SKU: WD.080689416873 Composed by John E. Coates. Modern Christian: Sacred...(+)
SKU:
WD.080689416873
Composed by John E.
Coates. Modern Christian:
Sacred. Hym-conductor's
score. Word Music
#080689416873. Published
by Word Music
(WD.080689416873).
UPC:
080689416873.
In
the past twenty years,
worship styles in many
churches have
transformed, emphasizing
a personal worship that
strives for intimacy with
the Father. This renewal
led some ministries,
perhaps unintentionally,
to abandon the great
hymns of our faith in
favor of newly composed
worship songs. Other
ministries, in an effort
to create a balanced
worship style, mixed the
new with the old,
sometimes with results
that only amplified the
differences between the
two. Hymns for Praise &
Worship bridges the
stylistic gap between
modern-day worship songs
and the hymns of our
Christian heritage. A
select advisory board of
active music ministers,
Word Music staff and key
choral arrangers were
assembled to pinpoint
fifty-six hymns from the
vast array of hymnody,
not only for their
musical quality, but for
the messages that they
bring to worshippers
today. Veteran choral
arrangers John E. Coates
and Travis Cottrell have
been creating new
settings of hymns for
their own congregations
for years. Their
experience as worship
leaders brought not only
musicality, but also
congregational and choral
pragmatism to each new
arrangement in Hymns for
Praise & Worship. With
all of the same editions
and features as the Songs
for Praise & Worship
series, this collection
is designed to work
hand-in-hand with
existing resources for
worship. Various
stylistic changes make
these settings flow
easily, appeal to the
modern ear, and correlate
with the styles of
contemporary praise &
worship songs. Throughout
this book you will
encounter variations from
traditional time
signatures, intuitive
syncopated rhythms, and
substituted chords and
harmonies. Even the few
hymns with more
traditional settings are
treated in a manner that
takes the congregation on
a journey through the
verses, sometimes in a
more through-composed
manner, and usually
culminating in a
climactic conclusion.
Each of the changes was
not implemented
arbitrarily, but with the
goal of making the
timeless messages of each
hymn leap from the page
in new and exciting ways.
Two added features of
Hymns for Praise &
Worship are the
demonstration and
accompaniment recordings.
While the songs in the
collection are well
known, the new
arrangements are not. The
staff of Word Music felt
that it was vital to
provide audible resources
to teach and lead worship
to best communicate the
desires of the arrangers.
All of the core editions
(Choir/Worship Team,
Worship Planner, Keyboard
Edition, Guitar Edition)
reflect the verses and
voicings used on the
recordings.
Voice and piano (solo: T - 2(picc.A-fl).2(ob.d'am[ad lib.].cor ang.muha).2(B-cla...(+)
Voice and piano (solo: T
-
2(picc.A-fl).2(ob.d'am[ad
lib.].cor
ang.muha).2(B-clar.S-sax.
muha).2(kfg.muha) -
1.1(corn [ad lib.]).1.0 -
timp.perc(3) -
acc(windmachine
I).hp(rainmaker.windmachi
ne
II).guit(rainmaker.windma
chine III) - str:
1.1.2.1.1)
SKU:
BR.EB-9394
A
Composed
Interpretation.
Composed by Hans Zender.
Voice; Softbound. Edition
Breitkopf. World
premiere: Frankfurt am
Main, September 21, 1993.
Song; Music post-1945.
Piano/Vocal Score.
Composed 1993. 120 pages.
Duration 85'. Breitkopf
and Haertel #EB 9394.
Published by Breitkopf
and Haertel (BR.EB-9394).
ISBN 9790004188682. 9
x 12 inches.
