Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rame...(+)
Piano Solo - Intermediate
-
Digital Download
Composed by Jean-Philippe
Rameau (1683-1764).
Arranged
by Transcribed by Flavio
Regis Cunha. Baroque
Period,
Early Music, Funeral,
Graduation, Recital.
Score. 9
pages. Published by
Flavio
Regis Cunha
Piano Solo SKU: HL.14009807 Composed by Jean-Philippe Rameau. Music Sales...(+)
Piano Solo
SKU:
HL.14009807
Composed
by Jean-Philippe Rameau.
Music Sales America.
Baroque. Sheet Music,
Instrumental Work. With
Text language: English.
Novello & Co Ltd.
#NOV262780. Published by
Novello & Co Ltd.
(HL.14009807).
By Jean-Philippe Rameau. Edited by Marthe Motchane. For Piano. Piano Collection....(+)
By Jean-Philippe Rameau.
Edited by Marthe
Motchane. For Piano.
Piano Collection. Kalmus
Edition. Masterwork.
Book. 96 pages. Published
by Alfred Publishing.
Clarinet - intermediate SKU: HL.44002510 Clarinet. Arranged by Rob...(+)
Clarinet - intermediate
SKU: HL.44002510
Clarinet. Arranged
by Robert van Beringen.
De Haske Play-Along Book.
Play Along. Softcover
with CD. Composed 2004.
56 pages. De Haske
Publications #1043554.
Published by De Haske
Publications
(HL.44002510).
ISBN
9789043119627. UPC:
073999484908.
9.0x12.0x0.138 inches.
International (more than
one language).
For
this publication, Robert
van Beringen has selected
twelve elegant and
expressive pieces from
the Baroque period and
arranged them
appropriately for a
variety of instruments.
The pieces are
demonstrated on the
accompanying CD which
also includes
accompaniment-only tracks
for each piece. Includes
works by Telemann,
Purcell, Handel, Bach,
Hasse, Rameau, Tartini,
and Lully.
Composed by J. S. Bach, Vivaldi, Handel, Scarlatti, Purcell, Telemann, and ...(+)
Composed by J. S. Bach,
Vivaldi, Handel,
Scarlatti,
Purcell, Telemann, and
Rameau. Book;
Masterworks;
Piano Collection. Dover
Edition. Masterwork.
Published by Dover
Publications
Baroque Real Repertoire edited by Christine Brown. For Piano. Graded Standard Re...(+)
Baroque Real Repertoire
edited by Christine
Brown. For Piano. Graded
Standard Repertoire;
Masterworks; Piano
Collection. Faber
Edition: Trinity
Repertoire Library.
Baroque; Masterwork.
Intermediate. 48 pages.
Published by Faber Music
Tribute to a Maestro Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1195884-010 Variations on ...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1195884-010
Variations on a theme
by Jean-Philippe
Rameau. Composed by
Jan de Haan. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2019.
De Haske Publications
#DHP 1195884-010.
Published by De Haske
Publications
(BT.DHP-1195884-010).
English-German-French-
Dutch.
Tribute
to a Maestro is an
homage to Jean-Philippe
Rameau (1683 1764), one
of the most important
French Baroque composers.
Rameau was a hugely
significant composer,
organist, harpsichordist
and music teacher: he
also published several
authoritative books on
music theory. Jan de Haan
based this tribute on a
theme from ‘Les
Sauvages’ (The
Savages), the fourth act
of Rameau’s
ballet-opera, Les
Indes Galantes
(The Amorous
Indies). The work
begins with two
variations, whereupon the
striking theme can be
heard. After a short
intermezzo, four more
variations follow, of
which the last one is
composed in Baroque
style.
Tribute
to a Maestro is een
hommage aan Jean-Philippe
Rameau (1683 1764), een
van de belangrijkste
componisten uit de barok.
Deze Fransman was niet
alleen componist,
organist, klavecinist en
muziekpedagoog, maar ook
muziektheoreticus. Hij
publiceerde verschillende
toonaangevende boeken
over muziektheorie. Jan
de Haan baseerde dit
eerbetoon op een thema
uit het oeuvre van
Rameau, namelijk
‘Les
Sauvages’ (De
wilden) uit de vierde
akte van een van Rameaus
balletopera’s,
Les Indes Galantes
(De hoffelijke
Indiërs). Het werk
begint met twee
variaties, waarna het
markante thema is te
beluisteren. Na een kort
intermezzo volgen dan nog
vier variaties, waarvan
delaatste in barokstijl
is gecomponeerd.
