Composed by Johann Sebastian Bach (1685-1750), edited by Bettina Schwemer, Dougl...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Bettina Schwemer, Douglas
Woodfull-Harris. For
cello. Urtext of the New
Bach Edition. Includes
critical performing
edition, critical text
volume (analysis and
performance notes) and
facsimiles of source
manuscripts (5 complete
source editions).
Baroque. Text language
English. 327 pages. 9x12
inches. Published by
Baerenreiter-Ausgaben.
(Cello Quartet Score and Parts). By Johann Sebastian Bach (1685-1750). Arranged ...(+)
(Cello Quartet Score and
Parts). By Johann
Sebastian Bach
(1685-1750). Arranged by
Wolfgang Birtel. Score
and Parts. Schott. Book
only. 22 pages. Schott
Music #CB219. Published
by Schott Music
Cello SKU: HU.HN666 Composed by Johann Sebastian Bach. Edited by Egon Voss. Str...(+)
Cello
SKU: HU.HN666
Composed by Johann
Sebastian Bach. Edited by
Egon Voss. Strings,
Repertoire, Solos. 6
Suites for Violoncello
solo BWV 1007-1012.
Softcover Book. 136
pages. G. Henle #HN666.
Published by G. Henle
Notenband, Textband (deutsch) und Faksimiles (5 Hefte) Quellenkritische Ausgabe ...(+)
Notenband, Textband
(deutsch) und Faksimiles
(5 Hefte)
Quellenkritische Ausgabe
fur die Praxis. Urtext
der Neuen Bach-Ausgabe -
Music volume, Text volume
(German) and Facsimiles.
Scholarly Critical
Performing Edition.
Urtext of the New Bach
Edition. By Johann
Sebastian Bach. Edited by
Schwemer, Bettina;
Woodfull-Harris, Douglas.
For Violoncello. (in
folder). BWV 1007-1012.
Published by
Baerenreiter-Ausgaben
(German import).
(BWV 1007-1012. Faksimile der vier Quellen im Beiband zum Kritischen Bericht). C...(+)
(BWV 1007-1012. Faksimile
der vier Quellen im
Beiband zum Kritischen
Bericht). Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Hans Eppstein. For cello.
This edition: Complete
edition, Urtext edition.
Linen. New Bach Edition.
Series VI, Volume 2.
Performance score,
anthology. BWV 1007-1012.
Published by Baerenreiter
Verlag
Composed by Johann Sebastian Bach (1685-1750), edited by August Wenzinger. BWV 1...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
August Wenzinger. BWV
1007-1012. For cello
(unaccompanied). Format:
cello solo book. With
introductory text
(German/English) and
performance notes (German
only). Baroque. 70 pages.
9x12 inches. Published by
Baerenreiter-Ausgaben.
Composed by Johann Sebastian Bach (1685-1750), arranged by Fritz Gaillard. For s...(+)
Composed by Johann
Sebastian Bach
(1685-1750), arranged by
Fritz Gaillard. For solo
cello (unaccompanied).
Schirmer's Library,
volume 1565. Format:
cello solo songbook. With
standard notation,
performance notes and
introductory text.
Baroque. 53 pages.
Composed by Johann Sebastian Bach (1685-1750), edited by Hugo Becker. BWV 1007-1...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Hugo Becker. BWV
1007-1012. For cello
(unaccompanied). Format:
cello solo book. With
fingerings and
introductory text.
Baroque. 45 pages. 9x12
inches. Published by C.F.
Peters.
Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This edit...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Andrew Talle. This
edition: urtext edition.
Cloth bund. Barenreiter
Urtext. Urtext of the New
Bach Edition - Revised
(NBArev). Performance
Score(s), anthology. BWV
1007-1012. Baerenreiter
Verlag #BA05258.
Published by Baerenreiter
Verlag (BA.BA05258).
Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This ed...(+)
Composed by Johann
Sebastian
Bach (1685-1750). Edited
by
Andrew Talle. This
edition:
urtext edition.
Paperback.
Barenreiter Urtext.
Urtext
of the New Bach Edition -
Revised (NBArev).
Performance Score(s),
anthology. BWV 1007-1012.
Baerenreiter Verlag
#BA05257. Published by
Baerenreiter Verlag
Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. With ...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Ulrich Leisinger. With
Standard notation. Wiener
Urtext/Vienna Urtext
#UT50260. Published by
Wiener Urtext/Vienna
Urtext
Bach for the Cello Violoncelle [Partition + Accès audio] - Facile Schirmer
10 Easy Pieces in 1st Position. Composed by Johann Sebastian Bach (1685-1750). E...(+)
10 Easy Pieces in 1st
Position. Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Charles Krane. String
Solo. Baroque,
Instruction, Collection,
Classical. Softcover
Audio Online. 32 pages.
Published by G. Schirmer
(10 Easy Pieces in 1st Position). By Johann Sebastian Bach (1685-1750). Edited b...(+)
(10 Easy Pieces in 1st
Position). By Johann
Sebastian Bach
(1685-1750). Edited by
Charles Krane. For Cello.
String Solo. CD only. 8
pages. Published by G.
Schirmer
Instrumental Play-Along for Cello. Composed by Johann Sebastian Bach (1685-175...(+)
Instrumental Play-Along
for
Cello. Composed by Johann
Sebastian Bach
(1685-1750).
Instrumental Play-Along.
Softcover Audio Online.
16
pages. Published by Hal
Leonard
By Johann
Sebastian Bach.
Masterworks; String -
Cello Collection. Kalmus
Edition. Baroque. Solo
cello songbook. With
fingerings. 52 pages.
Kalmus Classic Edition
#00-K04412. Published by
Kalmus Classic Edition
(AP.K04412).
ISBN
9780769257563. UPC:
029156189230. 9x12
inches.
English.
Six Suites
for Cello Solo, written
by Johann Sebastian
Bach.
Violoncello SKU: BA.BA05278 Composed by Johann Sebastian Bach. Edited by ...(+)
Violoncello
SKU:
BA.BA05278
Composed
by Johann Sebastian Bach.
Edited by Andrew Talle.
This edition: Facsimile,
Urtext edition.
Paperback. Barenreiter
Urtext. Urtext from the
New Bach Edition -
Revised (NBArev).
Performance score,
anthology, Facsimile. BWV
1007-1012. Baerenreiter
Verlag #BA05278_00.
Published by Baerenreiter
Verlag (BA.BA05278).
ISBN 9790006569625.
32.5 x 25.5 cm inches.
Preface: Talle,
Andrew.
When we
think of the cello, we
automatically think of
Bach’s immortal
cello suites. They are
the very core of cello
literature, their
timeless beauty
accompanying cellists
from their student years
throughout the height of
their professional
careers.
Consideri
ng the works’
significance, the great
number of editions in
existence is not
surprising. However, the
composer’s
autograph has not been
preserved and is
considered lost. This
circumstance creates an
exceptional challenge
many editors faced over
the years. The four
autograph sources still
in existence and the
first print from 1824
show numerous small
deviations, especially in
terms of articulation
markings and
phrasing.
In this
two-volume edition of
Bach’s cello
suites, Andrew Talle now
presents an entirely new
view of the relationships
between existing sources.
The first volume contains
the edited musical text,
which comes as close to
the composer’s
original intention as the
surviving source material
allows: “This
edition does not
constitute a perfect
reconstruction of the
lost autograph; that is
something no editor could
claim to accomplish.
