Countertenor; Orchestra (Full Score) SKU: HL.238315 For Countertenor a...(+)
Countertenor; Orchestra
(Full Score)
SKU:
HL.238315
For
Countertenor and
Orchestra. Composed
by Michael Nyman. Music
Sales America. Classical.
Softcover. Composed 2017.
16 pages. Duration 240
seconds. Chester Music
#CH76109. Published by
Chester Music
(HL.238315).
(Featuring According to Plan, Remains of the Day and The Wedding Song) Composed ...(+)
(Featuring According to
Plan, Remains of the Day
and The Wedding Song)
Composed by Danny Elfman,
arranged by Douglas E.
Wagner. Conductor's score
and set of performance
parts for string or full
orchestra (2 - flute, 2 -
oboe, 1 - 1st clarinet, 1
- 2nd clarinet, 1 - bass
clarinet, 2 - bassoon, 4
- horn in F, 1 - 1st
trumpet, 1 - 2nd trumpet,
3 - trombone, 1 - tuba, 2
- mallet percussion, 3 -
percuss
Featuring: Hedwig's
Theme / Main Titles /
Macusa Headquarters /
Newt's Friend / End
Titles. Composed by
James Newton Howard.
Arranged by Patrick
Roszell (contains
Hedwig's Theme by John
Williams). Full
Orchestra; Score. Pop
Concert Full Orchestra.
Movie. 36 pages.
Published by Alfred Music
(AP.45859S).
By John Williams. Arranged by Jerry Brubaker. Music by John Williams / arr. Jerr...(+)
By John Williams.
Arranged by Jerry
Brubaker. Music by John
Williams / arr. Jerry
Brubaker. For Full
Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Movie.
Conductor Score & Parts.
Published by Alfred
Publishing. Level:
3.5 (grade 3.5).
Featuring: Hedwig's Theme
/
Main Titles / Macusa
Headquarters / Newt's
Friend
/ End Titles. Composed by
James Newton Howard.
Arranged by Patrick
Roszell
(contains "Hedwig's
Theme"
by John Williams). Full
Orchestra; Part(s);
Score.
Pop Concert Full
Orchestra.
Movie. 240 pages.
Published
by Alfred Music
Arranged by Charles Sayre. Full Orchestra; Performance Music Ensemble; Single Ti...(+)
Arranged by Charles
Sayre. Full Orchestra;
Performance Music
Ensemble; Single Titles.
Pop Concert Full
Orchestra. Light Concert;
Movie. Score and Parts.
114 pages. Duration 1:49.
Alfred Music #00-FO9717.
Published by Alfred Music
Orchestra - Grade 3.5 SKU: AP.FO9912C Arranged by Jerry Brubaker. Full Or...(+)
Orchestra - Grade 3.5
SKU: AP.FO9912C
Arranged by Jerry
Brubaker. Full Orchestra;
Performance Music
Ensemble; Single Titles.
Pop Concert Full
Orchestra. Light Concert;
Movie. Score. 44 pages.
Duration 7:24. Belwin
Music #00-FO9912C.
Published by Belwin Music
(AP.FO9912C).
UPC:
654979000365.
English.
The world
has waited years, and
finally, last May, the
motion picture event of
the century exploded on
the screen. Jerry
Brubaker presents a
highly creative mix of
these great themes from
the power-packed John
Williams' score: Star
Wars (Main Theme),
Anakin's Theme, Augie's
Great Municipal Band,
Duel of the Fates, and
the End Credits. Every
orchestra in the world
will be playing this one!
(7:24).
Orchestra (Score) - Grade 2 SKU: HL.4492819 Composed by Michael G. Giacch...(+)
Orchestra (Score) - Grade
2
SKU: HL.4492819
Composed by Michael G.
Giacchino. Arranged by
Robert Longfield. Easy
Pop Specials For Strings.
Movies. Softcover.
Duration 160 seconds.
Published by Hal Leonard
(HL.4492819).
UPC:
196288067337.
9.0x12.0x0.014
inches.
Robert
Longfield's easy string
orchestra arrangement of
the main theme from
Spider-Man: No Way Home
captures the energy of
the original without
overwhelming your
students. Beginning in
3/4 time but changing to
4/4 near the end, this D
minor arrangement
provides a good
opportunity to work on
this fundamental meter
change.
