Soprano Recorder SKU: AP.20300US Ten Sea Shanties to play along. From ...(+)
Soprano Recorder
SKU:
AP.20300US
Ten Sea
Shanties to play along.
From Aloha 'Oe, La
Paloma, Santiana via
Sloop John B., The
Drunken Sailor to The
Wellerman and many
more.. Composed by
Arranged by Vahid
Matejko. Play-Along.
Tango Play-alongs. Book;
CD; Digital Download. 28
pages. Alfred Music
#00-20300US. Published by
Alfred Music
(AP.20300US).
ISBN
9783947998487. UPC:
038081558257.
German.
It is not
only the great success of
Nathan Evans' re-release
of The Wellerman on
social media that is
responsible for the great
popularity of sea
shanties and naval songs.
Such songs create a
unique mood, a touch of
adventure and wanderlust
for the big, wide world.
Hardly anyone can elude
it and with Vahid
Matejko's Sea Shanty
Play-Alongs there are now
the most beautiful sea
shanties and naval songs
skillfully arranged as an
instrumental play-along
series for recorder,
flute, clarinet,
saxophone, trumpet (opt.
baritone T.C.), trombone
(opt. baritone B.C.),
violin, and accordion
(piano). The varied
arrangements have a wide
stylistic range and offer
echoes from rock, Latin,
funk, big band to
orchestral and Caribbean
influences. Thus, each
song has its own musical
and instrumental appeal,
to which the parts and/or
solos specially composed
by arranger Vahid Matejko
also contribute. The
original polyphonic
choral vocals are
replaced by polyphonic
instrumental
backings. Each of the
ten titles was recorded
live by excellent
professional musicians
and is available in two
different versions:
— a demo-track
which features a live
soprano recorder
performance by the German
specialist for
pop/rock/jazz recorder
Tobias Reisige
and — a
minus-one mix for you to
play-along.
18
Transcriptions of J.S.
Bach for Chamber
Winds. Composed by
Johann Sebastian Bach.
Folder. Baroque. Set of
Score and Parts. With
Standard notation.
64+12+12+12+12+12+12+12+1
2+12+12+12+12+12+12
pages. Duration 48
minutes. Theodore Presser
Company #114-41448.
Published by Theodore
Presser Company
(PR.114414480).
ISBN
9781598063264. UPC:
680160597932. 9x12
inches. Key: Bb major.
Transcribed by Carter
Pann.
A unique
collection of elegant
transcriptions of
Bach’s keyboard
and instrumental gems
scored for 10 woodwinds,
with flexible scoring and
ossia parts –
ideal for schools and
“pull-outâ€
groups on wind ensemble
concerts. The music of
Johann Sebastian Bach
(1685-1750) is a gift.
Nearly every piece that
poured out of this man is
as inspired and perfected
as the next. His body of
work has cut a deep
incision in the recorded
history of music and set
a benchmark to which all
the contrapuntal masters
who followed have aspired
to meet.The
transcriptions found
within this volume add to
the thousands upon
thousands of versions of
his music already
re-worked for different
groups and media. The
music here does not,
however, embellish
Bach’s own scores
(save but for a couple of
instances in which it was
felt necessary to add an
inner voice to serve the
expansive range of the
ten woodwinds). The
selections are ordered
(loosely) to assume a
smooth, inclined
trajectory of both
difficulty and musical
breadth. The first piece
is a small and
simpleminuet, the last is
a long interior movement
of one of the most
beloved and advanced
violin concertos in the
whole repertoire.As a
keyboard player I grew up
learning and falling in
love with much of
Bach’s music at
the piano. For this very
reason, much of this
volume consists of the
composer’s
keyboard works. One
cannot, however, deny
many of the most
cherished works from
Bach’s oeuvre when
compiling a set of
transcriptions, and many
of those
“hits†are
included here as
well.Departing from a
traditional harmoniemusik
ensemble, I have replaced
the horns here with
saxophones. There are two
reasons: 1) the nature of
much of this music
requires instruments with
an ease of agility not
executable so readily on
the horn; and 2) the
opportunity for saxophone
players to be included in
such an ensemble was very
attractive,
pedagogically.I hope you
enjoy these gems from
such a great genius.
Composed by Johann Sebastian Bach (1685-1750). Piano (Solo). Hard Cover Premiu...(+)
Composed by Johann
Sebastian
Bach (1685-1750). Piano
(Solo). Hard Cover
Premium
Edition. 184 pages.
Edition
Peters #EP11500.
