Concert Band (SCORE+PARTS) - Grade 4.5

SKU: HL.4007848

Composed by Oliver Waespi. Beriato Music Concert Band Set. Concert. Softcover. Duration 675 seconds. Beriato Music #033673. Published by Beriato Music (HL.4007848).

UPC: 196288105473. 9.0x12.0 inches.

This piece comprises a series of variations on the melody of “Ami, dans cette vie” (“Friend, in this life”), an 18th century French song. Like the famous poem “Canzona de Bacco” by Lorenzo de' Medici, this song invites the listener to enjoy life, friendships, love and wine while there is still time to do so. The epicurean nature of this text contrasts with a deeply melancholic melody, a contradiction which is explored in the present work. After a somewhat turbulent first part, the original melody is revealed in a serene and pensive middle section which highlights several soloists. In the last movement, the atmosphere is transformed to become increasingly exuberant, like a Bacchus incantation. The piece concludes with a final dazzling statement of the original theme. Canzona di Bacco was commissioned by the Vesoul Municipal Wind Band, who premiered the work on 24 June 2022 at the Edwige Feuillère Theatre in Vesoul (France), under the direction of Mathieu Anguenot.

Concert Band - Grade 2

SKU: HL.44007664

Grade 2 - Score Only. Composed by James Curnow. Curnow Music Concert Band. 20 pages. Published by Curnow Music (HL.44007664).

UPC: 884088310196. 9x12 inches.

The exciting and the mysterious combine in unforeseen ways as we traverse the enigma of Colorado's Phantom Canyon. A provocative and unusual kind of music for the younger band to explore, your musicians will find this new composition to be compelling and satisfying to play. There is also lots of potential for working with the history and geography departments with this one. Lots of color and interesting melodic cross-relations make this a great teaching piece as well as an audience favorite. (Grade 2).

Based upon Canon in D. Composed by Larry Clark. Score and part(s). Duration 3 minutes, 53 seconds. Carl Fischer #YPS148. Published by Carl Fischer (CF.YPS148).

African Dances by Kitt Turnbull. Concert Band. For Wind Band. Part(s); Score; Wind Band. Faber Edition: Faber Wind Band Series. Multicultural. Published by Faber Music

Arranged by Johnnie Vinson. Flex-Band Grade 1. African, Christmas Secular, Folk. Softcover. Published by Hal Leonard

Full Score Concert Band (Score) - Grade 1

SKU: HL.4280587

Composed by Anne McGinty. MusicWorks Grade 1. Chorale, Concert. Published by Hal Leonard (HL.4280587).

UPC: 073999805871. 9.0x12.0x0.019 inches.

The opening Chorale section of this very appealling beginning band piece introduces the theme that is then used in the Canon that follows. Skillfully designed to pass the melody to every section, this is a very rewarding piece for beginning groups. First published in 1984.

Concert Band (Score) - Level 2.5

SKU: HL.4003204

Composed by Richard L. Saucedo. MusicWorks Grade 2. 20 pages. Published by Hal Leonard (HL.4003204).

UPC: 884088660826. 9.0x12.0x0.083 inches.

Composed to give young players the opportunity to experience mixed meter in a controlled setting (in this case, 3/4 + 4/4), Incandescence uses an engaging and energetic rhythmic groove to make this big step fun and enjoyable. In addition to being a perfect vehicle for teaching and internalizing a constant 8th- note subdivision, this piece will be exciting and rewarding to perform. Dur: 2:10.

Arranged by John O'reilly. Arr. John O'Reilly. For Concert Band. Concert Band. Accent on Achievement. Level: Grade 1.5. Conductor Score & Parts. Published by Alfred Publishing.

Concert Band/Harmonie - Grade 1

SKU: BT.AMP-376-140

Composed by Thomas Tallis. Arranged by Philip Sparke. Debut Series (Anglo). Score Only. Composed 2012. 16 pages. Anglo Music Press #AMP 376-140. Published by Anglo Music Press (BT.AMP-376-140).