Tribute to a
Maestro ist eine
Hommage an Jean-Philippe
Rameau (1683 1764), einen
der bedeutendsten
Komponisten der
Barockzeit. Der Franzose
war nicht nur Komponist,
Organist, Cembalist und
Musiklehrer, sondern auch
Musiktheoretiker. Er
veröffentlichte einige
grundlegende
musiktheoretische
Bücher. Jan de Haan
stützte seine
Huldigung auf ein Thema
aus Rameaus Werk,
nämlich Les
Sauvages“ (Die
Wilden“) aus dem
vierten Akt von Rameaus
Ballettoper Les Indes
galantes. Das
Stück beginnt mit zwei
Variationen, woraufhin
das bemerkenswerte Thema
erklingt. Nach einem
kurzen Intermezzo folgen
vier weitere Variationen,
von denen die letzte im
Barockstilkomponiert ist.
Tribute to a Maestro Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1195884-140 Variations on ...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1195884-140
Variations on a theme
by Jean-Philippe
Rameau. Composed by
Jan de Haan. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2019. 40
pages. De Haske
Publications #DHP
1195884-140. Published by
De Haske Publications
(BT.DHP-1195884-140).
English-German-French-
Dutch.
Tribute
to a Maestro is an
homage to Jean-Philippe
Rameau (1683 1764), one
of the most important
French Baroque composers.
Rameau was a hugely
significant composer,
organist, harpsichordist
and music teacher: he
also published several
authoritative books on
music theory. Jan de Haan
based this tribute on a
theme from ‘Les
Sauvages’ (The
Savages), the fourth act
of Rameau’s
ballet-opera, Les
Indes Galantes
(The Amorous
Indies). The work
begins with two
variations, whereupon the
striking theme can be
heard. After a short
intermezzo, four more
variations follow, of
which the last one is
composed in Baroque
style.
Tribute
to a Maestro is een
hommage aan Jean-Philippe
Rameau (1683 1764), een
van de belangrijkste
componisten uit de barok.
Deze Fransman was niet
alleen componist,
organist, klavecinist en
muziekpedagoog, maar ook
muziektheoreticus. Hij
publiceerde verschillende
toonaangevende boeken
over muziektheorie. Jan
de Haan baseerde dit
eerbetoon op een thema
uit het oeuvre van
Rameau, namelijk
‘Les
Sauvages’ (De
wilden) uit de vierde
akte van een van Rameaus
balletopera’s,
Les Indes Galantes
(De hoffelijke
Indiërs). Het werk
begint met twee
variaties, waarna het
markante thema is te
beluisteren. Na een kort
intermezzo volgen dan nog
vier variaties, waarvan
delaatste in barokstijl
is gecomponeerd.
Tribute to a
Maestro ist eine
Hommage an Jean-Philippe
Rameau (1683 1764), einen
der bedeutendsten
Komponisten der
Barockzeit. Der Franzose
war nicht nur Komponist,
Organist, Cembalist und
Musiklehrer, sondern auch
Musiktheoretiker. Er
veröffentlichte einige
grundlegende
musiktheoretische
Bücher. Jan de Haan
stützte seine
Huldigung auf ein Thema
aus Rameaus Werk,
nämlich Les
Sauvages“ (Die
Wilden“) aus dem
vierten Akt von Rameaus
Ballettoper Les Indes
galantes. Das
Stück beginnt mit zwei
Variationen, woraufhin
das bemerkenswerte Thema
erklingt. Nach einem
kurzen Intermezzo folgen
vier weitere Variationen,
von denen die letzte im
Barockstilkomponiert ist.
Piano SKU: BR.EB-8029 Piano Lessons by Francois Couperin. Composed...(+)
Piano
SKU:
BR.EB-8029
Piano
Lessons by Francois
Couperin. Composed by
Francois Couperin. Edited
by Heinz Walter. Solo
instruments; Softcover.
Edition Breitkopf.
Baroque period. Score. 20
pages. Breitkopf and
Haertel #EB 8029.
Published by Breitkopf
and Haertel (BR.EB-8029).
ISBN 9790004174326. 9
x 12 inches.
This
series of easy piano
music for teaching
purposes presents pupils
in the lower and lower
middle grades with a
carefully chosen
selection of well-known
and lesser-known
compositions by important
masters. The volumes are
deliberately kept small
in extent, since it is
more stimulating for
children to change the
teaching material
frequently. There are
four existing harpsichord
books with a total of 226
compositions by Francois
Couperin le Grand (1668
-1733). His works are as
unknown to pianists as
they are famous among
harpsichord players. The
grace and imaginativeness
of his works lend
themselves especially
well to the sound of the
harpsichord, which is why
the piano interpretation
of works by Couperin,
Rameau, Scarlatti and
other composers of that
time has been
categorically rejected.
