SATB choir, piano SKU: LO.10-5550L Composed by Tracey Craig McKibben. Cho...(+)
SATB choir, piano
SKU:
LO.10-5550L
Composed
by Tracey Craig McKibben.
Choral. Sacred Anthem.
Octavo. Lorenz Publishing
Company #10/5550L.
Published by Lorenz
Publishing Company
(LO.10-5550L).
ISBN
9780787773724.
Orig
inally a piano piece by
Tracey McKibben, Psalm of
Stillness seemed to call
out for just the right
lyric, and Gwyn Williams
filled that need with
great sensitivity. Ideal
as a response to the
events of this past year,
or anytime your
congregation needs
assurance, this anthem
brings the reminder that
You promise peace in
tomorrow's sunrise..
Composed by Chris De Silva. Christmastide, Christmas Day, Easter 6 B, OT 28 C. C...(+)
Composed by Chris De
Silva. Christmastide,
Christmas Day, Easter 6
B, OT 28 C. Celebration
Series. Sacred. Octavo.
With guitar chord names.
8 pages. GIA Publications
#9527. Published by GIA
Publications (GI.G-9527).
SKU: HP.8287 Composed by Carl Daw, Jr. This edition: Complete. Author Col...(+)
SKU: HP.8287
Composed by Carl Daw, Jr.
This edition: Complete.
Author Collections. Carl
Daw Hymn Collection.
General Worship, Sacred.
Book. 86 pages. Hope
Publishing Company #8287.
Published by Hope
Publishing Company
(HP.8287).
UPC:
763628182878. Carl P.
Daw, Jr.
Fifty new
psalms & hymns written by
the past-Executive
Director of The Hymn
Society in the United
States and Canada, Carl
P. Daw, Jr. The book
contains texts only and
can be viewed on our
website under Online
Hymnody. Suggested tunes
will be posted soon as
well.
Chorale SATB [Vocal Score] Oxford University Press
A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chicheste...(+)
A Clare Benediction
Composed by John Rutter
A Prayer Of St Richard Of
Chichester Composed by L.
J. White
Alleluia Composed by
William Boyce
Author Of Life Divine
Composed by Cecilia
Mcdowall
Be Still For The Presence
Of The Lord Composed by
David Evans; Arranged by
Richard Shephard
Bread Of The World
Composed by Scottish
Traditional; Arranged by
Alan Bullard
Brightest And Best
Composed by Malcolm
Archer
Christ Is The World's
True Light Composed by W.
K. Stanton
Christ The Lord Is Risen
Again Composed by Richard
Shephard
Christians Shout For Joy
And Gladness Composed by
Johann Sebastian Bach
Come Down, O Love Divine
Composed by Hilary
Tadman-robins
Plainsong: Creator Of The
Stars Arranged by John
Scott
Drop, Drop Slow Tears
Composed by Kerry Andrew
Evening Service In C
Composed by Frank Henry
Shera
Fairest Lord Jesus
Composed by Martin How
Gabriel To Mary Came
Composed by 14th Century
Irish; Arranged by Alan
Bullard
Give Thanks To God
Composed by Botswanan
Traditional; Arranged by
Alan Bullard
God Be In My Head
Composed by Armstrong
Gibbs
God In Mine Eternity
Composed by Alan Bullard
God So Loved The World
Composed by Alan Bullard
God That Madest Earth And
Heaven Composed by Welsh
Traditional; Arranged by
David Thorne
Hail, Virgin Mary (Ave
Maria) Composed by Franz
Liszt
Hark, The Glad Sound
Composed by David Thorne
Harvest Carol Composed by
Ian Ray
He Is Risen Composed by
Cecil Cope
Hide Not Thy Face
Composed by Richard
Farrant
see all...
