harp: Folk and Pedal,Style,Celtic / Irish,Classical...(+)
Composed by Star Edwards.
Harp: Folk and
Pedal,Style,Celtic /
Irish,Classical,Folk,Feat
ured
Products,Method. Young
Beginner. Book and Online
Audio. 80 pages.
Published by
Mel Bay Publications, Inc
Harp SKU: HL.128724 Music from the Disney Motion Picture Arranged for ...(+)
Harp
SKU:
HL.128724
Music
from the Disney Motion
Picture Arranged for
Harp. Arranged by
Sylvia Woods. Harp.
Children, Disney, Movies.
Softcover. 4 pages.
Published by Hal Leonard
(HL.128724).
ISBN
9780936661605. UPC:
888680014209.
8.5x11.0x0.027 inches.
Arr. Sylvia
Woods.
Tangled is
Disney's popular animated
film from 2010, based on
the German fairy tale
Rapunzel. This book
includes two songs from
the movie, arranged for
lever or pedal harp by
Sylvia Woods: I See the
Light and Healing
Incantation. Both pieces
include lyrics,
fingerings, and lever or
pedal changes. I See the
Light is the love song
between Rapunzel and
Flynn, sung in the boat
during the lantern
ceremony. This 5-page
intermediate arrangement
is in the key of C with F
and G lever changes
throughout. The range is
31 strings, from the C 2
octaves below middle C up
to the E 2 octaves and 2
strings above middle C.
The one-page Healing
Incantation is the song
that Rapunzel sings when
her hair creates the
magic. It is in the key
of 1 sharp, with G and C
lever changes. It can be
played by advanced
beginners with experience
in making lever changes.
The range is 22 strings,
from the E almost 2
octaves below middle C,
up to the E 9 strings
above middle C. It can be
played on many 26-string
harps, if played an
octave higher than
written. Both pieces are
included in this sheet
music.
Harp SKU: HL.431600 By Various. Arranged by Ann Lobotzke. Harp. Classics,...(+)
Harp
SKU:
HL.431600
By Various.
Arranged by Ann Lobotzke.
Harp. Classics, Movies,
Pop. Softcover. 112
pages. Duration 310
seconds. Published by Hal
Leonard (HL.431600).
ISBN 9781705163382.
UPC: 196288064633.
9.0x12.0x0.234
inches.
Meticulousl
y curated, Beautiful
songs for Harp features
28 timeless melodies,
thoughtfully arranged for
harpists of all levels.
Suitable for both pedal
and lever harps, this new
collection is perfect for
harpists looking to
enhance their current
repertoire. Songs
include: And I Love Her
⢠Bless the Broken
Road ⢠Bring Him
Home ⢠Can't Help
Falling in Love â¢
For All We Know â¢
God Only Knows â¢
Hallelujah ⢠I Will
Always Love You ⢠If
Ever I Would Leave You
⢠Mia and
Sebastian's Theme â¢
Morning Has Broken â¢
On the Street Where You
Live ⢠The Rainbow
Connection ⢠The
Sound of Silence â¢
You've Got a Friend
⢠and more.
Twenty-Three Classic, Traditional, and Ethnic Wedding Arrangements. Compo...(+)
Twenty-Three Classic,
Traditional, and Ethnic
Wedding Arrangements.
Composed by Beth A. Kolle
and Laurie Riley.
Squareback saddle stitch.
Book and online audio.
Published by Mel Bay
Publications, Inc
(MB.98748M).
Harp SKU: HL.234540 Harp Solo. Composed by John Luther Adams. Musi...(+)
Harp
SKU:
HL.234540
Harp
Solo. Composed by
John Luther Adams. Music
Sales America. Classical.
Softcover. Composed 2017.
14 pages. Chester Music
#CH86295. Published by
Chester Music
(HL.234540).
9.0x12.0x0.09 inches.
English.
'This set
of miniatures is based on
traditional dance songs
of the Yupik Eskimo
people of Western Alaska.
In their original forms,
these melodies would be
sung in unison. The
first, third and fifth
songs would be
accompanied by frame
drums. The second and
fourth are game songs,
for jumping rope and
juggling pebbles. Aside
from the obvious
difference in
instrumentation, my
settings of these songs
differ from the Yup'ik
originals in other
respects. I have extended
and varied the melodies,
and added
countermelodies, ostinato
figurations,
introductions, interludes
and codas. The first four
melodies are drawn from
the collection Yup'ik
Eskimo songs, compiled by
Thomas F. Johnston, and
Tupou L. Pulu, and
published by the
University Of Alaska. The
fifth was 'loaned' to me
by Yup'ik singer and
dancer Chuna McIntyre,
who learned it in his
village of Eek, Alaska.
The poems preceding each
piece are rough
translations of the words
to the songs. These
verses are often cryptic
and enigmatic. Their
obscurity is increased
because some of the words
or their meanings have
been lost, over time.' -
John Luther Adams.
Harp SKU: UT.HS-231 Arranged by Sara Simari. Saddle stitching. Classical....(+)
Harp
SKU:
UT.HS-231
Arranged by
Sara Simari. Saddle
stitching. Classical. Ut
Orpheus #HS 231.
