8 Famous Works for Violin. By Johann Sebastian Bach. De Haske Play-Along Book. P...(+)
8 Famous Works for
Violin. By Johann
Sebastian Bach. De Haske
Play-Along Book. Play
Along. BOOK W/CD. Size
9x12 inches. 16 pages.
Published by DeHaske
Publications.
Composed by Johann Sebastian Bach (1685-1750). Edited by Dagmar Gluxam. Full sco...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Dagmar Gluxam. Full score
(study). With Standard
notation. BWV 1001 -
1006. Wiener
Urtext/Vienna Urtext
#UT50255. Published by
Wiener Urtext/Vienna
Urtext
Composed by Johann Sebastian Bach (1685-1750), edited by Gunter Hausswald. BWV 1...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Gunter Hausswald. BWV
1001-1006. For violin.
Urtext of the New Bach
Edition. Format: violin
solo book. With
introductory text.
Baroque. 60 pages. 9x12
inches. Published by
Baerenreiter-Ausgaben
(German Import).
Composed by Johann Sebastian Bach (1685-1750). Edited by Peter Wollny. This ed...(+)
Composed by Johann
Sebastian
Bach (1685-1750). Edited
by
Peter Wollny. This
edition:
urtext edition. Stapled.
Barenreiter Urtext.
Urtext
from the New Bach Edition
-
Revised (NBArev).
Performance
score, anthology. BWV
1001-
1006. Baerenreiter Verlag
#BA05256. Published by
Baerenreiter Verlag
Violin SKU: HL.14037289 By Demetrius Constantine Dounis. By Johann Sebast...(+)
Violin
SKU:
HL.14037289
By
Demetrius Constantine
Dounis. By Johann
Sebastian Bach. Edited by
Demetrius Constantine
Dounis. Music Sales
America. Classical. Book
[Softcover]. Music Sales
#NOV120528. Published by
Music Sales
(HL.14037289).
J.S. Bach's Six
Solo Sonatas For Violin,
as edited by Dounis.
Composed by Johann Sebastian Bach (1685-1750), arranged by Eduard Herrmann. For ...(+)
Composed by Johann
Sebastian Bach
(1685-1750), arranged by
Eduard Herrmann. For solo
violin. Schirmer's
Library, volume 221.
Format: violin solo
songbook. With standard
notation. Baroque. 61
pages. 9x12 inches.
Composed by Johann Sebastian Bach (1685-1750). Masterworks; String - Violin and ...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Masterworks;
String - Violin and
Piano. Kalmus Edition.
Baroque; Masterwork.
Book. 140 pages. Kalmus
Classic Edition
#00-K02264. Published by
Kalmus Classic Edition
Violin SKU: PE.0899174663 Composed by Johann Sebastian Bach, Jon F. Eiche...(+)
Violin
SKU:
PE.0899174663
Composed by Johann
Sebastian Bach, Jon F.
Eiche. Reference
Textbooks; Technique
Musicianship; Textbook -
Instrumental. 160 pages.
Edition Peters
#98-0899174663. Published
by Edition Peters
(PE.0899174663).
ISBN
9780899174662. UPC:
038081410739.
English.
Excellent
research tool with
in-depth discussion into
the history, analysis,
and interpretation of the
Chaconne including
writings by Albert
Schweitzer, Donald Tovey,
and a Schenkerian
analysis by the author.
Text includes views on
interpretation from Carl
Flesch and Joseph
Szigeti. 156 pages.
(from the orchestral suite BWV 1068). Composed by Johann Sebastian Bach (1685-17...(+)
(from the orchestral
suite BWV 1068). Composed
by Johann Sebastian Bach
(1685-1750). Arranged by
Roman Kim. For violin
solo. Stapled. From the
orchestral suite BWV
1068. Level 4.
Performance score. Text
Language: German/English.
5 pages. Published by
Baerenreiter Verlag
By Johann Sebastian Bach. For Violin. DOWANI 3 Tempi Play Along - Violin. Level:...(+)
By Johann Sebastian Bach.
For Violin. DOWANI 3
Tempi Play Along -
Violin. Level: Advanced.
Sheet Music with CD (3
Tempi Play Along).
Published by Dowani
International.
(from the Cantatas, Masses, Passions and Oratorios) Composed by Johann Sebastian...(+)
(from the Cantatas,
Masses, Passions and
Oratorios) Composed by
Johann Sebastian Bach
(1685-1750), edited by
Martin Wulfhorst. Playing
Score for violin. With
fingerings, bowings and
performance notes.
Published by
Baerenreiter-Ausgaben
(German import). ISBN
M006498185.
