(Featuring According to Plan, Remains of the Day and The Wedding Song) Composed by Danny Elfman, arranged by Douglas E. Wagner. Conductor's score and set of performance parts for string or full orchestra (2 - flute, 2 - oboe, 1 - 1st clarinet, 1 - 2nd clarinet, 1 - bass clarinet, 2 - bassoon, 4 - horn in F, 1 - 1st trumpet, 1 - 2nd trumpet, 3 - trombone, 1 - tuba, 2 - mallet percussion, 3 - percuss

Orchestra

SKU: HL.48187878

Composed by Pierre Alexandre Monsign. Leduc. Classical. Softcover. Heugel & Cie #HE31768. Published by Heugel & Cie (HL.48187878).

UPC: 888680851675. 5.5x7.5x0.101 inches.

Pierre Alexandre Monsigny: On ne s'avise jamais de tout Overture (PH278) (Orchestra).

Orchestra

SKU: BT.ALHE31768

Composed by Pierre-Alexandre Monsigny. Classical. Study Score. 12 pages. Heugel & Cie #ALHE31768. Published by Heugel & Cie (BT.ALHE31768).

French.

Pierre Alexandre Monsigny: On ne s'avise jamais de tout Overture (PH278) (Orchestra).

Deluxe Score. Composed by Michael Giacchino. Symphony Pops. Video Games. Softcover. Duration 230 seconds. Published by Hal Leonard

Score and Parts. Composed by Alan Silvestri. Symphony Pops. Holiday. Conductor Score (Full Score) and Parts. Published by Hal Leonard

By John Williams. Arranged by Jerry Brubaker. Music by John Williams / arr. Jerry Brubaker. For Full Orchestra. Full Orchestra. Pop Concert Full Orchestra. Movie. Conductor Score & Parts. Published by Alfred Publishing.
Level: 3.5 (grade 3.5).

Featuring: Hedwig's Theme / Main Titles / Macusa Headquarters / Newt's Friend / End Titles. Composed by James Newton Howard. Arranged by Patrick Roszell (contains "Hedwig's Theme" by John Williams). Full Orchestra; Part(s); Score. Pop Concert Full Orchestra. Movie. 240 pages. Published by Alfred Music

Arranged by Charles Sayre. Full Orchestra; Performance Music Ensemble; Single Titles. Pop Concert Full Orchestra. Light Concert; Movie. Score and Parts. 114 pages. Duration 1:49. Alfred Music #00-FO9717. Published by Alfred Music

Orchestra - Grade 3.5

SKU: AP.FO9912C

Arranged by Jerry Brubaker. Full Orchestra; Performance Music Ensemble; Single Titles. Pop Concert Full Orchestra. Light Concert; Movie. Score. 44 pages. Duration 7:24. Belwin Music #00-FO9912C. Published by Belwin Music (AP.FO9912C).

UPC: 654979000365. English.

The world has waited years, and finally, last May, the motion picture event of the century exploded on the screen. Jerry Brubaker presents a highly creative mix of these great themes from the power-packed John Williams' score: Star Wars (Main Theme), Anakin's Theme, Augie's Great Municipal Band, Duel of the Fates, and the End Credits. Every orchestra in the world will be playing this one! (7:24).

Orchestra (Score) - Grade 2

SKU: HL.4492819

Composed by Michael G. Giacchino. Arranged by Robert Longfield. Easy Pop Specials For Strings. Movies. Softcover. Duration 160 seconds. Published by Hal Leonard (HL.4492819).

UPC: 196288067337. 9.0x12.0x0.014 inches.

Robert Longfield's easy string orchestra arrangement of the main theme from Spider-Man: No Way Home captures the energy of the original without overwhelming your students. Beginning in 3/4 time but changing to 4/4 near the end, this D minor arrangement provides a good opportunity to work on this fundamental meter change.

Full Orchestra

SKU: HL.4491967

Deluxe Score. Composed by Alan Silvestri. Symphony Pops. Christmas, Holiday. 24 pages. Published by Hal Leonard (HL.4491967).

UPC: 888680672485. 10.5x14.0x0.107 inches.

With SATB chorus (opt.).

Arranged by Charles Sayre. Arr. Charles Sayre. For Full Orchestra. Full Orchestra. Pop Concert Full Orchestra. Movie. Level: grade III-IV. Conductor Score. Published by Alfred Publishing.

(Main Title). By Alan Silvestri. Arranged by John Higgins. Essential Elements String Orchestra Series - Performer Level. Size 9x12 inches. Published by Hal Leonard.

