Piano SKU: BT.BOE7935 Songbook. Composed by Hauschka. Contemporary...(+)
Piano
SKU:
BT.BOE7935
Songbook. Composed
by Hauschka. Contemporary
Music. Book Only.
Composed 2019. 80 pages.
Bosworth & Co. #BOE7935.
Published by Bosworth &
Co. (BT.BOE7935).
ISBN
9783954562008.
German.
Known
professionally as
Hauschka, composer Volker
Bertelmann has catapulted
himself into the top tier
of instrumental
composers. This is
proven, not least, by the
Oscar nomination which he
received for his
soundtrack to the2016
film Lion.
In his
latest album A Different
Forest, released on 8
February 2019 at Sony
Classical, Hauschka takes
the forest as a contrast
to the urban life. The
names of the pieces, such
as 'Talking To My
Father',testify equally
that those natural
experiences are
metaphorical of the
important things in
life.
For this
album Hauschka renounces
entirely his prepared
Piano. The existential
questions which he
musically poses,
however,donot lose their
intensity, but rather,
without the alienation by
electronic elements, gain
urgency.
In
addition to the 13 LP
tracks, this songbook for
Piano also contains three
exclusive arrangements of
previouslyunreleased
songs: 'Collecting
Stones', 'Loosing
Directions' and 'Misty
Day'.
Volker
Bertelmann aka Hauschka
lanceerde zichzelf naar
top van de instrumeantele
componisten, niet in het
minste door zijn
oscar-nominatie die hij
ontving voor zijn
soundtrack bij de film
Lion. In zijn laatste
album A Different Forest
- uitgebracht op 8
februari 2019 - gebruikt
hij het bos als een
contrast met het
stadsleven.
Titels
zoals Talking To My
Father tonen dat deze
ervaringen in de natuur
metaforen zijn voor
belangrijke
gebeurtenissen in het
leven. Dit songbook voor
piano bevat, naast de 13
nummers van de LP,
eneneens 3 exclusieve
bewerkingen van tot nu
onuitgebrachte nummers:
Collecting Stones,
Losing Directions and
Misty
Day.
Volker
Bertelmann alias Hauschka
hat sich mittlerweile in
die oberste Riege der
Instrumentalkomponisten
katapultiert. Dies
beweist nicht zuletzt die
Oscar-Nominierung, die er
für seinen Soundtrack
zum Film Lion“
erhielt. In seinem
neusten Album A Different
Forest“ am 08.
Februar 2019 bei Sony
Classical erschienen
nimmt er sich dem Wald
als Kontrastraum zum
städtischen Leben an.
Titelnamen wie Talking
To My Father bezeugen
gleichermaßen, dass
jene Naturerfahrungen
metaphorisch für die
wichtigen Dinge des
Lebens stehen. Für
dieses Album verzichtet
Hauschka gänzlich auf
sein präpariertes
Klavier. Die
existentiellen Fragen,
denen er sich musikalisch
stellt, verlieren
hierdurch aber nicht an
Intensität, sondern
gewinnen ohne die
Verfremdung durch
elektronische Elemente
vielmehr an
Dringlichkeit. Dieses
Songbook für Klavier
enthält neben den 13
Titeln der LP drei
exklusive Arrangements
bisher
unveröffentlichter
Songs: Collecting
Stones, Losing
Directions und
Misty
Day.
Volker
Bertelmann aka Hauschka
si è portato a un
livello superiore dei
compositori strumentali.
Questo non è subito
evidente nella colonna
sonora del film Lion, per
cui ha ricevuto una
candidatura all' Oscar,
ma nel suo ultimo album A
Different Forest - uscito
l'8 febbraio 2019 - in
cui utilizza l'immagine
della foresta come
contrasto con la vita
urbana.
Titoli come
Talking to My
Father testimoniano
allo stesso modo che
tutte quelle esperienze
della natura sono
metafore di eventi
importanti della vita.
