| Lead the Way (from Raya and the Last Dragon) Orchestre [Conducteur] - Intermédiaire Hal Leonard
Score. Composed by Jhene Aiko. Arranged by Larry Moore. Pop Specials for Str...(+)
Score. Composed by Jhene
Aiko.
Arranged by Larry Moore.
Pop
Specials for Strings.
Movies.
Softcover. Duration 160
seconds. Published by Hal
Leonard
$5.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Best of Bruno Mars Orchestre [Conducteur] Alfred Publishing
Featuring: Just the Way You Are / When I Was Your Man / Uptown Funk. Full...(+)
Featuring: Just the
Way You Are / When I Was
Your Man / Uptown
Funk. Full Orchestra;
Score. Pop Concert Full
Orchestra. Pop. 32 pages.
Published by Alfred Music
(AP.45853S).
$10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Best of Bruno Mars Orchestre [Conducteur et Parties séparées] Alfred Publishing
Featuring: Just the Way You Are / When I Was Your Man / Uptown Funk. Arranged by...(+)
Featuring: Just the Way
You Are / When I Was Your
Man / Uptown Funk.
Arranged by Victor Lopez.
Full Orchestra; Part(s);
Score. Pop Concert Full
Orchestra. Pop. 248
pages. Published by
Alfred Music
$75.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Contextures: Riots - Decade '60 Orchestre Theodore Presser Co.
Orchestra SKU: PR.11641867L Composed by William Kraft. Spiral. Large Scor...(+)
Orchestra SKU:
PR.11641867L Composed
by William Kraft. Spiral.
Large Score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867L. Published by
Theodore Presser Company
(PR.11641867L). UPC:
680160683215. Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death. $105.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Contextures: Riots - Decade '60 Orchestre [Conducteur] Theodore Presser Co.
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Durati...(+)
Orchestra SKU:
PR.11641867S Composed
by William Kraft. Full
score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867S. Published by
Theodore Presser Company
(PR.11641867S). UPC:
680160683208. Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death. $43.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Way of the Cross Leads Home - Orchestral Score and CD with Printable Parts Orchestre SoundForth
Orchestra SKU: S2.30-3320SF Composed by Mary McDonald. Arranged by Larry ...(+)
Orchestra SKU:
S2.30-3320SF Composed
by Mary McDonald.
Arranged by Larry
Shackley. Choral. Sacred
Anthem, All Saints' Day,
General, Lent. Orchestral
score and CD with
printable parts.
SoundForth #30/3320SF.
Published by SoundForth
(S2.30-3320SF). UPC:
000308140996. Mary
McDonald pairs a glorious
original melody with a
beloved hymn text and
offers singers accessible
vocals that are both rich
and inspiring. Use the
elegant keyboard
accompaniment or Larry
Shackley's enchanting
orchestration to
powerfully underscore
your choir. (From the
cantata The Way of the
Cross Leads Home,
SATB--55/1151L;
SAB--55/1152L) The
instrumental ensemble
includes a score and CD
with printable parts for
2 Flutes, 2 Clarinets,
Horn, 2 Trumpets,
Trombone, Tuba, 2
Percussion, Piano, 2
Violins, Viola, Cello,
Bass, and Digital String
Reduction. $69.95 - Voir plus => Acheter | | |
| The Way of the Cross Leads Home - Orchestral Score and Parts Orchestre SoundForth
Orchestra SKU: S2.30-3319SF Composed by Mary McDonald. Arranged by Larry ...(+)
Orchestra SKU:
S2.30-3319SF Composed
by Mary McDonald.
Arranged by Larry
Shackley. Choral. Sacred
Anthem, All Saints' Day,
General, Lent. Orchestral
score and parts.
SoundForth #30/3319SF.