Full Orchestra Composed by Michael Giacchino. Symphony Pops. Video Games. Softcover. Duration 230 seconds. Published by Hal Leonard

(IV. Princess Leia's Theme from Episode IV: A New Hope, V. Imperial March (Darth Vader's Theme)/ The Forest Battle from Episode V: The Empire Strikes Back and Episode VI: Return of the Jedi and VI. Star Wars (Main Title) from Episode I through VI) Composed by John Williams, arranged by Robert W. Smith. Conductor's score and set of performance parts for concert band (1 - piccolo, 3 - 1st flute, 3 - 2nd flute, 2 - oboe, 2 - bassoon, 3 - 1st clarinet, 3 - 2nd clarinet, 3 - 3rd clarinet, 2 - bass clarinet, 1 - contrabass clarinet, 2 - 1st alto saxophone, 2 - 2nd alto saxophone, 1 - tenor saxophone, 1 - baritone saxophone, 3 - 1st trumpet, 3 - 2nd trumpet, 3 - 3rd trumpet, 2 - 1st horn in F, 2 - 2nd horn in F, 2 - 1st trombone, 2 - 2nd trombone, 2 - 3rd trombone, 2 - euphonium, 1 - baritone (treble clef), 4 - tuba, 2 - piano/synthesizer, 4 - mallet percussion, 1 - timpani, 4 - percussion I, 3 - percussion II). Series: Belwin Concert Band Series. Published by Alfred Publishing.

Orchestra

SKU: HL.48187647

Composed by Hector Berlioz. Heugel. Classical. Softcover. Heugel & Cie #HE31441. Published by Heugel & Cie (HL.48187647).

UPC: 840126924886. 6.0x8.25x0.275 inches.

Hector Louis Berlioz: Ouverture de 'Le Carnaval romain' Op.9 (PH41) (Orchestra).

Orchestra - Grade 3

SKU: AP.49062

Composed by Doug Spata. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score and Part(s). 81 pages. Duration 3:05. Highland/Etling #00-49062. Published by Highland/Etling (AP.49062).

ISBN 9781470645823. UPC: 038081565187. English.

Through the Dark Domain by Doug Spata is a thrilling, cinematic journey perfect for your next concert or contest program. Each section of the orchestra gets a chance to play the bold melodies, shimmering ostinatos, and expressive lyrical passages before coming to a dramatic and triumphant conclusion. Featuring a high degree of part independence and opportunities for shifting in all the parts, students will love the fiery, impassioned style of this piece. (3:05).

Orchestra

SKU: BT.ALHE31441

Composed by Hector Berlioz. Classical. Study Score. 62 pages. Heugel & Cie #ALHE31441. Published by Heugel & Cie (BT.ALHE31441).

French.

Hector Louis Berlioz: Ouverture de 'Le Carnaval romain' Op.9 (PH41) (Orchestra).

Orchestra - Grade 3

SKU: AP.49062S

Composed by Doug Spata. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score. 16 pages. Duration 3:05. Highland/Etling #00-49062S. Published by Highland/Etling (AP.49062S).

ISBN 9781470645830. UPC: 038081565194. English.

Through the Dark Domain by Doug Spata is a thrilling, cinematic journey perfect for your next concert or contest program. Each section of the orchestra gets a chance to play the bold melodies, shimmering ostinatos, and expressive lyrical passages before coming to a dramatic and triumphant conclusion. Featuring a high degree of part independence and opportunities for shifting in all the parts, students will love the fiery, impassioned style of this piece. (3:05).

Orchestra (Orchestra)

SKU: HL.48010897

For String Orchestra. Composed by Tony Osborne. This edition: M060074110. Boosey & Hawkes Orchestra. Classical, Contemporary. Boosey & Hawkes #M060074110. Published by Boosey & Hawkes (HL.48010897).

UPC: 073999916454.

Strin gs Together Level 3 Contents: Madam Cole * Wild-west Shaker * Sarabande * Music from Outer Space * Jamaican Rumba.

By Anthony Maiello. music examples by Jack Bullock. Textbook - Instrumental. Book and CD. 236 pages. Published by Alfred Publishing.

Orchestra

SKU: BA.BA06861

Sinfonie (1923-1928). Composed by Leos Janacek. Arranged by Leoš Faltus and Miloš Štedron. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek H/3. Complete edition, Score, Set of parts. Duration 40 minutes. Baerenreiter Verlag #BA06861_00. Published by Baerenreiter Verlag (BA.BA06861).

ISBN 9790260104211. 34.3 x 27 cm inches.

