Gush Saxophone Alto - Intermédiaire Wilhelm Hansen
Alto Saxophone - Grade 4 SKU: HL.14013595 Composed by Hans Abrahamsen. Mu...(+)
Alto Saxophone - Grade 4
SKU: HL.14013595
Composed by Hans
Abrahamsen. Music Sales
America. Classical. Book
[Softcover]. Composed
2005. 4 pages. Edition
Wilhelm Hansen #WH30016.
Published by Edition
Wilhelm Hansen
(HL.14013595).
ISBN
9788759807415.
Gush
for Alto Saxophone was
composed by Hans
Abrahamsen in 1974.
Edited by Christian
Ancher Gron.
Fakebook (spiral bound) for Bb instrument. With melody, chord names, introductor...(+)
Fakebook (spiral bound)
for Bb instrument. With
melody, chord names,
introductory text, black
and white photos and
lyrics (on some songs).
436 pages. Published by
Sher Music Company.
Springtide Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Grand Mesa Music
Composed by Darren Mitchell. Edited by J. Cameron Law. For string orchestra. Gra...(+)
Composed by Darren
Mitchell. Edited by J.
Cameron Law. For string
orchestra. Grade 4. Score
and parts. Duration 3
minutes, 44 seconds.
Published by Grand Mesa
Music
Textcritical
Edition. Composed by
Gustav Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
First edition based on
the copy of the score
revised by Mahler Hamburg
1893
Symphony;
Romantic; Late-romantic.
Part. 4 pages. Duration
8'. Breitkopf and Haertel
#OB 5642-15. Published by
Breitkopf and Haertel
(BR.OB-5642-15).
ISBN
9790004343678. 10.5 x 14
inches.
The Blumine
movement included in the
original five-movement
version of Mahler's
Symphony No. 1 was long
considered lost. Composed
as early as 1884 for a
theater piece, Mahler
inserted it into the
symphony as its second
movement in 1888. After
three performances, he
turned his back on this
Love Episode, calling the
sentimental, gushing
movement a youthful
folly, and removed it.
Mahler's Hamburg
autograph score was only
rediscovered in 1966.
Benjamin Britten gave the
Blumine movement a new
hearing at the 1967
Aldeburgh Festival. The
critical new edition is
based for the first time
on the autograph score,
together with the
meanwhile rediscovered
score copy with Mahler's
last revisions.The
cloth-bound volume PB
5661 contains next to the
final version of the
four-movement Symphony,
the Blumine
movement.
First
edition based on the copy
of the score revised by
Mahler Hamburg 1893.
Chamber Music String Quartet SKU: PR.114405050 Composed by John Downey. S...(+)
Chamber Music String
Quartet
SKU:
PR.114405050
Composed
by John Downey. Set of
Score and Parts. With
Standard notation. 53
pages. Duration 25
minutes. Theodore Presser
Company #114-40505.
Published by Theodore
Presser Company
(PR.114405050).
UPC:
680160008377. 11 x 14
inches.
Although
structurally it
subdivides into five
movements, the entire
quartet emerges as one
vast continuum. There are
no formal breaks between
movements. However,
certain musical signposts
can be discerned,
associated with each of
the movements'
terminations and new
beginnings. The opening
movement, The Nostalgia
of Clanging Bell
Sonorities, begins
floating on recurrent Bbs
whose soft rhythmic flow
slowly puts into motion
strong undercurrents
suggestive of the latent
power of water... After
several suggestions of
tolling bells, the
movement gradually fades
into hushed tones of
veiled and very distant
sonorities. It uses a
unique efffect, for the
first time in a musical
context, conveyed through
the use of extra heavy
practice mutes. The
second movement, The
Spill of Water ,
disengages itself from
the first through its
distinct contrast in
tempo. Water moves fast,
and when it splashes, it
tends to run wildly. In
this case, it happens to
be bubbly water that
gushes forth bodly...
smashing across rocky
shorlines. So, too, the
music attempts to conjure
such moods. At the end of
this movement, a cello
cadenza emerges,
introducing an
introspective type of
melodicism. The third
movement, The Poignancy
of Memory, contains many
silences as it tries to
convey memory through
fragmented remembrances
much like often occur in
our dream state.