9x12 inches. English-German-French-Dut ch.

The well-known 16th Century canon by Thomas Tallis is as effective as it is simple. This arrangement includes four verses of the melody: the first in the form of canon; the second for brass; the third for woodwind and the fourth for the entire orchestra. Philip Sparke’s arrangement is also well suited for incomplete brass ensembles.

Eenvoudig, maar met een bijzondere uitwerking. Dat is deze bekende canon van Thomas Tallis uit de zestiende eeuw. Deze bewerking geeft vier strofen van het lied: de eerste in de vorm van een canon, de tweede voor de koperblazers, de derde voor de houtblazers en de vierde voor het gehele orkest. Ook wanneer u met een onvolledige bezetting moet werken, is dit arrangement van Philip Sparke goed speelbaar.

Der bekannte Canon von Thomas Tallis aus dem 16. Jahrhundert ist ein ebenso einfaches wie wirkungsvolles Stück. Diese Bearbeitung präsentiert vier Strophen des Liedes: die erste in Kanonform, die zweite für die Blechbläser, die dritte für dieHolzbläser und die vierte für das gesamte Orchester. Philip Sparkes Arrangement ist auch für unvollständig besetzte Blasorchester gut spielbar.

Cet arrangement pour orchestre d’harmonie du célèbre Canon de Thomas Tallis - qui met en musique le psaume 67, God Grant we Grace - comprend quatre couplets de ce cantique. Le premier est en forme de canon, le deuxième est interprété par les cuivres, le troisième par les bois et le dernier est repris par l’orchestre entier. Le somptueux arrangement réalisé par Philip Sparke conviendra toutes les formations, même restreintes.

Questo arrangiamento per banda del celebre Canone del XVI secolo di Thomas Tallis che mette in musica il Salmo 67, God Grant we Grace, presenta quattro strofe estratte da questo cantico. La prima è proposta sotto forma di canone, la seconda affi data agli ottoni, la terza ai legni, e l’ultima è ripresa dall’intero organico. Il sontuoso arrangiamento di Philip Sparke si presta in modo ottimale a essere eseguito da ogni tipo di organico, anche ridotto.

Concert Band/Harmonie - Grade 1

SKU: BT.AMP-376-010

Composed by Thomas Tallis. Arranged by Philip Sparke. Debut Series (Anglo). Set (Score & Parts). Composed 2012. Anglo Music Press #AMP 376-010. Published by Anglo Music Press (BT.AMP-376-010).

9x12 inches. English-German-French-Dut ch.

The well-known 16th Century canon by Thomas Tallis is as effective as it is simple. This arrangement includes four verses of the melody: the first in the form of canon; the second for brass; the third for woodwind and the fourth for the entire orchestra. Philip Sparke’s arrangement is also well suited for incomplete brass ensembles.

Eenvoudig, maar met een bijzondere uitwerking. Dat is deze bekende canon van Thomas Tallis uit de zestiende eeuw. Deze bewerking geeft vier strofen van het lied: de eerste in de vorm van een canon, de tweede voor de koperblazers, de derde voor de houtblazers en de vierde voor het gehele orkest. Ook wanneer u met een onvolledige bezetting moet werken, is dit arrangement van Philip Sparke goed speelbaar.

Der bekannte Canon von Thomas Tallis aus dem 16. Jahrhundert ist ein ebenso einfaches wie wirkungsvolles Stück. Diese Bearbeitung präsentiert vier Strophen des Liedes: die erste in Kanonform, die zweite für die Blechbläser, die dritte für dieHolzbläser und die vierte für das gesamte Orchester. Philip Sparkes Arrangement ist auch für unvollständig besetzte Blasorchester gut spielbar.