Published by Ut Orpheus
(UT.HS-231).
ISBN
9790215324558. 9 x 12
inches.
Tarascon
e; Tarantella Capuanese;
Valzer; Polka di
Vittorio; Tarantella
Stiglianese
Th
e history of the
Viggianesi, strolling
musicians, winds over a
period of about four
centuries and esprimeun
‘unicum’
musically and
anthropologically. Heirs
of a travelling musical
tradition that from the
late Middle Ages
inhabited more than just
the streets of the
Kingdom of Sicily and
Naples, the harpists of
this extraordinary story
made their first
appearances as early as
the end of the 1600s
engaged in musical
practices at
shrines. Armed with an
urgent need to make a
living together with a
strong musical
inclination, adaptability
and versatility, the
groups of musicians,
almost always belonging
to the same family
circle, became the
promoters of the great
Italian musical tradition
(Southern in particular),
and with their harps on
their shoulders they
became the identification
symbol of a well-defined
and limited area of
Italy: the Agri Valley,
in Basilicata. From
the many documents
examined, a very wide and
varied musical repertoire
emerges mixing the
pastoral tradition with
classical tradition
(mainly opera, devotional
music with songs from the
cities (from the
Neapolitan tradition to
international
production). The pastoral
repertoire, the subject
of this publication,
consists of a strongly
characterized native
repertoire which the
Viggianesi had
consolidated in both
public and private ritual
occasions in their native
land, even if performing
in distant
lands.
This
collection is included
among the compulsory
pieces of The 7th
International Harp
Contest in Italy Suoni
D’Arpa, 2017,
Category A –
Associazione Italiana
dell’Arpa –
www.ass
ociazioneitalianarpa.it
a>
Chamber Music harp SKU: PR.110406720 Composed by Samuel Adler. Classical....(+)
Chamber Music harp
SKU: PR.110406720
Composed by Samuel Adler.
Classical. Softcover.
With Standard notation.
Duration 14 minutes.
Theodore Presser Company
#110-40672. Published by
Theodore Presser Company
(PR.110406720).
UPC:
680160001316.
I
have always been fond of
writing works for
specific people or
organizations. It has
been my good fortune
during most of my
creative career to be
asked to compose for many
extraordinary performers.
The Sonata for
Harpsichord Solo is such
a case in point: it was
written in 1982 for
Barbara Harbach, a superb
performer, close friend,
and collaborator on many
musical projects. The
Sonata was premiered on
March 2, 1984, in a
recital given by Dr.
Harbach at Nazareth
College in Rochester, New
York. During my formative
years as a composer, one
seldom heard of the
harpsichord as a modern
instrument, though while
I attended undergraduate
school at Boston
University, some of us
banded together to
construct a small
harpsichord from one of
the first do-it-yourself
kits which began to
appear in the late '40s.
It was also during this
time that I heard the
Sonatina for Violin and
Harpsichord by my teacher
Walter Piston and
consequently specified
that the accompanying
instrument for my second
violin sonata could
either be a piano or a
harpsichord. It was not
until recently, however,
that my interest in the
harpsichord as a solo
instrument for new music
was aroused. This was
because of the emergence
of so many young
virtuosi, such as Barbara
Harbach, who are
interested in the
performance of new music
besides the great
harpsichord music of the
Classical, Baroque, and
pre-Baroque eras. The
keyboard music of
Domenico Scarlatti has
always intrigued and
fascinated me. The
brevity, excitement, and
clarity of this sparkling
music is charming as well
as exhilarating. It is
this type of Baroque
sonata that inspired the
conception and form of my
harpsichord sonata. The
entire work is loosely
based on the musical
translation of Barabara
Harbach's name,
especially the conflict
of the B (B-flat) and H
(B-natural in German
notation). This secondo
rub or dissonance
especially pervades the
first movement, which is
in a modified sonata
form, pitting jagged and
tense melodic elements
against most lyrical and
smooth lines. This second
movement is a song-like
melody accompanied by
rolled chords which may
be played on the lute
stop of the instrument if
this sonata is performed
on a two-manual
harpsichord. The final
movement is an
ever-driving joyous
toccata which brings the
work to an exciting close
with a coda made up of
accelerating repeated
chords. --Samuel
Adler.
Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Am...(+)
Fantasia on the Rondo
from
the Piano Sonata in A
major
K. 331 by Wolfgang
Amadeus
Mozart, arranged for harp
by
Ekaterina Afanasieva
(2015).
Composed by Fazil Say.
Arranged by Ekaterina
Afanasieva. This edition:
Saddle stitching. Sheet
music. Der Finalsatz der
Sonate A-Dur KV 331 von
Wolfgang Amadeus Mozart,
das
Rondo Alla Turca, ist
eines
der bekanntesten
Klavierstucke uberhaupt.
An
diese Popularitat knupft
das
als effektvolle Zugabe
entstandene Stuck von
Faz?l
Say in der Bearbeitung
fur
Harf. Classical. Single
sheet. Composed 1993. Op.
5b.
8 pages. Duration
4'. Schott
Music #ED22797. Published
by
Schott Music