Holy, Holy, Holy, Holy Is
The Lord Composed by
Franz Schubert; Arranged
by Alan Bullard
Holy, Holy, Holy! Lord
God Almighty Composed by
Alan Smith
Hosanna To The Son Of
David Composed by Georg
Philipp Telemann
Irish Blessing Composed
by Bob Chilcott
Jesu, Lamb Of God,
Redeemer (Ave Verum
Corpus) Composed by
Edward Elgar
Jesus Christ The Apple
Tree Composed by English
Traditional; Arranged by
Alan Bullard
Jubilate (Let Us Praise
You) Composed by Wolfgang
Amadeus Mozart
Lamb Of God (Agnus Dei)
Composed by Samuel Webbe
Let All Mortal Flesh Keep
Silence Composed by
Stephen Cleobury
Like The Murmur Of The
Dove's Song Composed by
Alan Smith
Lord, In Thy Mercy
Composed by Felix
Bartholdy Mendelssohn
Magnificat And Nunc
Dimittis In C Composed by
F. H. Shera
Never Weather-beaten Sail
Composed by Thomas
Campion; Arranged by Alan
Bullard
Now The Green Blade
Riseth Composed by French
Traditional; Arranged by
Alan Bullard
O Breath Of Life Composed
by English Traditional;
Arranged by Alan Bullard
O For A Closer Walk With
God Composed by Charles
Villiers Stanford
O God Of Mercy Composed
by Simon Lole
O God, Your Goodness
Composed by Ludwig Van
Beethoven
O Praise God In His
Holiness Composed by John
Weldon
Panis Angelicus Composed
by Cesar Auguste Franck
Peace Between Nations
Composed by Christopher
Wiggins
Pie Jesu Composed by
Gabriel Faure
Praise To The Trinity
Composed by Hildegard Of
Bingen
Psalm 150 Composed by Bob
Chilcott
Rejoice In The Lord
Always Composed by
Christopher Wiggins
Shout For Joy Composed by
African Traditional;
Arranged by Alan Bullard
Star Of Wonder Composed
by Alan Bullard
The Eternal Gifts Of
Christ The King Composed
by Guidetti/henry G. Ley
The Heavens Sing Praises
To God Composed by Ludwig
Van Beethoven
The Lord Ascendeth
Composed by Michael
Praetorius
The Lord Bless You And
Keep You Composed by John
Rutter
The Lord's My Shepherd
Composed by Bob Chilcott
The Peace Of God Composed
by Alan Bullard
The True And Living Bread
Composed by David
Blackwell
There Is No Rose Composed
by Andrew Smith
Thou Visitest The Earth
Composed by Maurice
Greene
To Be A Pilgrim Composed
by Nick Burt
Were You There? Composed
by American Spiritual;
Arranged by Peter Hunt
Where All Charity And
Love Are (Ubi Caritas)
Arranged by Alan Bullard
Wondrous Cross Composed
by Philip Wilby
The Oxford Book of
Flexible Anthems by Alan
Bullard (1947-). For
flexible instrumentation.
Mixed Voices. Sacred.
Paperback. 296 pages.
Published by Oxford
University Press
Psallite
Choral Series.
Composed by Heather
Sorenson. Sacred Choral.
General Worship, Sacred.
Octavo. Duration 255
seconds. Published by Hal
Leonard (HL.365109).
Fragile and
precious, this sacred
tone poem is a prayer for
peace and a plea for
healing of the heart. The
soundscape of the anthem
rises from a single tone,
opening to reveal
glimmering splashes of
choral color. As the
words become more
impassioned, the octavo
surrenders to a flowing
piano episode that
matches its intensity.
This petition for calm
begins to quiet as the
anthem winds down,
allowing the prayer to
end in hushed chords of
assurance. Score and
Parts (vn, vc) available
as a digital
download.
Simply
Sacred Choral Series.
Composed by Douglas
Nolan. Shawnee Sacred.
Communion, General
Worship. Octavo. Duration
195 seconds. Published by
Shawnee Press
(HL.381257).
