Teilband 1: Ausgabe nach dem Originaldruck - Teilband 2: Ausgabe nach den autographen Quellen. Urtext der Neuen Bach-Ausgabe. By Johann Sebastian Bach. Edited by Klaus Hofmann. For Instrument/Piano/Harpsich ord/Organ. Neue Bach-Ausgabe. Serie VIII, Band 2. Score; Urtext Edition; Complete Edition (cloth bound). BWV 1080. Published by Baerenreiter-Ausgaben (German import). (BA5082 01)

Chamber Orchestra (Recorder f1, Flute, Oboe, English Horn, Bassoon, 4 Strings), Harpsichord, Organ

SKU: CA.4033190

Composed by Johann Sebastian Bach. Arranged by Helmut Bornefeld. Hymns by Martin Luther: War Gott nicht mit uns diese Zeit. German title: Faksimile Kunst Der Fuge. Post card. BWV 1080. 100 pages. Duration 90 minutes. Carus Verlag #CV 40.331/90. Published by Carus Verlag (CA.4033190).

ISBN 9790007104870. Language: all languages.

Score available separately - see item CA.4033100.

Orchestra (3ST(VA))

SKU: HL.49006068

Leichte Satze alter Meister. Edited by Helmut W. May. This edition: Folder. Sheet music. Edition Schott. Classical. Individual part. 16 pages. Schott Music #ED 6161-16. Published by Schott Music (HL.49006068).

ISBN 9790001065887. UPC: 841886031951.

Guitar

SKU: HL.48182551

Composed by Johann Sebastian Bach. Leduc. Softcover. Alphonse Leduc #AL23885. Published by Alphonse Leduc (HL.48182551).

UPC: 888680841829. 9.0x12.0x0.047 inches.

Bach Js Classique Guitare No 57 Die Kunst Der Fuge 2 Guitars Bk.

Chamber Orchestra (Recorder f1, Flute, Oboe, English Horn, Bassoon, 4 Strings), Harpsichord, Organ

SKU: CA.2918409

Composed by Johann Sebastian Bach. Arranged by Helmut Bornefeld. This edition: Complete edition. 1x 29.184/21 recorder, 1x 29.184/22 flute, 1x 29.184/23 oboe, 1x 29.184/24 English horn, 1x 29.184/25 bassoon. German title: Die Kunst Der Fuge / Arr. Bornefeld. Instrumental arrangements of works by bach. Set of Orchestra Parts. BWV 1080. 96 pages. Duration 90 minutes. Carus Verlag #CV 29.184/09. Published by Carus Verlag (CA.2918409).

ISBN 9790007203672. Language: all languages.

Score available separately - see item CA.2918400.

Chamber Orchestra (Recorder f1, Flute, Oboe, English Horn, Bassoon, 4 Strings), Harpsichord, Organ

SKU: CA.2918415

Composed by Johann Sebastian Bach. Arranged by Helmut Bornefeld. This edition: Complete edition. German title: Die Kunst Der Fuge / Arr. Bornefeld. Instrumental arrangements of works by bach. Single Part, Double Bass. BWV 1080. 20 pages. Duration 90 minutes. Carus Verlag #CV 29.184/15. Published by Carus Verlag (CA.2918415).

ISBN 9790007203689. Language: all languages.

Score available separately - see item CA.2918400.

Orchestra Chamber Orchestra (Recorder f1, Flute, Oboe, English Horn, Bassoon, 4 Strings), Harpsichord, Organ

SKU: CA.2918407

Composed by Johann Sebastian Bach. Arranged by Helmut Bornefeld. This edition: Complete editions, Paper-bound. German title: Die Kunst Der Fuge / Arr. Bornefeld. Instrumental arrangements of works by bach. Study score. BWV 1080. 128 pages. Duration 90 minutes. Carus Verlag #CV 29.184/07. Published by Carus Verlag (CA.2918407).

ISBN 9790007102678. Language: all languages.

Score available separately - see item CA.2918400.

Chamber Orchestra (Recorder f1, Flute, Oboe, English Horn, Bassoon, 4 Strings), Harpsichord, Organ

SKU: CA.2918449

Composed by Johann Sebastian Bach. Arranged by Helmut Bornefeld. This edition: Complete editions, Paper-bound. German title: Die Kunst Der Fuge / Arr. Bornefeld. Instrumental arrangements of works by bach. Single Part, Organ. BWV 1080. 66 pages. Duration 90 minutes. Carus Verlag #CV 29.184/49. Published by Carus Verlag (CA.2918449).

ISBN 9790007203719. Language: all languages.

Score available separately - see item CA.2918400.

Chamber Orchestra (Recorder f1, Flute, Oboe, English Horn, Bassoon, 4 Strings), Harpsichord, Organ

SKU: CA.2918419

Composed by Johann Sebastian Bach. Arranged by Helmut Bornefeld. Die Kunst Der Fuge / Arr. Bornefeld. Instrumental arrangements of works by bach. Set of Orchestra Parts. BWV 1080. Duration 90 minutes. Carus Verlag #CV 29.184/19. Published by Carus Verlag (CA.2918419).

