Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Organ. Sacred vocal
music, Cantatas. Single
Part, Organ. Composed
1724. BWV 130. 16 pages.
Duration 14 minutes.
Carus Verlag #CV
31.130/49. Published by
Carus Verlag
(CA.3113049).
ISBN
9790007207885. Language:
German/English.
As
in all cantatas for St.
Michael the chorale
cantata Lord God, we
praise thee all of us BWV
130 from 1724 is a
magnificent composition.
Not only in the opening
chorus and the final
chorale do the three
trumpets and timpani play
a role, but the first
aria In hell the serpent,
hot with hate is even
accompanied solely by
trumpets, timpani and
continuo. The second
aria, Thou, of cherubim
the master, brings an
unexpected contrast in
which, besides the tenor
and continuo, on a solo
flute is heard. The
original set of parts
were separated from each
other in the 19th century
and today are scattered
throughout the world. For
the first time, some of
the parts were taken into
consideration in
preparing this edition.
Score and part available
separately - see item
CA.3113000.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Violin 1. Sacred vocal
music, Cantatas. Single
Part, Violin 1. Composed
1724. BWV 130. 4 pages.
Duration 14 minutes.
Carus Verlag #CV
31.130/11. Published by
Carus Verlag
(CA.3113011).
ISBN
9790007207830. Text
language:
German/English.
As
in all cantatas for St.
Michael the chorale
cantata Lord God, we
praise thee all of us BWV
130 from 1724 is a
magnificent composition.
Not only in the opening
chorus and the final
chorale do the three
trumpets and timpani play
a role, but the first
aria In hell the serpent,
hot with hate is even
accompanied solely by
trumpets, timpani and
continuo. The second
aria, Thou, of cherubim
the master, brings an
unexpected contrast in
which, besides the tenor
and continuo, on a solo
flute is heard. The
original set of parts
were separated from each
other in the 19th century
and today are scattered
throughout the world. For
the first time, some of
the parts were taken into
consideration in
preparing this edition.
Score and part available
separately - see item
CA.3113000.
Cantata
for Palm Sunday or for
the feast of the
Annunciation.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Himmelskonig, Sei
Willkommen A-Dur. Sacred
vocal music, Cantatas,
Lent and Passiontide,
Holy Week, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Viola 1. Composed 1714.
BWV 182. 8 pages.
Duration 30 minutes.
Carus Verlag #CV
31.182/12. Published by
Carus Verlag
(CA.3118212).
ISBN
9790007050290. Key: A
major. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo
Franck.
Version in
A major (version in G
major: Carus 31.182/50)
The cantata Himmelskonig,
sei willkommen BWV 182
holds a special place in
Johann Sebastian Bach's
biography. He had been
employed as organist and
chamber musician at the
court of Weimar since
1708; on 2 March 1714, he
was appointed concert
master of the court, and
his inauguration music
for this occasion was
Himmelskonig, sei
willkommen. The cantata
was first performed on
Palm Sunday of that year,
25 March 1714. Bach
performed this cantata
several times - always
revising and amending it
- both in Weimar and in
Leipzig. Of the
altogether four versions,
the first Leipzig version
has been selected for the
present new edition.
Unlike the Weimar
versions, it can be
realized effectively
using modern performance
means. In his debut
composition of 1714, the
newly appointed concert
master demonstrated his
abilities: the eight
movements contain a
multitude of beautiful
and rewarding challenges
for choir and vocal
soloists alike, and in
addition there is the
unusual attraction of a
virtuoso solo part for
the recorder. Score and
part available separately
- see item
CA.3118200.
Cantata
for the inauguration of a
new town council.
Composed by Johann
Sebastian Bach. Edited by
Hans Grischkat, Uwe Wolf.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Wir danken dir, Gott, wir
danken dir. Sacred vocal
music, Cantatas, Praise
and thanks. Choral Score.
Composed 1731. BWV 29. 8
pages. Duration 28
minutes. Carus Verlag #CV
31.029/05. Published by
Carus Verlag
(CA.3102905).
ISBN
9790007042394. Key: D
major. Language:
German/English.
Bac
h's cantata Wir danken
dir, Gott, wir danken dir
of 1731, composed for the
inauguration of the
Leipzig town council, is
one of the cantatas which
has an obbligato organ
part. In the introductory
Sinfonia (an arrangement
of the opening movement
of the Partita in E for
solo violin) and the
final aria, the organ has
a prominent solo part.
