By Johann Sebastian Bach. Arranged by Mark Williams. Music by Johann Sebastian Bach / arr. Mark Williams. For Concert Band. Concert Band. Alfred Concert Band. Level: 3 (Medium) (grade 3). Conductor Score and Parts. 2 pages. Published by Alfred Publishing.

By Johann Sebastian Bach. Arranged by Mark Williams. Music by Johann Sebastian Bach / arr. Mark Williams. For Concert Band. Concert Band. Accent on Achievement. Level: Grade 1.5. Conductor Score & Parts. Published by Alfred Publishing.

By Johann Sebastian Bach. Arranged by Alfred Reed. Sacred,transcription. Concert Band. Bach Series arranged by Alfred Reed. Level: Grade 3. Score and set of parts. Composed 1976. Duration 0:03:55. Published by C.L. Barnhouse.

By Bach-Gounod. Arranged by David Lovrien. For concert band. Bach-Gounod version set for soprano voice and band. Concert. Full score and set of parts. Duration 2:30. Published by Lovebird Music. (123) Level: Grade 4 (Advanced).

By Johann Sebastian Bach. Arranged by Alfred Reed. Sacred,transcription. Concert Band. Bach Series arranged by Alfred Reed. Level: Grade 3. Full score and set of parts. Composed 1981. Duration 0:04:18. Published by C.L. Barnhouse.

(Clarinet Section Feature). By Johann Sebastian Bach (1685-1750). Arranged by Jack Bullock. Concert Band. Concert Band; Masterworks. Belwin Concert Band. Baroque; Masterwork Arrangement. Grade 3. Score only. 16 pages. Published by Belwin Music (AP.39539S)

By Johann Sebastian Bach (1685-1750). Arranged by Alfred Reed. For concert band. Concert Band. Bach Series arranged by Alfred Reed. Sacred, Transcription. Grade 3. Score and set of parts. Composed 1988. Duration 4 minutes, 34 seconds. Published by C.L. Barnhouse

((de la suite No. 3)). By Johann Sebastian Bach (1685-1750). Arranged by Jack Bullock. Concert Band. Concert Band; Masterworks; Part(s); Score. Belwin Young Band. Form: Transcription. Baroque; Masterwork Arrangement. Grade 2.5. Published by Belwin Music

(. . . on one of Johann's minuets). By Johann Sebastian Bach (1685-1750). Arranged by Robert Sheldon. Concert Band. Concert Band; Part(s); Score. Sound Innovations for Band. Form: Minuet. Rock. Grade 1. 144 pages. Published by Alfred Music Publishing

By Johann Sebastian Bach (1685-1750). Arranged by Jack Bullock. Concert Band. Concert Band; Masterworks; Part(s); Score; SmartMusic. Belwin Young Band. Form: Fugue. Masterwork Arrangement. Grade 2. 114 pages. Published by Belwin Music

Part 2 in C - Treble Clef. By Hans Algra. By Johann Sebastian Bach (1685-1750). Edited by Hans Algra. De Haske Ensemble. Hymns and Chorals. Individual part. Composed 2000. De Haske Publications #DHP 1001939-703. Published by De Haske Publications

Part 2 in F - F Horn, English Horn. By Hans Algra. By Johann Sebastian Bach (1685-1750). Edited by Hans Algra. De Haske Ensemble. Hymns and Chorals. Individual part. Composed 2000. De Haske Publications #DHP 1001942-706. Published by De Haske Publications

E Flat TC Part 4. By Hans Algra. By Johann Sebastian Bach (1685-1750). De Haske Ensemble. Hymns and Chorals. Individual part. Composed 2000. De Haske Publications #DHP 1001953-717. Published by De Haske Publications

Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 1

SKU: BT.DHP-0850029-216

Composed by Johann Sebastian Bach. Arranged by Jan de Haan. Christmas Collection. Festive and Solemn Music. Score Only. Composed 1985. De Haske Publications #DHP 0850029-216. Published by De Haske Publications (BT.DHP-0850029-216).

Concert Band/Harmonie/Fanfare Band - Grade 1

SKU: BT.DHP-0850029-015

Composed by Johann Sebastian Bach. Arranged by Jan de Haan. Christmas Collection. Sacred. Set (Score & Parts). Composed 1985. De Haske Publications #DHP 0850029-015. Published by De Haske Publications (BT.DHP-0850029-015).

Concert Band/Harmonie - Grade 2.5

SKU: BT.CMP-0624-02-010

Composed by Johann Sebastian Bach. Arranged by James Hosay. The Splendor of Christmas. Hymns & Chorals. Set (Score & Parts). Composed 2002. Curnow Music #CMP 0624-02-010. Published by Curnow Music (BT.CMP-0624-02-010).