But, after all, the works
of Bach and Handel were
written for the
haipsichord and
clavichord, and no one
would dare question their
intetpretation on the
pianoforte. In order to
introduce these
lmpressionists of the
Baroque Era to piano
instruction, the editor
has added to this series
a folio of both
Couperin's and Rameau's
(EB 8033) music. The
selection of the pieces
is based on two criteria:
1. relatively modest
demands made on
technique, 2. various
musical forms of
expression. The
Butterflies and the
Windmills are both
especially typical of
masterful character
pieces. The demands made
on technique certainly
correspond to a level of
moderate difficulty. The
simplifications made are
restricted to the
artistically realized
twopart accompaniment
(eg. p. 4 f. and p. 8 f.)
with regard to finger
stretch and to the
profuse ornamentation of
the original. The
indications for phrasing
and articulation are
those of the editor. The
first two pieces have
been precisely elaborated
on in this respect to
serve as a model, whereas
the remaining pieces
contain only suggestions.
As in other folios of
this series; what is here
to be stressed, is the
importance of working out
independently the
phrasing and the
dynamics. Directions for
this are given by the
respective footnotes;
these directions,
however, are not
obligatory. lndications
pertaining to dynamics
and tempo have been
omitted completely; the
clearly recognizable
character of the
individual pieces should
be direction enough. The
tonal possibilities of
the piano should in any
case be used subtly. The
very precise fingerings
have been adapted to the
suggested phrasings and
to the corresponding
realization of trills
(according to the table).
Heinz Walter, Salzburg,
Spring 1980.
Composed by Jean-Philippe Rameau (1683-1764). Edited by Benoit Dratwicki / Julie...(+)
Composed by Jean-Philippe
Rameau (1683-1764).
Edited by Benoit
Dratwicki / Julien
Dubruque / Sylvie
Bouissou. For Soprano
voice solo /
Mezzo-Soprano voice solo.
This edition: Urtext
edition. Paperback.
Operatic arias. Piano
reduction. Published by
Baerenreiter Verlag
Tenor Vol. 1 Voix Tenor, Piano [Reduction] Barenreiter
Composed by Jean-Philippe Rameau (1683-1764). Edited by Benoit Dratwicki / Julie...(+)
Composed by Jean-Philippe
Rameau (1683-1764).
Edited by Benoit
Dratwicki / Julien
Dubruque / Sylvie
Bouissou. For Tenor voice
solo. This edition:
Urtext edition.
Paperback. Operatic
arias. Piano reduction.
Published by Baerenreiter
Verlag
91 Selections from Keyboard Literature, Concertos, Oratorios and Operas. By Vari...(+)
91 Selections from
Keyboard Literature,
Concertos, Oratorios and
Operas. By Various.
World's Greatest
Classical Music. 224
pages. Published by Hal
Leonard.
Piano SKU: BR.EB-8033 Piano Lessons by Jean-Philippe Rameau. Compo...(+)
Piano
SKU:
BR.EB-8033
Piano
Lessons by Jean-Philippe
Rameau. Composed by
Jean-Philippe Rameau.
Edited by Heinz Walter.
Solo instruments;
stapled. Edition
Breitkopf. Suite;
Dances/marches; Baroque.
Score. 20 pages.
Breitkopf and Haertel #EB
8033. Published by
Breitkopf and Haertel
(BR.EB-8033).
ISBN
9790004174364. 9 x 12
inches.
This series
of easy piano music for
teaching purposes
presents pupils in the
lower and lower middle
grades with a carefully
chosen selection of
well-known and
lesser-known compositions
by important masters. The
volumes are deliberately
kept small in extant,
since it is more
stimulating for children
to change the teaching
material frequently.
Jean-Philippe Rameau
(1683-1764) is the second
great keyboard master of
the Baroque Age next to
Couperin. His works are
as unknown to pianists,
with few exceptions, as
they are famous among
harpsichord players. The
virtuosity and
imaginativeness of his
works lend themselves
especially well to the
sound of harpsichord,
which is why the piano
interpretation of works
by Couperin, Rameau,
Scarlatti and other
composers of that time
has been categorically
rejected. But, after all,
the works of Bach and
Handel were written for
the harpsichord and
clavichord, and no one
would dare question their
interpretation on the
pianoforte. In order to
introduce these
Impressionists of the
Baroque Era to piano
instructions, the editor
has added to this series
a folio of both
Couperin's (EB 8029) and
Rameau's music. The
selection of the pieces
is based on two criteria:
1. relatively modest
demands made on
technique, 2. various
musical forms of
expression. Baroque dance
forms and graceful
character pieces
(LaJoyeuse,
L'Indifferente) are
typical ofRameau's work.