Questo canzoniere per
pianoforte contiene,
oltre ai 13 brani
dell'LP, tre
arrangiamenti esculisivi
di canzoni inedite:
Collecting Stones,
Losing Directions e
Misty Day.
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Folk. Series: Hal
Leonard Fake Books. 536
pages. 9.6x12 inches.
Published by Hal Leonard.
45 Timeless Themes from Your Favorite Films (Piano/Vocal). Composed by va...(+)
45 Timeless Themes
from Your Favorite Films
(Piano/Vocal).
Composed by various
composers and arrangers.
This edition:
Piano/Vocal/Guitar. Book;
P/V/C Mixed Folio;
Piano/Vocal/Chords. Best
Songs. Movie. 192 pages.
Published by Alfred Music
(AP.44682).
Piano SKU: HL.302930 Piano. Composed by Hauschka. Piano. Classical...(+)
Piano
SKU:
HL.302930
Piano. Composed by
Hauschka. Piano.
Classical. Softcover. 80
pages. Bosworth & Co.
#BOE7935. Published by
Bosworth & Co.
(HL.302930).
UPC:
888680967734.
Known
professionally as
Hauschka, composer Volker
Bertelmann has catapulted
himself into the top tier
of instrumental
composers. This is
proven, not least, by the
Oscar nomination which he
received for his
soundtrack to the 2016
film Lion. In his latest
album A Different Forest,
released on 8 February
2019 at Sony Classical,
Hauschka takes the forest
as a contrast to the
urban life. The names of
the pieces, such as
'Talking To My Father',
testify equally that
those natural experiences
are metaphorical of the
important things in life.
For this album Hauschka
renounces entirely his
prepared Piano. The
existential questions
which he musically poses,
however, do not lose
their intensity, but
rather, without the
alienation by electronic
elements, gain urgency.
In addition to the 13 LP
tracks, this songbook for
Piano also contains three
exclusive arrangements of
previously unreleased
songs: 'Collecting
Stones', 'Loosing
Directions' and 'Misty
Day'.
Brass Band (Score) - Grade 4 SKU: HL.4007972 For Brass Band. Compo...(+)
Brass Band (Score) -
Grade 4
SKU:
HL.4007972
For
Brass Band. Composed
by Otto M. Schwarz.
Concert. Duration 857
seconds. Hal Leonard
#SDP068.21-201. Published
by Hal Leonard
(HL.4007972).
Stories, sagas
and legends--who among us
doesn't know them? Always
delivered with a tinge of
brutality, these
cautionary tales are a
legacy of moral education
from times past:
inquisitive children
alone in the forest are
generally eaten by a
witch; the Soup-Kasper of
Hoffmann's Struwwelpeter
dies from starvation
rather than eating his
soup; anyone letting in
strangers usually gets
devoured; anyone who
plays with matches gets
burned; and thumb-suckers
get their thumbs cut off.
The list of unfortunate
demises is almost
endless.In the tale of
The Pied Piper of
Hamelin, parents lose
their children through
greed, ridicule, scorn
and a failure to
appreciate art. There is
still a street in the
town of Hamelin in which
neither drumming nor
playing has not been
allowed since 130
children disappeared into
a mountain, never to be
seen again. This
composition by Otto M.
Schwarz opens with
exactly this scene,
taking us back to the
year 1284. As in many
towns at the time,
Hamelin in Germany
suffered with hygiene
problems--rats and mice
began to multiply
rapidly, and the town was
overrun with the plague.
There appeared a man
dressed in colorful
clothes who promised the
locals to free them from
this burden. They agreed
and settled on a fee.
Then the man pulled out a
pipe and began to play.
When the rats and mice
heard this, they followed
him. He led the animals
into the Weser River,
where they all drowned.
Back in town, the people
refused to pay him. They
didn't recognize this
man's skills and
knowledge and were only
prepared to pay for
simple labour. A pact
with the devil was made,
which led to the Pied
Piper leaving the town in
a furious rage. One
Sunday, when many people
were at church, he
returned, took out his
flute and began to play.