ISBN 9790007203696. Language: all languages.

Score and parts available separately - see item CA.2918400.

Teil 2. 4 zweistimmige Kanons, 2 Spiegelfugen, unvollendete Fuge mit 3 Themen, Orgelchoral "Wenn wir in hochsten Noten (Vor deinen Thron)". By Johann Sebastian Bach. Edited by Schurich, Hans. For Organ. Playing Score (paperbound). BWV 1080. Published by Soeddeutscher Musikverlag (German import).

Sopranstimme. Streichquartettfassung: V I / Originallage: V/S-Vagb1; mit Besetzungs- und Spielordnungshinweisen - Soprano. String Quartet Version: V I / Original Version: Violin/ Soprano viola da gamba1; with instrumentations and performance suggestions. By Johann Sebastian Bach. Edited by Diener, Hermann; Hampe, Charlotte. For Violin 1; Soprano-Vagb. Single Part. BWV 1080. Published by Baerenreiter-Ausgaben (German import). (BA2600 91)

By Johann Sebastian Bach. Edited by Forbes. For Violin, Violoncello. Canon alla duodecima (in contrapunto alla quinta) and 2 Canons per augmentationem (in contrario motu); BWV 1080. Published by C.F. Peters.

(nach der Neuordnung von Wolfgang Graeser fur zwei Klaviere bearbeitet). By Johann Sebastian Bach (1685-1750). For piano (4 hands) (2 pianos). 132 pages

String Quartet (2vl,va,vc)

SKU: BR.EB-9260

Composed by Manuela Kerer. Chamber music; Folder. Edition Breitkopf.

World premiere: Stockholm (Festival O/MODERNT), June 19, 2017

Music post-1945; New music (post-2000). Set of parts. Composed 2016/17. 32 pages. Duration 15' - 18'. Breitkopf and Haertel #EB 9260. Published by Breitkopf and Haertel (BR.EB-9260).

ISBN 9790004185605. 9 x 12 inches.

When Hugo Ticciati asked me to write a new piece for his quartet, I was immediately enthusiastic about this project. I love how Hugo and his O/MODERNT String Quartet unite old and new music in a completely natural way. So, I was absolutely excited about Hugo`s idea of having my piece based on two of my idols, Bach and Beethoven, deconstructing the one and constructing the other. With all my respect for these great composers I gave to the piece a very personal inner part consisting of my own music that influenced and inspired the other parts. For the whole piece I felt very close to Beethoven, who said: To make a fugue is not art, which [is something] I have made dozens of times in my study. But the imagination will assert its rights and must come today, in light of the old traditional form, to another truly poetic element. De/Con is a travel into different centuries with different sound-languages. For me, it was like having a wonderful constructive discussion with Johann Sebastian Bach and Ludwig van Beethoven, each of us trying to speak our own language, approaching the others step by step. The piece could be defined as a Love Letter to two of the greatest composers ever. De/Con could be preceded by (parts of) Johann Sebastian Bach's Die Kunst der Fuge (The Art of the Fugue) and succeeded by Ludwig van Beethoven's Grosse Fuge (Great Fugue). Ideally, then, all parts should be played attacca. It could, but it hasn't to be played with these two pieces. (Manuela Kerer)

World premiere: Stockholm (Festival O/MODERNT), June 19, 2017.

String Quartet (2vl,va,vc)

SKU: BR.EB-9259

Composed by Manuela Kerer. Chamber music; stapled. Edition Breitkopf.

World premiere: Stockholm (Festival O/MODERNT), June 19, 2017

Music post-1945; New music (post-2000). Full score. Composed 2016/17. 32 pages. Duration 15' - 18'. Breitkopf and Haertel #EB 9259. Published by Breitkopf and Haertel (BR.EB-9259).

ISBN 9790004185599. 9 x 12 inches.

When Hugo Ticciati asked me to write a new piece for his quartet, I was immediately enthusiastic about this project. I love how Hugo and his O/MODERNT String Quartet unite old and new music in a completely natural way. So, I was absolutely excited about Hugo`s idea of having my piece based on two of my idols, Bach and Beethoven, deconstructing the one and constructing the other. With all my respect for these great composers I gave to the piece a very personal inner part consisting of my own music that influenced and inspired the other parts. For the whole piece I felt very close to Beethoven, who said: To make a fugue is not art, which [is something] I have made dozens of times in my study. But the imagination will assert its rights and must come today, in light of the old traditional form, to another truly poetic element. De/Con is a travel into different centuries with different sound-languages. For me, it was like having a wonderful constructive discussion with Johann Sebastian Bach and Ludwig van Beethoven, each of us trying to speak our own language, approaching the others step by step. The piece could be defined as a Love Letter to two of the greatest composers ever. De/Con could be preceded by (parts of) Johann Sebastian Bach's Die Kunst der Fuge (The Art of the Fugue) and succeeded by Ludwig van Beethoven's Grosse Fuge (Great Fugue). Ideally, then, all parts should be played attacca. It could, but it hasn't to be played with these two pieces. (Manuela Kerer)

World premiere: Stockholm (Festival O/MODERNT), June 19, 2017.