Published by SoundForth
(S2.30-3319SF). UPC:
000308140989. Mary
McDonald pairs a glorious
original melody with a
beloved hymn text and
offers singers accessible
vocals that are both rich
and inspiring. Use the
elegant keyboard
accompaniment or Larry
Shackley's enchanting
orchestration to
powerfully underscore
your choir. (From the
cantata The Way of the
Cross Leads Home,
SATB--55/1151L;
SAB--55/1152L) The
instrumental ensemble
includes a score and
parts for 2 Flutes, 2
Clarinets, Horn, 2
Trumpets, Trombone, Tuba,
2 Percussion, Piano, 2
Violins, Viola, Cello,
Bass, and Digital String
Reduction. $69.95 - Voir plus => Acheter | | |
| A Grateful Tail Orchestre Subito Music
Orchestra SKU: SU.91580100 For Orchestra. Composed by Steven Mercu...(+)
Orchestra SKU:
SU.91580100 For
Orchestra. Composed
by Steven Mercurio.
Vocal/Choral, Opera. CD
(Audio). Subito Music
Corporation #91580100.
Published by Subito Music
Corporation
(SU.91580100).
A Grateful Tail
- Movement by Movement
Siriusly, Dog Star
Sirius, the brightest
star in the night sky,
has been used by
travelers and navigators
for thousands of years as
a guiding star and so it
is here as the opening
movement for the
symphony. Sirius, the
cornerstone to the
constellation Canis
Maggiore or Big Dog sits
at the foot of Orion, the
hunter, leading the way.
Highly cinematic, the
movement evokes both a
musical and visual sense
of the mythological and
mysterious elements of
Sirius and its Dog
Godstar secrets. From the
clarion call of the
opening, Sirius theme,
the sound is buoyant and
frisky emulating the
nature of doggy playtime.
Puppy pleasures abound as
a doggy four-step, my
turn on the traditional
American two-step dance,
is introduced. The
movement transforms into
an actual orchestrated
frolic of small, large
and medium dog barks
beginning with the winds
(smaller dogs) and
ultimately, the big dog,
brass. The movement
climaxes with the coda
or, Dog Park, where the
winds and the brass bark
and play together over
the, doggy ostinato
four-step rhythm,
culminating with the
final call of the Sirius
theme. Let Sleeping Dogs
Lie, Peacefully It's all
in a dog's day and life.
Tranquility presides over
this supremely gentle,
intermezzo-like movement.
After a day of play,
every dog needs rest. Let
Sleeping Dogs Lie, is a
lyrical andante inspired
by the profound serenity
and beauty of a dog at
rest. The Last Will and
Testament of Silverdene
Emblem O'Neill Based on a
powerful piece of prose
written by the American
playwright, Eugene
O'Neill this text was
intended as a consolation
piece for Carlotta, his
wife, who had become
grief-stricken over the
loss of their beloved
dog, the Dalmatian known
as Blemie.Written for a
singing actor who
personifies the role of
Blemie, a dog at the end
of his life, the movement
plays like a one act,
musical drama as we
follow Blemie through a
wonderfully
three-dimensional,
emotional and
psychological journey
writing his Last Will and
Testament, for those who
have loved him. Wagging
the Tail: Ossia Fido's
Lament A life-affirming
rumba/samba using
Blemie's final words from
O'Neill's text, this
final movement employs
the most unique American
musical invention, the
gospel choir. In order to
make the dances come
alive, this movement also
calls upon the colors of
a rhythm section.
Creating the spirit of an
Irish Funeral, the
movement is a joyful and
revival-like celebration
of a dog's life as its
spirit lives on forever
in the hearts and minds
of dog lovers everywhere.
Remember Me, remember me!
My spirit is wagging a
grateful tail. Published
by: Subito Music
Publishing Release Date:
July 9, 2013. $11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| He'll Find a Way - Orchestral Score and CD with Printable Parts Orchestre Medallion Music
Full orchestra SKU: LO.30-3723MD Choral. Sacred Anthem. Orchestral score ...(+)
Full orchestra SKU:
LO.30-3723MD Choral.
Sacred Anthem. Orchestral
score and CD with
printable parts.