My
lecture of the
Winterreise does not
demand a new expressive
interpretation, but
instead systematically
exercises the freedom
which all interpreters
allow themselves
intuitively, such as:
instrumental dilation i.
e. acceleration of the
pace, transposition into
other keys and
elaboration of
characteristic color
timbres. In addition,
there are further ways of
reading; the music;
jumping around in the
text, repeating certain
lines, interrupting the
continuity, comparing
different expressions of
the same phrase ... All
these new possibilities
are subjected to my
compositional discipline
and form autonomous
formal processes which
are imposed on Schuberts
original. The
transformation of the
piano tones into a
multifaceted orchestra
full of resonance is only
one of many aspects.(Hans
Zender)CDs:Hans Peter
Blochwitz (Tenor),
Ensemble Modern,
Conductor: Hans Zender CD
BMG 9026-68067-2
Christoph Pregardien
(Tenor), Klangforum Wien,
Conductor: Sylvain
Cambreling CD Kairos
0012002KAIJulien
Pregardien (Tenor),
Deutsche Radio
Philharmonie
Kaiserslautern,
Conductor: Robert Reimer2
CD's P.RHEI
(2016)Bibliography:Adam-S
chmidmeier, Eva-Maria
von: Schubert
interpretieren. Hans
Zender: Schuberts
Winterreise. Eine
komponierte
Interpretation im
Unterricht, in: Musik und
Unterricht Heft 96
(2009), pp. 50-56.Gruhn,
Wilfried: Wider die
asthetische Routine. Hans
Zenders Version von
Schuberts Winterreise,
in: Neue Zeitschrift fur
Musik 1/1997.Hebling,
Harald: Kompositorische
Schubertrezeption im 20.
Jahrhundert,
Magisterarbeit
Universitat Wien 2003,
especially pp.
148-157.Nonnenmann,
Rainer: Vom Nutzen und
Nachteil der
Musikhistorie fur das
Musikleben. Zur Kritik
aktualisierender
Interpretation am
Beispiel von Hans Zenders
Schuberts ,Winterreise,
in: Musik und Asthetik 7,
Heft 26 (April 2003), pp.
65-90.ders.: Schuberts
,Winterreise .
Komponierte
Interpretation von Hans
Zender / Ballett von John
Neumeier, in:
Osterreichische
Musikzeitung 60 (2005),
Heft 3, p. 42f.ders.:
Fremd bin ich eingezogen,
fremd zieh ich wieder
aus. Versuch zur Rettung
der Vergangenheit
Schuberts Winterreise.
Eine komponierte
Interpretation fur Tenor
und kleines Orchester
(1993) von Hans Zender,
in ders.: Winterreisen.
Komponierte Wege von und
zu Franz Schuberts
Liederzyklus aus zwei
Jahrhunderten, 2 Bande (=
Taschenbucher zur
Musikwissenschaft, Band
150/151), Wilhelmshaven:
Florian Noetzel 2006, pp.
143-205.Petersen, Birger:
Neue Musik. Analysen,
Berlin: Simon Verlag fur
Bibliothekswissen 2013,
pp. 11-24.Revers, Peter:
... Schnee, du weisst von
meinem Sehnen. Aspekte
der Schubert-Rezeption in
Hans Zenders Winterreise
(1993), in: Dialekt ohne
Erde. Franz Schubert und
das 20. Jahrhundert,
hrsg. von Otto
Kolleritsch, Wien-Graz
1998 (Studien zur
Wertungsforschung, Band
34), pp.
98-120.Schafer-Lembeck,
Hans-Ulrich:
Gegenstrebige Fugungen.
Hans Zenders Musik und
seine komponierte
Interpretation von
Schuberts Winterreise,
in: Neue Musik
vermitteln. Analysen
Interpretationen -
Unterricht, hrsg. von
Hans Bassler, Ortwin
Nimczik und Peter W.
Schatt, Mainz: Schott,
2004, pp.
295-307.Stahmer, Klaus
Hinrich: Bearbeitung als
Interpretation - Zur
Schubertrezeption Gustav
Mahlers, Hans Zenders und
Friedhelm Dohls, in:
Franz Schubert und Gustav
Mahler in der Musik der
Gegenwart, Mainz
1998.Zender, Hans: warum
wieder die Winterreise?
Hartmut Regitz im
Gesprach mit dem
Komponisten, in:
ballet.tanz -
international.aktuell,
Heft 12 (2001), p.
18.
World
premiere: Frankfurt am
Main, September 21,
1993.