| Cyclone Ensemble de Percussions [Conducteur et Parties séparées] - Avancé Tapspace Publications
(for percussion ensemble). By Jim Casella. Percussion Ensemble. For 2 marimbas (...(+)
(for percussion
ensemble). By Jim
Casella. Percussion
Ensemble. For 2 marimbas
(low A), glockenspiel,
xylophone, crotales (2
octaves), vibraphone,
chimes, 4 timpani, piano,
6 different suspended
cymbals, thundersheet, 2
zil-bells (high and low),
bell plate, low tom,
floor tom, anvil, opera
gong, 2 snare drums, 3
cowbells, (12 players).
Advanced. Score and parts
on CD-ROM. 30 pages.
Duration 4'40 . Published
by Tapspace Publications
$55.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Some Nights Chorale SATB SATB, Piano [Octavo] Alfred Publishing
By Nate Ruess, Andrew Dost, Jack Antonoff, and Jeffrey Bhasker [fun.]. Arranged ...(+)
By Nate Ruess, Andrew
Dost, Jack Antonoff, and
Jeffrey Bhasker [fun.].
Arranged by Andy Beck.
Choir Secular. SATB
choir. Choral Octavo. Pop
Choral. 16 pages.
Published by Alfred Music
Publishing
$2.25 $2.1375 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Drum Atlas: Cuba Batterie [Partition + CD] Alfred Publishing
Your passport to a new world of music. By Pete Sweeney. For Drum. Percussion - M...(+)
Your passport to a new
world of music. By Pete
Sweeney. For Drum.
Percussion -
Miscellaneous Educational
Books and Manuals. Drum
Atlas. Latin;
Multicultural. Book & CD.
48 pages. Published by
Alfred Publishing.
$16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto for Percussion Solo (piano reduction) Ensemble de Percussions [Reduction] C. Alan Publications
By Gary Ziek. Percussion Ensemble. For Percussion Concerto (solo percussion (4.6...(+)
By Gary Ziek. Percussion
Ensemble. For Percussion
Concerto (solo percussion
(4.6-octave marimba,
vibraphone, crotales,
bells, marching snare
drum, concert snare drum,
4 toms, bass drum, 2
bongos, 2 brake drums, 2
suspended cymbals),
piano). Concertos. Medium
difficult. Piano
reduction. Duration
14:20. Published by C.
Alan Publications
$32.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| When You Hear the Drum Ensemble de Percussions [Partition + CD-ROM] - Facile Tapspace Publications
For percussion ensemble. Composed by Brian Slawson. Percussion Ensembles. Foli...(+)
For percussion ensemble.
Composed by Brian
Slawson.
Percussion Ensembles.
Folio and
Parts on CD-ROM. Tapspace
Publications
#TSPCE17-012.
Published by Tapspace
Publications
$36.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Audio Recording Boot Camp Alfred Publishing
(Hands-On Basic Training for Musicians). Composed by Bobby Owsinski. Book; Books...(+)
(Hands-On Basic Training
for Musicians). Composed
by Bobby Owsinski. Book;
Books and DVDs; DVD;
Method/Instruction; Pro
Audio; Pro Audio
Textbook; Reference
Textbooks. Boot Camp. 160
pages. Published by
Alfred Music
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Contextures: Riots - Decade '60 Orchestre Theodore Presser Co.
Orchestra SKU: PR.11641867L Composed by William Kraft. Spiral. Large Scor...(+)
Orchestra SKU:
PR.11641867L Composed
by William Kraft. Spiral.
Large Score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867L. Published by
Theodore Presser Company
(PR.11641867L). UPC:
680160683215. Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death. $105.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Contextures: Riots - Decade '60 Orchestre [Conducteur] Theodore Presser Co.
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Durati...(+)
Orchestra SKU:
PR.11641867S Composed
by William Kraft. Full
score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867S. Published by
Theodore Presser Company
(PR.11641867S). UPC:
680160683208. Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death. $43.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Double Play Violon [Conducteur] Theodore Presser Co.
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Bongos, Cello, Clarinet, Contraba...(+)
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Bongos, Cello, Clarinet,
Contrabass, Crotales,
Cymbals, English Horn,
Field Drum, Flute,
Glockenspiel, Horn 1,
Horn 2, Oboe 1, Oboe 2,
Percussion, Piano, Snare
Drum, Triangle, Trumpet,
Vibraphone, Viola and
more. SKU:
PR.416411770 For
Violin, Piano, and
Chamber Orchestra.
Composed by William
Kraft. Full score. With
Standard notation.
Duration 17 minutes.
Theodore Presser Company
#416-41177. Published by
Theodore Presser Company
(PR.416411770). UPC:
680160091508. I was
tempted to call the piece
Throw Back because it
consciously employs
rhythmic and harmonic
approaches characteristic
of the earlier part of
the twentieth century,
much of which plays a
part in forging my
musical personality.
Going along with the
impetus, I have paid
homage by subtly
interpolating stylistic
or actual references to
such unexpected
bedfellows as Scriabin,
Ravel, Debussy, Piston,
Roussel, and Ysaye. I
hope I will be musically
forgiven. In one
continuous movement,
there are three definite
internal sections:
Presto-Largo-Allegro. The
first section opens with
a very soft percussion
cadenza. If the acoustics
allow it, the player will
use sponge pottery
mallets (sponge-headed
mallets employed to
smooth the interior of a
pot as it is being
spin-dried). No matter
how hard the
percussionist strikes the
drums, the dynamic cannot
go above pp (pianissimo).