Published
by Edition Peters
The Drum Chorale Unison [Edition pour professeur] Alfred Publishing
(A Mini-Musical based on a Tale of Generosity for Unison and 2-Part Voices (Teac...(+)
(A Mini-Musical based on
a Tale of Generosity for
Unison and 2-Part Voices
(Teacher's Handbook)). By
Sally K. Albrecht and Jay
Althouse. 2-Part Choir;
Unison Choir. This
edition: Teacher's
Handbook (Includes
Reproducible Student
Pages).
Classroom/Pre-School;
Musicals; Musicals and
Programs; Reproducible.
Christmas; Winter. Book.
52 pages. Published by
Alfred Music Publishing
(A Mini-Musical based on a Tale of Generosity for Unison and 2-Part Voices (Kit)...(+)
(A Mini-Musical based on
a Tale of Generosity for
Unison and 2-Part Voices
(Kit)). By Sally K.
Albrecht and Jay
Althouse. This edition:
CD Kit.
Classroom/Pre-School;
Musicals; Musicals and
Programs; Reproducible.
Christmas; Winter. Book
and CD. 52 pages.
Published by Alfred Music
Publishing
Flute SKU: AP.20301US Ten Sea Shanties to play along. From Aloha 'Oe, ...(+)
Flute
SKU:
AP.20301US
Ten Sea
Shanties to play along.
From Aloha 'Oe, La
Paloma, Santiana via
Sloop John B., The
Drunken Sailor to The
Wellerman and many
more.. Composed by
Arranged by Vahid
Matejko. Play-Along.
Tango Play-alongs. Book;
CD; Digital Download. 28
pages. Alfred Music
#00-20301US. Published by
Alfred Music
(AP.20301US).
ISBN
9783947998494. UPC:
038081558264.
German.
It is not
only the great success of
Nathan Evans' re-release
of The Wellerman on
social media that is
responsible for the great
popularity of sea
shanties and naval songs.
Such songs create a
unique mood, a touch of
adventure and wanderlust
for the big, wide world.
Hardly anyone can elude
it and with Vahid
Matejko's Sea Shanty
Play-Alongs there are now
the most beautiful sea
shanties and naval songs
skillfully arranged as an
instrumental play-along
series for recorder,
flute, clarinet,
saxophone, trumpet (opt.
baritone T.C.), trombone
(opt. baritone B.C.),
violin, and accordion
(piano). The varied
arrangements have a wide
stylistic range and offer
echoes from rock, Latin,
funk, big band to
orchestral and Caribbean
influences. Thus, each
song has its own musical
and instrumental appeal,
to which the parts and/or
solos specially composed
by arranger Vahid Matejko
also contribute. The
original polyphonic
choral vocals are
replaced by polyphonic
instrumental
backings. Each of the
ten titles was recorded
live by excellent
professional musicians
and is available in two
different versions:
— a demo-track
which features a live
flute performance by one
of the most sought-after
studio and live soloists
in the German music
scene, two-time
Grammy-award winner and
former lead flute,
saxophone and clarinet
player for the
WDR-broadcast big band
Heiner Wiberny
and — a
minus-one mix for you to
play-along.
Et in terra Pax Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0981118-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0981118-010
Composed by Jan Van der
Roost. Inspiration
Series. Set (Score &
Parts). Composed 1998. De
Haske Publications #DHP
0981118-010. Published by
De Haske Publications
(BT.DHP-0981118-010).
This piece was
commissioned by the
‘Concert Band
Vlamertinge’ and
is a plea for peace: the
title translates as
‘Peace on
Earth’. This is
expressed by means of the
vocal contribution
expected from the
performers. In various
places of the piece you
can recognize, the words
‘Et In Terra
Pax’ - an appeal
for peace - at first
jumbled together but
later more rhythmically
structured, developing
into synchronized massed
voices.The work starts
with a pentatonic theme
based on the notes D, E,
G, A and C (taken from
‘ConCErtbAnD
VlAmErtinGE’ and
the name of the
conductor, NiCk
VAnDEnDriessChe). A
somewhat sad melody is
developed during an
orchestral climax which
leads to the
firstexplosion of sound
(measure 62 onwards).
Suddenly the opening
measures are recaptured,
albeit with a differently
colored sound: the words
‘Et In Terra
Pax’ bring the
first movement to a
close. A restless Allegro
follows which abruptly
stops and is replaced by
a calming cho-rale-like
passage. A narrator reads
aloud the poem
‘Sonnet’ by
the young poet Charles
Hamilton Sorley, who was
killed during World War
I. This poem fittingly
puts into words the
cruelty and senselessness
of war. After the
expanded recapitulation
of the allegro, the
broad, almost infinite
atmosphere of the
beginning returns.
