Concert Band Piano SKU: AP.40724 Chorales and Warm-up Exercises for To...(+)
Concert Band Piano
SKU: AP.40724
Chorales and Warm-up
Exercises for Tone,
Technique, and Rhythm
(Piano). Composed by
Chris M. Bernotas and
Peter Boonshaft. Band
Method; MakeMusic Cloud;
Method/Instruction; NAMM
Best Tools for Schools;
Technique Musicianship;
Warm-Ups. Sound
Innovations for Concert
Band: Ensemble
Development. Book. 52
pages. Alfred Music
#00-40724. Published by
Alfred Music (AP.40724).
ISBN 9781470634018.
UPC: 038081520568.
English.
Sound
Innovations: Ensemble
Development for Young
Concert Band is a
complete curriculum for
beginning band students
to help them grow as
ensemble musicians. The
series complements any
band method and
supplements any
performance music. It
contains 167 exercises,
including more than 100
chorales by some of
today's most renowned
young band composers.
Various exercises at the
grade 1/2, 1, and 1 1/2
levels are grouped by
key, including:
The
compositions were written
by Roland Barrett, Chris
Bernotas, Jodie
Blackshaw, Matt Conaway,
Ralph Ford, Tyler S.
Grant, Rob Grice, John
O'Reilly, Robert Sheldon,
Todd Stalter, Randall
Standridge, Michael
Story, and Scott Watson.
Whether your students are
progressing through
exercises to better their
technical facility, or
improving their
musicianship with
beautiful chorales, we
are confident your
performers will be
excited, motivated, and
inspired by using Sound
Innovations: Ensemble
Development for Young
Concert Band. The
Ensemble Development
Series is also available
for Intermediate and
Advanced Band. Learn more
at www.alfred.com/SIED.
This title is
available in MakeMusic
Cloud.
Piano and orchestra (or 2
pianos) (pno - 2 fl, 2
ob, 2 cl, 2 bsn - 4 hn, 2
tpt, 3 tbn, tba - timp -
perc - str) - Difficult
SKU:
OU.9780193388260
Composed by Ralph Vaughan
Williams. Edited by
Graham Parlett. Piano
(Solo). Piano reduction.
56 pages. Duration 25'.
Oxford University Press
#9780193388260. Published
by Oxford University
Press (OU.9780193388260).
ISBN 9780193388260. 12
x 9
inches.
Reduction
for two pianos of Vaughan
Williams's earliest known
piece for solo instrument
with orchestra, written
1896-1904, and
rediscovered in 2010.
Showing influences of
late 19th-century
composers, but also
hallmarks of Vaughan
Williams's later style,
it offers a fascinating
glimpse into the
composer's
development.