Progressing through
several slowly building
images, it gradually
works itself into
juxtaposition of musical
images. Towards the
movement's end, high
harmonics are sounding in
all four instruments
while left hand pizzicato
notes in the cello pluch
the last remembrances of
this central core. Almost
imperceptibly, the viola
assumes leadership as it
dissolves into: The
fourth movement, The
Fluidity of Motion, which
has mostly the viola, but
also the cello,
articulating lyrical
statements against the
sheets of sound conjured
up by the two violins
playing a flood of
swirling figures, evokes
a kind of static motion
in spae. Here, the
virtually imperceptible
manner in which this
hushed whisper continues
incessantly, can suggest
the potential fluidity
with which movement may
inch forward... Later
into the fourth movement
, two fairly extended
solos by the second and
then the first violins,
lead to a kind of
spontaneous dialogue
among the four
instrumentalists.
Eventually, this musical
conversation gets caught
up in: The fifth
movement's The Rush of
Time, which opens with a
hushed flurry of speed,
precipitates the Finale.
It generates, at first
slowly, but then very
swiftly, whole shifts of
rhythmic fields that
initially seem to
conflict with one
another. Ultimately, this
use of 'psycho-rhythmics
contributes to an on-rush
of motion and time.
Rhythmic changes are, at
times, abruptly
precipitated with but
little or no preparation
creating a kind of
inevitability in forward
thrust, while the
movement rushes forward
with a feeling of gradual
and continuous
acceleration. It gathers
density as more and more
notes are piled
progressively upon
successive beats. The
attempt is to spark
tension and ignite
excitement by means of
frenetic confrontations
of dissimilitudes.
Ultimately - with the
help of time - these
polarities centrifically
spin out their own
destinies with their
accompanying fall-out and
own inevitable
resolutions.
Textcritical
Edition. Composed by
Gustav Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
First edition based on
the copy of the score
revised by Mahler Hamburg
1893
Symphony;
Romantic; Late-romantic.
Part. 4 pages. Duration
8'. Breitkopf and Haertel
#OB 5642-27. Published by
Breitkopf and Haertel
(BR.OB-5642-27).
ISBN
9790004343715. 10.5 x 14
inches.
The Blumine
movement included in the
original five-movement
version of Mahler's
Symphony No. 1 was long
considered lost. Composed
as early as 1884 for a
theater piece, Mahler
inserted it into the
symphony as its second
movement in 1888. After
three performances, he
turned his back on this
Love Episode, calling the
sentimental, gushing
movement a youthful
folly, and removed it.
Mahler's Hamburg
autograph score was only
rediscovered in 1966.
Benjamin Britten gave the
Blumine movement a new
hearing at the 1967
Aldeburgh Festival. The
critical new edition is
based for the first time
on the autograph score,
together with the
meanwhile rediscovered
score copy with Mahler's
last revisions.The
cloth-bound volume PB
5661 contains next to the
final version of the
four-movement Symphony,
the Blumine
movement.
First
edition based on the copy
of the score revised by
Mahler Hamburg 1893.
Textcritical
Edition. Composed by
Gustav Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
First edition based on
the copy of the score
revised by Mahler Hamburg
1893
Symphony;
Romantic; Late-romantic.
Part. 4 pages. Duration
8'. Breitkopf and Haertel
#OB 5642-23. Published by
Breitkopf and Haertel
(BR.OB-5642-23).
ISBN
9790004343708. 10.5 x 14
inches.
The Blumine
movement included in the
original five-movement
version of Mahler's
Symphony No. 1 was long
considered lost. Composed
as early as 1884 for a
theater piece, Mahler
inserted it into the
symphony as its second
movement in 1888. After
three performances, he
turned his back on this
Love Episode, calling the
sentimental, gushing
movement a youthful
folly, and removed it.
Mahler's Hamburg
autograph score was only
rediscovered in 1966.
Benjamin Britten gave the
Blumine movement a new
hearing at the 1967
Aldeburgh Festival. The
critical new edition is
based for the first time
on the autograph score,
together with the
meanwhile rediscovered
score copy with Mahler's
last revisions.The
cloth-bound volume PB
5661 contains next to the
final version of the
four-movement Symphony,
the Blumine
movement.
First
edition based on the copy
of the score revised by
Mahler Hamburg 1893.
Chamber Music String Quartet SKU: PR.11440505S Composed by John Downey. F...(+)
Chamber Music String
Quartet
SKU:
PR.11440505S
Composed
by John Downey. Full
score. With Standard
notation. 53 pages.