The final aria is a
transposed repetition of
the first aria in the
cantata, which frames its
central section as a
motto Halleluja, Stark
und Macht sei dem
allerhochsten Namen.
However, the high point
of the cantata is the
magnificent choral
movement which precedes
the first Halleluja. Bach
also re-used this music
later in the Gratias and
Dona nobis pacem sections
of the Mass in B minor.
New revised edition.
Score available
separately - see item
CA.3102900.
Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in ...(+)
Soprano voice solo, SATB
choir, and piano (E-flat
Soprano saxophone, 2
Horns in F, Piano, Organ
(or digital keyboard),
Double String Quartet,
Double Bass) - Early
Intermediate
SKU:
MN.56-0109
Composed
by Howard Goodall. Holy
Week, Triduum/Three Days,
Tenebrae, 21st Century.
Score & instrument parts.
Duration 6 minutes, 57
seconds. MorningStar
Music Publishers
#56-0109. Published by
MorningStar Music
Publishers (MN.56-0109).
UPC: 688670221262.
English, Latin. John
20:1.
Invictus: A
Passion addresses one of
the world’s most
powerful stories through
the lens of the modern
world. The texts, written
or inspired by women,
describe not only human
suffering and persecution
but also the human
capacity for love and
humility in the face of
tyranny. Composer Howard
Goodall is uniquely
suited to bring these
texts to life with music
of emotional clarity and
sweeping force. This
excerpt is scored for
soprano solo, tenor solo,
SATB choir and piano. The
text is by Christina
Georgina Rossetti, Isaac
Watts (“When I
survey the wondrous
cross,â€) and drawn
from John 20:1 (this text
in Latin). The music is
serene, acknowledging the
grief of those who are
left to mourn. Duration
6:57.
Urtext der Neuen
Mozart-Ausgabe.
Composed by Johann
Sebastian Bach. Edited by
Alfred Durr. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/10. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05004_01.
Published by Baerenreiter
Verlag (BA.BA05004-01).
ISBN 9790006461387. 33
x 26.5 cm inches.
Language:
German.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Ein
Volkslieder-Oratorium
nach alten deutschen
Weisen. Composed by
Haas. Sheet music.
Edition Schott. Choir
part. Op. 103. 28 pages.
Duration 120'. Schott
Music #ED 4340-04.
Published by Schott Music
(HL.49031524).
16th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
This edition: Paperbound.
German title: Liebster
Gott, wenn werd ich
sterben. Sacred vocal
music, Cantatas, Special
days, Mourning, death.
Study score. Composed
1724. BWV 8. 80 pages.
Duration 23 minutes.
Carus Verlag #CV
31.008/07. Published by
Carus Verlag
(CA.3100807).
ISBN
9790007041946. Key: E
major. Language:
German/English. Text:
Neumann, Caspar. Text:
Caspar
Neumann.
16th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn. 1x
31.008/21 flute, 1x
31.008/22 oboe 1, 1x
31.008/23 oboe 2, 1x
31.008/31 horn, 1x
31.008/32 cornett. German
title: Liebster Gott,
wenn werd ich sterben 5.
Sacred vocal music,
Cantatas, Special days,
Mourning, death. Set of
Orchestra Parts. Composed
1724. BWV 8. 28 pages.
Duration 23 minutes.
Carus Verlag #CV
31.008/09. Published by
Carus Verlag
(CA.3100809).
ISBN
9790007041953. Key: E
major. Language:
German/English. Text:
Neumann, Caspar. Text:
Caspar
Neumann.
Urtext der Neuen
Mozart-Ausgabe.
Composed by Johann
Sebastian Bach. Edited by
Werner Neumann. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/36. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05020_01.
Published by Baerenreiter
Verlag (BA.BA05020-01).
ISBN 9790006461813. 33
x 26 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Church
cantata. Composed by
Johann Sebastian Bach.
Edited by Christine
Blanken. Arranged by
Christine Blanken.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Praise and thanks. Single
Part, Viola. Composed ca.
1730. BWV 192. 8 pages.
Duration 15 minutes.
Carus Verlag #CV
31.192/13. Published by
Carus Verlag
(CA.3119213).
ISBN
9790007210267. Text
language:
German/English.