Cet arrangement pour orchestre d’harmonie du célèbre Canon de Thomas Tallis - qui met en musique le psaume 67, God Grant we Grace - comprend quatre couplets de ce cantique. Le premier est en forme de canon, le deuxième est interprété par les cuivres, le troisième par les bois et le dernier est repris par l’orchestre entier. Le somptueux arrangement réalisé par Philip Sparke conviendra toutes les formations, même restreintes.

Questo arrangiamento per banda del celebre Canone del XVI secolo di Thomas Tallis che mette in musica il Salmo 67, God Grant we Grace, presenta quattro strofe estratte da questo cantico. La prima è proposta sotto forma di canone, la seconda affi data agli ottoni, la terza ai legni, e l’ultima è ripresa dall’intero organico. Il sontuoso arrangiamento di Philip Sparke si presta in modo ottimale a essere eseguito da ogni tipo di organico, anche ridotto.

Concert Band/Harmonie/Fanfare Band - Grade 1.5

SKU: BT.DHP-1135407-015

Composed by Eric J. Hovi. De Haske Flexible Series. Original Light Music. Set (Score and Parts). Composed 2012. De Haske Publications #DHP 1135407-015. Published by De Haske Publications (BT.DHP-1135407-015).

9x12 inches. English-German-French-Dut ch.

This work in four sections is written for a four-part variable instrumentation together with drums. We start off_x001E_ in the _x001F_first movement on an adventurous safari. In the second and third movements weâ??re on the hunt for great beasts of Africa, which can also be heard with all their stomping, screeching and yelling. A wonderful musical safari that all musicians and listeners alike will enjoy!

Dit werk voor vierstemmige variabele bezetting met slagwerk beschrijft in vier deeltjes verschillende taferelen van het Afrikaanse continent. In het eerste deel gaan we op safari. In het tweede deel gaan we op zoek naar een olifant, een neushoorn, een luipaard een leeuw en een buffel. Welke reptielen kunnen we ontdekken in het derde deel? En hoe kan het beter stoppen dan met een â??Monkey Rockâ??? Tijdens het werk kun je actief verschillende dierengeluiden nabootsen, waardoor je je echt in de jungle waant!

Dieses vierteilige Werk ist für eine vierstimmig variable Besetzung und Schlagzeug instrumentiert. Der Titel spricht schon für sich: In African Scenes spielt der schwarze Kontinent die Hauptrolle. Im ersten Satz starten wir zu einer abenteuerlichen Safari. Im zweiten Teil geht es auf die Suche nach den ?Big Fiveâ?? - den groÃ?en Fünfâ??: Elefant, Nashorn, Leopard, Löwe und Büffel. Im dritten Satz begegnen wir allerlei unheimlichen Reptilien, bevor das Werk fröhlich mit dem ?Monkey Rockâ?? endet, in dem auch ein Affenruf vertont wird.

Cette pièce en quatre mouvements est une oeuvre instrumentation variable quatre voix et percussions. Le titre parle de lui-même : dans African Scenes, le continent Noir tient le premier rôle. Le premier mouvement nous entraîne dans un safari plein dâ??émotions. Dans le deuxième nous observons les grands seigneurs de la savane : éléphant, rhinocéros, léopard, lion et buffl_x001A_e. Le climat du troisième mouvement donne un peu la chair de poule alors que nous rencontrons toutes sortes de reptiles dangereux. Heureusement, lâ??oeuvre sâ??achève avec le joyeux Monkey Rock, au cours duquel nous entendons même le cri dâ??un singe.

Questo brano in quattro parti è pensato per strumentazione variabile a quattro voci e percussioni. Il titolo parla da solo: in African Scenes il continente nero riveste il ruolo principale. Il primo movimento vede i protagonisti iniziare un avventuroso safari. Nella seconda parte inizia la ricerca dei â??Big-Fiveâ?: elefante, rinoceronte, leopardo, leone e bufalo. Il terzo movimento si caratterizza dallâ??inaspettato incontro con rettili rari, e precede il quarto e ultimo movimento. Monkey Rock, in stile più giocoso, rappresenta lâ??incontro con una simpatica e vivace scimmietta.