Medallion Music
#30/3723MD. Published by
Medallion Music
(LO.30-3723MD). UPC:
000308154245. Orche
stral Score and CD with
Printable Parts for
10/5343MD Jay Rouse
brings us an impactful
arrangement of the
classic 1980s ministry
song from Babbie Mason
and Donna Douglas. The
gentle, ballad-like feel
of the freely sung solo
in the beginning quickly
leads to an increase in
energy once the choir
enters—an energy
that is experienced all
the way to the
awe-inspiring ending. An
encouraging selection for
believers! $79.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Way of the Cross Leads Home - Score and Parts plus CD with Printable Parts Orchestre [Conducteur et Parties séparées] Lorenz Publishing Company
Orchestra SKU: LO.30-2804L Following the Path of Salvation Through Hym...(+)
Orchestra SKU:
LO.30-2804L
Following the Path of
Salvation Through
Hymns. Composed by
Mary McDonald. Arranged
by Jean Anne Shafferman.
Choral, cantatas. Holy
Week, Eastertide, Sacred.
Score and parts, plus CD
with printable parts.
Lorenz Publishing Company
#30/2804L. Published by
Lorenz Publishing Company
(LO.30-2804L). UPC:
000308130942. This
product includes the full
orchestral score, printed
parts, and digital parts
(delivered on a CD) for
The Way of the Cross
Leads Home. The parts
include 2 Flutes, 2
Clarinets, Horn, 2
Trumpets, Trombone, Tuba,
2 Percussion, Piano, 2
Violins, Viola, Cello,
Bass, and Digital String
Reduction. $399.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Way of the Cross Leads Home - Full Score Orchestre [Conducteur] Lorenz Publishing Company
Orchestra SKU: LO.30-2742L Following the Path of Salvation Through Hym...(+)
Orchestra SKU:
LO.30-2742L
Following the Path of
Salvation Through
Hymns. Composed by
Mary McDonald. Arranged
by Jean Anne Shafferman.
Choral, cantatas. Holy
Week, Eastertide, Sacred.
Full score. Lorenz
Publishing Company
#30/2742L. Published by
Lorenz Publishing Company
(LO.30-2742L). UPC:
000308130171. This
product is the full
orchestral score only for
The Way of the Cross
Leads Home.. $99.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Way of the Cross Leads Home - Set of Parts Orchestre Lorenz Publishing Company
Orchestra SKU: LO.30-2743L Following the Path of Salvation Through Hym...(+)
Orchestra SKU:
LO.30-2743L
Following the Path of
Salvation Through
Hymns. Composed by
Mary McDonald. Arranged
by Jean Anne Shafferman.
Choral, cantatas. Holy
Week, Eastertide, Sacred.
Instrumental parts.
Lorenz Publishing Company
#30/2743L. Published by
Lorenz Publishing Company
(LO.30-2743L). UPC:
000308130188. This
product is the set of
printed parts only for
The Way of the Cross
Leads Home, and it
includes parts for 2
Flutes, 2 Clarinets,
Horn, 2 Trumpets,
Trombone, Tuba, 2
Percussion, Piano, 2
Violins, Viola, Cello,
Bass, and Digital String
Reduction. $249.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Way of the Cross Leads Home - CD with Printable Parts Orchestre Lorenz Publishing Company
Orchestra SKU: LO.30-2803L Following the Path of Salvation Through Hym...(+)
Orchestra SKU:
LO.30-2803L
Following the Path of
Salvation Through
Hymns. Composed by
Mary McDonald. Arranged
by Jean Anne Shafferman.
Choral, cantatas. Holy
Week, Eastertide, Sacred.
CD with printable parts.
Lorenz Publishing Company
#30/2803L. Published by
Lorenz Publishing Company
(LO.30-2803L). UPC:
000308130935. This
product is the set of
digital parts only
(delivered on a CD) for
The Way of the Cross
Leads Home, and it
includes parts for 2
Flutes, 2 Clarinets,
Horn, 2 Trumpets,
Trombone, Tuba, 2
Percussion, Piano, 2
Violins, Viola, Cello,
Bass, and Digital String
Reduction. $249.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| All the Way My Savior Leads Me Orchestre [Partition + CD-ROM] Lillenas Publishing Co.