The
cantata Nun danket alle
Gott (Now thank we all
our God) BWV 192 is based
on the text of the
well-known hymn. It is
therefore one of a small
number of chorale
cantatas which contain no
free poetic texts.
Correspondingly, there
are no recitatives
either. It has only
recently been assumed
that this three-movement
work was not intended for
Leipzig, but was actually
written in 1730 for
Bach's prestigious
position as Kapellmeister
of Saxe-Weissenfels. The
court of Duke Christian
enjoyed the its sojourn
in the newly-renovated
castle of its secondary
residence in Sangerhausen
and, at Trinity, in the
court church, celebrated
the anniversary of its
consecration with festive
music. Bach evidently
occasionally contributed
to this. The work does
not survive complete.
Even in the 18th century
a full score evidently no
longer existed, just a
set of parts, the tenor
part of which is entirely
missing. For the new
edition the missing part
has been reconstructed by
Detlev Schulten
(Leipzig). Score and part
available separately -
see item CA.3119200.
Church
cantata. Composed by
Johann Sebastian Bach.
Edited by Christine
Blanken. Arranged by
Christine Blanken.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Praise and
thanks. Single Part,
Violin 2. Composed ca.
1730. BWV 192. 8 pages.
Duration 15 minutes.
Carus Verlag #CV
31.192/12. Published by
Carus Verlag
(CA.3119212).
ISBN
9790007210250. Text
language:
German/English.
The
cantata Nun danket alle
Gott (Now thank we all
our God) BWV 192 is based
on the text of the
well-known hymn. It is
therefore one of a small
number of chorale
cantatas which contain no
free poetic texts.
Correspondingly, there
are no recitatives
either. It has only
recently been assumed
that this three-movement
work was not intended for
Leipzig, but was actually
written in 1730 for
Bach's prestigious
position as Kapellmeister
of Saxe-Weissenfels. The
court of Duke Christian
enjoyed the its sojourn
in the newly-renovated
castle of its secondary
residence in Sangerhausen
and, at Trinity, in the
court church, celebrated
the anniversary of its
consecration with festive
music. Bach evidently
occasionally contributed
to this. The work does
not survive complete.
Even in the 18th century
a full score evidently no
longer existed, just a
set of parts, the tenor
part of which is entirely
missing. For the new
edition the missing part
has been reconstructed by
Detlev Schulten
(Leipzig). Score and part
available separately -
see item CA.3119200.
SATB vocal soli, SATB choir, orchestra SKU: CA.3119205 Church cantata<...(+)
SATB vocal soli, SATB
choir, orchestra
SKU:
CA.3119205
Church
cantata. Composed by
Johann Sebastian Bach.
Edited by Christine
Blanken. Arranged by
Christine Blanken.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Praise
and thanks. Choral Score.
Composed ca. 1730. BWV
192. 12 pages. Duration
15 minutes. Carus Verlag
#CV 31.192/05. Published
by Carus Verlag
(CA.3119205).
ISBN
9790007181376. Language:
German/English.
The
cantata Nun danket alle
Gott (Now thank we all
our God) BWV 192 is based
on the text of the
well-known hymn. It is
therefore one of a small
number of chorale
cantatas which contain no
free poetic texts.
Correspondingly, there
are no recitatives
either. It has only
recently been assumed
that this three-movement
work was not intended for
Leipzig, but was actually
written in 1730 for
Bach's prestigious
position as Kapellmeister
of Saxe-Weissenfels. The
court of Duke Christian
enjoyed the its sojourn
in the newly-renovated
castle of its secondary
residence in Sangerhausen
and, at Trinity, in the
court church, celebrated
the anniversary of its
consecration with festive
music. Bach evidently
occasionally contributed
to this. The work does
not survive complete.
Even in the 18th century
a full score evidently no
longer existed, just a
set of parts, the tenor
part of which is entirely
missing. For the new
edition the missing part
has been reconstructed by
Detlev Schulten
(Leipzig). Score
available separately -
see item CA.3119200.
SATB vocal soli, SATB choir, orchestra SKU: CA.3119219 Church cantata<...(+)
SATB vocal soli, SATB
choir, orchestra
SKU:
CA.3119219
Church
cantata. Composed by
Johann Sebastian Bach.