Leoš Janácek’s symphonic fragment Dunaj (The Danube) dates from the period of the composition of “Katya Kabanova”. The composer was not concerned with a musical-picturesque description of a river landscape, but with the mythical link between women’s destinies and water.

“Pale green waves of the Danube! There are so many of you, and one followed by another. You remain interlocked in a continuous flow. You surprise yourselves where you ended up – on the Czech shores! Look back downstream and you will have an impression of what you have left behind in your haste. It pleases you here. Here I will rest with my symphony.” Thus Leoš Janácek described the idea behind the composition project which occupied him in 1923/24. However, after further work, it remained incomplete in 1926. His “symphony” entitled Dunaj has survived as a continuously-notated, four-movement bundle of sketches in score form. It is one of the works which occupied him until his death. The scholarly reconstruction by the two Brno composers Miloš Štedron and Leoš Faltus closely follows the original manuscript.

A whole conglomeration of motifs stands behind the incomplete work. What at first seems like a counterpart to Smetana’s Vltava, in fact doesn’t turn out to be a musical depiction of the Danube. On the contrary, the fateful link between the destiny of women, water and death permeates the range of motifs found in the work. It seems to be no coincidence that Janácek, whilst working on the opera Katya Kabanova, in which the Volga, as the river bringing death plays an almost mythical role, planned a Danube symphony, and that its content was linked with the destiny of women: in the sketches, two poems were found which may have provided the stimulus for several movements of the symphony. He copied a poem by Pavla Kriciková into the second movement, in which a girl remarks that whilst bathing in a pond, she was observed by a man. Filled with shame, the young naked woman jumps into the water and drowns. The outer movements likewise draw on the poem “Lola” by the Czech writer Sonja Špálová, published under the pseudonym Alexander Insarov. This is about a prostitute who asks for her heart’s desire: she is given a palace, but then goes on a long search for it and is finally no longer wanted by anyone. She suffers, feels cold and just wants a warm fire. Janácek adds his remark “she jumps into the Danube” to the inconclusive ending.

To these tangible literary models is added Adolf Veselý’s verbal account which reports that the composer wanted to portray “in the Danube, the female sex with all its passions and driving forces”. The third movement is said to characterise the city of Vienna in the form of a woman.

It is evident that in his composition, Janácek was not striving for a simple, natural lyricism. The River Danube is masculine in the Slavic language – “ten Dunaj” – and assumes an almost mythical significance in the national character, indeed often also a role bringing death. The four movements are motivically conceived. Elements of sound painting, small wave-like figures in the first movement, motoric, driving movements in the third are obvious evocations of water. And the content and the literary level are easy to discover. The “tremolo of the four timpani”, which was amongst Janácek’s first inspirations, appears in the second movement. It is not difficult to retrace in it the fate of the drowning bather. The oboe enters lamentoso towards the end of the movement over timpani playing tremolo, its descending figure is taken over by the flute, then upper strings and intensified considerably. The motif of drowning – Lola’s despair – returns again in the fourth movement in the clarinet, before the work ends abruptly and dramatically.

One special effect is the use of a soprano voice in the motor-driven third movement. The singer vocalises mainly in parallel with the solo oboe, but also in dialogue with other parts such as the viola d’amore, which Janácek used in several late works as a sort of “voice of love”.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SKU: BR.SON-621

Composed by Jean Sibelius. Edited by Anna Pulkkis. Linen. Complete Works.

Chamber music by Jean Sibelius - a welcome addition to the chamber music repertoire for strings with piano.

Late-romantic; Early modern. Complete Works. 352 pages. Breitkopf and Haertel #SON 621. Published by Breitkopf and Haertel (BR.SON-621).

ISBN 9790004803233. 9 x 12 inches.

This volume presents partly less known, but undoubtedly interesting and highly welcome additions to the chamber music repertoire for violinists and cellists in the reliable Urtext of the Complete Edition. The violin was Sibelius's instrument. He was active as a violinist mainly during his studies at the Helsinki Music Institute from 1885-1889 and for a short time thereafter. The present volume contains Jean Sibelius's opus-numbered works for violin or cello and piano, 36 compositions in total. Most of the works of this volume were created at the beginning of the 20th century and remained unpublished until the early 1920s. Sibelius composed far less music for the cello than for the violin. Malinconia (Op. 20), published in 1911, remained his only opus-numbered work exclusively for cello and piano. This volume also includes Two Pieces (Op. 77) and Four Pieces (Op. 78) as versions for violin with piano and for cello with piano.

Chamber music by Jean Sibelius - a welcome addition to the chamber music repertoire for strings with piano.