Arranged by Charles Sayre. Arr. Charles Sayre. For Full Orchestra. Full Orchestr...(+)
Arranged by Charles
Sayre. Arr. Charles
Sayre. For Full
Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Movie.
Level: grade III-IV.
Conductor Score.
Published by Alfred
Publishing.
(Main Title). By Alan Silvestri. Arranged by John Higgins. Essential Elements St...(+)
(Main Title). By Alan
Silvestri. Arranged by
John Higgins. Essential
Elements String Orchestra
Series - Performer Level.
Size 9x12 inches.
Published by Hal Leonard.
Composed by Doug Spata.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score and
Part(s). 81 pages.
Duration 3:05.
Highland/Etling
#00-49062. Published by
Highland/Etling
(AP.49062).
ISBN
9781470645823. UPC:
038081565187.
English.
Through
the Dark Domain by Doug
Spata is a thrilling,
cinematic journey perfect
for your next concert or
contest program. Each
section of the orchestra
gets a chance to play the
bold melodies, shimmering
ostinatos, and expressive
lyrical passages before
coming to a dramatic and
triumphant conclusion.
Featuring a high degree
of part independence and
opportunities for
shifting in all the
parts, students will love
the fiery, impassioned
style of this piece.
(3:05).
Composed by Doug Spata.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score. 16
pages. Duration 3:05.
Highland/Etling
#00-49062S. Published by
Highland/Etling
(AP.49062S).
ISBN
9781470645830. UPC:
038081565194.
English.
Through
the Dark Domain by Doug
Spata is a thrilling,
cinematic journey perfect
for your next concert or
contest program. Each
section of the orchestra
gets a chance to play the
bold melodies, shimmering
ostinatos, and expressive
lyrical passages before
coming to a dramatic and
triumphant conclusion.
Featuring a high degree
of part independence and
opportunities for
shifting in all the
parts, students will love
the fiery, impassioned
style of this piece.
(3:05).
Orchestra (Orchestra) SKU: HL.48010897 For String Orchestra. Compo...(+)
Orchestra (Orchestra)
SKU: HL.48010897
For String
Orchestra. Composed
by Tony Osborne. This
edition: M060074110.
Boosey & Hawkes
Orchestra. Classical,
Contemporary. Boosey &
Hawkes #M060074110.
Published by Boosey &
Hawkes (HL.48010897).
UPC:
073999916454.
Strin
gs Together Level 3
Contents: Madam Cole *
Wild-west Shaker *
Sarabande * Music from
Outer Space * Jamaican
Rumba.
Lemminkainen ja saaren
neidot - Urtext based on
the Complete Edition Jean
Sibelius Works (JSW).
Composed by Jean
Sibelius. Edited by Tuija
Wicklund. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
Symphonic poem; Suite;
Late-romantic; Early
modern. Full score. 84
pages. Duration 17'.
Breitkopf and Haertel #PB
5582. Published by
Breitkopf and Haertel
(BR.PB-5582).
ISBN
9790004213926. 10 x 12.5
inches.
Little is
known about the actual
composition process of
Lemminkainen, and the
performance and
publication history is
rather complex, resulting
in a first complete
printing of all four
movements en suite
through the complete
edition of Jean Sibelius
Works only in 2013.In
summer 1894 Sibelius went
to Central Europe,
carrying among others a
plan for an opera freely
based on the Kalevala in
his mind. But during this
trip he reassessed his
composing: I think I have
found my old self again,
musically speaking. I
think I really am a tone
painter and a poet. As a
result he abandoned his
opera plans, but musical
parts may have found
their way into the
Lemminkainen pieces which
he started composing
during that time.
Lemminkainen became
popular from the
beginning and has
attained a fixed position
in the concert
repertoire.A critic
opined on Lemminkainen
and the Maidens on the
Island: We do not
hesitate to award this
tone painting of
Lemminkainen's erotic
emotional world the first
prize among all the young
composer's works..
1st Movement, Arranged
for String Orchestra.
Composed by Johann
Sebastian Bach. Arranged
by Steven H. Brook.
MakeMusic Cloud;
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Concert String
Orchestra. Form:
Transcription. Baroque;
Masterwork Arrangement.
Score and Part(s). 128
pages. Belwin Music
#00-40494. Published by
Belwin Music (AP.40494).