Edited by Christine
Blanken. Arranged by
Christine Blanken.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Praise and thanks. Set of
Orchestra Parts. Composed
ca. 1730. BWV 192.
Duration 15 minutes.
Carus Verlag #CV
31.192/19. Published by
Carus Verlag
(CA.3119219).
ISBN
9790007210281. Language:
German/English.
The
cantata Nun danket alle
Gott (Now thank we all
our God) BWV 192 is based
on the text of the
well-known hymn. It is
therefore one of a small
number of chorale
cantatas which contain no
free poetic texts.
Correspondingly, there
are no recitatives
either. It has only
recently been assumed
that this three-movement
work was not intended for
Leipzig, but was actually
written in 1730 for
Bach's prestigious
position as Kapellmeister
of Saxe-Weissenfels. The
court of Duke Christian
enjoyed the its sojourn
in the newly-renovated
castle of its secondary
residence in Sangerhausen
and, at Trinity, in the
court church, celebrated
the anniversary of its
consecration with festive
music. Bach evidently
occasionally contributed
to this. The work does
not survive complete.
Even in the 18th century
a full score evidently no
longer existed, just a
set of parts, the tenor
part of which is entirely
missing. For the new
edition the missing part
has been reconstructed by
Detlev Schulten
(Leipzig). Score and
parts available
separately - see item
CA.3119200.
Church
cantata. Composed by
Johann Sebastian Bach.
Edited by Christine
Blanken. Arranged by
Christine Blanken.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Praise
and thanks. Single Part,
basso continuo. Composed
ca. 1730. BWV 192. 8
pages. Duration 15
minutes. Carus Verlag #CV
31.192/14. Published by
Carus Verlag
(CA.3119214).
ISBN
9790007210274. Text
language:
German/English.
The
cantata Nun danket alle
Gott (Now thank we all
our God) BWV 192 is based
on the text of the
well-known hymn. It is
therefore one of a small
number of chorale
cantatas which contain no
free poetic texts.
Correspondingly, there
are no recitatives
either. It has only
recently been assumed
that this three-movement
work was not intended for
Leipzig, but was actually
written in 1730 for
Bach's prestigious
position as Kapellmeister
of Saxe-Weissenfels. The
court of Duke Christian
enjoyed the its sojourn
in the newly-renovated
castle of its secondary
residence in Sangerhausen
and, at Trinity, in the
court church, celebrated
the anniversary of its
consecration with festive
music. Bach evidently
occasionally contributed
to this. The work does
not survive complete.
Even in the 18th century
a full score evidently no
longer existed, just a
set of parts, the tenor
part of which is entirely
missing. For the new
edition the missing part
has been reconstructed by
Detlev Schulten
(Leipzig). Score and part
available separately -
see item CA.3119200.
Church
cantata. Composed by
Johann Sebastian Bach.
Edited by Christine
Blanken. Arranged by
Christine Blanken.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Praise and
thanks. Single Part,
Violin 1. Composed ca.
1730. BWV 192. 8 pages.
Duration 15 minutes.
Carus Verlag #CV
31.192/11. Published by
Carus Verlag
(CA.3119211).
ISBN
9790007210243. Text
language:
German/English.
The
cantata Nun danket alle
Gott (Now thank we all
our God) BWV 192 is based
on the text of the
well-known hymn. It is
therefore one of a small
number of chorale
cantatas which contain no
free poetic texts.
Correspondingly, there
are no recitatives
either. It has only
recently been assumed
that this three-movement
work was not intended for
Leipzig, but was actually
written in 1730 for
Bach's prestigious
position as Kapellmeister
of Saxe-Weissenfels. The
court of Duke Christian
enjoyed the its sojourn
in the newly-renovated
castle of its secondary
residence in Sangerhausen
and, at Trinity, in the
court church, celebrated
the anniversary of its
consecration with festive
music. Bach evidently
occasionally contributed
to this. The work does
not survive complete.
Even in the 18th century
a full score evidently no
longer existed, just a
set of parts, the tenor
part of which is entirely
missing. For the new
edition the missing part
has been reconstructed by
Detlev Schulten
(Leipzig). Score and part
available separately -
see item CA.3119200.
(after the copy from J. S. Bach). By George Frideric Handel (1685-1759). Edited ...(+)
(after the copy from J.