Clarinet and English horn
play the pentatonic
opening theme once more,
this time broadly, while
the words ‘Et In
Terra... Pax’ are
repeated again and again
by the rest of the
orchestra.The composer
has purposely avoided all
forms of aggression and
bombastic sounds
regularly used in works
about war. Fear of
violence and destruction
can be heard and felt
during the allegro
passages. The charged
opening makes way in the
end for hope: May
peacefulness replace
cruelty in everyday life,
too.
Dieses Werk
wurde im Auftrag der
Concert Band Vlamertinge
geschrieben und ist ein
Plädoyer an den
Frieden: Der Titel
bedeutet dann auch
‘Frieden auf
Erden’. Dies kommt
unter anderem im vokalen
Anteil der
Ausführenden zum
Ausdruck. An
verschiedenenStellen des
Werkes erklingen, anfangs
durcheinander dann zu
einem rhythmischen und
strukturierten
Synchrongesang vereint,
die Worte ‘Et In
Terra Pax’ wie ein
flehendes Gebet für
den Frieden.
Ein
pentatonisches Thema
formt den Anfang dieses
Werkes, basierend auf den
Noten D, E, G, A, und C,
die dem Namen:
‘ConCErtbAnD
VlAmErtingE’ und
dem Namen des Dirigenten
NiCk VAnDEnDriessChe
entstammen. Während
der orchestralen Klimax,
die zu einemersten
Klangausbruch führt
(ab Takt 62), entsteht
eine etwas traurige
Melodie. Plötzlich
werden dann die
Eingangstakte
wiederaufgenommen, wenn
auch mit einer
veränderten
Klangfarbe; die Worte
‘Et In Terra
Pax’ runden den
ersten Teil daraufhin ab.
Esfolgt ein unruhiges
Allegro, das
überraschend durch
eine Choralartigen
Passage voller Ruhe
unterbrochen wird. Eine
Sprechstimme liest
währenddessen das
Gedicht Sonnet des
jungen Dichters Charles
Hamilton Sorley vor, der
im ersten Weltkriegfiel.
Es findet für die
Grausamkeit und
Sinnlosigkeit des Krieges
die passenden Worte.
Nachdem das Allegro,
diesmal mit einigen
Ausbreitungen, wiederholt
wird, kehrt die weite,
beinahe unendliche
Atmosphäre des Beginns
wieder zurück.
Klarinettenspielen
zusammen mit einem
Englischhorn das
pentatonische
Eingangsthema ein letztes
Mal in ausgebreiteter
Fassung, wobei das
“Et In Terra
Pax’ durch den
Rest des Orchesters stets
wiederholt wird.Der
Komponist hat bewusst auf
jegliche Form der
Aggression oder
bombastischen Vertonung,
die in so vielen Werken
über den Krieg zu
finden ist, vermieden.
Dennoch ist die Angst vor
Gewalt und Zerstörung
vor allem in den
Allegro-Passagen deutlich
zuhören und zu
fühlen. Am Ende macht
die anfängliche
Spannung jedoch der
Hoffnung Platz: Möge
die Friedlichkeit auch im
täglichen Leben die
Grausamkeit
verbannen….
Replaces HN119. Composed by Johannes Brahms (1833-1897). Edited by Katrin Eich. ...(+)
Replaces HN119. Composed
by Johannes Brahms
(1833-1897). Edited by
Katrin Eich. Arranged by
Andreas Boyde. Sheet
Music. Paperbound. Henle
Music Folios. Revised
edition of HN 119.
Classical. Softcover. 28
pages. G. Henle #HN1251.
Published by G. Henle
Piano/Keyboard SKU: PE.EP11501 Urtext. Composed by Johann Sebastia...(+)
Piano/Keyboard
SKU:
PE.EP11501
Urtext. Composed
by Johann Sebastian Bach.
Edited by Christoph
Wolff. Piano (Solo).
Edition Peters. Score.
Edition Peters
#98-EP11501. Published by
Edition Peters
(PE.EP11501).
ISBN
9790014126018.
English.
In 1721 a
20-year-old soprano
employed at the princely
court in Köthen
married the court's
Kapellmeister, set to
become the greatest
composer of the age. As
his second wife she
married into a young
family with four
children, and a busy
household filled with
music. The music book
that Johann Sebastian
Bach presented to his new
wife Anna Magdalena in
1722, and replaced more
lavishly in 1725, treats
us to a tantalizing
glimpse inside this
unique family, allowing
us to sit beside Bach as
a composer, teacher,
husband and father. Over
the years, these
notebooks became a place
for the family to share
instructional exercises,
favourite pieces - by
Bach and other composers
- to play or sing, early
composition efforts from
the children, and first
versions of some of
Bach's more ambitious
keyboard
works.
Drawn from
Christoph Wolff's new and
cutting-edge scholarly
edition of the complete
Anna Magdalena Notebooks,
Edition Peters is proud
to present a new volume
of shorter and easier
pieces from the
notebooks, perfect for
practical use by students
of all ages and their
teachers.