Composed by Robert Lowry. Arranged by Tom Payne and Ed Hogan. For orchestra. All...(+)
Composed by Robert Lowry.
Arranged by Tom Payne and
Ed Hogan. For orchestra.
Allegis. Sacred, hymn.
Medium. Score and CD with
printable parts and
accompaniment tracks. 15
pages. Lillenas
Publishing Company
#765762213005. Published
by Lillenas Publishing
Company
$69.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rock Philharmonic Orchestre [Partition + CD] Alfred Publishing
Classic Rock for the String Orchestra (Teacher's Score). Arranged by Bob ...(+)
Classic Rock for the
String Orchestra
(Teacher's Score).
Arranged by Bob Phillips
and Daryl Silberman.
Book; CD; Play-Along;
String Orchestra
Collection. Rock. 48
pages. Published by
Alfred Music (AP.40742).
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony No. 6 - At the End of the Day Orchestre - Intermédiaire Wilhelm Hansen
Orchestra (Full Score) - Grade 4 SKU: HL.14032192 Full Score. Comp...(+)
Orchestra (Full Score) -
Grade 4 SKU:
HL.14032192 Full
Score. Composed by
Per Norgard. Music Sales
America. 20Th Century,
Classical. Softcover. 188
pages. Edition Wilhelm
Hansen #KP00865.
Published by Edition
Wilhelm Hansen
(HL.14032192). ISBN
9788759858394.
12.0x16.5x0.78 inches.
International (more than
one
language). Symphony
No. 6 for orchestra,
1997-99. Preface /
Program Note:... with the
Lord a day is like a
thousand years, and a
thousand years is like a
day(New Testament, 2
Peter 3:8)My SYMPHONY NO.
6 was commissioned by the
Danish National Radio
Symphony Orchestra, the
Gteborg Symphony
Orchestra and the Oslo
Philharmonic Orchestra,
to be premiered at the
millenium 2000.The
subtitle AT THE END OF
THE DAY can be understood
literally or it can mean
when all is added up.
However, in my opinion,
nothing ever quite adds
up, there is always
something missing, any
ending will be
provisional ...This
symphony appears to end
only a few minutes into
the first movement, the
first passage, as the
music fades away to
almost-silence, after a
start of flying colours.
But then there is still
something, a small motive
(first heard in the
initial sound-waves)
which reappears,
hesitant, but persistent,
and this embryo is what
leads on the musical
progression. An agitated
section of many
instrumental voices comes
next, until all the
voices become obsessed
with the same phrase, a
see-saw motive based on
thirds. This section
evolves into almost
martial ferocity, when
broken off by a tutti
descent into an extreme
bass-world (a bass-world
which actually permeates
the whole symphony,
emplyoing instruments
that I have never used
before: double-bass tuba,
double-bass trombone,
double-bass clarinet, and
bass flute).The second
movement, the second
passage, apparently takes
off where the first
passage ended, but now
the events are more
ambiguous, and the same
music may be perceived as
fast-moving one moment
and slow-moving the next.
This section is a kind of
passacaglia, the
characteristic baroque
bass-variation.Without a
break follows the third
and last passage, in a
contrasting high
register. The music is
rhythmically knotty as
well as freely flowing.
As in the beginning of
the symphony, a
never-ending descent or
fall breaks off the
events, and at the very
end a delta of new
beginnings, of other
worlds, is revealed
....The symphony is
dedicated to Helle, my
wife. - Per Norgard. $125.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Song of the Earth Orchestre Breitkopf & Härtel
Orchestra (solos: T,A(Bar) - 4(2picc).3(cor ang).5(Eb-clar.Bb-clar).3 (dble bsn)...(+)
Orchestra (solos:
T,A(Bar) - 4(2picc).3(cor
ang).5(Eb-clar.Bb-clar).3
(dble bsn) - 4.3.3.1 -
2hp.cel.mand.timp.perc(4)
- str) SKU:
BR.OB-5641-60
Composed by Gustav
Mahler. Edited by
Christian Rudolf Riedel.