S. Bach). By George
Frideric Handel
(1685-1759). Edited by
Andreas Traub. For STB
vocal soli, solo vocal
quintet, SATB choir, 2
oboes, taille (english
horn), 2 violins, viola,
basso continuo. This
edition: Paperbound.
Stuttgart Urtext
editions. Oratorios,
Passions, Lent and
Passiontide, Holy Week.
Full score. Language:
German. HWV 48. 176
pages. Duration 150 min.
Published by Carus Verlag
Cantata
for Ascension Day.
Composed by Johann
Sebastian Bach. Edited by
Hans Grischkat. German
title: Wer da glaubet.
Sacred vocal music,
Cantatas, Ascension.
Single Part, Violin 1.
Composed 1724. BWV 37. 8
pages. Duration 21
minutes. Carus Verlag #CV
31.037/11. Published by
Carus Verlag
(CA.3103711).
ISBN
9790007042691. Key: A
major. Language:
German/English.
Lyr
icist possibly Christian
Weiss, Sen.; This edition
contains a reconstructed
part fo violin solo
(Durr/Hellmann) for the
Tenor Aria no. 2. Score
and part available
separately - see item
CA.3103700.
Cantata
for Ascension Day.
Composed by Johann
Sebastian Bach. Edited by
Hans Grischkat. German
title: Wer da glaubet.
Sacred vocal music,
Cantatas, Ascension.
Single Part, Organ.
Composed 1724. BWV 37. 16
pages. Duration 21
minutes. Carus Verlag #CV
31.037/49. Published by
Carus Verlag
(CA.3103749).
ISBN
9790007042738. Key: A
major. Language:
German/English.
Lyr
icist possibly Christian
Weiss, Sen.; This edition
contains a reconstructed
part fo violin solo
(Durr/Hellmann) for the
Tenor Aria no. 2. Score
and part available
separately - see item
CA.3103700.
Cantata
for Ascension Day.
Composed by Johann
Sebastian Bach. Edited by
Hans Grischkat. German
title: Wer da glaubet und
getauft wird. Sacred
vocal music, Cantatas,
Ascension. Set of
Orchestra Parts. Composed
1724. BWV 37. Duration 21
minutes. Carus Verlag #CV
31.037/19. Published by
Carus Verlag
(CA.3103719).
ISBN
9790007134013. Key: A
major. Language:
German/English.
Lyr
icist possibly Christian
Weiss, Sen.; This edition
contains a reconstructed
part fo violin solo
(Durr/Hellmann) for the
Tenor Aria no. 2. Score
and parts available
separately - see item
CA.3103700.
Composed by Gottfried August Homilius. Edited by Uwe Wolf. For ST vocal soli, SA...(+)
Composed by Gottfried
August Homilius. Edited
by Uwe Wolf. For ST vocal
soli, SATB/SATB choir, 2
oboes, 3 trumpets,
timpani, 2 violin, viola,
basso continuo. German
title: Ergreifet die
Psalter (Kantate).
Cantatas, Advent.
Complete orchestral
parts. Language: German.
II.1. Duration 17
minutes. Published by
Carus Verlag
Kantate für
Männerchor und
Orchester
(tschechisch/deutsch/engl
isch) mit Supplement:
Erste Fassung 1911,
(tschechisch).
Composed by Leos Janacek.
Edited by Jan Hanus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek B/3.
Complete edition, Score.
Composed 1920. Duration 7
minutes. Baerenreiter
Verlag #BA06844_00.
Published by Baerenreiter
Verlag (BA.BA06844).
ISBN 9790006483266.
34.3 x 27 cm inches. Text
Language: Czech, German,
English. Translation:
Kurt Honolka / Bernard
Keeffe. Text: Martin
(Pseudonym fur Maximilian
Kunert)
Kurt.
Kantate fur
Mannerchor und Orchester
(tschechisch/deutsch/engl
isch) mit Supplement:
Erste Fassung 1911,
(tschechisch).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
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16th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Liebster
Gott, wenn. Sacred vocal
music, Cantatas, Special
days, Mourning, death.
Single Part, Violin 2.
Composed 1724. BWV 8. 8
pages. Duration 23
minutes. Carus Verlag #CV
31.008/12. Published by
Carus Verlag
(CA.3100812).
ISBN
9790007041977. Key: E
major. Language:
German/English. Text:
Neumann, Caspar. Text:
Caspar
Neumann.