The town's children were
so enchanted by his
playing that they
followed him. He led them
out of the town and
disappeared with them
forever into a mountain.
Of all the children, only
two survived--however one
was mute, and one was
blind. In the street from
which the children left
Hamelin, music may no
longer be played in
memory of this event.
Concert Band; Concert Band Set (Score) - Grade 4 SKU: HL.4007945 For C...(+)
Concert Band; Concert
Band Set (Score) - Grade
4
SKU: HL.4007945
For Concert Band,
Grade 4, 14:17 Score.
Composed by Otto M.
Schwarz. Concert.
Softcover. Duration 857
seconds. Hal Leonard
#SDP041.21-01. Published
by Hal Leonard
(HL.4007945).
Stories, sagas
and legends--who among us
doesn't know them? Always
delivered with a tinge of
brutality, these
cautionary tales are a
legacy of moral education
from times past:
inquisitive children
alone in the forest are
generally eaten by a
witch; the
“Soup-Kasperâ€
of Hoffmann's
Struwwelpeter dies from
starvation rather than
eating his soup; anyone
letting in strangers
usually gets devoured;
anyone who plays with
matches gets burned; and
thumb-suckers get their
thumbs cut off. The list
of unfortunate demises is
almost endless.In the
tale of The Pied Piper of
Hamelin, parents lose
their children through
greed, ridicule, scorn
and a failure to
appreciate art. There is
still a street in the
town of Hamelin in which
neither drumming nor
playing has not been
allowed since 130
children disappeared into
a mountain, never to be
seen again. This
composition by Otto M.
Schwarz opens with
exactly this scene,
taking us back to the
year 1284. As in many
towns at the time,
Hamelin in Germany
suffered with hygiene
problems--rats and mice
began to multiply
rapidly, and the town was
overrun with the plague.
There appeared a man
dressed in colorful
clothes who promised the
locals to free them from
this burden. They agreed
and settled on a fee.
Then the man pulled out a
pipe and began to play.
When the rats and mice
heard this, they followed
him. He led the animals
into the Weser River,
where they all drowned.
Back in town, the people
refused to pay him. They
didn't recognize this
man's skills and
knowledge and were only
prepared to pay for
simple labour. A pact
with the devil was made,
which led to the Pied
Piper leaving the town in
a furious rage. One
Sunday, when many people
were at church, he
returned, took out his
flute and began to play.
The town's children were
so enchanted by his
playing that they
followed him. He led them
out of the town and
disappeared with them
forever into a mountain.
Of all the children, only
two survived--however one
was mute, and one was
blind. In the street from
which the children left
Hamelin, music may no
longer be played in
memory of this event.
Piano SKU: HU.HN83 Composed by Robert Schumann. Edited by Ernst Herttrich. Pian...(+)
Piano
SKU: HU.HN83
Composed by Robert
Schumann. Edited by Ernst
Herttrich. Piano Solo,
Piano and Keyboard,
Repertoire, Solos. Forest
Scenes Op. 82. Classical,
Romantic. Softcover Book.
40 pages. G. Henle #HN83.
Published by G. Henle
(HU.HN83).
12.2 x 9.3 x 0.1 inches.
Composed by
George Lloyd. Band Music.
Score only. Duration
10:00. Published by G & M
Brand Music Publishers
(CN.S11042).
This symphonic
sketch for concert band
is packed full different
motives thrown around the
ensemble hinting at the
programmatic leitmotifs
of Wagner. Every section
of the ensemble gets a
workout in this
delightful 10-minute
work.
A Symphonic
Sketch for Concert Band.
The resurgence of
interest in George
Lloyd's music must give
us faith that such talent
will ultimately prevail
against sometimes unhappy
circumstances. Lloyd was
Cornish and showed
precocious gifts at an
early age - he had
completed his first
symphony by the age of
nineteen. During the
1930s he completed two
operas, one of which -
The Serf - was produced
at Covent Garden in 1938.
He was set for a
glittering career as a
composer. The Second
World War intervened and
he was invalidad out of
the Navy in a
shell-shocked state, and
having written very
little serious music
since 1937 went to
Switzerland to
recuperate, looked after
by his wife, Nancy.