Two timeless Christmas favorites by J.S.Bach are gloriously arranged for the Concert Band and ready for your interpretation. BREAK FORTH, O BEAUTEOUS, HEAVENLY LIGHT and JESU, JOY OF MAN'S DESIRING comprise the two contrasting movements (a Chorale and a Ballad). You know how valuable chorale style playing can be for the band’s tone quality, breath support, intonation, and phrasing. With thorough cueing throughout the arrangement, TWO BACH CHRISTMAS CLASSICS will work beautifully even if your group has instrumentation problems. Christmas music does not ordinarily leap to mind as a choice for spring festival use, but you may wish to consider it in this case. Great music isgreat music any time of the year! Magnificent!

Concert Band/Harmonie - Grade 2

SKU: BT.CMP-0419-00-010

Composed by James Curnow. Passport Series. Set (Score & Parts). Composed 2000. Curnow Music #CMP 0419-00-010. Published by Curnow Music (BT.CMP-0419-00-010).

A wonderful teaching piece and the ideal young band festival work, BACH VARIANTS (six melodic variations on the Bach chorale AWAKE MY HEART AND SING) should be a staple of every young band library. Chorale style playing does so much for the young band's intonation, tone quality and phrasing. Including this one in your next festival program is certain to reap great rewards by honing your group's ability to make quality sound. Even bands which normally play music of higher grade levels will find a valuable experience in James Curnow's BACH VARIANTS. Be sure to add this one to your repertoire.

Concert Band/Harmonie - Grade 2.5

SKU: BT.CMP-0624-02-140

Composed by Johann Sebastian Bach. Arranged by James Hosay. The Splendor of Christmas. Hymns & Chorals. Score Only. Composed 2002. 16 pages. Curnow Music #CMP 0624-02-140. Published by Curnow Music (BT.CMP-0624-02-140).

Two timeless Christmas favorites by J.S.Bach are gloriously arranged here for concert band. BREAK FORTH, O BEAUTEOUS HEAVENLY LIGHT and JESU, JOY OF MAN'S DESIRING comprise the two contrasting movements. With thorough cueingthroughout the arrangement, TWO BACH CHRISTMAS CLASSICS will work beautifully even if your group has instrumentation problems. With its opportunities for developing phrasing, intonation and tone quality, this short suite is even anice consideration for festival use.

By Johann Sebastian Bach (1685-1750). Arranged by Donald Hunsberger. Concert Band. Concert Band; Masterworks. Donald Hunsberger Wind Library. Form: Transcription. Baroque; Masterwork Arrangement. Grade 4. Score. 84 pages. Published by Alfred Music Publishing

By Johann Sebastian Bach (1685-1750). Arranged by Donald Hunsberger. Concert Band. Concert Band; Masterworks. Donald Hunsberger Wind Library. Form: Transcription. Baroque; Masterwork Arrangement. Grade 4. Conductor Score and Parts. 444 pages. Published by Alfred Music Publishing

(based on a theme by J.S. Bach). By Johann Sebastian Bach. Arranged by Henk Hogestein. (Score and Parts). De Haske Concert Band Full Set. Published by De Haske Publications.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1125039-140

Arranged by Wil van der Beek. Great Classics. Score Only. Composed 2012. 44 pages. De Haske Publications #DHP 1125039-140. Published by De Haske Publications (BT.DHP-1125039-140).

9x12 inches. English-German-French-Dut ch.

Offenbach (1819 - 1880), who was born in Germany, moved to Paris when he was a teenage boy and remained there for much of his life. He became especially famous as a composer of numerous operettas. and of one famous opera: Les Contes d’Hoffmann (The Tales of Hoffmann). His operettas (or ‘musiquettesâ€℠¢) were often based on comical, or satirical librettos. He makes fun of Parisian daily life, dignitaries, the military, the pretentiousness of the Grand Opéra, and so on. In that respect, Offenbach’s operettas are not really comparable with those of his German-speaking contemporaries, for example, Franz Lehár and Johann Strauss the Younger. Musically speaking, we could callOffenbach’s operettas lively, funny, melodious and catchy.For La Belle Hélène, Offenbach drew from Greek mythology. The story is based on that of Helen of Troy, but is set in France, halfway through the 19th century; it has been turned into a satire on the élite of that time.The overture to La Belle Hélène was (and still is) very successful. Offenbach combined a number of arias and choruses from the operetta to give a taste of what is to follow. Many overtures which follow this form lack unity and structure. However, in this case the composition has been well thought-out.