Voice; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Late-romantic.
Set of parts. 1116 pages.
Duration 65'. Breitkopf
and Haertel #OB 5641-60.
Published by Breitkopf
and Haertel
(BR.OB-5641-60). ISBN
9790004348833. 10.5 x 14
inches. The Song of
the Earth, composed in
the summer of 1908, is
Mahler's best-known and
most personal work.
Reflecting drastic
changes in his life, its
immense emotional density
is very moving. Until the
very end, Mahler
continued to refine the
extremely differentiated
instrumentation, as is
evident in numerous
retouchings in the
autograph score and
engraver's model. It is
therefore all the more
regrettable that he was
neither able to perform
his Symphony in Songs
himself nor that he was
involved in its printing.
Unfortunately, in the
posthumously published
first edition of 1912 and
the subsequent editions
edited by Erwin Ratz and
Karl Heinz Fussl, many
questions remained
unanswered, while other
were answered in a
dubious way.The edition
is the first
text-critical one of the
work on a scientifically
sound basis. It offers
not only a more reliable
musical text, but also
systematically and
lucidly prepared
information on the
sources, their
transmission and
evaluation. All editorial
decisions have been
documented in a
transparently
comprehensible manner -
in particular those
leading to new audible
results. Work-related
notes on performance
practice, which for the
first time include
Mahler's conducting
indications, offer
valuable, indispensable
interpretive aids. In
addition to the regular
five clarinet parts, the
set of parts includes two
additional parts (3rd
clarinet/Eb clarinet,
bass clarinet/3rd
clarinet in places where
the latter plays Eb
clarinet) to allow
performances with only
four clarinets.The
completely revised piano
reduction reproduces the
orchestral texture true
to the score without
losing sight of
playability. Both
Mahler's piano autograph
and the piano reduction
by Woss, which was
commissioned by the
composer himself, served
as an inspiration for
this. $2387.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Requiem Orchestre [Conducteur d'étude / Miniature] Schott
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (St...(+)
Soprano, tenor,
Knabensoprano,
flugelhorn, mixed choir
and chamber orchestra
(Study Score) SKU:
HL.49018099 Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099). ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German. On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009. $93.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Steal Away Orchestre [Conducteur] - Facile Highland/Etling
Orchestra - Grade 3 SKU: AP.35996S Arranged by Matt Turner. Performance M...(+)
Orchestra - Grade 3
SKU: AP.35996S
Arranged by Matt Turner.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Alternatives. Folk;
Sacred; Spiritual;
Traditional. Score. 8
pages. Highland/Etling
#00-35996S. Published by
Highland/Etling
(AP.35996S). UPC:
038081410418. English.
Traditional. This
arrangement of the
beloved African-American
spiritual offers students
the opportunity to
experience chromaticism
within beautiful moving
lines and harmonies. A
simple hymn-like texture
at the beginning
gradually leads to an
expedition in
bi-tonality, giving this
arrangement a
contemporary but
accessible sound. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Empty Hands, Open Arms - Orchestral Score and Parts Orchestre Lorenz Publishing Company
Orchestra SKU: LO.30-2852L Composed by Lloyd Larson. Arranged by Michael ...(+)
Orchestra SKU:
LO.30-2852L Composed
by Lloyd Larson. Arranged
by Michael Lawrence.
Choral. Sacred Anthem,
Baptism, Discipleship,
Eastertide, General.
Orchestral score and
parts. Lorenz Publishing
Company #30/2852L.
Published by Lorenz
Publishing Company
(LO.30-2852L). UPC:
000308132168. Wheth
er on the mountain's
height or the valley's
deepest maze, I place my
trust in You. Lord, lead
me in your ways. This
expressive original Lloyd
Larson anthem is a hymn
of trust, asking for
God's guidance through
all of life's journeys.