Painfully, he began
writing again -
symphonies Nos. 4 and 5 -
and then returned to
England. He needed to
earn a living and he set
up a mushroom farm in
Dorset. But slowly he
began to compose again
and drafted more
symphonies in short
score. By this time he
was virtually unknown -
despite being considered
the equal of Walton,
Britten, and other young
stars of English music
some 30 years earlier.
Lloyd decided to embark
on a series of recordings
of his symphonies, and
slowly popular acclaim
enabled him to regain his
position. The Forest of
Arden was written in 1987
as a result of a
commission by the
Solihull Youth Wind Band.
Although Lloyd's music
feels instinctively
written one should not be
misled - it is carefully
crafted, but the craft
and structure are always
subordinated to create a
flow with a strongly
melodic content. Instead
of two or three themes,
The Forest of Arden
contains an abundance of
ideas which can be
described in two groups.
The first group contains
the opening rhythmic
motif, quickly developed
into a short rising
quaver passage in the
woodwinds, and later then
a chromatic ostinato bass
- only 8 bars at this
stage but later expanded.
The second group is broad
and expansive, initially
based on intervals of
rising fifths introduced
by euphonium, tubas, and
baritone saxophone,
immediately echoed by
horns. Low brass and
winds expand the theme
into rising sixths and
octaves. There is a hint
of development, bit this
is arrested as the music
moves to a piu tranquillo
section introduced by the
alto saxophone which
further develops the
rising sixth theme. There
follows a true
development of the
opening material,
starting with the
ostinato bass and
gradually passing through
different tonal centers
until the rising fifths
of the second theme group
are heralded - fortissimo
and poco piu largamente
shortly before the end.
The structure is almost
Wagnerian (albeit on a
much smaller scale), with
themes being used as
leitmotifs, but this is
music which, even within
the space of ten minutes
is conceived on a grand
design.
(Baritone/Bass Voice). Edited by Lisa DeSpain. For Voice (Bass voice). Vocal Col...(+)
(Baritone/Bass Voice).
Edited by Lisa DeSpain.
For Voice (Bass voice).
Vocal Collection.
Singer's Library of
Musical Theatre.
Broadway. Book and CD.
188 pages
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Piano - Intermediate SKU: FJ.FJH2294 5. Composed by Helen Marlais....(+)
Piano - Intermediate
SKU: FJ.FJH2294
5. Composed by
Helen Marlais. Piano
Collection; Piano
Supplemental. Solos at
Their Best. Book. The FJH
Music Company Inc
#98-FJH2294. Published by
The FJH Music Company Inc
(FJ.FJH2294).
ISBN
9781619282537. UPC:
241444398784.
English.
Book 5
contains 15 student and
teacher favorites by
composers Kevin Costley,
Christopher Goldston,
Valerie Roth Roubos,
Edwin McLean, Mary Leaf,
Kevin Olson, Melody Bober
and Timothy Brown. These
crème de la crème
pieces are perfect for
recitals, auditions and
competitions. Some titles
are: Another Homecoming,
Ballade for Belfast, En
Calle Ocho, Samba
cromática, Stardust
Prelude, The Big Easy
Blues and nine more!
Composed by Matthew
Emery. Duration 3
minutes, 26 seconds. Carl
Fischer Music #CM9774.
Published by Carl Fischer
Music (CF.CM9774).
ISBN 9781491164457.
UPC: 680160923359. Key: E
major. English. Leslie
Grant Scott adapted by
Composer.