Urtext
edition by pre-eminent
Bach scholar Christoph
Wolff, Harvard Professor
and former Director of
the Leipzig Bach Archive
Represents the
very latest in Bach
scholarship, reflecting
up-to-the-minute research
on texts, authorship and
copyists
A
selection of the most
popular pieces from the
two notebooks in a
practical student edition
Contains works
for keyboard and vocal
pieces, following the
practice of musical
education and performance
in Bach's home.
Trombone, opt. Baritone B.C. SKU: AP.20305US Ten Sea Shanties to play ...(+)
Trombone, opt. Baritone
B.C.
SKU:
AP.20305US
Ten Sea
Shanties to play along.
From Aloha 'Oe, La
Paloma, Santiana via
Sloop John B., The
Drunken Sailor to The
Wellerman and many
more.. Composed by
Arranged by Vahid
Matejko. Play-Along.
Tango Play-alongs. Book;
CD; Digital Download. 28
pages. Alfred Music
#00-20305US. Published by
Alfred Music
(AP.20305US).
ISBN
9783947998531. UPC:
038081558301.
German.
It is not
only the great success of
Nathan Evans' re-release
of The Wellerman on
social media that is
responsible for the great
popularity of sea
shanties and naval songs.
Such songs create a
unique mood, a touch of
adventure and wanderlust
for the big, wide world.
Hardly anyone can elude
it and with Vahid
Matejko's Sea Shanty
Play-Alongs there are now
the most beautiful sea
shanties and naval songs
skillfully arranged as an
instrumental play-along
series for recorder,
flute, clarinet,
saxophone, trumpet (opt.
baritone T.C.), trombone
(opt. baritone B.C.),
violin, and accordion
(piano). The varied
arrangements have a wide
stylistic range and offer
echoes from rock, Latin,
funk, big band to
orchestral and Caribbean
influences. Thus, each
song has its own musical
and instrumental appeal,
to which the parts and/or
solos specially composed
by arranger Vahid Matejko
also contribute. The
original polyphonic
choral vocals are
replaced by polyphonic
instrumental
backings. Each of the
ten titles was recorded
live by excellent
professional musicians
and is available in two
different versions:
— a demo-track
which features a live
trombone performance by
Ludwig Nuss, lead
trombonist and soloist of
the famous WDR-broadcast
big band and one of the
best trombone players in
the German music scene
and — a
minus-one mix for you to
play-along. This
edition is also suitable
for Baritone B.C.
players.
Soprano, Alto and Tenor Saxophone SKU: AP.20303US Ten Sea Shanties to ...(+)
Soprano, Alto and Tenor
Saxophone
SKU:
AP.20303US
Ten Sea
Shanties to play along.
From Aloha 'Oe, La
Paloma, Santiana via
Sloop John B., The
Drunken Sailor to The
Wellerman and many
more.. Composed by
Arranged by Vahid
Matejko. Play-Along.
Tango Play-alongs. Book;
CD; Digital Download. 52
pages. Alfred Music
#00-20303US. Published by
Alfred Music
(AP.20303US).
ISBN
9783947998517. UPC:
038081558288.
German.
It is not
only the great success of
Nathan Evans' re-release
of The Wellerman on
social media that is
responsible for the great
popularity of sea
shanties and naval songs.
Such songs create a
unique mood, a touch of
adventure and wanderlust
for the big, wide world.
Hardly anyone can elude
it and with Vahid
Matejko's Sea Shanty
Play-Alongs there are now
the most beautiful sea
shanties and naval songs
skillfully arranged as an
instrumental play-along
series for recorder,
flute, clarinet,
saxophone, trumpet (opt.
baritone T.C.), trombone
(opt. baritone B.C.),
violin, and accordion
(piano). The varied
arrangements have a wide
stylistic range and offer
echoes from rock, Latin,
funk, big band to
orchestral and Caribbean
influences. Thus, each
song has its own musical
and instrumental appeal,
to which the parts and/or
solos specially composed
by arranger Vahid Matejko
also contribute. The
original polyphonic
choral vocals are
replaced by polyphonic
instrumental
backings. Each of the
ten titles was recorded
live by excellent
professional musicians
and is available in two
different versions: ? a
demo-track which features
a live saxophone
performance by one of the
most sought-after studio
and live soloists in the
German music scene,
two-time Grammy-award
winner and former lead
saxophone, flute and
clarinet player for the
WDR-broadcast big band
Heiner Wiberny and ? a
minus-one mix for you to
play-along.
Clarinet in Bb SKU: AP.20302US Ten Sea Shanties to play along. From Al...(+)
Clarinet in Bb
SKU:
AP.20302US
Ten Sea
Shanties to play along.