Offenbach (1819-1880), Duitser van geboorte, verhuisde als jongeman naar Parijs, waar hij een groot deel van zijn leven verbleef. Hij werd vooral beroemd als componist van talrijke operettes en een beroemde opera: Les Contes d’Hoffmann. Zijn operettes (of ‘musiquettesâ€℠¢) zijn qua libretto vaak komisch en hilarisch, ja zelfs satirisch. Hij steekt hierin de draak met het Parijse mondaine leven, met hoogwaardigheidsbekleders , met militairen, met de bombast van de Grand Opéra, enzovoort. In dat opzicht zijn Offenbachs operettes nauwelijks te vergelijken met die in Duitsland van bijvoorbeeld Franz Lehár en Johann Strauss jr. Muzikaal gezien kunnen we zijn operettes levendig,geestig, melodieus en goed in het gehoor liggend noemen.Voor La Belle Hélène putte Offenbach uit de Griekse mythologie. Het verhaal draait om Helena van Troje, maar is verplaatst naar Frankrijk, halverwege de negentiende eeuw; het is uitgewerkt tot een satire op de heersende elite.De ouverture van La Belle Hélène was (en is nog altijd) zeer succesvol. Offenbach heeft hierin een aantal aria’s en koren uit de operette samengevoegd - een voorproefje dus op wat komen gaat. Veel ouvertures die zo zijn gemaakt, missen eenheid en structuur. In dit geval is er echter sprake van een goed doordachte opbouw.

Der gebürtige Deutsche Jacques Offenbach (1819-1880) zog im Jugendalter nach Paris, wo er den größten Teil seines Lebens verbrachte. Bekannt wurde er vor allem als Komponist zahlreicher Operetten und einer berühmten Oper: Les Contes d’Hoffmann (Hoffmanns Erzählungen). Seine Operetten (oder Musiquettes“) basierte er häufig auf komischen oder gar satirischen Libretti. Darin wird das mondäne Pariser Leben karikiert mit seinen Würdenträgern, Militärs, dem Pomp der Grand Opéra und dergleichen mehr. In dieser Hinsicht sind Offenbachs Operetten vergleichbar mit den deutschen Werken eines Franz Lehár oder Johann Strauss (Sohn). Musikalisch betrachtet können Offenbachs Operetten alslebendig, amüsant, melodiös und eingängig beschrieben werden. Für La Belle Hélène bediente sich Offenbach der griechischen Mythologie. Die Handlung beruht auf Helena von Troja, wurde aber ins Frankreich der Mitte des 19. Jahrhunderts versetzt und in eine Satire auf die damals herrschende Elite verwandelt.Die Ouvertüre von La Belle Hélène war und ist sehr erfolgreich. Offenbach kombinierte darin eine Reihe von Arien und Chorstellen aus der Operette und lieferte so quasi einen Vorgeschmack auf das Folgende. Vielen auf diese Weise entstandene Ouvertüren mangelt es an Einheitlichkeit und Struktur. Diese Ouvertüre zeugt jedoch von einem gut durchdachten Aufbau.

Jacques Offenbach est né en Allemagne en 1819. Sa famille s’installe Paris alors qu’il est encore adolescent et c’est l qu’il passe la plus grande partie de sa vie. Il devient particulièrement célèbre pour la composition de nombreuses opérettes et d’un opéra légendaire, Les Contes d’Hoffmann. Ses opéras-bouffes (ou « musiquettes ») s’inspirent souvent de livrets comiques ou satiriques. Il parodie la vie quotidienne Paris, se moque des dignitaires, de l’armée, de la prétention du grand opéra, et ainsi de suite. cet égard, les œuvres d’Offenbach ne sont pas vraiment comparables aux opérettes de ses contemporains germanophones tels que Franz Lehár ou encoreJohann Strauss le jeune. Musicalement parlant, on peut dire que les opéras-bouffes d’Offenbach sont entraînants, spirituels, mélodieux et mémorables.Jacques Offenbach s’est inspiré de la mythologie pour composer La Belle Hélène, dont le livret brosse l’histoire d’Hélène de Troie. Mais parodiant l’une des légendes grecques des plus illustres, cette opérette se veut être une satire sur l’élite de l’époque.L†™ouverture de La Belle Hélène a toujours été très populaire. Offenbach y glisse plusieurs arias et chœurs repris ensuite dans l’un ou l’autre acte de l’opérette, afin d’en offrir un avant-go t l’auditoire. De nombreux compositeurs écrivirent par la suite des ouvertures de canevas identique. Bien qu’un grand nombre d’entre elles manquent d’unité et de structure, l’ouverture de La Belle Hélène en est une exception notoire.

(BWV 565). By Johann Sebastian Bach (1685-1750). Arranged by Victor López. Concert Band. Concert Band; Masterworks; Part(s); Score. Belwin Concert Band. Form: Transcription. Baroque; Masterwork Arrangement. Grade 3. 234 pages. Published by Alfred Music Publishing

Composed by Johann Sebastian Bach (1685-1750). Concert Band; Masterworks; Performance Music Ensemble; Single Titles. Donald Hunsberger Wind Library. Form: Fugue; Toccata. Baroque; Masterwork Arrangement. Part(s); Score. 322 pages. Alfred Music #00-DH9802. Published by Alfred Music

(BWV 582). By Johann Sebastian Bach / Ottorino Respighi. Arranged by Douglas McLain. For concert band. Grade 5. Full score. Duration 14:00. Published by Baton Music

Concert Band - Grade 3 - Score and Parts. By Johann Sebastian Bach. Arranged by Philip Sparke. ANGLO MUSIC PRESS. Size 9x12 inches. Published by DeHaske Publications.