Composed by Michael Finnissy (1946-). For piano trio (violin, piano, cello). Score and parts. 16 pages. Duration 3.5 minutes. Published by Oxford University Press

(Twentieth Century Music for Piano and Strings). By Various. For Violin, Cello, Piano. Standard notation

Archduke. Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This edition: urtext edition. Hardback. Score, Part. Opus 97. Baerenreiter Verlag #BA10942. Published by Baerenreiter Verlag

Chamber Music Violin, cello, Piano

SKU: PR.144406850

Composed by Ellen Taaffe Zwilich. Sws each. Premiered by the Kalichstein-Laredo-Robins on Trio at Linton Chamber Music, Cincinnati, OH. Contemporary. Set of Score and Parts. With Standard notation. Composed 2016. 28+8+8 pages. Duration 9:30. Theodore Presser Company #144-40685. Published by Theodore Presser Company (PR.144406850).

ISBN 9781491109366. UPC: 680160639311. 9x12 inches.

Continuing a long history of fruitful collaborations between Ellen Taaffe Zwilich and the famed Kalichstein-Laredo-Robins on Trio, the KLR celebrated their 40th anniversary by commissioning Zwilich for a 6th time. PAS DE TROIS is named for the ballet tradition after which it is modeled. In the 1st movement (Entree), the trio bounds onto the stage and engages in various interactions. The 2nd movement (Variata e Coda) gives each of the three a solo turn, followed by an ensemble conclusion.

By Eugene Walckiers. For violin (clarinet), cello (viola) and piano. Facsimile Editions - Winds, Strings and Piano. Interesting, tuneful piece. Should be performed more often. Works well as Kegelstatt companion. Many ensemble options. Classical. Published by Rosewood Publications

Violin, Cello and Piano - Grade 4

SKU: HL.14023210

Composed by Anders Nordentoft. Music Sales America. Classical. Set. Composed 2006. 20 pages. Edition Wilhelm Hansen #WH30670. Published by Edition Wilhelm Hansen (HL.14023210).

ISBN 9788759812341. English.

The composer writes... Doruntine is the name of a princess in Ismail Kadare's novel of the same name which takes place in thirteenth century Albania. Doruntine, who in the piece is represented by the Cello's melody, is taken through various strange musical landscapes before she finally finds her way home. The piece was composed 1994 and is dedicated to the Joachim Piano Trio.

Chamber Music Violin, cello, Piano

SKU: PR.114418250

Composed by Stacy Garrop. Contemporary. Set of Score and Parts. With Standard notation. Composed 2013. 40+16+16 pages. Duration 23 minutes. Theodore Presser Company #114-41825. Published by Theodore Presser Company (PR.114418250).

UPC: 680160640959. 9 x 12 inches.

In 2011, Barbara Garrop, my mother, commissioned me to write a piano trio in memory of Norman Garrop, my father, who passed away about thirty years ago. When I started brainstorming about topics for the piece, I found it difficult to recall many moments of my early life involving my father. Too many years had passed, and the memories that I could summon were of achild looking up to her father, not an adult relating to an equal. However, while collecting stories of my father from various family members, along with discovering a number of objects that had once belonged to him and that I had stored away in boxes decades ago, I began to realize that this piece wasn't so much about my father as it was about my re-discovering the man that he was: a loving husband and dad who cared deeply about his family and his passions (which included bike riding, collecting coins, strumming our guitar, playing baseball, watching football games, entertaining people, helping to run local theater and puppet productions, and carving objects out of wook); an accountant who dreamed of a better future: a treasurer of our local synagogue; an early advocate for computers (we owned an Apple II+); and a pranster with a great sense of humor. Ultimately, I decided to musically tell the story of my search for these memories. In the first movement (Without), a child calls out in a sing-song voice, searching for her lost parent. This search intesifies over the course of the movement through a series of themes, including a stepping motif in which a two-note progression steadily climbs higher, a pseudo-jewish folksong, and a passionate longing theme. The child's search becomes increasingly intense throughout the movement, calling out fervently and repeatedly to the parent; the movement ends in a moment of great tnesion and uncertainty. The second movment (Within) quietly opens with the lost parent finally answering, represented by a solo cello; the child (now personified by the violin) has found the parent within the sanctuary of her own heart. This movement highlights the joy and solemnity of this beautiful discovery. -S.G.

Chamber Music Violin, cello, Piano

SKU: PR.11441825S

Composed by Stacy Garrop. Contemporary. Score. With Standard notation. Composed 2013. 40 pages. Duration 23 minutes. Theodore Presser Company #114-41825S. Published by Theodore Presser Company (PR.11441825S).

UPC: 680160643745. 9 x 12 inches.

In 2011, Barbara Garrop, my mother, commissioned me to write a piano trio in memory of Norman Garrop, my father, who passed away about thirty years ago. When I started brainstorming about topics for the piece, I found it difficult to recall many moments of my early life involving my father. Too many years had passed, and the memories that I could summon were of achild looking up to her father, not an adult relating to an equal. However, while collecting stories of my father from various family members, along with discovering a number of objects that had once belonged to him and that I had stored away in boxes decades ago, I began to realize that this piece wasn't so much about my father as it was about my re-discovering the man that he was: a loving husband and dad who cared deeply about his family and his passions (which included bike riding, collecting coins, strumming our guitar, playing baseball, watching football games, entertaining people, helping to run local theater and puppet productions, and carving objects out of wook); an accountant who dreamed of a better future: a treasurer of our local synagogue; an early advocate for computers (we owned an Apple II+); and a pranster with a great sense of humor. Ultimately, I decided to musically tell the story of my search for these memories. In the first movement (Without), a child calls out in a sing-song voice, searching for her lost parent. This search intesifies over the course of the movement through a series of themes, including a stepping motif in which a two-note progression steadily climbs higher, a pseudo-jewish folksong, and a passionate longing theme. The child's search becomes increasingly intense throughout the movement, calling out fervently and repeatedly to the parent; the movement ends in a moment of great tnesion and uncertainty. The second movment (Within) quietly opens with the lost parent finally answering, represented by a solo cello; the child (now personified by the violin) has found the parent within the sanctuary of her own heart. This movement highlights the joy and solemnity of this beautiful discovery. -S.G.