C Instruments. Composed by Various. Fake Book. Softcover. Published by Hal Leonard

(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

Bb Instruments. Composed by Various. Fake Book. Jazz. Softcover. 488 pages. Published by Hal Leonard (HL.223637).

Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard

By Johann Sebastian Bach (1685-1750). Arranged by Elizabeth Start. Orchestra. Part(s); Score; String Orchestra. Belwin Concert String Orchestra. Form: Fugue; Prelude. Baroque; Masterwork Arrangement. Grade 3.5. 124 pages. Published by Belwin Publishing

(for Woodwind Quintet). Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by William Purvis. Score and Parts. Southern Music. Hal Leonard #SU786. Published by Hal Leonard

(for Woodwind Quintet). Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by William Purvis. Score and Parts. Southern Music. Hal Leonard #SU787. Published by Hal Leonard

Orchestra - Grade 3.5

SKU: AP.33688S

Composed by Johann Sebastian Bach. Arranged by Elizabeth Start. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Concert String Orchestra. Form: Fugue; Prelude. Baroque; Masterwork Arrangement. Score. 12 pages. Belwin Music #00-33688S. Published by Belwin Music (AP.33688S).

UPC: 038081376998. English.

From Book I of Bach's The Well-Tempered Klavier, this lively reworking of the Prelude and Fugue in B-flat minor, No. 22 provides students the wonderful experience of playing Baroque counterpoint in a minor key. Though rhythms are not complex, counting skills will be honed. The piece remains mainly in first position, yet also includes melodic augmented seconds. In the five-part fugue, the double basses have their own independent line, so let them shine.

(60 Classical Masterpieces in Easy Piano Arrangements). By Various. Edited by Hans-Günter Heumann. Piano Collection. Softcover. 184 pages. Schott Music #ED20764. Published by Schott Music

Master Text II. By Various. Piano Collection. 432 pages. Published by G. Schirmer, Inc.

By Johann Sebastian Bach (1685-1750). Arranged by David Marlatt. For Brass Quintet. Brass Ensemble - Quintet; Masterworks. Baroque. Duration 00:03:00

Performed by The Canadian Brass, arranged by Walter H. Barnes. Performance part (quintet parts needed for performance) for Bb trumpet (2nd trumpet). With performance notes and black & white photos. 44 pages. Published by G. Schirmer, Inc.

Performed by The Canadian Brass, arranged by Walter H. Barnes. Performance part (quintet parts needed for performance) for tuba. With performance notes and black & white photos. 42 pages. Published by G. Schirmer, Inc.

Performed by The Canadian Brass, arranged by Walter H. Barnes. Performance part (quintet parts needed for performance) for french horn. With performance notes and black & white photos. 44 pages. Published by G. Schirmer, Inc.

Arranged by Goran Berg. For Violin. Book; Masterworks; Quartet; String - Violin Quartet. Masterwork. 44 pages. Published by Alfred Music Publishing

Composed by Carl Czerny (1791-1857). Edited by Iain Quinn. Score. Published by A-R Editions (A2.S022).

Perfect binding. Exercises. Book. Mel Bay Publications, Inc #30782. Published by Mel Bay Publications, Inc

By George Frideric Handel (1685-1759). For solo keyboard. Piano Collection. Dover Edition. Baroque. Collection. Introductory text (does not include words to the songs). 169 pages. Published by Dover Publications collection Baroque

Brass quintet. For trumpet 1 in B-flat. Houston Publishing. Part. Published by Hal Leonard.

(BWV 1021, BWV 1023, BWV 1026) Composed by Johann Sebastian Bach (1685-1750), arranged by Meniker Zvi, edited by Andrew Manze, Peter Wollny. Score; Set of Parts; Urtext Edition for violin and basso continuo. Published by Baerenreiter-Ausgaben (German import).

ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3113612

Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 2. Composed 1723. BWV 136. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.136/12. Published by Carus Verlag (CA.3113612).

ISBN 9790007208127. Text language: German/English.

The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and part available separately - see item CA.3113600.

ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3113611

Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 1. Composed 1723. BWV 136. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.136/11. Published by Carus Verlag (CA.3113611).

ISBN 9790007208110. Text language: German/English.

The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and part available separately - see item CA.3113600.

ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3113613

Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Trinity. Single Part, Viola. Composed 1723. BWV 136. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.136/13. Published by Carus Verlag (CA.3113613).

ISBN 9790007208134. Text language: German/English.

The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and part available separately - see item CA.3113600.

ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3113614

Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Trinity. Single Part, basso continuo. Composed 1723. BWV 136. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.136/14. Published by Carus Verlag (CA.3113614).

ISBN 9790007208141. Text language: German/English.

The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and part available separately - see item CA.3113600.

Arrangement for Piano. Composed by Johann Sebastian Bach (1685-1750). Edited by Christian Schaper, Ullrich Scheideler, and Marc-Andre Hamelin. Arranged by Feruccio Busoni. Henle Music Folios. Classical. Softcover. 28 pages. G. Henle #HN1479. Published by G. Henle