I Have
Heard the Music There for
treble voices, optional
descant, with piano is a
lyrical work that
utilizes a reoccurring
motif which grows and
varies. The developing
variation-like use of
this theme speaks to the
image or notion of
growth; the growth of a
tree, of a person, or a
choir. We may start out
small, then vary, change,
develop, transform. The
vocal line’s
slight variation, use of
repetition, imitation,
and canonic-like
movements weave a thread
of familiarity through
the piano’s
tapestry of subtle shifts
in timbre, register, and
alternation between
chorale-like writing and
moments of florid
flourishing; the music
paints the imagery of the
text.The text by Leslie
Grant Scott illuminates
themes of the humanity,
solace, and comfort we
find in Nature. The
forest’s foliage
filters out the harshness
of the world, and we are
calmed by the
forest’s heart. To
me Nature is also a
metaphor for community,
or the network of loved
ones you may have, over
perhaps your choir;
together with compassion
and kindness we are able
to filter the
world’s harshness,
together we grow, we
celebrate, and we listen
to the music around
us.SILENCE [Leslie Grant
Scott, 1912 PD] adpt. M.
EmeryI have heard the
music thereIn the deep
forest's heart, Where
filters the sun's rays,
In a still, golden haze.I
have heard the music
there.The breathless
silence speaks, Bringing
Nature's soft balm And
her great soothing calm
To all those who will
hear.I have heard the
music there.
Amazonia Fanfare [Conducteur] - Intermédiaire/avancé De Haske Publications
Fanfare Band - Grade 6 SKU: BT.DHP-0900226-120 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 6
SKU:
BT.DHP-0900226-120
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Score
Only. Composed 1990. De
Haske Publications #DHP
0900226-120. Published by
De Haske Publications
(BT.DHP-0900226-120).
This major
concert work cosists o
five movements.1st
movement: La Laguna del
ShimbeSituated high up in
the Andes mountains in
Northern Peru are the
Huaringas, a group of
lagoons in isolated and
mysterious surroundings.
The water has healing
powersand for centuries
traditional healers have
settled there in small
villages. From far the
sick come to the
Huaringas to be treated
in nightly rituals, in
which the hallucinating
juice of the San Pedro
cactus gives the prophet
a look inside hispatient.
The biggest lagoon is the
“Laguna del
Shimbeâ€, one of the
countless wells of the
immense Amazon stream.2nd
movement: Los
AguarunasFurther
downstream in Northern
Peru we come across the
rain tribe of Los
Aguarunas. It’s a
proud, beautiful
andindependent race,
which has never succumbed
to domination, not even
from the Incas. They live
from everything the
forest has to offer:
fish, fruit, plants, ...
. They also grow some
crops and live as
semi-nomads. They take
their fate into their
ownhands and after having
made contact with modern
civilisation, they have
integrated new elements
into their lives without
betraying their own
ways.3rd movement:
MekaronMekaron is an
Indian word meaning
“pictureâ€,
“soulâ€,
“essenceâ€.
The Indians are
theorigina inhabitants of
the Amazon region. They
either live in one place
as a group or move around
a large region. They all
have their own political
system, their own
language and an intense
social life. At the same
time they are master of
music andmedicine.
“Everywhere the
white man goes, he leaves
a wilderness behind
himâ€, wrote the
North American Indian
leader Seatl in 1885. As
a result of these
contacts with the whites,
the disruption of most
Indian societies began.
(In this century alone,80
tribes have vanished
completely).4th movement:
KêêtuajêThis is
the name of the
initiating ceremony of
the Krahô tribe in the
Brazilian state of Goias,
in which young boys and
girls enter adult life.
They are cleansed with
water, painted with
redpaint and covered with
feathers, after which the
ritual dance holds the
entire tribe
spell-bound.5th movement:
Paulino FaiakanIn 1988
the Indian chiefs Faiakan
and Raoni Kaiapo came to
Europe to protest against
the building of the
Altamira dam inBrazil. As
a result of the dam the
Indians would be driven
from their traditional
land and enormous
artificial would be
created. The project was
supported financially by,
amongst others, the
European Community. In
February 1989 the Indian
tribesaround Altamira
held a protest march for
the first time in their
history together. Amongst
other things they paid
tribute tot Chico Mendez,
who, murdered in 1988,
was the leader of the
rubber syndicate and a
fierce opponent of the
destruction of
theBrazilian rain forest.