From Aloha 'Oe, La
Paloma, Santiana via
Sloop John B., The
Drunken Sailor to The
Wellerman and many
more.. Composed by
Arranged by Vahid
Matejko. Play-Along.
Tango Play-alongs. Book;
CD; Digital Download. 28
pages. Alfred Music
#00-20302US. Published by
Alfred Music
(AP.20302US).
ISBN
9783947998500. UPC:
038081558271.
German.
It is not
only the great success of
Nathan Evans' re-release
of The Wellerman on
social media that is
responsible for the great
popularity of sea
shanties and naval songs.
Such songs create a
unique mood, a touch of
adventure and wanderlust
for the big, wide world.
Hardly anyone can elude
it and with Vahid
Matejko's Sea Shanty
Play-Alongs there are now
the most beautiful sea
shanties and naval songs
skillfully arranged as an
instrumental play-along
series for recorder,
flute, clarinet,
saxophone, trumpet (opt.
baritone T.C.), trombone
(opt. baritone B.C.),
violin, and accordion
(piano). The varied
arrangements have a wide
stylistic range and offer
echoes from rock, Latin,
funk, big band to
orchestral and Caribbean
influences. Thus, each
song has its own musical
and instrumental appeal,
to which the parts and/or
solos specially composed
by arranger Vahid Matejko
also contribute. The
original polyphonic
choral vocals are
replaced by polyphonic
instrumental
backings. Each of the
ten titles was recorded
live by excellent
professional musicians
and is available in two
different versions: ? a
demo-track which features
a live clarinet
performance by one of the
most sought-after studio
and live soloists in the
German music scene,
two-time Grammy-award
winner and former lead
clarinet, saxophone and
flute player for the
WDR-broadcast big band
Heiner Wiberny and ? a
minus-one mix for you to
play-along.
Trumpet, opt. Baritone T.C. in Bb SKU: AP.20304US Ten Sea Shanties to ...(+)
Trumpet, opt. Baritone
T.C. in Bb
SKU:
AP.20304US
Ten Sea
Shanties to play along.
From Aloha 'Oe, La
Paloma, Santiana via
Sloop John B., The
Drunken Sailor to The
Wellerman and many
more.. Composed by
Arranged by Vahid
Matejko. Play-Along.
Tango Play-alongs. Book;
CD; Digital Download. 28
pages. Alfred Music
#00-20304US. Published by
Alfred Music
(AP.20304US).
ISBN
9783947998524. UPC:
038081558295.
German.
It is not
only the great success of
Nathan Evans' re-release
of The Wellerman on
social media that is
responsible for the great
popularity of sea
shanties and naval songs.
Such songs create a
unique mood, a touch of
adventure and wanderlust
for the big, wide world.
Hardly anyone can elude
it and with Vahid
Matejko's Sea Shanty
Play-Alongs there are now
the most beautiful sea
shanties and naval songs
skillfully arranged as an
instrumental play-along
series for recorder,
flute, clarinet,
saxophone, trumpet (opt.
baritone T.C.), trombone
(opt. baritone B.C.),
violin, and accordion
(piano). The varied
arrangements have a wide
stylistic range and offer
echoes from rock, Latin,
funk, big band to
orchestral and Caribbean
influences. Thus, each
song has its own musical
and instrumental appeal,
to which the parts and/or
solos specially composed
by arranger Vahid Matejko
also contribute. The
original polyphonic
choral vocals are
replaced by polyphonic
instrumental
backings. Each of the
ten titles was recorded
live by excellent
professional musicians
and is available in two
different versions:
— a demo-track
which features a live
trumpet/flugelhorn
performance by one of the
most sought-after,
experienced and best
German studio and live
trumpet players
Rüdiger Baldauf
and — a
minus-one mix for you to
play-along. This
edition is also suitable
for Baritone T.C.
players.
Accordion, opt. Piano SKU: AP.20307US Ten Sea Shanties to play along. ...(+)
Accordion, opt. Piano
SKU: AP.20307US
Ten Sea Shanties to
play along. From Aloha
'Oe, La Paloma, Santiana
via Sloop John B., The
Drunken Sailor to The
Wellerman and many
more.. Composed by
Arranged by Vahid
Matejko. Play-Along.
Tango Play-alongs. Book;
CD; Digital Download. 48
pages. Alfred Music
#00-20307US. Published by
Alfred Music
(AP.20307US).
ISBN
9783947998555. UPC:
038081558325.
German.
It is not
only the great success of
Nathan Evans' re-release
of The Wellerman on
social media that is
responsible for the great
popularity of sea
shanties and naval songs.