UPC: 038081453712.
English.
Gone are
the winds---Bach's great
music remains. But, it is
not merely giving the
horn parts to the violas.
This is a reworking that
maintains the integrity
of the music adapted for
new instrumentation.
Scored with four violin
parts and two viola
parts, this piece can be
performed effectively
using single or multiple
players on each part. The
antiphonal writing
highlights the
contrapuntal genius of
this masterpiece. Perfect
for festival, to feature
students, or as an opener
or closer! This title is
available in MakeMusic
Cloud.
1st Movement, arranged
for string orchestra.
Composed by Johann
Sebastian Bach. Arranged
by Steven H. Brook.
MakeMusic Cloud;
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Concert String
Orchestra. Form:
Transcription. Baroque;
Masterwork Arrangement.
Score. 16 pages. Belwin
Music #00-40494S.
Published by Belwin Music
(AP.40494S).
UPC:
038081453729.
English.
Gone are
the winds---Bach's great
music remains. But, it is
not merely giving the
horn parts to the violas.
This is a reworking that
maintains the integrity
of the music adapted for
new instrumentation.
Scored with four violin
parts and two viola
parts, this piece can be
performed effectively
using single or multiple
players on each part. The
antiphonal writing
highlights the
contrapuntal genius of
this masterpiece. Perfect
for festival, to feature
students, or as an opener
or closer! This title is
available in MakeMusic
Cloud.
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library). The
Slavonic Dances Op. 46,
which began to conquer
the world's concert halls
in 1878, made a major
contribution to Dvorak's
international
breakthrough. The Urtext
edition is based on the
main sources, mainly on
the autograph score and
the first edition.
Dances/marches; Romantic.
Full score. 296 pages.
Duration 35'. Breitkopf
and Haertel #PB 5273.
Published by Breitkopf
and Haertel (BR.PB-5273).
ISBN 9790004210079. 10
x 12.5 inches.
In
his Slavonic Dances Op.
46, Dvorak did not draw
on pre-existent music,
but created something
original and new,
projecting his own
compositional will into
the creative process.
What we hear are Dvoraks
melodies,and that it is
due to his creative will
that he cast them as in
Dance 3, for example in
the form of a melodic
four-tone model which is
common to many folk songs
and childrens songs.
Finally, it is his
rhythmic invention and
shaping of the musical
character of each dance
that breathe life into
the elements of Slavonic
dance music.
The
Slavonic Dances Op. 46,
which began to conquer
the world's concert halls
in 1878, made a major
contribution to Dvorak's
international
breakthrough. The Urtext
edition is based on the
main sources, mainly on
the autograph score and
the first edition.
Orchestra SKU: BA.BA06861 Sinfonie (1923-1928). Composed by Leos J...(+)
Orchestra
SKU:
BA.BA06861
Sinfonie
(1923-1928). Composed
by Leos Janacek. Arranged
by Leoš Faltus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek H/3.
Complete edition, Score,
Set of parts. Duration 40
minutes. Baerenreiter
Verlag #BA06861_00.
Published by Baerenreiter
Verlag (BA.BA06861).
ISBN 9790260104211.
34.3 x 27 cm
inches.
Leoš
Janácek’s
symphonic fragment Dunaj
(The Danube) dates from
the period of the
composition of
“Katya
Kabanovaâ€. The
composer was not
concerned with a
musical-picturesque
description of a river
landscape, but with the
mythical link between
women’s destinies
and
water.
“Pale
green waves of the
Danube! There are so many
of you, and one followed
by another. You remain
interlocked in a
continuous flow. You
surprise yourselves where
you ended up – on
the Czech shores! Look
back downstream and you
will have an impression
of what you have left
behind in your haste. It
pleases you here. Here I
will rest with my
symphony.†Thus
Leoš Janácek
described the idea behind
the composition project
which occupied him in
1923/24. However, after
further work, it remained
incomplete in 1926. His
“symphonyâ€
entitled Dunaj has
survived as a
continuously-notated,
four-movement bundle of
sketches in score form.
It is one of the works
which occupied him until
his death. The scholarly
reconstruction by the two
Brno composers Miloš
Štedron and Leoš
Faltus closely follows
the original
manuscript.