Concert Band/Harmonie/Fanfare Band - Grade 1.5

SKU: BT.DHP-1135407-215

Composed by Eric J. Hovi. De Haske Flexible Series. Original Light Music. Score Only. Composed 2012. 10 pages. De Haske Publications #DHP 1135407-215. Published by De Haske Publications (BT.DHP-1135407-215).

9x12 inches. English-German-French-Dut ch.

This work in four sections is written for a four-part variable instrumentation together with drums. We start off_x001E_ in the _x001F_first movement on an adventurous safari. In the second and third movements we’re on the hunt for great beasts of Africa, which can also be heard with all their stomping, screeching and yelling. A wonderful musical safari that all musicians and listeners alike will enjoy!

Dit werk voor vierstemmige variabele bezetting met slagwerk beschrijft in vier deeltjes verschillende taferelen van het Afrikaanse continent. In het eerste deel gaan we op safari. In het tweede deel gaan we op zoek naar een olifant, een neushoorn, een luipaard een leeuw en een buffel. Welke reptielen kunnen we ontdekken in het derde deel? En hoe kan het beter stoppen dan met een ‘Monkey Rock’? Tijdens het werk kun je actief verschillende dierengeluiden nabootsen, waardoor je je echt in de jungle waant!

Dieses vierteilige Werk ist für eine vierstimmig variable Besetzung und Schlagzeug instrumentiert. Der Titel spricht schon für sich: In African Scenes spielt der schwarze Kontinent die Hauptrolle. Im ersten Satz starten wir zu einer abenteuerlichen Safari. Im zweiten Teil geht es auf die Suche nach den ‚Big Five’ - den großen Fünf“: Elefant, Nashorn, Leopard, Löwe und Büffel. Im dritten Satz begegnen wir allerlei unheimlichen Reptilien, bevor das Werk fröhlich mit dem ‚Monkey Rock’ endet, in dem auch ein Affenruf vertont wird.

Cette pièce en quatre mouvements est une oeuvre instrumentation variable quatre voix et percussions. Le titre parle de lui-même : dans African Scenes, le continent Noir tient le premier rôle. Le premier mouvement nous entraîne dans un safari plein d’émotions. Dans le deuxième nous observons les grands seigneurs de la savane : éléphant, rhinocéros, léopard, lion et buffl_x001A_e. Le climat du troisième mouvement donne un peu la chair de poule alors que nous rencontrons toutes sortes de reptiles dangereux. Heureusement, l’oeuvre s’achève avec le joyeux Monkey Rock, au cours duquel nous entendons même le cri d’un singe.

Questo brano in quattro parti è pensato per strumentazione variabile a quattro voci e percussioni. Il titolo parla da solo: in African Scenes il continente nero riveste il ruolo principale. Il primo movimento vede i protagonisti iniziare un avventuroso safari. Nella seconda parte inizia la ricerca dei “Big-Five”: elefante, rinoceronte, leopardo, leone e bufalo. Il terzo movimento si caratterizza dall’inaspettato incontro con rettili rari, e precede il quarto e ultimo movimento. Monkey Rock, in stile più giocoso, rappresenta l’incontro con una simpatica e vivace scimmietta.

By Calixa Lavall�©e and Calixa Lavallee (1842-1891). Arranged by David Marlatt. Concert Band. Concert Band; Masterworks. Eighth Note Publications. Romantic. Conductor Score and Parts. Duration 00:01:35. Published by Eighth Note Publications . Score and Parts. Romantic.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1125271-140

Composed by Michael Jackson. Arranged by Miho Hazama. Pop and Rock. Score Only. Composed 2012. 20 pages. De Haske Publications #DHP 1125271-140. Published by De Haske Publications (BT.DHP-1125271-140).

9x12 inches.