Composed by Johann Sebastian Bach (1685-1750). Edited by Wieslaw Novak. Music Mi...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Wieslaw Novak. Music
Minus One. Baroque and
Play Along. Softcover
Audio Online. With
fingerings and piano
reduction. 16 pages.
Music Minus One #MMO3104.
Published by Music Minus
One
Instrumental Play-Along for Violin. Composed by Johann Sebastian Bach (1685-17...(+)
Instrumental Play-Along
for
Violin. Composed by
Johann
Sebastian Bach
(1685-1750).
Instrumental Play-Along.
Softcover Audio Online.
16
pages. Published by Hal
Leonard
Music Minus One Violin. Composed by Johann Sebastian Bach (1685-1750). Music Min...(+)
Music Minus One Violin.
Composed by Johann
Sebastian Bach
(1685-1750). Music Minus
One. Baroque and Play
Along. Softcover Audio
Online. With solo parts
and standard notation.
BWV 1043. 24 pages. Music
Minus One #MMO3103.
Published by Music Minus
One
Composed by Johann Sebastian Bach (1685-1750), edited by Carl Flesch. BWV 1001-1...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Carl Flesch. BWV
1001-1006. Violin solo
book for violin. With
performance notes. 105
pages. Published by C.F.
Peters.
Violon [Partition] - Avancé IMC (International Music Co.)
Composed by Johann Sebastian Bach (1685-1750), edited by Ivan Galamian. Instrume...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Ivan Galamian.
Instrumental solo book
for violin solo. With
introductory text,
bowings and fingerings.
108 pages. Published by
International Music Co.
By David Newell. (String Collection/Study). orchestra method. Bach and Before. L...(+)
By David Newell. (String
Collection/Study).
orchestra method. Bach
and Before. Level:
Intermediate. Music book.
Published by Neil A. Kjos
Music Company.
Violin SKU: HL.50601306 Violin. Composed by Lera Auerbach. String....(+)
Violin
SKU:
HL.50601306
Violin. Composed
by Lera Auerbach. String.
Classical. Softcover. 20
pages. Sikorski #SIK8860.
Published by Sikorski
(HL.50601306).
8.25x11.5x0.085
inches.
Lera
Auerbach's
“par.ti.taâ€
is a commissioned work by
the Bachwoche Ansbach and
received its world
premiere on 29 July 2007
at the Bachwoche,
performed by Vadim
Gluzman. Gluzman has
remarked:
“'par.ti.taâ€
is an incredible work,
projecting Lera's
lifelong fascination with
Bach ... We hear traces
and echoes of Brandenburg
Concerti, Concerto for
two violins, Sonatas and
Partitas for violin solo.
No particular work is
being quoted, yet I can't
help the feeling of being
drawn to an incredible
world of shades, echoes -
are these shades of
ourselves? (...).
Chamber Music Violin SKU: CF.BF115 Composed by Johann Sebastian Bach. Edi...(+)
Chamber Music Violin
SKU: CF.BF115
Composed by Johann
Sebastian Bach. Edited by
Rachel Barton Pine. SWS.
Collection. With Standard
notation. 80 pages. Carl
Fischer Music #BF115.
Published by Carl Fischer
Music (CF.BF115).
ISBN
9781491150993. UPC:
680160908493. 9x12
inches.
Johann
Sebastian Bach’s
(1685—1750)
SixSonatas and Partitas
have captivated
violinistsfor centuries.
Rachel Barton
Pine—havingspent
decades studying the
music of Bach,his
contemporaries, and his
predecessors—now
offers this unparalleled
edition completewith
detailed historical
notes,
performancesuggestions,
and downloadable study
materialsincluding a new
Urtext edition and a
speciallyprepared
manuscript. Pine’s
interpretationis informed
by thorough historical
study, which has been
polished byyears of
performance insight, but
also encourages those
studying
Bach’srepertoire
to craft their own unique
interpretation of these
timelessmasterpieces.
This edition closely
follows Pine’s
critically acclaimed
2016recording
“Testament:
Complete Sonatas and
Partitas for Solo Violin
byJ.S. Bach†(Avie
2360) making it an
invaluable resource for
any student,teacher, or
performer enthralled with
J.S. Bach’s long
standing legacy.Ms. Pine
holds the distinction of
being the only American
and youngestperson to win
the gold medal at the
J.S. Bach International
ViolinCompetition in
Leipzig, Germany,
1992. here is no one
right way to play Bach.
More thanalmost any
repertoire, each
individual’s
interpretation isas
unique as their
personality. Though I
have spent
decadesstudying
Bach’s music as
well as that of his
contemporariesand
predecessors, my final
rationale for
artisticdecisions is
often taste and instinct.