A
whole conglomeration of
motifs stands behind the
incomplete work. What at
first seems like a
counterpart to
Smetana’s Vltava,
in fact doesn’t
turn out to be a musical
depiction of the Danube.
On the contrary, the
fateful link between the
destiny of women, water
and death permeates the
range of motifs found in
the work. It seems to be
no coincidence that
Janácek, whilst
working on the opera
Katya Kabanova, in which
the Volga, as the river
bringing death plays an
almost mythical role,
planned a Danube
symphony, and that its
content was linked with
the destiny of women: in
the sketches, two poems
were found which may have
provided the stimulus for
several movements of the
symphony. He copied a
poem by Pavla
Kriciková into the
second movement, in which
a girl remarks that
whilst bathing in a pond,
she was observed by a
man. Filled with shame,
the young naked woman
jumps into the water and
drowns. The outer
movements likewise draw
on the poem
“Lola†by the
Czech writer Sonja
Špálová,
published under the
pseudonym Alexander
Insarov. This is about a
prostitute who asks for
her heart’s
desire: she is given a
palace, but then goes on
a long search for it and
is finally no longer
wanted by anyone. She
suffers, feels cold and
just wants a warm fire.
Janácek adds his
remark “she jumps
into the Danube†to
the inconclusive
ending.
To these
tangible literary models
is added Adolf
Veselý’s verbal
account which reports
that the composer wanted
to portray “in the
Danube, the female sex
with all its passions and
driving forcesâ€.
The third movement is
said to characterise the
city of Vienna in the
form of a
woman.
It is
evident that in his
composition, Janácek
was not striving for a
simple, natural lyricism.
The River Danube is
masculine in the Slavic
language –
“ten Dunajâ€
– and assumes an
almost mythical
significance in the
national character,
indeed often also a role
bringing death. The four
movements are motivically
conceived. Elements of
sound painting, small
wave-like figures in the
first movement, motoric,
driving movements in the
third are obvious
evocations of water. And
the content and the
literary level are easy
to discover. The
“tremolo of the
four timpaniâ€,
which was amongst
Janácek’s first
inspirations, appears in
the second movement. It
is not difficult to
retrace in it the fate of
the drowning bather. The
oboe enters lamentoso
towards the end of the
movement over timpani
playing tremolo, its
descending figure is
taken over by the flute,
then upper strings and
intensified considerably.
The motif of drowning
– Lola’s
despair – returns
again in the fourth
movement in the clarinet,
before the work ends
abruptly and
dramatically.
One
special effect is the use
of a soprano voice in the
motor-driven third
movement. The singer
vocalises mainly in
parallel with the solo
oboe, but also in
dialogue with other parts
such as the viola
d’amore, which
Janácek used in
several late works as a
sort of “voice of
loveâ€.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
SKU: BR.SON-621 Composed by Jean Sibelius. Edited by Anna Pulkkis. Linen....(+)
SKU: BR.SON-621
Composed by Jean
Sibelius. Edited by Anna
Pulkkis. Linen. Complete
Works.
Chamber music
by Jean Sibelius - a
welcome addition to the
chamber music repertoire
for strings with
piano.
Late-romantic;
Early modern. Complete
Works. 352 pages.
Breitkopf and Haertel
#SON 621. Published by
Breitkopf and Haertel
(BR.SON-621).
ISBN
9790004803233. 9 x 12
inches.
This volume
presents partly less
known, but undoubtedly
interesting and highly
welcome additions to the
chamber music repertoire
for violinists and
cellists in the reliable
Urtext of the Complete
Edition. The violin was
Sibelius's instrument. He
was active as a violinist
mainly during his studies
at the Helsinki Music
Institute from 1885-1889
and for a short time
thereafter. The present
volume contains Jean
Sibelius's opus-numbered
works for violin or cello
and piano, 36
compositions in total.
Most of the works of this
volume were created at
the beginning of the 20th
century and remained
unpublished until the
early 1920s. Sibelius
composed far less music
for the cello than for
the violin. Malinconia
(Op. 20), published in
1911, remained his only
opus-numbered work
exclusively for cello and
piano. This volume also
includes Two Pieces (Op.
77) and Four Pieces (Op.
78) as versions for
violin with piano and for
cello with
piano.
Chamber
music by Jean Sibelius -
a welcome addition to the
chamber music repertoire
for strings with
piano.