Such songs create a
unique mood, a touch of
adventure and wanderlust
for the big, wide world.
Hardly anyone can elude
it and with Vahid
Matejko's Sea Shanty
Play-Alongs there are now
the most beautiful sea
shanties and naval songs
skillfully arranged as an
instrumental play-along
series for recorder,
flute, clarinet,
saxophone, trumpet (opt.
baritone T.C.), trombone
(opt. baritone B.C.),
violin, and accordion
(piano). The varied
arrangements have a wide
stylistic range and offer
echoes from rock, Latin,
funk, big band to
orchestral and Caribbean
influences. Thus, each
song has its own musical
and instrumental appeal,
to which the parts and/or
solos specially composed
by arranger Vahid Matejko
also contribute. The
original polyphonic
choral vocals are
replaced by polyphonic
instrumental
backings. Each of the
ten titles was recorded
live by excellent
professional musicians
and is available in two
different versions: ? a
demo-track which features
a live accordion
performance by Filip
Erakovic, a specialist
for classical and
contemporary accordion
music and docent at the
University of Wuppertal,
Germany. ? a minus-one
mix for you to
play-along. This
edition is also suitable
for accordion
players.
Violin SKU: AP.20306US Ten Sea Shanties to play along. From Aloha 'Oe,...(+)
Violin
SKU:
AP.20306US
Ten Sea
Shanties to play along.
From Aloha 'Oe, La
Paloma, Santiana via
Sloop John B., The
Drunken Sailor to The
Wellerman and many
more.. Composed by
Arranged by Vahid
Matejko. Play-Along.
Tango Play-alongs. Book;
CD; Digital Download. 36
pages. Alfred Music
#00-20306US. Published by
Alfred Music
(AP.20306US).
ISBN
9783947998548. UPC:
038081558318.
German.
It is not
only the great success of
Nathan Evans' re-release
of The Wellerman on
social media that is
responsible for the great
popularity of sea
shanties and naval songs.
Such songs create a
unique mood, a touch of
adventure and wanderlust
for the big, wide world.
Hardly anyone can elude
it and with Vahid
Matejko's Sea Shanty
Play-Alongs there are now
the most beautiful sea
shanties and naval songs
skillfully arranged as an
instrumental play-along
series for recorder,
flute, clarinet,
saxophone, trumpet (opt.
baritone T.C.), trombone
(opt. baritone B.C.),
violin, and accordion
(piano). The varied
arrangements have a wide
stylistic range and offer
echoes from rock, Latin,
funk, big band to
orchestral and Caribbean
influences. Thus, each
song has its own musical
and instrumental appeal,
to which the parts and/or
solos specially composed
by arranger Vahid Matejko
also contribute. The
original polyphonic
choral vocals are
replaced by polyphonic
instrumental
backings. Each of the
ten titles was recorded
live by excellent
professional musicians
and is available in two
different versions:
— a demo-track
which features a live
violin performance by
Julia Carola Jech, the
female world music
violinist and specialist
for tango music
and — a
minus-one mix for you to
play-along.
ISBN 9790006419555. 33
x 26.5 cm inches. Text
Language: French, German.
Preface: Ludwig Finscher.
Text: Pierre-Louis
Moline.
Christoph
Willibald Gluck’s
most popular opera
“Orphe et
Euridice†was
performed in 1774 in
Paris to sensational
success. This new
adaption followed the
original Viennese version
with Italian text that
was first performed in
1762 under the direction
of the composer in the
Burgtheater. For the
Paris version Gluck
changed the leading part
Orpheus from an alto to a
tenor role and composed
new recitatives.
Both versions of
Gluck’s reform
drama are based on a
libretto by Ranieri
de’ Calzabigi and
revolutionised
metastasian opera of the
18th century. Solo and
choral music,
instrumental music,
pantomime and dance are
all closely connected;
the myth replaces a
historical plot
surrounded by intrigue;
where there would have
been a da-capo aria there
are now simple song forms
and coloratura is largely
abandoned. These
meticulously revised
vocal scores of both
versions are also newly
set.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
SKU: HL.731522 EAST SOUND RESEARCH. Guitar Pedal. Hal Leonard #CM0231. Pu...(+)
SKU: HL.731522
EAST SOUND RESEARCH.
Guitar Pedal. Hal Leonard
#CM0231. Published by Hal
Leonard (HL.731522).
UPC: 852940000974.
3.25x5.5x2.75
inches.
Carl
started years back with
the Compressor
Limiter...that big black
hand-made-in-Denmark
compressor that brought
studio comps to the pedal
board. The word got out
that it was just too big
for modern pedal boards,
so Carl redesigned that
pedal into a much smaller
format, preset (or fixed)
the Threshold and
Response leaving just two
knobs for Comp and Level.