This number topped the U.S. chart as the lead release single from Bad. Siedah Garrett, who sang the duet, was a protégé of Quincy Jones with whom Michael tag-teamed for three solos on Off the Wall. (Garrett is also renowned as one of the writers of the song Man in the Mirror,� the fourth single which carries a strong message.) Japanese fans still remember this song being performed as an encore during the Bad World Tour in 1987. The straightforward, sweet love song starts out quietly and gradually takes on heat, unfolding a wonderful musical sentiment. The performance of the arranged version also strikes the audience with an imposing world of sound comparableto that of a full orchestra.

I Just Canâ??t Stop Loving You was de eerste single van het album Bad. Michael Jackson nam dit romantisch duet, samen met zangeres en songwriter Siedah Garret, op. Dit gevoelige nummer werd wereldwijd bekend door Michaelâ??sBad World Tour in 1987. Miho Hazama maakte er een arrangement van met een prachtig volle klank.

I Just Canâ??t Stop Loving You war die erste Single aus dem Album Bad, wo das romantische Duett zusammen mit der Sängerin und Songwriterin Siedah Garret aufgenommen wurde. Weltweit ist der gefu?hlvolle Song vor allem von der Bad World Tour im Jahr 1987 bekannt geworden. Dieses Arrangement besticht vor allem durch seinen vollen Orchesterklang.

I Just Canâ??t Stop Loving You, premier single extrait de lâ??album, est un duo romantique que Michael Jackson interprèta avec Siedah Garrett. La chanson connut un réel succès dans le monde entier, et fut programmée lors des différentes tournées Bad World Tour et Dangerous World Tour. Cet émouvant arrangement impressionne de par son orchestration complète, tout en respectant la version originale.

I Just Canâ??t Stop Loving You, il primo single dellâ??album Bad, include il romantico duo con la cantante e autrice Siedah Garret. Il brano è diventato famoso grazie al Bad World Tour del 1987. Questo raffinato arrangiamento si contraddistingue per le sonorit .

The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 1, track 2, track 3

In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar via volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar via editienummer: DHP 1125252. Download audiofragmenten hier: track 1, track 2, track 3

The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des großen englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 1, track 2,track 3

En 1794, l’écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre d’Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre d’Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 1, track 2, track 3

The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one,and that deities reside in human beings. In The Book of Urizen this is represented in “The Net of Religion,” which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths “come together.” In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the “Eternals.” His vision is rejected,and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, “the flames of eternal fury,” and enwombs himself in his own world. Whenthe Eternals see Urizen in his “stony sleep,” they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen’s world concrete form. In thesecond movement, The Creation, Urizen’s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen’s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the “fallen world.” Orc is fed at Enitharmon’s breast,which makes a girdle of jealousy restrict Los’ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race.The Web, third movement of The Book of Urizen is now available: DHP 1125252

Composed by Hilliard & D'Alicandro. Concert band. Ensemble. Jazz for Developing Concert Bands Series. Grade 1.5. Full set. Composed 2004. Published by C.L. Barnhouse

Concert Band/Harmonie/Fanfare/Bra ss Band (Score) - Grade 2

SKU: HL.44007225

Based on 'From Highest Heaven I Come to Tell'. Composed by Giovanni Taeggio and Hans Leo Hassler. Arranged by Jan de Haan. De Haske Concert Band. Score Only. Composed 1998. De Haske Publications #981154. Published by De Haske Publications (HL.44007225).

UPC: 884088243555.

The words and lyrics of the Christmas Carol From Highest Heaven I Come To Tell were written by the great Martin Luther (1483-1546) and can be found in The Hymns of Martin Luther. Martin Luther expressed radical views which began the reformation movement. His followers protested at the treatment given to Martin Luther, the event from which the term 'Protestant' was derived. It was first published in Joseph Klug's Gesangsbuch in around 1535. Add a majestic Baroque feel to any concert with this simple yet effective arrangement.