Brazilian and world
opinion was awakened. The
building of the dam was
-albeit temporarily -
stopped.
Amazonia Fanfare [Conducteur et Parties séparées] - Intermédiaire/avancé De Haske Publications
Fanfare Band - Grade 6 SKU: BT.DHP-0900226-020 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 6
SKU:
BT.DHP-0900226-020
Composed by Jan Van der
Roost. Sovereign Series.
Set (Score & Parts).
Composed 1990. De Haske
Publications #DHP
0900226-020. Published by
De Haske Publications
(BT.DHP-0900226-020).
This major
concert work cosists o
five movements.1st
movement: La Laguna del
ShimbeSituated high up in
the Andes mountains in
Northern Peru are the
Huaringas, a group of
lagoons in isolated and
mysterious surroundings.
The water has healing
powersand for centuries
traditional healers have
settled there in small
villages. From far the
sick come to the
Huaringas to be treated
in nightly rituals, in
which the hallucinating
juice of the San Pedro
cactus gives the prophet
a look inside hispatient.
The biggest lagoon is the
“Laguna del
Shimbeâ€, one of the
countless wells of the
immense Amazon stream.2nd
movement: Los
AguarunasFurther
downstream in Northern
Peru we come across the
rain tribe of Los
Aguarunas. It’s a
proud, beautiful
andindependent race,
which has never succumbed
to domination, not even
from the Incas. They live
from everything the
forest has to offer:
fish, fruit, plants, ...
. They also grow some
crops and live as
semi-nomads. They take
their fate into their
ownhands and after having
made contact with modern
civilisation, they have
integrated new elements
into their lives without
betraying their own
ways.3rd movement:
MekaronMekaron is an
Indian word meaning
“pictureâ€,
“soulâ€,
“essenceâ€.
The Indians are
theorigina inhabitants of
the Amazon region. They
either live in one place
as a group or move around
a large region. They all
have their own political
system, their own
language and an intense
social life. At the same
time they are master of
music andmedicine.
“Everywhere the
white man goes, he leaves
a wilderness behind
himâ€, wrote the
North American Indian
leader Seatl in 1885. As
a result of these
contacts with the whites,
the disruption of most
Indian societies began.
(In this century alone,80
tribes have vanished
completely).4th movement:
KêêtuajêThis is
the name of the
initiating ceremony of
the Krahô tribe in the
Brazilian state of Goias,
in which young boys and
girls enter adult life.
They are cleansed with
water, painted with
redpaint and covered with
feathers, after which the
ritual dance holds the
entire tribe
spell-bound.5th movement:
Paulino FaiakanIn 1988
the Indian chiefs Faiakan
and Raoni Kaiapo came to
Europe to protest against
the building of the
Altamira dam inBrazil. As
a result of the dam the
Indians would be driven
from their traditional
land and enormous
artificial would be
created. The project was
supported financially by,
amongst others, the
European Community. In
February 1989 the Indian
tribesaround Altamira
held a protest march for
the first time in their
history together. Amongst
other things they paid
tribute tot Chico Mendez,
who, murdered in 1988,
was the leader of the
rubber syndicate and a
fierce opponent of the
destruction of
theBrazilian rain forest.
Brazilian and world
opinion was awakened. The
building of the dam was
-albeit temporarily -
stopped.
(Sheet Music Selections from the Original Motion Picture Soundtrack). For Keyboa...(+)
(Sheet Music Selections
from the Original Motion
Picture Soundtrack). For
Keyboard; Piano; Voice.
This edition:
Piano/Vocal. Book;
Piano/Vocal/Chords; Shows
and Movies. Movie. 64
pages. Published by
Alfred Music
(Big Note Piano Selections from the Original Motion Picture Soundtrack). By Howa...(+)
(Big Note Piano
Selections from the
Original Motion Picture
Soundtrack). By Howard
Shore. Arranged by Carol
Matz. For Piano. This
edition: Big Note Piano.