Instead, I have attempted
to supply musicians and
researchers with a
reliable version of the
surviving musical text of
the six cello suites, and
to convey a sense of the
many possibilities Bach
encouraged his musicians
to explore.â€The
second volume presents,
for the first time,
synoptically arranged
facsimiles of the
handwritten sources as
well as the first print
(with Suite No. V also
including Bach’s
own arrangement for
lute), allowing readers
to compare any specific
section in all sources at
one glance. This allows
for a straightforward and
immediate consideration
of all sources, making
editorial decisions
transparent and
self-evident.
Andr
ew Talle’s edition
is supplemented by a
comprehensive discussion
of the instrument for
which the suites were
created, as well as
information regarding
musical interpretation
during Bach’s
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Toccata und Fuge in d-Moll, BWV 565; Chromatische Fantasie in d-Moll, BWV 903...(+)
Toccata und Fuge in
d-Moll, BWV 565;
Chromatische Fantasie in
d-Moll, BWV 903; Chaconne
in d-Moll, aus der
Partita Nr. 2, BWV
1004. Composed by
Johann Sebastian Bach
(1685-1750). Arranged by
Johann Sebastian Paetsch.
28 pages. Published by
Friedrich Hofmeister
Musikverlag (HF.FH-3021).
(Auffuhrungsmaterial nach der Neuen Bach-Ausgabe). By Johann Sebastian Bach (168...(+)
(Auffuhrungsmaterial nach
der Neuen Bach-Ausgabe).
By Johann Sebastian Bach
(1685-1750). Edited by
Heinrich Besseler. For
Violoncello 2,
Violoncello 3. Single
Part; Urtext Edition. BWV
1048
Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. Arranged ...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Andrew Talle. Arranged by
Andrew Talle / Jungeun
Elle Kim. This edition:
edition of selected
works, urtext edition.
Linen. New Bach Edition,
Revised Edition (NBA
rev). 4. Score,
Anthology. BWV 1007-1012.
Published by Baerenreiter
Verlag (BA.BA5942-01).
Violoncello SKU: BA.BA05277 Composed by Johann Sebastian Bach. Edited by ...(+)
Violoncello
SKU:
BA.BA05277
Composed
by Johann Sebastian Bach.
Edited by Andrew Talle.
This edition: facsimile.
Paperback. Facsimile. BWV
1007-1012. Baerenreiter
Verlag #BA05277_00.
Published by Baerenreiter
Verlag (BA.BA05277).
ISBN 9790006569618.
32.5 x 25.5 cm
inches.
The suites
are the very core of
cello literature, with
their timeless beauty
accompanying cellists
from their student years
throughout the height of
their professional
careers.
Consideri
ng the worksâ??
significance, the great
number of editions in
existence is not
surprising. However, the
composerâ??s autograph
has not been preserved
and is considered lost.
This circumstance creates
an exceptional challenge
many editors faced over
the years. The four
autograph sources still
in existence and the
first print from 1824
show numerous small
deviations, especially in
terms of articulation
markings and
phrasing.
This
facsimile edition is the
first to juxtapose all
four autograph sources as
well as the first print
(along with Bachâ??s own
arrangement of Suite No.
V for lute). For the
first time, readers can
compare a specific
section in all sources at
one glance. This allows
for a straightforward and
immediate consideration
of all sources.
(Auffuhrungsmaterial nach der Neuen Bach-Ausgabe). By Johann Sebastian Bach (168...(+)
(Auffuhrungsmaterial nach
der Neuen Bach-Ausgabe).
By Johann Sebastian Bach
(1685-1750). Edited by
Heinrich Besseler. For
Violoncello 1. Single
Part; Urtext Edition. BWV
1048
Auffuhrungsmaterial nach der Neuen Bach-Ausgabe. By Johann Sebastian Bach. Edite...(+)
Auffuhrungsmaterial nach
der Neuen Bach-Ausgabe.
By Johann Sebastian Bach.
Edited by Heinrich
Besseler. For
Violoncello. Single Part.
BWV 1049. Published by
Baerenreiter-Ausgaben
(German import). (BA5204
82)