The words and lyrics of the Christmas Carol From Highest Heaven I Come To Tell were written by the great Martin Luther (1483-1546) and can be found in The Hymns of Martin Luther. Martin Luther expressed radical viewswhich began the reformation movement. His followers protested at the treatment given to Martin Luther, the event from which the term 'Protestant' was derived. It was first published in Joseph Klug's Gesangsbuch in around 1535.Add a majestic Baroque feel to any concert with this simple yet effective arrangement.

Diese Bearbeitung des beruhmten Liedes Vom Himmel hoch, da komm' ich her von Martin Luther stammt aus der gewandten Feder von Jan de Haan. In vier Teilen verarbeitete er die festliche Melodie und machte sie fur variable Besetzung spielbar.

Concert Band/Harmonie - Grade 3

SKU: BT.1091-04-010-MS

Arranged by Lorenzo Bocci. De Haske Pop Collection. Pop & Rock. Set (Score & Parts). Composed 2004. Music Sales #1091-04-010 MS. Published by Music Sales (BT.1091-04-010-MS).

Die Liedkomponisten Bob Crewe und Bob Gaudio waren ein äußerst erfolgreiches Duo. In den 60er- und 70er-Jahren des vergangenen Jahrhunderts schrieben sie zahlreiche Hits für Frankie Valli & The Four Seasons, darunter auch Can't Take My Eyes Off You aus dem Jahr 1967. Die Liste der bekannten Künstler, die das unwiderstehliche, flotte Lied in ihr Repertoire aufnahmen, ist lang: The Lettermen, Andy Williams, Diana Ross & The Supremes, Gloria Gaynor, The Boystown Gang, The Pet Shop Boys und viele mehr. Can't Take My Eyes Off You kann zweifellos zu den Klassikern der Popmusik gerechnet werden. Lorenzo Bocci schrieb diese spannende Bearbeitung für Blasorchester.

Les auteurs-compositeurs Bob Crewe et Bob Gaudio ont formé un tandem couronné de succès. Dans les années 60 et 70, ils signent de nombreux tubes pour Frankie Valli & The Four Seasons dont l’immense standard de l’année 1967, Can’t Take My Eyes Off You. Par la suite, une pléiade d’artistes célèbres reprend cette chanson charmante au rythme enlevé. Ainsi, The Lettermen, Andy Williams, Diana Ross & The Supremes, Gloria Gaynor, The Boystown Gang ou The Pet Shop Boys, entre autres (liste non exhaustive), ont inscrit ce classique de la musique pop leur répertoire. Lorenzo Bocci signe cet arrangement entraînant pour Orchestre d’Harmonie.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1196113-140

Composed by Thierry Deleruyelle. Applause Series. Original Light Music. Score Only. Composed 2019. 23 pages. De Haske Publications #DHP 1196113-140. Published by De Haske Publications (BT.DHP-1196113-140).

English-German-French- Dutch.

‘Maria chi’ refers to typical Mexican street bands as well a musical genre which has been recognized since 2011 on the UNESCO list of Intangible Cultural Heritage. Mexicana is a tribute to this vivid music and was a commission from the French cultural association “Lille 3000” as part of the 2019 Eldorado thematic edition. This colourful piece is full of rhythm, drive and good vibes, perfect to get your audience moving!

De term ‘mariachi’ verwijst naar de typisch Mexicaanse straatmuzikanten en het bijbehorende muziekgenre, dat sinds 2011 door de UNESCO is opgenomen in de lijst van immaterieel cultureel erfgoed. Mexicana geschreven in opdracht van de Franse culturele organisatie “Lille 3000” als onderdeel van het thematische programma Eldorado in 2019 is een eerbetoon aan deze levendige muziek. Het is een kleurrijk werk vol ritme en drive, met een fijne sfeer: perfect om uw publiek in beweging te krijgen!