The feedback we got was
overwhelming...players
were telling us the Comp
Limiter had the same
sonic clarity, the same
headroom and the same
quietness that the big
studio comps had but was
so quick and easy to use.
Carl could have left it
there, but that's not
Carl! Welcome to the
Honey Comp, and it's as
sweet as ... well, you
know ... honey. This
pedal is the same as the
Comp Limiter in every
way... same Gray anodized
finish, same footprint
and the same simplicity
of use with one
compression control and
one level control. It is
pretty much the perfect
compressor, so what could
Carl possible upgrade?
Easy! Carl added a Dry
volume which allows you
parallel processing with
three knobs! Parallel
Processing is a studio
technique which takes a
heavily compressed signal
(which through
compression loses some
dynamics if not all) and
allows you to add a clean
(Dry) signal on top
replacing those dynamics
giving your guitar
three-dimensionality and
allowing the guitar to
cut through the mix. For
those of you used to
studio work, this is a
very well-known
technique, but usually
too complex for a pedal
board! The three knobs
allow you to balance the
Compressed signal with
the Dry signal quickly
and efficiently for a
very pro sound! The Carl
Martin Honey Comp
incorporates the special
CM developed DC/DC
converter circuitry. This
enables us to run the
pedal with +-12V
internally, which is
necessary, in order to
maintain the same sonic
quality and headroom as
on the “oldâ€
Compressor/Limiter, using
a regular 9V DC 200mA
external power
supply.
Tuba (trombone) SKU: M7.AHW-412 Composed by Bob Stewart. Sheet music. 21 ...(+)
Tuba (trombone)
SKU:
M7.AHW-412
Composed
by Bob Stewart. Sheet
music. 21 pages. Charles
Colin Corp. #AHW 412.
Published by Charles
Colin Corp. (M7.AHW-412).
English.
In the
jazz tradition the Tuba
was the bass in the
rhythm section up until
the mid-twenties. It was
then the upright bass
replaced the Tuba in many
ensembles as the jazz
music moved north and
continued to develop.
After this period the
Tuba's roll, as bass in
the rhythm section, was
at a standstill and did
not develop through Swing
and Bebop. It wasn't
until Cool Jazz of the
1950's when the Tuba was
used by Miles Davis and
Gil Evans in 'Birth of
the Cool' as an ensemble
horn. The Tuba, like
swimming, is something
you can't do any longer
than you can hold your
breath. In order to
maintain a steady beat
while playing in the
rhythm section I have
developed a system of
breathing called Pant
Breathing. Using this
method, the player can
maintain a steady beat
within the rhythm
section, without losing
time while taking deep
breaths.
Composed by Loreta Fin.
Orchestra. Part(s);
Score; String Orchestra.
Wilfin String Orchestra:
Young String Ensemble
Series. Light Concert.
Grade 1. 128 pages.
Published by Alfred Music
Et in Terra Pax Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band - Grade 4 SKU: HL.44002765 Score and Parts. Composed ...(+)
Concert Band - Grade 4
SKU: HL.44002765
Score and Parts.
Composed by Jan Van der
Roost. De Haske Concert
Band. Concert. Set (Score
& Parts). Composed 1998.
De Haske Publications
#0981118-010. Published
by De Haske Publications
(HL.44002765).
UPC:
073999027655.
9.5x13.5x0.97
inches.
This piece
was commissioned by the
'Concert Band
Vlamertinge' and is a
plea for peace: the title
translates as 'Peace on
Earth'. This is expressed
by means of the vocal
contribution expected
from the performers. In
various places of the
piece you can recognize,
the words 'Et In Terra
Pax' - an appeal for
peace - at first jumbled
together but later more
rhythmically structured,
developing into
synchronized massed
voices.The work starts
with a pentatonic theme
based on the notes D, E,
G, A and C (taken from
'ConCErtbAnD VlAmErtinGE'
and the name of the
conductor, NiCk
VAnDEnDriessChe). A
somewhat sad melody is
developed during an
orchestral climax which
leads to the
firstexplosion of sound
(measure 62 onwards).
Suddenly the opening
measures are recaptured,
albeit with a differently
colored sound: the words
'Et In Terra Pax' bring
the first movement to a
close. A restless Allegro
follows which abruptly
stops and is replaced by
a calming cho-rale-like
passage. A narrator reads
aloud the poem 'Sonnet'
by the young poet Charles
Hamilton Sorley, who was
killed during World War
I. This poem fittingly
puts into words the
cruelty and senselessness
of war. After the
expanded recapitulation
of the allegro, the
broad, almost infinite
atmosphere of the
beginning returns.
Clarinet and English horn
play the pentatonic
opening theme once more,
this time broadly, while
the words 'Et In Terra...