Duration 25 minutes.
Theodore Presser Company
#114-40505S. Published by
Theodore Presser Company
(PR.11440505S).
UPC:
680160008391. 11 x 14
inches.
Although
structurally it
subdivides into five
movements, the entire
quartet emerges as one
vast continuum. There are
no formal breaks between
movements. However,
certain musical signposts
can be discerned,
associated with each of
the movements'
terminations and new
beginnings. The opening
movement, The Nostalgia
of Clanging Bell
Sonorities, begins
floating on recurrent Bbs
whose soft rhythmic flow
slowly puts into motion
strong undercurrents
suggestive of the latent
power of water... After
several suggestions of
tolling bells, the
movement gradually fades
into hushed tones of
veiled and very distant
sonorities. It uses a
unique effect, for the
first time in a musical
context, conveyed through
the use of extra heavy
practice mutes. The
second movement, The
Spill of Water,
disengages itself from
the first through its
distinct contrast in
tempo. Water moves fast,
and when it splashes, it
tends to run wildly. In
this case, it happens to
be bubbly water that
gushes forth bodly...
smashing across rocky
shorelines. So, too, the
music attempts to conjure
such moods. At the end of
this movement, a cello
cadenza emerges,
introducing an
introspective type of
melodicism. The third
movement, The Poignancy
of Memory, contains many
silences as it tries to
convey memory through
fragmented remembrances
much like often occur in
our dream state.
Progressing through
several slowly building
images, it gradually
works itself into
juxtaposition of musical
images. Towards the
movement's end, high
harmonics are sounding in
all four instruments
while left hand pizzicato
notes in the cello pluck
the last remembrances of
this central core. Almost
imperceptibly, the viola
assumes leadership as it
dissolves into: The
fourth movement, The
Fluidity of Motion, which
has mostly the viola, but
also the cello,
articulating lyrical
statements against sheets
of sound conjured up by
the two violins playing a
flood of swirling
figures, evokes a kind of
static motion in space.
Here , the virtually
imperceptible manner in
which this hushed whisper
continues incessantly,
can suggest the potential
fluidity with which
movement may inch
forward... Later into the
fourth movement, two
fairly extended solos by
the second and then the
first violins, lead to a
kind of spontaneous
dialogue amont the four
instrumentalists.
Eventually, this musical
conversation gets caught
up in: The fifth
movement's The Rush of
Time, which opens with a
hushed flurry of speed,
precipitates the Finale.
It generates, at first
slowly, but then very
swiftly, whole shifts of
rhythmic fields that
initially seem to
conflict with one
another. Ultimately, this
use of psycho-rhythmics
contributes to an on-rush
seem of motion and time.
Rhythmic changes are, at
times, abruptly
precipitated with but
little or no preparation
creating a kind of
inevitability in forward
thrust, while the
movement rushes forward
with a feeling of gradual
and continuous
acceleration. It gathers
density as more and more
notes are piled
progressively upon
successive beats. The
attempt is to spark
tension and ignite
excitement by means of
frenetic confrontations
of dissimilitudes.
Ultimately - with the
help of time - these
polarities centrifically
spin out their own
destinies with their
accompanying fall-out and
own inevitable
resolutions.
The Miracle of the Spring Chorale SATB SATB, Percussion(s) [Vocal Score] - Intermédiaire/avancé Oxford University Press
Composed by Bob Chilcott. For SATB choir and percussion (Percussion 1: glock (or...(+)
Composed by Bob Chilcott.
For SATB choir and
percussion (Percussion 1:
glock (or similar) and
log drums. Percussion 2:
mark tree and log drums).
Oratorios. Level C
(moderately difficult).
Vocal score. 32 pages.
Duration 10'. Published
by Oxford University
Press
Textcritical
Edition. Composed by
Gustav Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
First edition based on
the copy of the score
revised by Mahler Hamburg
1893
Symphony;
Romantic; Late-romantic.
Part. 4 pages. Duration
8'. Breitkopf and Haertel
#OB 5642-19. Published by
Breitkopf and Haertel
(BR.OB-5642-19).
ISBN
9790004343692. 10.5 x 14
inches.
The Blumine
movement included in the
original five-movement
version of Mahler's
Symphony No. 1 was long
considered lost. Composed
as early as 1884 for a
theater piece, Mahler
inserted it into the
symphony as its second
movement in 1888. After
three performances, he
turned his back on this
Love Episode, calling the
sentimental, gushing
movement a youthful
folly, and removed it.