Perfect for use
throughout the year, this
tender selection is
enhanced by a skillfully
crafted optional
orchestration.
Instrumentation: 2 Fl,
Ob, 2 Cl, Bsn (sub B Cl),
2 Hn (sub A Sax), 3 Tpt,
2 Tbn (sub T Sax), Tuba,
Harp, Pno, Perc, Timp, 2
Vln, Vla, Cello, Bass,
Digital String
Reduction. $69.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Empty Hands, Open Arms - Orchestral Score and CD with Printable Parts Orchestre Lorenz Publishing Company
Orchestra SKU: LO.30-2853L Composed by Lloyd Larson. Arranged by Michael ...(+)
Orchestra SKU:
LO.30-2853L Composed
by Lloyd Larson. Arranged
by Michael Lawrence.
Choral. Sacred Anthem,
Baptism, Discipleship,
Eastertide, General.
Orchestral score and CD
with printable parts.
Lorenz Publishing Company
#30/2853L. Published by
Lorenz Publishing Company
(LO.30-2853L). UPC:
000308132175. Wheth
er on the mountain's
height or the valley's
deepest maze, I place my
trust in You. Lord, lead
me in your ways. This
expressive original Lloyd
Larson anthem is a hymn
of trust, asking for
God's guidance through
all of life's journeys.
Perfect for use
throughout the year, this
tender selection is
enhanced by a skillfully
crafted optional
orchestration.
Instrumentation: 2 Fl,
Ob, 2 Cl, Bsn (sub B Cl),
2 Hn (sub A Sax), 3 Tpt,
2 Tbn (sub T Sax), Tuba,
Harp, Pno, Perc, Timp, 2
Vln, Vla, Cello, Bass,
Digital String
Reduction. $69.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Joyous Celebration Orchestre [Conducteur] - Facile Highland/Etling
Orchestra - Grade 2.5 SKU: AP.45882S Composed by Scott Watson. Performanc...(+)
Orchestra - Grade 2.5
SKU: AP.45882S
Composed by Scott Watson.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score. 8
pages. Duration 2:55.
Highland/Etling
#00-45882S. Published by
Highland/Etling
(AP.45882S). UPC:
038081523880.
English. With its
bright, hopeful melody
and infectious rhythms,
this original piece by
Scott Watson, A Joyous
Celebration, is perfect
to program for any
celebratory occasion, or
to open or close your
concert. Optimistic
harmonies and recurring
syncopations in the
opening section give way
to broad, expansive
strokes in a brief,
contrasting section. A
fortissimo climax leads
to the welcome return of
the jubilant opening
theme. The joyful music
drives to a sparkling
finish, conveying the
feeling that anything is
possible! (2:55). $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Joyous Celebration Orchestre - Facile Highland/Etling
Orchestra - Grade 2.5 SKU: AP.45882 Composed by Scott Watson. Performance...(+)
Orchestra - Grade 2.5
SKU: AP.45882
Composed by Scott Watson.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score and
Part(s). 110 pages.
Duration 2:55.
Highland/Etling
#00-45882. Published by
Highland/Etling
(AP.45882). UPC:
038081523873.
English. With its
bright, hopeful melody
and infectious rhythms,
this original piece by
Scott Watson is perfect
to program for any
celebratory occasion, or
to open or close your
concert. Optimistic
harmonies and recurring
syncopations in the
opening section give way
to broad, expansive
strokes in a brief,
contrasting section. A
fortissimo climax leads
to the welcome return of
the jubilant opening
theme. The joyful music
drives to a sparkling
finish, conveying the
feeling that anything is
possible! (2:55). $49.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Finlandia Orchestre [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Jean Sibelius (1865-1957). Arranged by Richard Meyer. Orchestra. Full Orchest...(+)
By Jean Sibelius
(1865-1957). Arranged by
Richard Meyer. Orchestra.
Full Orchestra. First
Philharmonic. 20th
Century; Romantic. Grade
1. Conductor Score and
Parts. 102 pages
(1)$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
1 |