Simply
beautiful, this
accessible worship anthem
is a quiet call to listen
in the silence for the
still, small voice of
God. The melody is truly
winsome, the lower vocal
range bringing warmth and
a conversational element
to the performance. A
fragile piano part
supports and adds color
to this quickly learned
reflection on
contemplative
worship.
The Oxford Book of Flexible Anthems composed by Alan Bullard (1947-). For flexib...(+)
The Oxford Book of
Flexible Anthems composed
by Alan Bullard (1947-).
For flexible
instrumentation. Mixed
Voices. Sacred.
Spiral-bound paperback.
296 pages. Published by
Oxford University Press
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
Choral SSAA choir SKU: CF.CM9717 Composed by Mark Burrows. 8 pages. Durat...(+)
Choral SSAA choir
SKU:
CF.CM9717
Composed by
Mark Burrows. 8 pages.
Duration 3 minutes, 7
seconds. Carl Fischer
Music #CM9717. Published
by Carl Fischer Music
(CF.CM9717).
ISBN
9781491160961. UPC:
680160919567. Psalm
91:4-5.
The Lord
will overshadow you with
his pinions, and you will
find refuge under his
wings. His faithfulness
will encompass you with a
shield. Psalm 91:4-5 To
feel safe and to feel
cared for, these are two
of the great yearnings of
the human heart. What a
blessing it is,
especially during times
of distress or
uncertainty, to know that
we aren't alone, that
someone is reaching out
to help us and even hold
us. It could be a family
member or a friend. It
could be a still small
voice whispering, It's
okay. I've got you. It
could even be a loving
community, like a choir,
assuring us that we are
known, that we are loved,
that we belong. The first
word - scapulis - is
translated as pinions. On
a bird, a pinion is the
outer part of the wing,
including the flight
feathers. The opening
measures, with a
one-measure phrase
followed be a
three-measure phrase, are
meant to evoke the image
of wings unfurling to
welcome in. All through
this section - mm. 1-20 -
encourage phrasing that
is never hurried but
moves with intention to
the last stressed
syllable of each phrase,
before ebbing slightly.
This section is all about
reassurance and comfort.
In mm. 21-30 we have a
new section where
uncertainty grows. At
this point the text - and
you will find refuge
under his wings - is more
aspirational than
definitive. Leaning into
non-chord tones will help
make this feeling of
uncertainty more
palpable. Places where
this occurs: Alto I -
Measure 22 the Ab in
pennis, m. 26 the Bb in
sperabis Soprano II -
Measure 23 the A natural
in pennis, m. 29 the C in
sperabis Soprano I -
Measure 24 the C in
pennis, m. 28 the D in
sperabis The apex of the
piece is at m. 30 where
the yearning for comfort
and assurance reaches its
height, finding that
comfort in the arrival
back at Eb major in m.
39. The phrase veritas
ejus (his faithfulness),
with its triplet figure
should flow gently, like
a musical carress. The
final reassurance occurs
at m. 51 as we return to
the melody, and the
homophonic texture, of
the opening. Even as the
piece gets softer and
softer, encourage the
singers to keep energy
moving through each
phrase. The structure and
feel of this piece was
inspired by one of the
all-time great settings
of yet another Psalm of
assurance - Felix
Mendelssohn's Lift Thine
Eyes. The Lord will
overshadow you with his
pinions,and you will find
refuge under his
wings.His faithfulness
will encompass you with a
shield. Psalm
91:4-5Â To feel safe
and to feel cared for,
these are two of the
great yearnings of the
human heart.What a
blessing it is,
especially during times
of distress or
uncertainty, to know that
we aren’t alone,
that someone is reaching
out to help us and even
hold us. It could be a
family member or a
friend. It could be a
still small voice
whispering,
“It’s okay.