Every violinist
whoundertakes a
lifetime’s journey
with this incredible
repertoireis continually
discovering new ideas.
Thus, theopinions on the
following pages may
evolve over time.However,
everything in the sheet
music closely follows
my2016 recording
“Testament:
Complete Sonatas and
Partitasfor Solo Violin
by J.S. Bach†(Avie
2360), which I trulyfeel
represents the
culmination of my
exploration intothese
extraordinary works.In
choosing to present this
edition, my hope is
thatyou will find useful
solutions to challenges
of fingering,bowing, and
polyphony, and helpful
information
aboutphrasing. I have
also included additional
dynamic suggestionswith
the hope that trying
these ideas will help
inspireyou to discover
your own. All of these
markings aredesigned to
work with a baroque
violin and baroque bow,a
modern violin and baroque
bow, or a modern
violinand modern bow.
While the information in
this editionis unusually
dense, there is much that
I did not include,such as
lifts, breaths,
articulations, whether to
play on oroff the string,
metronome markings,
details of timing,and
emphases other than
hemiolas.I offer this
book to you in the spirit
of Bach: “SoliDeo
Gloria.â€.
Chamber Music Violin SKU: PR.144407530 Composed by Lauren Bernofsky. 12 p...(+)
Chamber Music Violin
SKU: PR.144407530
Composed by Lauren
Bernofsky. 12 pages.
Duration 10 minutes, 30
seconds. Merion Music
#144-40753. Published by
Merion Music
(PR.144407530).
ISBN
9781491136614. UPC:
680160687992.
A
violinist herself, Lauren
Bernofsky has described
SONATA FOR SOLO VIOLIN as
drawn from
autobiographical
inspiration, including
gestures from Bachâ??s
beloved Partita in E
Major. Bernofsky opens
with a Preludio movement
whose references to Bach
may be disguised, but
they are surely lurking.
The second movement is
lusciously contrapuntal
with the idiomatic
finesse of a violinist
composing for her own
instrument, while
musically journaling the
emotional pain of living
through 2020. The third
and final movement is
aptly marked
â??white-hot,â? and
the music certainly
is. My SONATA FOR SOLO
VIOLIN was commissioned
by violinist Megan Healy
as part of The Maud
Powell Project, which
celebrated the 100th
anniversary of the
ratification of the 19th
Amendment. The project
included the creation of
five new works for solo
violin inspired by and
dedicated to the memory
of pioneering American
violinist Maud Powell
(1867-1920). Healy
premiered the sonata on
May 8, 2021 at PianoForte
Studios in Chicago.Among
the works Powell most
frequently performed in
her recitals was the
â??Preludioâ?
movement from Bachâ??s E
major Partita, and I
decided to refer to that
music in my own first
movement, also titled
â??Preludio.â? The
beginning subtly reflects
Bachâ??s opening
three-note motive,
wherein the music dips
down a semitone and then
comes back up. This
melodic material returns
throughout the movement
in various forms. I also
refer to Bachâ??s
sixteenth-note dominated
texture, and the gesture
in the third measure,
which outlines a perfect
fifth and then fills it
in with notes that
alternate between a scale
and a pedal tone. The
corresponding passage in
my piece occurs in the
same place, measure 3.
Apart from these
references to Bach, my
sonata is much more
modern sounding,
especially in its
chromatic character.I was
still thinking of
Bachâ??s solo violin
writing while composing
the second movement,
particularly the
polyphonic nature of the
slow movements, where the
melodic interest moves
around between the
voices. Emotionally, I
wanted my movement to
reflect the acute sadness
I had been experiencing
over the political and
social situation in the
United States as I wrote
the piece. I realized
that this is a
historically noteworthy
time in U.S. history,
marked not only by
political unrest, but
also by a challenge to
the very values that I
consider essential to
what makes a person
fundamentally human. I
wanted to create a record
of that pain in my
music.The final movement
is marked
â??White-hot.â? It is
imbued with a relentless,
passionate intensity.
Wanting again to reflect
aspects of our own time,
I included glissandi that
refer to rock music,
specifically the
â??fall-offsâ? I
frequently hear played by
electric guitarists. I
borrowed from another
(completely different)
musical tradition as
well, one that is
near-and-dear to my
heart: Klezmer. Klezmer
(Eastern European Jewish
folk music) is
characterized in part by
scales colored by
augmented seconds, and is
often performed by solo
instrumentalists who
improvise embellishments
like quick grace notes.
The second, more lyrical
theme in this movement is
my nod to Klezmer
style.While this piece is
an homage to Maud Powell,
I also think of it as my
own musical
autobiography, as it
combines some of my
favorite aspects of
music, and is played on
my own instrument.