Book; Piano - Big Note
Collection; Piano
Supplemental. Movie. Big
Note. 40 pages. Published
by Alfred Music
(Easy Piano Selections from the Original Motion Picture Soundtrack). By Howard S...(+)
(Easy Piano Selections
from the Original Motion
Picture Soundtrack). By
Howard Shore. Arranged by
Dan Coates. For Piano.
This edition: Easy Piano.
Book; Piano - Easy Piano
Collection; Piano
Supplemental. Movie. Easy
Piano. 40 pages.
Published by Alfred Music
By Wynn-anne Rossi. For Piano. Composers In Focus. Each piece is descriptive in ...(+)
By Wynn-anne Rossi. For
Piano. Composers In
Focus. Each piece is
descriptive in nature,
primarily focusing on
expressiveness and
musical interpretation.
Contents include: Forest
Canopy; Poison Arrow
Frog; Snake Appeal; Giant
Purple Butterflies;
Monkey Talk; Into the
Night Mist; Orchid Tears.
Animals and Nature.
Level: Intermediate.
Book. Published by The
FJH Music Company, Inc.
Ligne De Mélodie, Paroles et Accords [Fake Book] - Intermédiaire Sher Music Company
By Various. Almost 600 pages of world-famous Sher Music transcriptions! Don't go...(+)
By Various. Almost 600
pages of world-famous
Sher Music
transcriptions! Don't go
to the gig without it!.
Various. Fake Book.
Published by Sher Music
Company.
Composed by Bela Bartok (1881-1945), edited by Dr Benjamin Suchoff. For piano. T...(+)
Composed by Bela Bartok
(1881-1945), edited by Dr
Benjamin Suchoff. For
piano. The Archive
Edition. Format: piano
solo book. With standard
notation, fingerings and
introductory text. 20th
Century and Hungarian.
150 pages. 9x12 inches.
Published by Dover
Publications.
Bleak Forest Orchestre d'harmonie - Facile Hal Leonard
Score and Parts Concert Band (Score & Parts) - Level 2.5 SKU: HL.4008548 ...(+)
Score and Parts Concert
Band (Score & Parts) -
Level 2.5
SKU:
HL.4008548
Concert
Band, Grade 2.4 6:00
Score and Parts.
Composed by Andreas
Ziegelbä and ck.
Symphonic Dimensions.
Concert. Softcover. 107
pages. Duration 360
seconds. Hal Leonard
#SDP1972302. Published by
Hal Leonard (HL.4008548).
ISBN 9798350110371.
UPC:
196288179177.
Bleak
Forest is a piece for
smaller concert bands and
offers the musicians
above all space to
improve their sound and
their effect playing. The
technical requirements
are therefore
deliberately kept low.
With this piece, the
composer won the VLAMO
International Composition
Contest 2022.
Thematically, the work is
influenced by the
composer's childhood
memories. In his hometown
there was a dark and
mysterious forest, that
seemed to the children in
the small village to be
magical. Without a
reasonable explanation,
every trip into the woods
was exciting and somewhat
terrifying. There were
tales of dangerous
animals, which can be
heard at the beginning of
the piece, as well as
magical beasts. The magic
of the forest is depicted
musically from bar 70 in
the andante section. The
snapping of the fingers
represents single
raindrops. From bar 99
onwards, we hear the trek
home, with the occasional
moments of trepidation as
the children spook each
other with their fanciful
tales. In the end,
though, we arrive safely
at home because after
all, magical beasts only
exist in fairy tales
donÂ’t they? Andreas
Ziegelbäck studied
music education at the
Mozarteum University in
Salzburg, and history at
the Paris Lodron
Universität, Salzburg.
In addition to his
studies, he trained in
ensemble conducting for
wind orchestra with
conductor and composer
Thomas Doss. It was Doss
who sparked
Ziegelbäck's interest
in composing. In 2021,
Andreas Ziegelbäck
completed his composition
studies with Johannes
Maria Staud. In 2020, he
took part in a brass band
composition masterclass
in Bern with Oliver
Waespi, followed by a
premiere by the Swiss
Army Brass Band.