I’ve got
you.†It could even
be a loving community,
like a choir, assuring us
that we are known, that
we are loved, that we
belong.The first word
– scapulis
– is translated as
“pinions.†On
a bird, a pinion is the
outer part of the wing,
including the flight
feathers. The opening
measures, with a
one-measure phrase
followed be a
three-measure phrase, are
meant to evoke the image
of wings unfurling to
welcome in. All through
this section – mm.
1-20 – encourage
phrasing that is never
hurried but moves with
intention to the last
stressed syllable of each
phrase, before ebbing
slightly. This section is
all about reassurance and
comfort.In mm. 21-30 we
have a new section where
uncertainty grows. At
this point the text
– and you will
find refuge under his
wings – is more
aspirational than
definitive. Leaning into
non-chord tones will help
make this feeling of
uncertainty more
palpable. Places where
this occurs:Alto I
– Measure 22 the
Ab in pennis, m. 26 the
Bb in sperabisSoprano II
– Measure 23 the A
natural in pennis, m. 29
the C in sperabisSoprano
I – Measure 24 the
C in pennis, m. 28 the D
in sperabis The apex
of the piece is at m. 30
where the yearning for
comfort and assurance
reaches its height,
finding that comfort in
the arrival back at Eb
major in m. 39. The
phrase veritas ejus (his
faithfulness), with its
triplet figure should
flow gently, like a
musical carress.The final
reassurance occurs at m.
51 as we return to the
melody, and the
homophonic texture, of
the opening. Even as the
piece gets softer and
softer, encourage the
singers to keep energy
moving through each
phrase.The structure and
feel of this piece was
inspired by one of the
all-time great settings
of yet another Psalm of
assurance – Felix
Mendelssohn’s Lift
Thine Eyes.
Old Hundredth Orchestre d'harmonie [Conducteur] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-238-140 Composed by Louis Bou...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-238-140
Composed by Louis
Bourgeois. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Hymns & Chorals. Score
Only. Composed 2007. 16
pages. Anglo Music Press
#AMP 238-140. Published
by Anglo Music Press
(BT.AMP-238-140).
9x12
inches.
English-German-French-Dut
ch.
The tune Old
Hundredth is one of
the best-known melodies
in all Christian musical
traditions and first
appeared in the 1551
psalter Pseaumes Octante
Trois de David, where it
is used as a setting for
a version of Psalm 134;
it is usually attributed
to the French composer
Louis Bourgeois (c.1510 -
c.1560). The melody was
then used in 1561 by the
Scots clergyman, William
Kethe in Sternhold and
Hopkins’ Psalter
for his paraphrase of
Psalm 100 - All People
that on Earth do
Dwell<(I>, which is still
the most familiar hymn
sung to this noble tune.
When Tate and
Brady’s New
Version of the Psalms was
published in 1696, the
melody became know as the
‘old’
version - henceits
current title. This
arrangement presents
three contrasting verses
and is effective as a
concert piece as well as
an instrumental interlude
as part of a church
service or wedding.
De melodie van
Old Hundredth is
een van de bekendste in
alle christelijke
muziektradities, ze
verscheen voor het eerst
in Pseaumes Octante
Trois de David uit
1551. De muziek wordt
meestal toegeschreven aan
de Fransecomponist Louis
Bourgeois
(ca.1510-ca.1560). In
1561werd de melodie
gebruikt door de Schotse
geestelijke William Kethe
voor zijn parafrase van
psalm 100. Later werd de
melodie in Engeland
bekend als de
‘oude’
versie - daar komt ookde
huidige titel vandaan.
Dit arrangement, met drie
contrasterende
coupletten, is geschikt
als concertwerk of als
instrumentaal tussenspel
tijdens een kerkdienst of
huwelijksceremonie. Old Hundtredth
ist eine der bekanntesten
Melodien aller
christlichen
Musiküberlieferunge
n. Es erschien erstmals
in dem Psalter
Pseaumes Octante Trois
de David von 1551, wo
es als Satz für
zwei Psalmen verwendet
wurde. Diese Bearbeitung
präsentiert drei
kontrastierende Strophen
und kann sehr
wirkungsvoll sowohl als
Konzertwerk als auch als
instrumentales
Zwischenspiel in einem
Gottesdienst oder
während einer
Hochzeitszeremonie
eingesetzt
werden.
Top 101 Worship Songs of The Vineyard. Performed by Various Artists. Songbook. S...(+)
Top 101 Worship Songs of
The Vineyard. Performed
by Various Artists.
Songbook. Softcover with
CD. Size 7x10.25 inches.
424 pages. Published by
Word Music.
God's Peace Chorale 3 parties SAB [Octavo] Hope Publishing Company
Composed by C.J. Adams. For SAB choir. Quick Study Chorals. Call To Worship, Com...(+)
Composed by C.J. Adams.
For SAB choir. Quick
Study Chorals. Call To
Worship, Communion,
Hymntune. Octavo. 8
pages. Published by Hope
Publishing Company
Composed by Arvo Part (1935-). Bible, Psalm 95. With Standard notation. Composed...(+)
Composed by Arvo Part
(1935-). Bible, Psalm 95.
With Standard notation.
Composed 1977 / rev.
1996. Duration 3 minutes.
Universal Edition
#UE31059. Published by
Universal Edition
SATB Choir, Piano SKU: CA.338850 Der Herr regieret mich. Composed ...(+)
SATB Choir, Piano
SKU:
CA.338850
Der Herr
regieret mich.
Composed by Anton
Bruckner. Carus digital:
Extra digital products.
Full Score. Composed ca.
1852. WAB 34. Carus
Verlag #338850. Published
by Carus Verlag
(CA.338850).
ISBN
9790007303709. Key: E
flat major.
German.
Bruckner's
setting of the 23rd Psalm
(22 in the Vulgate count)
is still quite unknown.
Bruckner uses the German
text version by Joseph
Franz Allioli instead of
the well-known Luther
version. Accompanied by
the piano, the piece for
choir and solo (choir
solos possible) begins
with a pastoral section
in 12/8, changes into a
fugue, and ends with an a
cappella chorale.
SATB choir, [basso continuo] SKU: CA.3410100 Composed by Johann Christoph...(+)
SATB choir, [basso
continuo]
SKU:
CA.3410100
Composed
by Johann Christoph
Friedrich Bach. Edited by
Klaus Hofmann. Arranged
by Johann Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Ich lieg und schlafe.
Sacred, Motets, Psalms,
German; Stuttgart Urtext
editions; Occasions:
Morning, Midday, Evening,
Mourning, Death; Use
during church year: Holy
Week. Full score. BR JCFB
H 100. 40 pages. Duration
15 minutes. Carus Verlag
#CV 34.101/00. Published
by Carus Verlag
(CA.3410100).
ISBN
9790007051860. Language:
German/English.
The
autograph contains no
reference to
accompaniment by
instruments, and a purely
vocal performance of the
work would doubtless be
completely appropriate.
On the other hand,
nothing speaks against
instrumental support of
the voices, as it is
known from the
performance practice of
Johann Sebastian
Bach.
(10 Carols in the Settings of Classical Pieces). Arranged by Cindy Berry. Fo...(+)
(10 Carols in the
Settings of
Classical Pieces).
Arranged by
Cindy Berry. For
Piano/Keyboard. Shawnee
Press.
Softcover. 32 pages.
Published
by Shawnee Press
High Voice. Edited by Lloyd Alvin Pfautsch. Series; Vocal; Vocal Collection; Wor...(+)
High Voice. Edited by
Lloyd Alvin Pfautsch.
Series; Vocal; Vocal
Collection; Worship
Resources. Lawson-Gould.
Sacred. Collection. 54
pages. Alfred Music
#00-LG00921. Published by
Alfred Music