Mariachi� �€ heißen die typischen mexikanischen (Straßen-)bands und auch ein Musikgenre, das 2011 als UNESCO-Weltkulturerbe anerkannt wurde. Mexicana zollt dieser lebhaften Musik Tribut. Das Stück entstand im Auftrag des französischen Kulturverbands Lille 3000“ für das Kulturprogramm Eldorado im Sommer 2019 mit dem Themenschwerpunkt Südamerika. Voller Rhythmus, Energie und guter Laune wird dieses klangfarbenreiche Stück Ihr Publikum garantiert in Stimmung bringen!

Le mot « mariachi » se rapporte aux groupes de rue typiques du Mexique ainsi qu’un genre musical qui, depuis 2011, est inscrit sur la liste représentative du patrimoine culturel immatériel de l’humanité. Commande de l’association culturelle « Lille 3000 » dans le cadre de l’édition thématique Eldorado 2019, Mexicana rend hommage cette musique très vivante. Haute en couleurs, pleine de rythmes, d’énergie et de chaleur, cette pièce ne manquera pas de faire bouger votre public !

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1196113-010

Composed by Thierry Deleruyelle. Applause Series. Original Light Music. Set (Score & Parts). Composed 2019. De Haske Publications #DHP 1196113-010. Published by De Haske Publications (BT.DHP-1196113-010).

English-German-French- Dutch.

‘Maria chi’ refers to typical Mexican street bands as well a musical genre which has been recognized since 2011 on the UNESCO list of Intangible Cultural Heritage. Mexicana is a tribute to this vivid music and was a commission from the French cultural association “Lille 3000” as part of the 2019 Eldorado thematic edition. This colourful piece is full of rhythm, drive and good vibes, perfect to get your audience moving!

De term ‘mariachi’ verwijst naar de typisch Mexicaanse straatmuzikanten en het bijbehorende muziekgenre, dat sinds 2011 door de UNESCO is opgenomen in de lijst van immaterieel cultureel erfgoed. Mexicana geschreven in opdracht van de Franse culturele organisatie “Lille 3000” als onderdeel van het thematische programma Eldorado in 2019 is een eerbetoon aan deze levendige muziek. Het is een kleurrijk werk vol ritme en drive, met een fijne sfeer: perfect om uw publiek in beweging te krijgen!

Mariachi� �€ heißen die typischen mexikanischen (Straßen-)bands und auch ein Musikgenre, das 2011 als UNESCO-Weltkulturerbe anerkannt wurde. Mexicana zollt dieser lebhaften Musik Tribut. Das Stück entstand im Auftrag des französischen Kulturverbands Lille 3000“ für das Kulturprogramm Eldorado im Sommer 2019 mit dem Themenschwerpunkt Südamerika. Voller Rhythmus, Energie und guter Laune wird dieses klangfarbenreiche Stück Ihr Publikum garantiert in Stimmung bringen!

Le mot « mariachi » se rapporte aux groupes de rue typiques du Mexique ainsi qu’un genre musical qui, depuis 2011, est inscrit sur la liste représentative du patrimoine culturel immatériel de l’humanité. Commande de l’association culturelle « Lille 3000 » dans le cadre de l’édition thématique Eldorado 2019, Mexicana rend hommage cette musique très vivante. Haute en couleurs, pleine de rythmes, d’énergie et de chaleur, cette pièce ne manquera pas de faire bouger votre public !

Grade 2

SKU: CL.024-4046-01

Composed by Orcino. Young Concert Band. Rising Band Series for Developing Bands! Audio recording available separately (item CL.WFR374). Extra full score. Composed 2011. Duration 1 minute, 54 seconds. C.L. Barnhouse #024-4046-01. Published by C.L. Barnhouse (CL.024-4046-01).

A great addition to your holiday program, and a perfect way to feature your young clarinets! Certain to please audience and players, Candy Cane Clarinets is much more difficult than it sounds, and based mostly on the clarinets low F scale. The stepwise scale passages require adding one finger at a time or taking one off and it works at comfortable or fast tempos. Easy and fun to prepare! Find some licorice candy canes or make some for props.