Bleak Forest Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Hal Leonard
Score and Parts Concert Band (Score & Parts) - Level 2.5 SKU: HL.4008983 ...(+)
Score and Parts Concert
Band (Score & Parts) -
Level 2.5
SKU:
HL.4008983
Concert
Band, Grade 2.5 6:00
Score and Parts.
Composed by Andreas
Ziegelbä and ck.
Symphonic Dimensions.
Concert, Concert Band.
Softcover. Duration 360
seconds. Hal Leonard
#SDP293-24-202. Published
by Hal Leonard
(HL.4008983).
UPC:
196288283775.
Bleak
Forest is a piece for
smaller concert bands and
offers the musicians
above all space to
improve their sound and
their effect playing. The
technical requirements
are therefore
deliberately kept low.
With this piece, the
composer won the VLAMO
International Composition
Contest 2022.
Thematically, the work is
influenced by the
composer's childhood
memories. In his hometown
there was a dark and
mysterious forest, that
seemed to the children in
the small village to be
magical. Without a
reasonable explanation,
every trip into the woods
was exciting and somewhat
terrifying. There were
tales of dangerous
animals, which can be
heard at the beginning of
the piece, as well as
magical beasts. The magic
of the forest is depicted
musically from bar 70 in
the andante section. The
snapping of the fingers
represents single
raindrops. From bar 99
onwards, we hear the trek
home, with the occasional
moments of trepidation as
the children spook each
other with their fanciful
tales. In the end,
though, we arrive safely
at home because after
all, magical beasts only
exist in fairy tales
dont they? Andreas
Ziegelbäck studied music
education at the
Mozarteum University in
Salzburg, and history at
the Paris Lodron
Universität, Salzburg.
In addition to his
studies, he trained in
ensemble conducting for
wind orchestra with
conductor and composer
Thomas Doss. It was Doss
who sparked Ziegelbäck's
interest in composing. In
2021, Andreas Ziegelbäck
completed his composition
studies with Johannes
Maria Staud. In 2020, he
took part in a brass band
composition masterclass
in Bern with Oliver
Waespi, followed by a
premiere by the Swiss
Army Brass Band.
Concert
Band, Grade 2.5 6:00
Score and Parts.
Composed by Andreas
Ziegelbä and ck.
Symphonic Dimensions.
Concert, Concert Band.
Softcover. Duration 360
seconds. Hal Leonard
#SDP293-24-201. Published
by Hal Leonard
(HL.4008984).
UPC:
196288283782.
Bleak
Forest is a piece for
smaller concert bands and
offers the musicians
above all space to
improve their sound and
their effect playing. The
technical requirements
are therefore
deliberately kept low.
With this piece, the
composer won the VLAMO
International Composition
Contest 2022.
Thematically, the work is
influenced by the
composer's childhood
memories. In his hometown
there was a dark and
mysterious forest, that
seemed to the children in
the small village to be
magical. Without a
reasonable explanation,
every trip into the woods
was exciting and somewhat
terrifying. There were
tales of dangerous
animals, which can be
heard at the beginning of
the piece, as well as
magical beasts. The magic
of the forest is depicted
musically from bar 70 in
the andante section. The
snapping of the fingers
represents single
raindrops. From bar 99
onwards, we hear the trek
home, with the occasional
moments of trepidation as
the children spook each
other with their fanciful
tales. In the end,
though, we arrive safely
at home because after
all, magical beasts only
exist in fairy tales
dont they? Andreas
Ziegelbäck studied music
education at the
Mozarteum University in
Salzburg, and history at
the Paris Lodron
Universität, Salzburg.
In addition to his
studies, he trained in
ensemble conducting for
wind orchestra with
conductor and composer
Thomas Doss. It was Doss
who sparked Ziegelbäck's
interest in composing. In
2021, Andreas Ziegelbäck
completed his composition
studies with Johannes
Maria Staud. In 2020, he
took part in a brass band
composition masterclass
in Bern with Oliver
Waespi, followed by a
premiere by the Swiss
Army Brass Band.