Mahler's Hamburg
autograph score was only
rediscovered in 1966.
Benjamin Britten gave the
Blumine movement a new
hearing at the 1967
Aldeburgh Festival. The
critical new edition is
based for the first time
on the autograph score,
together with the
meanwhile rediscovered
score copy with Mahler's
last revisions.The
cloth-bound volume PB
5661 contains next to the
final version of the
four-movement Symphony,
the Blumine
movement.
First
edition based on the copy
of the score revised by
Mahler Hamburg 1893.
Textcritical
Edition. Composed by
Gustav Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
First edition based on
the copy of the score
revised by Mahler Hamburg
1893
Symphony;
Romantic; Late-romantic.
Set of parts. 192 pages.
Duration 8'. Breitkopf
and Haertel #OB 5642-60.
Published by Breitkopf
and Haertel
(BR.OB-5642-60).
ISBN
9790004343722. 10.5 x 14
inches.
The Blumine
movement included in the
original five-movement
version of Mahler's
Symphony No. 1 was long
considered lost. Composed
as early as 1884 for a
theater piece, Mahler
inserted it into the
symphony as its second
movement in 1888. After
three performances, he
turned his back on this
Love Episode, calling the
sentimental, gushing
movement a youthful
folly, and removed it.
Mahler's Hamburg
autograph score was only
rediscovered in 1966.
Benjamin Britten gave the
Blumine movement a new
hearing at the 1967
Aldeburgh Festival. The
critical new edition is
based for the first time
on the autograph score,
together with the
meanwhile rediscovered
score copy with Mahler's
last revisions.The
cloth-bound volume PB
5661 contains next to the
final version of the
four-movement Symphony,
the Blumine
movement.
First
edition based on the copy
of the score revised by
Mahler Hamburg 1893.
Textcritical
Edition. Composed by
Gustav Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
First edition based on
the copy of the score
revised by Mahler Hamburg
1893
Symphony;
Romantic; Late-romantic.
Part. 4 pages. Duration
8'. Breitkopf and Haertel
#OB 5642-16. Published by
Breitkopf and Haertel
(BR.OB-5642-16).
ISBN
9790004343685. 10.5 x 14
inches.
The Blumine
movement included in the
original five-movement
version of Mahler's
Symphony No. 1 was long
considered lost. Composed
as early as 1884 for a
theater piece, Mahler
inserted it into the
symphony as its second
movement in 1888. After
three performances, he
turned his back on this
Love Episode, calling the
sentimental, gushing
movement a youthful
folly, and removed it.
Mahler's Hamburg
autograph score was only
rediscovered in 1966.
Benjamin Britten gave the
Blumine movement a new
hearing at the 1967
Aldeburgh Festival. The
critical new edition is
based for the first time
on the autograph score,
together with the
meanwhile rediscovered
score copy with Mahler's
last revisions.The
cloth-bound volume PB
5661 contains next to the
final version of the
four-movement Symphony,
the Blumine
movement.
First
edition based on the copy
of the score revised by
Mahler Hamburg 1893.
Textcritical
Edition. Composed by
Gustav Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
First
edition based on the copy
of the score revised by
Mahler Hamburg 1893
Symphony; Romantic;
Late-romantic. Full
score. 28 pages. Duration
8'. Breitkopf and Haertel
#PB 5642. Published by
Breitkopf and Haertel
(BR.PB-5642).
ISBN
9790004215395. 10.5 x 14
inches.
The Blumine
movement included in the
original five-movement
version of Mahler's
Symphony No. 1 was long
considered lost. Composed
as early as 1884 for a
theater piece, Mahler
inserted it into the
symphony as its second
movement in 1888. After
three performances, he
turned his back on this
Love Episode, calling the
sentimental, gushing
movement a youthful
folly, and removed it.
Mahler's Hamburg
autograph score was only
rediscovered in 1966.
Benjamin Britten gave the
Blumine movement a new
hearing at the 1967
Aldeburgh Festival. The
critical new edition is
based for the first time
on the autograph score,
together with the
meanwhile rediscovered
score copy with Mahler's
last revisions.The
cloth-bound volume PB
5661 contains next to the
final version of the
four-movement Symphony,
the Blumine
movement.
First
edition based on the copy
of the score revised by
Mahler Hamburg 1893.