Pax' are repeated again
and again by the rest of
the orchestra.The
composer has purposely
avoided all forms of
aggression and bombastic
sounds regularly used in
works about war. Fear of
violence and destruction
can be heard and felt
during the allegro
passages. The charged
opening makes way in the
end for hope: May
peacefulness replace
cruelty in everyday life,
too.
Dieses Werk
wurde im Auftrag der
Concert Band Vlamertinge
geschrieben und ist ein
Pladoyer an den Frieden:
Der Titel bedeutet dann
auch 'Frieden auf Erden'.
Dies kommt unter anderem
im vokalen Anteil der
Ausfuhrenden zum
Ausdruck. An
verschiedenenStellen des
Werkes erklingen, anfangs
durcheinander dann zu
einem rhythmischen und
strukturierten
Synchrongesang vereint,
die Worte 'Et In Terra
Pax' wie ein flehendes
Gebet fur den
Frieden.
Ein
pentatonisches Thema
formt den Anfang dieses
Werkes, basierend auf den
Noten D, E, G, A, und C,
die dem Namen:
'ConCErtbAnD VlAmErtingE'
und dem Namen des
Dirigenten NiCk
VAnDEnDriessChe
entstammen. Wahrend der
orchestralen Klimax, die
zu einemersten
Klangausbruch fuhrt (ab
Takt 62), entsteht eine
etwas traurige Melodie.
Plotzlich werden dann die
Eingangstakte
wiederaufgenommen, wenn
auch mit einer
veranderten Klangfarbe;
die Worte 'Et In Terra
Pax' runden den ersten
Teil daraufhin ab.
Esfolgt ein unruhiges
Allegro, das uberraschend
durch eine Choralartigen
Passage voller Ruhe
unterbrochen wird. Eine
Sprechstimme liest
wahrenddessen das Gedicht
Sonnet des jungen
Dichters Charles Hamilton
Sorley vor, der im ersten
Weltkriegfiel. Es findet
fur die Grausamkeit und
Sinnlosigkeit des Krieges
die passenden Worte.
Nachdem das Allegro,
diesmal mit einigen
Ausbreitungen, wiederholt
wird, kehrt die weite,
beinahe unendliche
Atmosphare des Beginns
wieder zuruck.
Klarinettenspielen
zusammen mit einem
Englischhorn das
pentatonische
Eingangsthema ein letztes
Mal in ausgebreiteter
Fassung, wobei das Et In
Terra Pax' durch den Rest
des Orchesters stets
wiederholt wird.Der
Komponist hat bewusst auf
jegliche Form der
Aggression oder
bombastischen Vertonung,
die in so vielen Werken
uber den Krieg zu finden
ist, vermieden. Dennoch
ist die Angst vor Gewalt
und Zerstorung vor allem
in den Allegro-Passagen
deutlich zuhoren und zu
fuhlen. Am Ende macht die
anfangliche Spannung
jedoch der Hoffnung
Platz: Moge die
Friedlichkeit auch im
taglichen Leben die
Grausamkeit
verbannen...
Mixed double choir a cappella SKU: BA.BA11315 Composed by Frank Martin. E...(+)
Mixed double choir a
cappella
SKU:
BA.BA11315
Composed
by Frank Martin. Edited
by Michael Ostrzyga.
Bärenreiter Urtext.
Replaces BA07594. Score.
Baerenreiter Verlag
#BA11315. Published by
Baerenreiter Verlag
(BA.BA11315).
ISBN
9790006578030. 27 x 19 cm
inches.
- Taking
into account a radio
recording from 1970 in
which the composer was
involved - Detailed
Foreword on the genesis
of the work and its
reception (Ger/Eng) as
well as a Critical
Commentary
(Eng)
This edition
of Frank Martinâs
mass is a
scholarly-critical as
well as a performing
edition that takes all
sources into account. As
a matter of fact, it was
only during the research
for this edition that a
previously unknown source
was discovered and
evaluated â a radio
recording of the mass,
which was produced in
1970 by the Dutch NCRV
Vocaal Ensemble with the
participation of the
composer. The project
also included the first
public performance of the
work, which took place
shortly afterwards in the
presence of the composer
and may have inspired him
to make later
changes.
Martinâ
s manuscripts from the
1920s, as he repeatedly
emphasised, were never
intended for publication
and were laid aside for
40 years. After the 1970
production, Martin was
also involved in the
preparation of the 1972
first edition, with which
he was very satisfied. On
the basis of extensive
research into the genesis
and performance history
of the mass, all sources
were re-evaluated in
order to present a
musical text that
corresponds as closely as
possible to Martin's
intentions whilst meeting
all the requirements of
the performers.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding