The Magic of Harry Potter Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
(Featuring themes from all eight Harry Potter motion pictures). Arranged ...(+)
(Featuring themes from
all eight Harry
Potter motion
pictures). Arranged by
Michael Story and Michael
Story. Concert Band.
Concert Band; Part(s);
Score. Pop Young Band.
Form: Medley. Movie.
Grade 2. 264 pages.
Published by Alfred Music
Publishing
(Featuring themes from all eight Harry Potter motion pictures). Arranged ...(+)
(Featuring themes from
all eight Harry
Potter motion
pictures). Arranged by
Michael Story and Michael
Story. Concert Band.
Concert Band; Score;
SmartMusic. Pop Young
Band. Form: Medley.
Movie. Grade 2. 36 pages.
Published by Alfred Music
(AP.39534S
Nightlife in Paris Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 3.5 SKU: BT.DHP-1216333-015 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 3.5
SKU:
BT.DHP-1216333-015
Composed by Peter Kleine
Schaars. Peter's Compact
Collection. Original
Light Music. Set (Score &
Parts). Composed 2021. De
Haske Publications #DHP
1216333-015. Published by
De Haske Publications
(BT.DHP-1216333-015).
English-German-French-
Dutch.
The
magnificent shows at the
Moulin Rouge have left
their mark on the
collective imagination of
all who read about them.
For decades, a small but
spectacular band formed
one of the basic
ingredients in this
internationally
famedcabaret theatre.
With the first sounds of
this composition by Peter
Kleine Schaars, the
exciting Parisian
nightlife immediately
comes to mind. The
musette takes us to
quartier Pigalle, the
red-light district of
Paris, and when thedoors
of the Moulin Rouge open,
we hear the recognizable
rhythms of a contemporary
disco: a combination of
the rhythmic cells 8 / 4
and 3 / 14. In addition,
the composition has been
highlighted with a
plentiful and varied use
of rhythmic cell 5.
Naturally, the themes and
accompaniments have been
divided equally among all
parts.
Die
großartigen Shows im
Moulin Rouge prägten
das kollektive
Bewusstsein all jener,
die sich damit
beschäftigt haben.
Jahrzehntelang war eine
kleine, aber fantastische
Band Bestandteil dieses
international
bekanntenKabaretttheaters
. Mit den ersten
Klängen der
Komposition von Peter
Kleine Schaars fühlt
man sich sofort in das
aufregende Pariser
Nachtleben versetzt. Die
Musette führt uns ins
Quartier Pigalle, das
Rotlichtviertel von
Paris, undwenn sich die
Türen des Moulin Rouge
öffnen, erklingen die
bekannten Rhythmen einer
modernen Disco: eine
Kombination der
Rhythmus-Einheiten 8 / 4
und 3 / 14. Darüber
hinaus ist die
Komposition durch eine
vielfältige Verwendung
derRhythmus-Einheit 5
geprägt. Die Themen
und Begleitungen
verteilen sich dabei
gleichmäßig auf
alle Stimmen.
Nightlife in Paris Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 3.5 SKU: BT.DHP-1216333-215 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 3.5
SKU:
BT.DHP-1216333-215
Composed by Peter Kleine
Schaars. Peter's Compact
Collection. Original
Light Music. Score Only.
Composed 2021. 26 pages.
De Haske Publications
#DHP 1216333-215.
Published by De Haske
Publications
(BT.DHP-1216333-215).
English-German-French-
Dutch.
The
magnificent shows at the
Moulin Rouge have left
their mark on the
collective imagination of
all who read about them.
For decades, a small but
spectacular band formed
one of the basic
ingredients in this
internationally
famedcabaret theatre.
With the first sounds of
this composition by Peter
Kleine Schaars, the
exciting Parisian
nightlife immediately
comes to mind. The
musette takes us to
quartier Pigalle, the
red-light district of
Paris, and when thedoors
of the Moulin Rouge open,
we hear the recognizable
rhythms of a contemporary
disco: a combination of
the rhythmic cells 8 / 4
and 3 / 14. In addition,
the composition has been
highlighted with a
plentiful and varied use
of rhythmic cell 5.
Naturally, the themes and
accompaniments have been
divided equally among all
parts.
Die
großartigen Shows im
Moulin Rouge prägten
das kollektive
Bewusstsein all jener,
die sich damit
beschäftigt haben.
Jahrzehntelang war eine
kleine, aber fantastische
Band Bestandteil dieses
international
bekanntenKabaretttheaters
. Mit den ersten
Klängen der
Komposition von Peter
Kleine Schaars fühlt
man sich sofort in das
aufregende Pariser
Nachtleben versetzt. Die
Musette führt uns ins
Quartier Pigalle, das
Rotlichtviertel von
Paris, undwenn sich die
Türen des Moulin Rouge
öffnen, erklingen die
bekannten Rhythmen einer
modernen Disco: eine
Kombination der
Rhythmus-Einheiten 8 / 4
und 3 / 14. Darüber
hinaus ist die
Komposition durch eine
vielfältige Verwendung
derRhythmus-Einheit 5
geprägt. Die Themen
und Begleitungen
verteilen sich dabei
gleichmäßig auf
alle Stimmen.
Concert Band (Score) - Level 1.5 SKU: HL.4007566 Composed by Michael Giac...(+)
Concert Band (Score) -
Level 1.5
SKU:
HL.4007566
Composed
by Michael Giacchino.
Arranged by Robert
Longfield. Discovery
Concert Band. Movies.
Softcover. Duration 310
seconds. Published by Hal
Leonard (HL.4007566).
UPC: 196288064978.
9.0x12.0x0.027
inches.
This easy
version of Michael
Giacchino's dynamic theme
includes the soft
opening, followed by the
melody stated in the low
voices, and concludes
with the exciting
treatment in 4/4.
Concert Band (Score) - Grade 2 SKU: HL.4007564 Composed by Michael Giacch...(+)
Concert Band (Score) -
Grade 2
SKU:
HL.4007564
Composed
by Michael Giacchino.
Arranged by Johnnie
Vinson. Flex-Band Grade
2. Movies. Softcover. 16
pages. Duration 310
seconds. Published by Hal
Leonard (HL.4007564).
UPC: 196288064954.
9.0x12.0x0.036
inches.
Scored for
flexible instrumentation,
this dynamic arrangement
of the Spider-Man main
theme includes three
stylistic sections - the
slow opening, delicate
treatment in 3/4, and
concluding with the
exciting setting in
4/4.
Among the Clouds Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire FJH
By Brian Balmages. Arranged by Brian Balmages. Concert Band/Wind Ensemble. FJH C...(+)
By Brian Balmages.
Arranged by Brian
Balmages. Concert
Band/Wind Ensemble. FJH
Concert Band. After a
slow enchanting opening
conveys the sense of
drifting off to sleep,
the aggressive theme of
the fast section begins
the amazing flight. This
theme develops in several
ways before coming to an
invigorating conclusion.
Highly accessible and
exciting for medium level
bands! Score for this
title: B1225S. Extra part
for this title: B1225P.
Concert Band. Level:
Grade 3. Score and Set of
Parts. Published by The
FJH Music Company Inc.
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1002207-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.DHP-1002207-140
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Score
Only. Composed 2000. 96
pages. De Haske
Publications #DHP
1002207-140. Published by
De Haske Publications
(BT.DHP-1002207-140).
Sinfonia
Hungarica is a
three-movement symphony
that depicts the history
of Hungary. All three
movements were inspired
by historical key
figures, wars, and other
important events from
this country. This
symphony is a celebration
of Hungary’s
millennium in
2001.ATTILA, King of the
Huns, often named
“The scourge of
God,†is the
central figure of the
first movement, mainly
characterized by fear,
threat, aggression, and
cruelty. Attila’s
brother, Buda, however,
has a more heroic theme,
while his beloved wife,
Rika, has a lyrical
melody. The exciting
ending of this opening
movement illustrates the
dreaded speed of
Attila’s troops:
they pursued their
victims and killed them
all!
Die
Sinfonie in drei
Sätzen ist eine
musikalische Schilderung
der Geschichte Ungarns.
Alle drei Sätze haben
bedeutende historische
Persönlichkeiten und
Schlüsselereignisse
aus der Landesgeschichte
- wie etwa Kriege - zum
Inhalt. Das Werk wurde
zuUngarns
Tausendjahrfeier im Jahr
2001
geschrieben.Attila
, König der Hunnen,
oftmals auch die
Geißel Gottes genannt,
ist die zentrale Gestalt
des ersten Satzes; in
seiner musikalischen
Beschreibung sind
Aggressivität und
Grausamkeit, die vonihm
ausgehende Bedrohung und
ihm entgegengebrachte
Furcht spürbar.
Daneben erscheinen das
heroischer klingende
Thema von Buda,
Attilas Bruder, und das
lyrische von Rika,
seiner zärtlich
geliebten Frau. Der
aufpeitschende Schluss
desSatzes ist Sinnbild
für die gefürchtete
Schnelligkeit von Attilas
Truppen, mit der sie ihre
Opfer eingeholt und ohne
Ausnahme getötet
haben.Im Mittelpunkt des
zweiten Satzes steht
Arpad, der
eigentliche Begründer
des ungarischen Staates.
Eineatmosphärisch
klingende Einleitung
beschwört
Emese, die
Großmutter Arpads,
herauf, die im Traum
seine Bestimmung
vorhergesehen hatte. Er
schlug seinen Gegner, den
Prinzen Zalan von
Bulgarien, im Kampf in
die Flucht und gab dem
Land denNamen
Magyarorszag.Das Finale
ist nach Istvan
benannt, dem König,
der in Ungarn das
Christentum einführte
und am ersten Januar 1001
durch Papst Sylvester II.
gekrönt wurde. Ein
feierlicher Anfang leitet
über in einen an
Kriegsgetümmelerinnern
den Abschnitt, der in
lärmendem Getöse
endet. Es steht für
das Ende des Heiden
Koppany, dessen
Körper gevierteilt und
als abschreckendes
Beispiel an die vier
Burgen des Landes gesandt
wurde. Ein ruhiges,
beinahe religiös
wirkendesZwischenspiel
mündet in die
ungarische Nationalhymne.
Dieser prachtvolle, mit
grandioso
überschriebene Schluss
hat auch eine symbolische
Bedeutung: Nach zehn
Jahrhunderten hat Ungarn
guten Grund, mit Stolz
zurückzublicken und
der Zukunft mitZuversicht
und Optimismus
entgegenzusehen.Die
wunderbare Melodie der
Nationalhymne erscheint
in der Sinfonie auch
vorher schon immer
wieder, wird meist aber
ganz oder teilweise
überdeckt. Sie
durchläuft das Werk
wie ein roter Faden, der
anfangs kaumwahrzunehmen
ist und erst im Verlauf
der Sinfonie immer
deutlicher wird. Am Ende
krönt sie das Werk in
einer letzten
prachtvollen Steigerung,
in der das Orchester den
majestätischen Klang
einer Orgel
annimmt.
Sinfonia
Hungarica,
commissionata dalla banda
ungherese di
Kiskunfelegyahaza, è
dedicata al maestro
Ferenc Jankovski, al
sindaco della citt Jozsef
Ficsor e a Gabriella
Kiss. La prima mondiale,
eseguita dalla banda
Kiskunfelegyhaza si è
tenutaa Budapest il 31
marzo 2001 sotto la
direzione del
compositore.Gli eventi
salienti della storia
dell’Ungheria,
come le guerre ed altri
avvenimenti importanti,
sono tradotti in musica
in questa sinfonia
strutturata in tre
movimenti. Sinfonia
Hungaricavuole anche
essere un omaggio allo
stato ungherese che
festeggia il suo
millennio nel
2001.ATTILA, re
degli Unni, spesso
chiamato “il
flagello di Dio“
è la figura centrale
del primo movimento,
caratterizzato dalla
paura, dalla
minaccia,dall’aggr
essione e dalla crudelt .
Buda, fratello di Attila
è associato ad un tema
più eroico, mentre
Rika, l’amata
moglie, è
rappresentata da una
melodia lirica.
L’eccitante finale
di questo movimento di
apertura illustra la
tanto temuta velocit
delle truppe di Attila
che seminavano paura e
morte.Il secondo
movimento pone
l’accento su
ARPAD, il
fondatore dello Stato
ungherese. Inizia con un
passaggio in stile
atmosferico che evoca la
nonna di Arpad, Emese che
aveva sognato e
predettoil futuro del
nipote. Uno degli
oppositori di Arpad, il
principe bulgaro Zalan,
fu cacciato dopo una
battaglia. In seguito,
Arpad chiamò
ufficialmente il
territorio
“Magyarorszagâ€
.Il movimento finale
prende il nome da
ISTVAN, il re che
portòil cristianesimo
in Ungheria e che fu
incoronato da Papa
Silvestro II il 1
gennaio, 1001. Un inizio
solenne prelude ad un
passaggio bellico
accentuato da rumori
imponenti; questo a
simboleggiare
l’atroce fine del
pagano Koppany il cui
corpo futagliato in
quattro pezzi e inviato
ai quattro castelli del
paese come monito. Dopo
un intermezzo quieto,
quasi religioso, viene
presentato l’Inno
nazionale ungherese. In
questo ampio e grandioso
finale riecheggia
l’orgoglio
dell’Ungheria
nelricordare il suo
passato e la fiducia con
la quale si proietta al
futuro.Lo stupendo tema
dell’Inno
nazionale ungherese è
proposto nell’arco
dell’intera
sinfonia. E’
però spesso
parzialmente nascosto e
usato come filo
conduttore, appena
riconoscibileall’i
nizio ma sempre più
ovvio quando la sinfonia
si avvicina al suo
finale. A conclusione
della sinfonia, il
sublime inno conduce la
banda in
un’apoteosi
finale, facendo apparire
l’organico
strumentale come un
maestoso organo.
(I. The Quest for Erebor, II. Winderland, III. Thrice Welcome, IV. In the Sh...(+)
(I. The Quest for Erebor,
II.
Winderland, III. Thrice
Welcome, IV. In the
Shadowof
the Mountain and On the
Doorstep). Composed by
Howard
Shore, lyrics by Philippa
Boyens. Arranged by
Victor
López.
Concert Band. Concert
Band; Part(s); Score. Pop
Concert Band. Form:
Suite.
Movie. Grade 3. Published
by
Alfred Music
(I. The Quest for Erebor, II. Winderland, III. Thrice Welcome, IV. In the Sh...(+)
(I. The Quest for Erebor,
II.
Winderland, III. Thrice
Welcome, IV. In the
Shadowof
the Mountain and On the
Doorstep). Composed by
Howard
Shore, lyrics by Philippa
Boyens. Arranged by
Victor
López.
Concert Band. Concert
Band; Score. Pop Concert
Band.
Form: Suite. Movie. Grade
3.
Published by Alfred Music
Score Only Concert Band (Score) - Grade 4 SKU: HL.4005452 From Star Wa...(+)
Score Only Concert Band
(Score) - Grade 4
SKU:
HL.4005452
From
Star Wars: The Last
Jedi. Composed by
John Williams. Arranged
by Jay Bocook. Hal
Leonard Concert Band
Series. Movies.
Softcover. Published by
Hal Leonard (HL.4005452).
UPC: 888680734329.
9.0x12.0x0.059
inches.
From
Episode VIII of the Star
Wars saga, here is a
masterful setting for
mature bands. Based on
the concert edition
created by Mr. Williams
himself, The Rebellion is
Reborn brings the
excitement and drama of
The Last Jedi to the
symphonic stage.
The Magnificent Seven Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
By Elmer Bernstein. Arranged by Jack Bullock. By Elmer Bernstein / arr. Jack Bul...(+)
By Elmer Bernstein.
Arranged by Jack Bullock.
By Elmer Bernstein / arr.
Jack Bullock. For Concert
Band. Concert Band.
Correlated to the
Contemporary Band Course.
Movie. Level: 2 (Easy)
(grade 2). Conductor
Score and Parts. 160
pages. Published by
Alfred Publishing.
(Themes from all eight movies). Arranged by Jerry Brubaker. Concert Band. Concer...(+)
(Themes from all eight
movies). Arranged by
Jerry Brubaker. Concert
Band. Concert Band;
Score. Pop Symphonic
Band. Form: Medley.
Movie. Grade 4. 76 pages.
Published by Alfred Music
Publishing
The Complete Harry Potter Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(Themes from all eight movies). Arranged by Jerry Brubaker. Concert Band. Concer...(+)
(Themes from all eight
movies). Arranged by
Jerry Brubaker. Concert
Band. Concert Band;
Part(s); Score. Pop
Symphonic Band. Form:
Medley. Movie. Grade 4.
342 pages. Published by
Alfred Music Publishing
Concert band - Grade 3 SKU: CL.012-4468-75 Sir John Franklin and the S...(+)
Concert band - Grade 3
SKU:
CL.012-4468-75
Sir
John Franklin and the
Search for the Northwest
Passage. Composed by
López. Concert Band.
Concert Band Series.
Audio recording available
separately (item
CL.WFR389). Oversized,
spiral-bound score.
Composed 2016. Duration 3
minutes, 50 seconds. Opus
III Wind Orchestra
Publications
#012-4468-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4468-75).
This Victor
Lopez work evokes images
of excitement, bravery
and sorrow as Erebus and
Terror: The Lost Ships
retells the story of the
Sir John Franklin
expedition in search of
the Northwest Passage.
Beginning with
anticipation as the
explorers depart their
homeland, the rousing
melodic theme is written
for clarinet, horn and
alto saxophone. The
excitement of the journey
turns melancholic for a
few moments, as the
gravity of their journey
sinks in, but their
courage is again renewed
as the trumpets tell the
story. A haunting flute
and oboe duet foreshadows
the inevitable crash
portrayed with strong
chromatic dissonances,
into the ice and the loss
of both ships and their
crews. The journey has
ended for these men, but
their story lives on and
Sir John Franklin is
remembered as a hero due
to his valuable
contributions to the
development of Canada's
north. Highly
recommended!
Concert band - Grade 3 SKU: CL.012-4468-01 Sir John Franklin and the S...(+)
Concert band - Grade 3
SKU:
CL.012-4468-01
Sir
John Franklin and the
Search for the Northwest
Passage. Composed by
López. Concert Band.
Concert Band Series.
Audio recording available
separately (item
CL.WFR389). Extra full
score. Composed 2016.
Duration 3 minutes, 50
seconds. Opus III Wind
Orchestra Publications
#012-4468-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4468-01).
This Victor
López work evokes
images of excitement,
bravery and sorrow as
Erebus and Terror: The
Lost Ships retells the
story of the Sir John
Franklin expedition in
search of the Northwest
Passage. Beginning with
anticipation as the
explorers depart their
homeland, the rousing
melodic theme is written
for clarinet, horn and
alto saxophone. The
excitement of the journey
turns melancholic for a
few moments, as the
gravity of their journey
sinks in, but their
courage is again renewed
as the trumpets tell the
story. A haunting flute
and oboe duet foreshadows
the inevitable crash
portrayed with strong
chromatic dissonances,
into the ice and the loss
of both ships and their
crews. The journey has
ended for these men, but
their story lives on and
Sir John Franklin is
remembered as a hero due
to his valuable
contributions to the
development of
Canada’s north.
Highly recommended!
Erebus and Terror: The Lost Ships Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4468-00 Sir John Franklin and the S...(+)
Concert band - Grade 3
SKU:
CL.012-4468-00
Sir
John Franklin and the
Search for the Northwest
Passage. Composed by
López. Concert Band.
Concert Band Series.
Audio recording available
separately (item
CL.WFR389). Score and set
of parts. Composed 2016.
Duration 3 minutes, 50
seconds. Opus III Wind
Orchestra Publications
#012-4468-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-4468-00).
This Victor
López work evokes
images of excitement,
bravery and sorrow as
Erebus and Terror: The
Lost Ships retells the
story of the Sir John
Franklin expedition in
search of the Northwest
Passage. Beginning with
anticipation as the
explorers depart their
homeland, the rousing
melodic theme is written
for clarinet, horn and
alto saxophone. The
excitement of the journey
turns melancholic for a
few moments, as the
gravity of their journey
sinks in, but their
courage is again renewed
as the trumpets tell the
story. A haunting flute
and oboe duet foreshadows
the inevitable crash
portrayed with strong
chromatic dissonances,
into the ice and the loss
of both ships and their
crews. The journey has
ended for these men, but
their story lives on and
Sir John Franklin is
remembered as a hero due
to his valuable
contributions to the
development of
Canada’s north.
Highly recommended!
Journey to the Stars Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant C.L. Barnhouse
(Fanfare for Band). By James Swearingen. For concert band. Young Band. Sound Fou...(+)
(Fanfare for Band). By
James Swearingen. For
concert band. Young Band.
Sound Foundations Series.
Grade 1. Score and set of
parts. Duration 1 minute,
51 seconds. Published by
C.L. Barnhouse
Journey To The Stars Orchestre d'harmonie [Conducteur] - Débutant C.L. Barnhouse
Concert band - Grade 1 SKU: CL.023-4232-01 Fanfare For Band. Young...(+)
Concert band - Grade 1
SKU:
CL.023-4232-01
Fanfare For Band.
Young Concert Band. Sound
Foundations Series. Audio
recording available
separately (item
CL.WFR380). Extra full
score. Composed 2013.
Duration 1 minute, 51
seconds. C.L. Barnhouse
#023-4232-01. Published
by C.L. Barnhouse
(CL.023-4232-01).
The exciting
drive of the percussion
section introduces the
glorious sounds of
woodwinds and brass, a
bold declaration that the
best is yet to come. As
if on cue, our musical
journey is then woven
into a beautiful theme
that your audience will
find highly appealing.
Instruments, scored where
they sound their absolute
best, combine to create a
composition that delivers
musical impact from the
initial downbeat to the
final cut-off. A great
opener!
Composed
by Antonin Dvorak.
Arranged by Larry Clark.
Young Band. Full score.
With Standard notation.
16 pages. Duration 2
minutes, 32 seconds. Carl
Fischer Music #YPS133F.
Published by Carl Fischer
Music (CF.YPS133F).
ISBN 9780825896255.
UPC: 798408096250. 9 x 12
inches.
Combining
two wonderful tunes into
one new Christmas
classic, Larry Clark
takes the famous Largo
from Dvorak's Symphony
No. 9, From the New World
and links it together
with the popular holiday
classic Home for the
Holidays. The result is a
piece where these tunes
sound like they were
always meant to be
together. A uniquely
musical way to showcase
your band at their
holiday concert. There is
also a choral setting of
this arrangement that
will add to the
excitement!
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1002207-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.DHP-1002207-010
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Set (Score
& Parts). Composed 2000.
De Haske Publications
#DHP 1002207-010.
Published by De Haske
Publications
(BT.DHP-1002207-010).
Sinfonia
Hungarica is a
three-movement symphony
that depicts the history
of Hungary. All three
movements were inspired
by historical key
figures, wars, and other
important events from
this country. This
symphony is a celebration
of Hungary’s
millennium in
2001.ATTILA, King of the
Huns, often named
“The scourge of
God,†is the
central figure of the
first movement, mainly
characterized by fear,
threat, aggression, and
cruelty. Attila’s
brother, Buda, however,
has a more heroic theme,
while his beloved wife,
Rika, has a lyrical
melody. The exciting
ending of this opening
movement illustrates the
dreaded speed of
Attila’s troops:
they pursued their
victims and killed them
all!
Die
Sinfonie in drei
Sätzen ist eine
musikalische Schilderung
der Geschichte Ungarns.
Alle drei Sätze haben
bedeutende historische
Persönlichkeiten und
Schlüsselereignisse
aus der Landesgeschichte
- wie etwa Kriege - zum
Inhalt. Das Werk wurde
zuUngarns
Tausendjahrfeier im Jahr
2001
geschrieben.Attila
, König der Hunnen,
oftmals auch die
Geißel Gottes genannt,
ist die zentrale Gestalt
des ersten Satzes; in
seiner musikalischen
Beschreibung sind
Aggressivität und
Grausamkeit, die vonihm
ausgehende Bedrohung und
ihm entgegengebrachte
Furcht spürbar.
Daneben erscheinen das
heroischer klingende
Thema von Buda,
Attilas Bruder, und das
lyrische von Rika,
seiner zärtlich
geliebten Frau. Der
aufpeitschende Schluss
desSatzes ist Sinnbild
für die gefürchtete
Schnelligkeit von Attilas
Truppen, mit der sie ihre
Opfer eingeholt und ohne
Ausnahme getötet
haben.Im Mittelpunkt des
zweiten Satzes steht
Arpad, der
eigentliche Begründer
des ungarischen Staates.
Eineatmosphärisch
klingende Einleitung
beschwört
Emese, die
Großmutter Arpads,
herauf, die im Traum
seine Bestimmung
vorhergesehen hatte. Er
schlug seinen Gegner, den
Prinzen Zalan von
Bulgarien, im Kampf in
die Flucht und gab dem
Land denNamen
Magyarorszag.Das Finale
ist nach Istvan
benannt, dem König,
der in Ungarn das
Christentum einführte
und am ersten Januar 1001
durch Papst Sylvester II.
gekrönt wurde. Ein
feierlicher Anfang leitet
über in einen an
Kriegsgetümmelerinnern
den Abschnitt, der in
lärmendem Getöse
endet. Es steht für
das Ende des Heiden
Koppany, dessen
Körper gevierteilt und
als abschreckendes
Beispiel an die vier
Burgen des Landes gesandt
wurde. Ein ruhiges,
beinahe religiös
wirkendesZwischenspiel
mündet in die
ungarische Nationalhymne.
Dieser prachtvolle, mit
grandioso
überschriebene Schluss
hat auch eine symbolische
Bedeutung: Nach zehn
Jahrhunderten hat Ungarn
guten Grund, mit Stolz
zurückzublicken und
der Zukunft mitZuversicht
und Optimismus
entgegenzusehen.Die
wunderbare Melodie der
Nationalhymne erscheint
in der Sinfonie auch
vorher schon immer
wieder, wird meist aber
ganz oder teilweise
überdeckt. Sie
durchläuft das Werk
wie ein roter Faden, der
anfangs kaumwahrzunehmen
ist und erst im Verlauf
der Sinfonie immer
deutlicher wird. Am Ende
krönt sie das Werk in
einer letzten
prachtvollen Steigerung,
in der das Orchester den
majestätischen Klang
einer Orgel
annimmt.
Sinfon
ia Hungarica,
commissionata dalla banda
ungherese di
Kiskunfelegyahaza, è
dedicata al maestro
Ferenc Jankovski, al
sindaco della citt Jozsef
Ficsor e a Gabriella
Kiss. La prima mondiale,
eseguita dalla banda
Kiskunfelegyhaza si è
tenutaa Budapest il 31
marzo 2001 sotto la
direzione del
compositore.Gli eventi
salienti della storia
dell’Ungheria,
come le guerre ed altri
avvenimenti importanti,
sono tradotti in musica
in questa sinfonia
strutturata in tre
movimenti. Sinfonia
Hungaricavuole anche
essere un omaggio allo
stato ungherese che
festeggia il suo
millennio nel
2001.ATTILA, re
degli Unni, spesso
chiamato “il
flagello di Dio“
è la figura centrale
del primo movimento,
caratterizzato dalla
paura, dalla
minaccia,dall’aggr
essione e dalla crudelt .
Buda, fratello di Attila
è associato ad un tema
più eroico, mentre
Rika, l’amata
moglie, è
rappresentata da una
melodia lirica.
L’eccitante finale
di questo movimento di
apertura illustra la
tanto temuta velocit
delle truppe di Attila
che seminavano paura e
morte.Il secondo
movimento pone
l’accento su
ARPAD, il
fondatore dello Stato
ungherese. Inizia con un
passaggio in stile
atmosferico che evoca la
nonna di Arpad, Emese che
aveva sognato e
predettoil futuro del
nipote. Uno degli
oppositori di Arpad, il
principe bulgaro Zalan,
fu cacciato dopo una
battaglia. In seguito,
Arpad chiamò
ufficialmente il
territorio
“Magyarorszagâ€
.Il movimento finale
prende il nome da
ISTVAN, il re che
portòil cristianesimo
in Ungheria e che fu
incoronato da Papa
Silvestro II il 1
gennaio, 1001. Un inizio
solenne prelude ad un
passaggio bellico
accentuato da rumori
imponenti; questo a
simboleggiare
l’atroce fine del
pagano Koppany il cui
corpo futagliato in
quattro pezzi e inviato
ai quattro castelli del
paese come monito. Dopo
un intermezzo quieto,
quasi religioso, viene
presentato l’Inno
nazionale ungherese. In
questo ampio e grandioso
finale riecheggia
l’orgoglio
dell’Ungheria
nelricordare il suo
passato e la fiducia con
la quale si proietta al
futuro.Lo stupendo tema
dell’Inno
nazionale ungherese è
proposto nell’arco
dell’intera
sinfonia. E’
però spesso
parzialmente nascosto e
usato come filo
conduttore, appena
riconoscibileall’i
nizio ma sempre più
ovvio quando la sinfonia
si avvicina al suo
finale. A conclusione
della sinfonia, il
sublime inno conduce la
banda in
un’apoteosi
finale, facendo apparire
l’organico
strumentale come un
maestoso organo.
Beyond the Crest Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS215F Composed by Sean O'Loughlin. ...(+)
Band Concert Band - Grade
2
SKU: CF.YPS215F
Composed by Sean
O'Loughlin. Young Band
(YPS). Full score. With
Standard notation. 20
pages. Carl Fischer Music
#YPS215F. Published by
Carl Fischer Music
(CF.YPS215F).
ISBN
9781491153024. UPC:
680160910526.
Beyon
d the Crest is an
exciting piece that
captures the essence of
Sean O'Loughlin's popular
style. The piece opens
with a slow, soaring
melody that develops
throughout the
composition. Pulsating
eighth notes build the
tension and intense
harmonies drive the piece
to a satisfying and
dynamic ending. Beyond
the Crest was
commissioned by the
Lakeshore Bands of
Stevensville, Michigan,
and dedicated to Philip
and Cindy Huff, Directors
of Bands, in honor of
their retirement. The
piece captures the
excitement and
achievement that defined
Philip and Cindy Huff's
illustrious careers. The
piece opens with a slow,
soaring melody that will
become the basis of the
entire composition. It
builds to an intense
chord at m. 13 that sets
off into the fast section
at m. 14. This section
begins with some
eighth-note pulses. The
woodwinds have more
eighth notes than the
rest of the ensemble to
create an echo effect.
Bring out the dynamics to
highlight this. The main
melody comes in at m. 33,
which is a faster version
of the opening melody. It
is complimented by some
eighth-note punches and
lush chords. The
woodwinds take over at m.
43 with a much broader
accompaniment in the
lower voices. The lower
voices get their chance
at the melody at m. 54.
The echo effect returns
at m. 68 to start the
cycle over again but this
time with some new
wrinkles. Measure 77
transports to a new tonal
center and then brings it
back to a broad
presentation at m. 85.
The eighth notes
return to bring the piece
to an exciting end.
Band Concert Band - Grade 2 SKU: CF.YPS215 Composed by Sean O'Loughlin. Y...(+)
Band Concert Band - Grade
2
SKU: CF.YPS215
Composed by Sean
O'Loughlin. Young Band
(YPS). Set of Score and
Parts. With Standard
notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+6+2+2+4+12+20+4
pages. Duration 3:15.
Carl Fischer Music
#YPS215. Published by
Carl Fischer Music
(CF.YPS215).
ISBN
9781491152348. UPC:
680160909841. Key: Bb
major.
Beyond the
Crest is an exciting
piece that captures the
essence of Sean
O'Loughlin's popular
style. The piece opens
with a slow, soaring
melody that develops
throughout the
composition. Pulsating
eighth notes build the
tension and intense
harmonies drive the piece
to a satisfying and
dynamic ending. Beyond
the Crest was
commissioned by the
Lakeshore Bands of
Stevensville, Michigan,
and dedicated to Philip
and Cindy Huff, Directors
of Bands, in honor of
their retirement. The
piece captures the
excitement and
achievement that defined
Philip and Cindy Huff's
illustrious careers. The
piece opens with a slow,
soaring melody that will
become the basis of the
entire composition. It
builds to an intense
chord at m. 13 that sets
off into the fast section
at m. 14. This section
begins with some
eighth-note pulses. The
woodwinds have more
eighth notes than the
rest of the ensemble to
create an echo effect.
Bring out the dynamics to
highlight this. The main
melody comes in at m. 33,
which is a faster version
of the opening melody. It
is complimented by some
eighth-note punches and
lush chords. The
woodwinds take over at m.
43 with a much broader
accompaniment in the
lower voices. The lower
voices get their chance
at the melody at m. 54.
The echo effect returns
at m. 68 to start the
cycle over again but this
time with some new
wrinkles. Measure 77
transports to a new tonal
center and then brings it
back to a broad
presentation at m. 85.
The eighth notes
return to bring the piece
to an exciting end.
Themyscira Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
Concert Band - Grade 3 SKU: AP.49159S From the Wonder Woman 1984 Sound...(+)
Concert Band - Grade 3
SKU: AP.49159S
From the Wonder Woman
1984 Soundtrack.
Composed by Hans Zimmer.
Arranged by Victor Lopez.
Concert Band; Performance
Music Ensemble; Single
Titles. Pop Concert Band.
Movie. Score. 36 pages.
Alfred Music #00-49159S.
Published by Alfred Music
(AP.49159S).
ISBN
9781470647025. UPC:
038081566252.
English.
The
exciting main theme from
Wonder Woman 1984
arranged by Victor
López captures the
essence of the original
soundtrack. The
impassioned melody and
explosive rhythmic
sections are evident from
beginning to end. Take
your audience and
students on an
exploratory trip to
Themyscira, and let them
experience Wonder Woman's
paradise island.
Concert Band - Grade 3 SKU: AP.49159 From the Wonder Woman 1984 Soundt...(+)
Concert Band - Grade 3
SKU: AP.49159
From the Wonder Woman
1984 Soundtrack.
Composed by Hans Zimmer.
Arranged by Victor Lopez.
Concert Band; Performance
Music Ensemble; Single
Titles. Pop Concert Band.
Movie. Score and Part(s).
227 pages. Belwin Music
#00-49159. Published by
Belwin Music (AP.49159).
ISBN 9781470647018.
UPC: 038081566245.
English.
The
exciting main theme from
Wonder Woman 1984
arranged by Victor
López captures the
essence of the original
soundtrack. The
impassioned melody and
explosive rhythmic
sections are evident from
beginning to end. Take
your audience and
students on an
exploratory trip to
Themyscira, and let them
experience Wonder Woman's
paradise island.
Orchestra Concert Band SKU: PR.44641256L For Orchestra. Composed b...(+)
Orchestra Concert Band
SKU: PR.44641256L
For Orchestra.
Composed by Ellen Taaffe
Zwilich. This edition:
Orchestra version.
Contemporary. Large
Score. With Standard
notation. Composed 2010.
28 pages. Duration 12
minutes. Theodore Presser
Company #446-41256L.
Published by Theodore
Presser Company
(PR.44641256L).
UPC:
680160596010. 11 x 17
inches. Key: A
major.
Fanfare;
Reminiscence and
Celebration is in 2
movements. I. Fanfare The
opening of a concert hall
is always an exciting
event, introducing the
hall to the performers
and the performers to the
hall each testing the
capacities of the other.
I decided to have the
ensemble greet and salute
the new Ruby Diamond Hall
with a Fanfare that
includes offstage brass
players in 3 different
locations in the
audience. II.
Reminiscence and
Celebration The 2nd
movement begins in a
reflective mood. As I
thought about Ruby
Diamond Hall, where I had
performed as a teenager,
I remembered people,
particularly many mentors
with whom I have
performed here, who are
gone, but whose gifts and
spirits are still with
us. The theater has a
beautiful tradition of
leaving one light bulb
burning all night long
for the spirits of the
actors who have graced
that stage. While I
wanted my 2nd movement to
acknowledge that sense of
continuity of past and
present, the piece ends
in celebration of the
new. Perhaps all artists
feel a strong connection
with the past, but we
work in and for the
present and we build for
the future. Fanfare;
Reminiscence and
Celebration is in 2
movements. I. Fanfare The
opening of a concert hall
is always an exciting
event, introducing the
hall to the performers
and the performers to the
hall a each testing the
capacities of the other.
I decided to have the
ensemble greet and salute
the new Ruby Diamond Hall
with a Fanfare that
includes offstage brass
players in 3 different
locations in the
audience. II.
Reminiscence and
Celebration The 2nd
movement begins in a
reflective mood. As I
thought about Ruby
Diamond Hall, where I had
performed as a teenager,
I remembered people,
particularly many mentors
with whom I have
performed here, who are
gone, but whose gifts and
spirits are still with
us. The theater has a
beautiful tradition of
leaving one light bulb
burning all night long
for the spirits of the
actors who have graced
that stage. While I
wanted my 2nd movement to
acknowledge that sense of
continuity of past and
present, the piece ends
in celebration of the
new. Perhaps all artists
feel a strong connection
with the past, but we
work in and for the
present and we build for
the future. Fanfare;
Reminiscence and
Celebration is in 2
movements. I. Fanfare The
opening of a concert hall
is always an exciting
event, introducing the
hall to the performers
and the performers to the
hall -- each testing the
capacities of the other.
I decided to have the
ensemble greet and salute
the new Ruby Diamond Hall
with a Fanfare that
includes offstage brass
players in 3 different
locations in the
audience. II.
Reminiscence and
Celebration The 2nd
movement begins in a
reflective mood. As I
thought about Ruby
Diamond Hall, where I had
performed as a teenager,
I remembered people,
particularly many mentors
with whom I have
performed here, who are
gone, but whose gifts and
spirits are still with
us. The theater has a
beautiful tradition of
leaving one light bulb
burning all night long
for the spirits of the
actors who have graced
that stage. While I
wanted my 2nd movement to
acknowledge that sense of
continuity of past and
present, the piece ends
in celebration of the
new. Perhaps all artists
feel a strong connection
with the past, but we
work in and for the
present and we build for
the future. Fanfare;
Reminiscence and
Celebration is in 2
movements.I. FanfareThe
opening of a concert hall
is always an exciting
event, introducing the
hall to the performers
and the performers to the
hall — each
testing the capacities of
the other. I decided to
have the ensemble greet
and salute the new Ruby
Diamond Hall with a
Fanfare that includes
offstage brass players in
3 different locations in
the audience.II.
Reminiscence and
CelebrationThe 2nd
movement begins in a
reflective mood. As I
thought about Ruby
Diamond Hall, where I had
performed as a teenager,
I remembered people,
particularly many mentors
with whom I have
performed here, who are
gone, but whose gifts and
spirits are still with
us. The theater has a
beautiful tradition of
leaving one light bulb
burning all night long
for the spirits of the
actors who have graced
that stage. While I
wanted my 2nd movement to
acknowledge that sense of
continuity of past and
present, the piece ends
in celebration of the
new. Perhaps all artists
feel a strong connection
with the past, but we
work in and for the
present and we build for
the future.
Orchestra Concert Band SKU: PR.446412560 For Orchestra. Composed b...(+)
Orchestra Concert Band
SKU: PR.446412560
For Orchestra.
Composed by Ellen Taaffe
Zwilich. This edition:
Orchestra version. Sws.
Contemporary. Full score.
With Standard notation.
Composed 2010. 28 pages.
Duration 12 minutes.
Theodore Presser Company
#446-41256. Published by
Theodore Presser Company
(PR.446412560).
ISBN
9781598063738. UPC:
680160596003. 9x12
inches. Key: A
major.
Fanfare;
Reminiscence and
Celebration is in 2
movements. I. Fanfare The
opening of a concert hall
is always an exciting
event, introducing the
hall to the performers
and the performers to the
hall each testing the
capacities of the other.
I decided to have the
ensemble greet and salute
the new Ruby Diamond Hall
with a Fanfare that
includes offstage brass
players in 3 different
locations in the
audience. II.
Reminiscence and
Celebration The 2nd
movement begins in a
reflective mood. As I
thought about Ruby
Diamond Hall, where I had
performed as a teenager,
I remembered people,
particularly many mentors
with whom I have
performed here, who are
gone, but whose gifts and
spirits are still with
us. The theater has a
beautiful tradition of
leaving one light bulb
burning all night long
for the spirits of the
actors who have graced
that stage. While I
wanted my 2nd movement to
acknowledge that sense of
continuity of past and
present, the piece ends
in celebration of the
new. Perhaps all artists
feel a strong connection
with the past, but we
work in and for the
present and we build for
the future. Fanfare;
Reminiscence and
Celebration is in 2
movements. I. Fanfare The
opening of a concert hall
is always an exciting
event, introducing the
hall to the performers
and the performers to the
hall a each testing the
capacities of the other.
I decided to have the
ensemble greet and salute
the new Ruby Diamond Hall
with a Fanfare that
includes offstage brass
players in 3 different
locations in the
audience. II.
Reminiscence and
Celebration The 2nd
movement begins in a
reflective mood. As I
thought about Ruby
Diamond Hall, where I had
performed as a teenager,
I remembered people,
particularly many mentors
with whom I have
performed here, who are
gone, but whose gifts and
spirits are still with
us. The theater has a
beautiful tradition of
leaving one light bulb
burning all night long
for the spirits of the
actors who have graced
that stage. While I
wanted my 2nd movement to
acknowledge that sense of
continuity of past and
present, the piece ends
in celebration of the
new. Perhaps all artists
feel a strong connection
with the past, but we
work in and for the
present and we build for
the future. Fanfare;
Reminiscence and
Celebration is in 2
movements. I. Fanfare The
opening of a concert hall
is always an exciting
event, introducing the
hall to the performers
and the performers to the
hall -- each testing the
capacities of the other.
I decided to have the
ensemble greet and salute
the new Ruby Diamond Hall
with a Fanfare that
includes offstage brass
players in 3 different
locations in the
audience. II.
Reminiscence and
Celebration The 2nd
movement begins in a
reflective mood. As I
thought about Ruby
Diamond Hall, where I had
performed as a teenager,
I remembered people,
particularly many mentors
with whom I have
performed here, who are
gone, but whose gifts and
spirits are still with
us. The theater has a
beautiful tradition of
leaving one light bulb
burning all night long
for the spirits of the
actors who have graced
that stage. While I
wanted my 2nd movement to
acknowledge that sense of
continuity of past and
present, the piece ends
in celebration of the
new. Perhaps all artists
feel a strong connection
with the past, but we
work in and for the
present and we build for
the future. Fanfare;
Reminiscence and
Celebration is in 2
movements.I. FanfareThe
opening of a concert hall
is always an exciting
event, introducing the
hall to the performers
and the performers to the
hall — each
testing the capacities of
the other. I decided to
have the ensemble greet
and salute the new Ruby
Diamond Hall with a
Fanfare that includes
offstage brass players in
3 different locations in
the audience.II.
Reminiscence and
CelebrationThe 2nd
movement begins in a
reflective mood. As I
thought about Ruby
Diamond Hall, where I had
performed as a teenager,
I remembered people,
particularly many mentors
with whom I have
performed here, who are
gone, but whose gifts and
spirits are still with
us. The theater has a
beautiful tradition of
leaving one light bulb
burning all night long
for the spirits of the
actors who have graced
that stage. While I
wanted my 2nd movement to
acknowledge that sense of
continuity of past and
present, the piece ends
in celebration of the
new. Perhaps all artists
feel a strong connection
with the past, but we
work in and for the
present and we build for
the future.
The Ecstasy of Gold Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1114972-140 From The Good,...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1114972-140
From The Good, The Bad
and The Ugly.
Composed by Ennio
Morricone. Arranged by
Lorenzo Bocci. DHP Pop,
Film and Show.
TV-Film-Musical-Show.
Score Only. Composed
2011. 16 pages. De Haske
Publications #DHP
1114972-140. Published by
De Haske Publications
(BT.DHP-1114972-140).
9x12 inches.
The
Ecstasy of Gold is the
famous theme from the
movie The Good, The Bad
and The Ugly that leads
up to and is heard during
the movieâ??s climax,
the showdown! The
complete soundtrack to
The Good, the Bad and the
Ugly was released in 1966
and sold millions of
copies. Since 1983,
heavy-metal band
Metallica have been
opening concerts with
Morriconeâ??s dramatic
and exciting song, The
Ecstasy of Gold. Lorenzo
Bocci has created an
equally exciting
arrangement for concert
band.
The Ecstasy
of Gold is het beroemde
lied uit de muziek van de
film The Good, The Bad
and The Ugly en leidt
naar het hoogtepunt van
de film. Ennio Morricone
componeerde de soundtrack
voor deze
spaghettiwestern van
Sergio Leone. Ookde
eerste twee delen van de
filmtrilogie, A Fistfull
of Dollars en For a Few
Dollars More, voorzag hij
van filmmuziek. De
hardrockband Metallica
opent sinds 1983 haar
rockconcerten met dit
dramatische en pakkende
lied. Lorenzo Boccimaakte
er een versie voor
blaasorkest van. Spannend
en
meeslepend..!
The
Ecstasy of Gold ist das
berühmte Lied aus der
Filmmusik zu The Good,
The Bad and The Ugly
(Zwei glorreiche
Halunken), welches den
Showdown und zugleich
Höhepunkt des Films
einleitet. Komponiert
wurde der Soundtrack zu
Sergio Leones klassischem
Italo-Wester von Ennio
Morricone, der auch schon
die beiden ersten Filme
der Trilogie - Für
eine Handvoll Dollar und
Für ein paar Doller
mehr - vertont hatte. Die
Metal-Band Metallica
eröffnet seit 1983
ihre Konzerte stets mit
diesem dramatischen und
packenden Lied, das
Lorenzo Bocci für
Blasorchester
arrangierte.
Fil
m del 1966 diretto da
Sergio Leone, Il Buono,
Il Brutto, Il Cattivo
è uno tra i più
celebri western della
storia del cinema.
Lâ??Estasi dellâ??Oro
(The Ecstasy of Gold)
è una canzone composta
da Ennio Morricone per il
film, ricordata in
particolare per essere il
sottofondo musicale della
scena in cui Tuco cerca
freneticamente il
cimitero con la tomba
dove si trovano 200.000
dollari in oro.
Composed by Wilco
Moerman. Set (Score &
Parts). 48 pages. Gobelin
Music Publications #GOB
001140-010. Published by
Gobelin Music
Publications
(BT.GOB-001140-010).
In Theme Park
Fun! your orchestra pays
a visit to an amusement
park. During your visit,
you will experience some
spectacular rides and
attractions this theme
park offers. The
uniqueness of Theme Park
Fun! is the interplay
between music and(moving)
images. Animations and
illustrations support the
visual
composition.
Pa
rt 1: The Entrance &
Parade [with
animation] The
opening of the park is a
fact. A day full of fun
and pleasure awaits! You
and the other visitors
willbe confronted with
all the rides,
attractions and
adventures the theme park
has to offer. Which ride
shall we do first?! There
is so much to do and
experience on this day in
the park! A parade of
colorful floats and park
figures is passing
by. Letthe fun
begin!
Part 2:
The Haunted House [with
animation] The
only ride in the park
that is not related to
fun, is the Haunted
House. Here visitors will
be challenged to visit a
house full of ghosts,
creepy figures and
otherominous things. The
clock strikes twelve,
there is no turning back.
Ghosts are whispering,
yelling, screaming...
Fortunately it is almost
one oclock, so we can
leave this creepy place
quickly.
Part
3: The Swinging Galleon
[withillustrations]What a huge pirate
ship! Each time you swing
back and forth, you will
feel that weird feeling
in your stomach. When you
are thrown completely
into the top you will
have a fantastic view
over the park, but you
can not enjoy itfor long.
Before you know the ship
swings back the other
way.
Part 4:
The Fairy Tale Ride [with
illustrations] Aft
er all those exciting and
spectacular rides and
attractions, it is time
for a peaceful tour in
The Fairy Tale
Ride.Surrounded by a
fairytale setting, you
will discover fable
figures, talking animals
and colorful designs.
Such a beauty and
tranquility. Having had
this experience, we are
ready again for the big
rides in the
park!
Part 5:
The Bumper Cars[with
illustrations] Now
its time to crawl behind
the wheel of the Bumper
Cars! Shall we all chase
the conductor?! Before
you know you are hit by
another visitor or you
will bump against someone
else. In this tough ride
you can prove yourselfas
a real driver, or perhaps
as a really bad
one.
Part 6:
The Roller Coaster [with
illustrations] The
largest, fastest and
scariest ride in the park
... we should definitely
do the Roller Coaster!
All together in the
train,
theover-the-shoulder
restraints are
lowering... be ready to
ride. The train leaves
the station and is
heading for the big lift
hill. It will be very
scary when the train
reaches the top and the
train will be plunged
down the first drop!
Loops,corkscrews and
other spectacular coaster
elements will follow...
Before you know it, the
ride of your life is
over. Shall we ride it
again?!
Part 7:
Leaving the Park [with
animation] Unfortu
nately everything comes
to an end. Thisday in the
theme park is over, but
we have a lot new
experiences to talk
about! The memories of
all the funny and
spectacular rides will
come up when we walk
through the park to the
exit. Just one look over
the shoulder, the
amusement park figuresare
waving at us. Hopefully
we will come back again
soon!
In
'Theme Park Fun!' bezoek
je met de hele
muziekvereniging een
pretpark. Tijdens het
bezoek word je op
muzikale wijze
geconfronteerd met een
aantal spectaculaire
attracties die het
pretpark rijk is. Het
unieke van 'Theme Park
Fun!'is het samenspel
tussen muziek en
beeld.
Deel 1:
'The Entrance & Parade'
[met
animatiefilm] De
opening van het pretpark
is een feit. De dag vol
plezier kan beginnen en
de bezoekers worden hier
geconfronteerdmet alle
attracties en avonturen
die ze in het pretpark
staan te wachten. In
welke attractie zullen we
als eerst stappen?! Er is
zoveel te doen en te
beleven deze dag in het
pretpark! Een parade met
parkfiguren en kleurrijke
praalwagenskomt voorbij,
de pret kan
beginnen!
Deel
2: 'The Haunted House'
[met
animatiefilm] De
enige attractie in het
pretpark die geen 'pret'
uitstraalt, is het
spookhuis. Hier worden de
bezoekers uitgedaagd om
zichte begeven in een
huis vol spoken, geesten
en andere onheilspellende
dingen. De klok slaat 12
keer, er is geen weg meer
terug. Gefluister...,
geschreeuw... Gelukkig
slaat de klok bijna 1 uur
en kunnen we deze ongure
plek snel
verlaten.
Deel3
: 'The Swinging Galleon'
[met
illustraties] Wat
een groot piratenschip!
Elke keer wanneer je heen
en weer schommelt, voel
je dat rare gevoel in je
buik. Wanneer je helemaal
in de top geslingerd
bentheb je een
fantastisch uitzicht over
het pretpark, maar je
kunt er niet lang van
genieten. Voor je het
weet zwaait het schip
weer de andere kant
op.
Deel 4:
'The Fairy Tale Ride'
[met
illustraties] Na
al die spannendeen
spectaculaire attracties
is het tijd voor een
rustig ritje in 'The
Fairy Tale Ride'. Omgeven
door een sprookjesachtige
omgeving waan je je
tussen elfjes, pratende
dieren en kleurrijke
decors. Wat een
schoonheid en rust,
hierna.