(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathle...(+)
(A Comprehensive String
Method) Written by Brenda
Mitchell, Joanne Erwin,
Kathleen Horvath, Robert
D McCashin. Instructional
book and accompaniment CD
for cello. Series: New
Directions for Strings.
56 pages. Published by
The FJH Music Company
Inc.
Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This edit...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Andrew Talle. This
edition: urtext edition.
Cloth bund. Barenreiter
Urtext. Urtext of the New
Bach Edition - Revised
(NBArev). Performance
Score(s), anthology. BWV
1007-1012. Baerenreiter
Verlag #BA05258.
Published by Baerenreiter
Verlag (BA.BA05258).
Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This ed...(+)
Composed by Johann
Sebastian
Bach (1685-1750). Edited
by
Andrew Talle. This
edition:
urtext edition.
Paperback.
Barenreiter Urtext.
Urtext
of the New Bach Edition -
Revised (NBArev).
Performance Score(s),
anthology. BWV 1007-1012.
Baerenreiter Verlag
#BA05257. Published by
Baerenreiter Verlag
Viva Vibrato! Cello Violoncelle [Partition] - Intermédiaire Kjos Music Company
By Robert Frost. Edited by Gerald Fischbach. (String Coll/Study). orchestra meth...(+)
By Robert Frost. Edited
by Gerald Fischbach.
(String Coll/Study).
orchestra method. Level:
Intermediate. Music book.
Published by Neil A. Kjos
Music Company.
Violoncello - Level 5 SKU: BA.BA11071 Composed by Matthias Pintscher. In ...(+)
Violoncello - Level 5
SKU: BA.BA11071
Composed by Matthias
Pintscher. In a folder.
Part II of the cycle
Profiles of Light.
Performance score.
Composed 2015. 4 pages.
Baerenreiter Verlag
#BA11071_00. Published by
Baerenreiter Verlag
(BA.BA11071).
ISBN
9790006562015. 42 x 29.7
cm
inches.
“Now
II†is the second
part of a triptych of
chamber pieces entitled
“Profiles of
Lightâ€. The first
part is written for solo
piano (Now I, BA 11073),
the second for
unaccompanied cello. The
two instruments are then
combined in the
concluding third part,
Uriel (BA
11013).
All three
pieces were inspired by
the Abstract
Expressionist paintings
of the American artist
Barnett Newman. Newman's
work has had a formative
impact on Matthias
Pintscher's artistic
philosophy: what does it
mean to reduce things to
essentials while seeking
maximum immediacy of
expression? Several of
Newman's paintings have a
radiant light of uncommon
intensity, yet resembling
a dark illumination. The
same sort of thing is
found in the late works
of Franz Schubert, where
a comparable profundity
and retrospective
yearning likewise shine
through the surface of
even the brightest
tonalities.
This
is a piece about
resonances, about the
inward and outward givens
of existence, about life
itself: 'I find the cello
a highly suitable
instrument for depicting
such existential
conditions'.
Cello. Composed by
Edvard Grieg. Edited by
Richard Clarke.
Orchestra; stapled.
Eulenburg Orchestral
Series.
The new
conductor's score to both
suites is based on the
proven edition of Richard
Clarke, which is already
accessible as a st
udy score in the
Eulenburg series.
Suite; Romantic. Part. 8
pages. Duration 13'.
Breitkopf and Haertel
#EOS 21473-23. Published
by Breitkopf and Haertel
(BR.EOS-21473-23).
ISBN 9790004780169. 10
x 12.5
inches.
After
Henrik Ibsen obtained
sensational feedback for
his verse drama Peer
Gynt, he decided to
arrange the text for
stage performances as
well. He requested
incidental music from
Edvard Grieg, who
immediately assured Ibsen
of his cooperation. In
its new version, Peer
Gynt was given its first
performance in February
1876 and also scored a
tremendous success. After
a further revision of his
music, Grieg compiled
four of the most striking
pieces into an orchestral
suite in 1888, and
repeated this procedure
three years later for a
second suite. The
publication of the first
complete score further
boosted the already
exceptional acclaim of
the incidental music to
Grieg's Peer Gynt, which
takes its place today
among the composer's most
beloved works.Breitkopf
is now releasing a new
conductor's score to both
suites, based on the
proven edition of Richard
Clarke, which is already
accessible as a study
score in the Eulenburg
series.
The new
conductor's score to both
suites is based on the
proven edition of Richard
Clarke, which is already
accessible as a study
score in the Eulenburg
series.
Violoncello SKU: BA.BA05278 Composed by Johann Sebastian Bach. Edited by ...(+)
Violoncello
SKU:
BA.BA05278
Composed
by Johann Sebastian Bach.
Edited by Andrew Talle.
This edition: Facsimile,
Urtext edition.
Paperback. Barenreiter
Urtext. Urtext from the
New Bach Edition -
Revised (NBArev).