Simplifications to a
small extent of the
harpsichord setting and
also of the omamentation
in the original version
were required, based on
the teaching experience
of the editor. The
indications for phrasing
and articulation are
those of the editor. The
Minuet on page 6 has been
precisely elaborated on
in this respect to serve
as a model, whereas the
remaining pieces contain
only suggestions. As in
other folios of this
series: what is here to
be stressed, is the
importance of working out
independently the
phrasing and the
dynamics. Directions for
this are given by the
espective footnotes;
these directions,
however, are not
obligatory. Indications
pertaining to dynamics
and tempo have been
omitted completely; the
clearly recognizable
character of the
individual pieces should
be direction enough. The
tonal possibilities of
the piano should in any
case by used subtly. The
very precise fingerings
have been adapted to the
suggested phrasings and
to the corresponding
realisation of trills
(according to the table).
Heinz Walter, Salzburg,
Spring 1980.
Violin 2 (Parts) SKU: HL.50606823 Violin 2 Part. Composed by Bela ...(+)
Violin 2 (Parts)
SKU:
HL.50606823
Violin
2 Part. Composed by
Bela Bartok. EMB.
Classical. Softcover.
Editio Musica Budapest
#Z14570VL2. Published by
Editio Musica Budapest
(HL.50606823).
(36 Works for Flute and Piano). Composed by Various. Edited by Annabel Knight. F...(+)
(36 Works for Flute and
Piano). Composed by
Various. Edited by
Annabel Knight. For
Flute, Piano
Accompaniment. Woodwind.
Softcover with CD. 48
pages. Schott Music
#ED13611. Published by
Schott Music
Piano SKU: BR.SMV-60004 Composed by Walter Georgii. Edited by Walter Geor...(+)
Piano
SKU:
BR.SMV-60004
Composed
by Walter Georgii. Edited
by Walter Georgii. Solo
instruments; Softbound.
Monuments of German
Music. Baroque; Early
classical. Score. 96
pages. Breitkopf and
Haertel #SMV 60004.
Published by Breitkopf
and Haertel
(BR.SMV-60004).
ISBN
9790004571446. 0 x 0
inches.
English.
Volume 1:
Werke aus England William
Byrd (Praludium, A Gigg)
John Bull (Praludium, Dr.
Bull's Juell) Giles
Farnaby (Tower Hill)
Henry Purcell (Praludium
C, A Ground in Gamur)
Werke aus Holland Jan
Sweelinck (Variationen
uber das Lied ,, Est-ce
Mars) Werke aus Italien
Girolamo Frescobaldi
(Ballettto mit Corrente)
Alessandro Poglietti
(Capriccio ,, uber dass
Hennergeschrey) Bernardo
Pasquini (Tre Arie) Werke
aus Frankreich Jacques
Champion de Chambonnieres
(Drei Tanzstucke) Louis
Couperin (Drei
Tanzstucke) Nicolas
Antoine Le Begue (Gavotte
mit Double) Werke aus
Deutschland Johann Jakob
Froberger (Suite C
,,Lamento) Georg Muffat
(Passacaglia g) Johann
Pachelbel (Ciacona f)
Ferdinand Tobias Richter
(Toccatina d) Johann
Krieger (Partita G)
Johann Kaspar Ferdinand
Fischer (Praludium D,
Chaconne G) Johann Kuhnau
(Biblische Historie Nr.
4) Matthias Weckmann
(Toccata e) Jan A.
Reinken (Fuge g) Dietrich
Buxtehude (Suite uber den
Choral ,,Auf meinen
lieben Gott) Georg Bohm
(Praludium, Fuge und
Postludium) Volume 2:
Domenico Scarlatti (10
Sonaten) Francois
Couperin (Les Gastes da
la grande et ancienne
Mxnxstrxndxsx,
Passacaille, Les
Baricades Misterieuses,
Les Moissoneurs) Jean
Philippe Rameau (Musette
en Rondeau, Gavotte, 2
Menuette, La Poule,
L'Egiptienne,
L'Enharmonique) Louis
Claude Daquin (Le Coucou)
Jean Francois Dandrieu
(Le Gemissante) Georg
Philipp Telemann
(Fantasien E-dur und
e-moll) Gottlieb Muffat
(6. Suite aus den
Componimenti musicali
d-moll) Volume 3: B.
Galuppi (Sonate) Padre
Martini (Praludium und
Fuge, Gavotte) P. D.
Paradisi (Sonate) Etienne
Nicolas Mehul (Menuett)
Georg Christoph Wagenseil
(Divertimento) Johann
Schobert (Sonate) W.
Friedemann Bach (Fuga,
Fuga, Polonaise) Ph. E.
Bach (Sonate, Rondo,
Fantasia, Rondo,
Fantasia) Johann
Christian Bach (Sonate
op. 17 Nr. 2) Georg Benda
(Largo, Presto) Johann
Wilhelm Hassler (Grande
Gigue op. 31).