Performance score,
anthology, Facsimile. BWV
1007-1012. Baerenreiter
Verlag #BA05278_00.
Published by Baerenreiter
Verlag (BA.BA05278).
ISBN 9790006569625.
32.5 x 25.5 cm inches.
Preface: Talle,
Andrew.
When we
think of the cello, we
automatically think of
Bach’s immortal
cello suites. They are
the very core of cello
literature, their
timeless beauty
accompanying cellists
from their student years
throughout the height of
their professional
careers.
Consideri
ng the works’
significance, the great
number of editions in
existence is not
surprising. However, the
composer’s
autograph has not been
preserved and is
considered lost. This
circumstance creates an
exceptional challenge
many editors faced over
the years. The four
autograph sources still
in existence and the
first print from 1824
show numerous small
deviations, especially in
terms of articulation
markings and
phrasing.
In this
two-volume edition of
Bach’s cello
suites, Andrew Talle now
presents an entirely new
view of the relationships
between existing sources.
The first volume contains
the edited musical text,
which comes as close to
the composer’s
original intention as the
surviving source material
allows: “This
edition does not
constitute a perfect
reconstruction of the
lost autograph; that is
something no editor could
claim to accomplish.
Instead, I have attempted
to supply musicians and
researchers with a
reliable version of the
surviving musical text of
the six cello suites, and
to convey a sense of the
many possibilities Bach
encouraged his musicians
to explore.â€The
second volume presents,
for the first time,
synoptically arranged
facsimiles of the
handwritten sources as
well as the first print
(with Suite No. V also
including Bach’s
own arrangement for
lute), allowing readers
to compare any specific
section in all sources at
one glance. This allows
for a straightforward and
immediate consideration
of all sources, making
editorial decisions
transparent and
self-evident.
Andr
ew Talle’s edition
is supplemented by a
comprehensive discussion
of the instrument for
which the suites were
created, as well as
information regarding
musical interpretation
during Bach’s
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Jean-Louis Duport, edited by Martin Rummel. for violoncello. Fold o...(+)
Composed by Jean-Louis
Duport, edited by Martin
Rummel. for violoncello.
Fold out pages where you
need them. Ad libitum
cello part included with
fingerings and bowings
for today's cellists.
German / English brochure
with playing tips and
references to where the
techniques can be found
in the standard cello
literature. Published by
Baerenreiter-Ausgaben
(German import).
Cello SKU: IM.3726 Composed by Friedrich Dotzauer. Edited by Carter Enyea...(+)
Cello
SKU: IM.3726
Composed by Friedrich
Dotzauer. Edited by
Carter Enyeart. Method.
International Music Co.
#3726. Published by
International Music Co.
(IM.3726).
This
newly edited Volume IV
features virtuosic pieces
which prepare the cellist
for concerto-style
playing. Includes rapid
arpeggios over multiple
octaves, double-stops all
over the fingerboard,
cadenzas, etc.
Violoncello SKU: BA.BA10936 Composed by Robert Lindley. Edited by Valerie...(+)
Violoncello
SKU:
BA.BA10936
Composed
by Robert Lindley. Edited
by Valerie Walden. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Performance
score, anthology. Opus
15. Baerenreiter Verlag
#BA10936_00. Published by
Baerenreiter Verlag
(BA.BA10936).
ISBN
9790006567287. 31 x 24.3
cm inches. Preface:
Walden,
Valerie.
Robert
Lindley
(1776–1855) was
the premier cellist in
England for more than 50
years. In 1822 he became
the first professor of
cello at the Royal
Academy of Music in
London, where he remained
until his retirement in
1851. Lindley, an
esteemed and much
sought-after teacher,
wrote not only the
present
“Capricciosâ€
but also a cello method,
several concertos, and
chamber music in which
the cello is prominently
featured.
The
“Capriccios and
Exercises†contain
a multitude of fingering
patterns in related major
and minor harmonies,
exercises for the thumb
position and many
passages of double stops,
all within a melodious
framework.
Barenreiter’s
scholarly performing
edition is edited by
Valerie Walden, offering
cellists and teachers
outstanding new material
for use in
lessons.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Violoncello - difficult SKU: HL.49045324 Version for Cello. Compos...(+)
Violoncello - difficult
SKU: HL.49045324
Version for Cello.
Composed by Chaya
Czernowin. This edition:
Saddle stitching. Sheet
music. String. Classical.
Softcover. Composed 1981.
12 pages. Duration 720
seconds. Schott Music #CB
287. Published by Schott
Music (HL.49045324).
ISBN 9790001159678.
UPC: 841886030657.
9.0x12.0x0.069
inches.
The
original version for
violin dates from 1981,
thus being one of the
early works by the
Israeli composer who
teaches at Harvard
University. About 35
years later, in 2015,
Chaya Czernowin arranged
the solo piece for the
cellist Christina
Meissner and also wrote a
version for viola solo.
In this early creative
period, her tonal
language shows the slow
introduction of the sound
of new music.