This cadenza serves as a
basis for the first
movement. The elements of
the cadenza are taken by
the orchestra to make the
first major statement,
similar to the classical
concerto; but rather than
making a restatement, the
soloists, when they come
in, begin with
variational ideas. The
second section is given
over to the soloists, and
is lyrical. The third
section begins with an
alternation between
strict rhythmic pulsation
and free-sounding
timbres, as if reluctant
to leave the second
section behind. The
rhythmic aspect takes
over more and more as the
piece progresses toward
its conclusion. Double
Play was commissioned by
the Saint Paul Chamber
Orchestra with financial
assistance from the
Northwest Area
Foundation. It received
its premiere on January
7, 1983, in St. Paul,
with the St. Paul Chamber
Orchestra; Pinchas
Zukerman, violinist; Marc
Neikrug, piano; and the
composer conducting. $26.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Hail The Conquering Hero Orchestre [Conducteur et Parties séparées] - Débutant Kendor Music Inc.
String Orchestra string orchestra (88555) with optional 3rd Violin/Viola TC (3),...(+)
String Orchestra string
orchestra (88555) with
optional 3rd Violin/Viola
TC (3), piano and
percussion - Grade 1.5
SKU: KN.8293
From Judas
Maccabaeus. Composed
by George Frideric
Handel. Arranged by John
Caponegro. Standard
string orchestra (88555)
with optional 3rd
Violin/Viola TC (3),
piano and percussion.
Accent String Orchestra.
Score and Set of Parts.
Kendor Music Inc #8293.
Published by Kendor Music
Inc (KN.8293). UPC:
822795082937. This
regal selection from the
oratorio Judas Maccabeus
by Handel is playable
entirely in first
position. Accidentals are
few, phrasing patterns
and rhythms are
customary, and melodic
duties are not limited to
1st Violins. To enhance
the style and character
of the music, John
encourages directors to
use the optional
percussion part for snare
and bass drums whenever
possible. Duration 2:35.
Available in
SmartMusic. $48.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Move him into the sun - Facile Oxford University Press
Upper voices, SATB, & piano/chamber orchestra (2fl, ob, cl, bsn, hn, timp, 2perc...(+)
Upper voices, SATB, &
piano/chamber orchestra
(2fl, ob, cl, bsn, hn,
timp, 2perc, pno, str) -
Easy to Moderately
Difficult SKU:
OU.9780193410824
Composed by Bob Chilcott.
Choral Works (inc.
Oratorios). Secular.
Vocal score. 64 pages.
Duration 25'. Oxford
University Press
#9780193410824. Published
by Oxford University
Press (OU.9780193410824).
ISBN 9780193410824. 11
x 9 inches. For
upper voices, SATB, and
piano (with snare and
tenor drums, and solo
cello) or chamber
orchestra This is a
profound setting of a
selection of poems by
Wilfred Owen. The sense
of human connection and
imagery of the natural
world imbued in Owen's
poetry is perfectly
conveyed in Chilcott's
music, which is rich in
word painting and
visceral melodies. $17.25 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Shades Big band [Conducteur et Parties séparées] Handelsware
Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpe...(+)
Big band (Alto Sax 1,
Alto Sax 2, Tenor Sax 1,
Tenor Sax 2, Baritone
Sax, Trumpet 1-4,
Trombone 1-4, Piano,
Bass, Drums) - difficult
SKU: M7.SMP-354
MM1 - Street
Suite. Composed by
Bill Holman. Sheet music.
Swing. Score and parts.
Handelsware #SMP 354.
Published by Handelsware
(M7.SMP-354).
English. Shades
opens with a drum solo
(brushes on snare) in a
medium tempo and swings
on from there. There is a
trombone, alto saxophone
and piano solo in this
first movement. There are
also drum solos which are
interspersed with
wonderful ensemble
phrases. This chart romps
from beginning to end!
5-4-4-3. $107.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Concerto For Orchestra Theodore Presser Co.
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Bassoon 3, Clarinet 1, Clarinet 2...(+)
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Bassoon 3, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Flute 3, Harp, Horn 1,
Horn 3, Horn 4, Oboe 1,
Oboe 2, Oboe 3,
Percussion, Piccolo,
Timpani and more. SKU:
PR.41641381L Composed
by Lowell Liebermann.
Spiral. World Premiere:
Toledo Symphony conducted
by Grant Llewellyn at the
Peristyle Theater,
Toledo, Ohio.
Contemporary. Large
Score. With Standard
notation. Composed 2002.
Opus 81. 136 pages.
Duration 32 minutes.
Theodore Presser Company
#416-41381L. Published by
Theodore Presser Company
(PR.41641381L). UPC:
680160590889. 11 x 14
inches. Piccolo, 2
Flutes, 2 Oboes, English
Horn, 2 Clarinets in
B-flat, Bass Clarinet, 2
Bassoons, Contrabassoon,
4 Horns in F, 3 Trumpets
in C, 3 Trombones, Tuba,
Timpani, Percussion (5
players): Slapstick,
Claves, Snare Drum,
Cymbals, Bass Drum, Cow
Bell, Tubular Bells,
Marimba, Xylophone,
Woodblock, Vibraphone,
Glockenspiel, Bongo
Drums, Large Gong,
Tambourine, Ratchet,
Brakedrum, Small
Triangle, Vibraslap,
Harp, Piano doubling
Celesta, Strings. $170.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Freedom Overture Orchestre à Cordes [Conducteur et Parties séparées] - Facile Kendor Music Inc.
String orchestra (88555) with optional 3rd violin/viola TC (3), piano and percus...(+)
String orchestra (88555)
with optional 3rd
violin/viola TC (3),
piano and percussion -
Grade 2.5 SKU:
KN.9106 Composed by
Various. Arranged by John
Caponegro. Solo or
Ensemble. Voyager String
Orchestra. Patriotic.
Score and set of parts.
Duration 4 minutes, 10
seconds. Kendor Music Inc
#9106. Published by
Kendor Music Inc
(KN.9106). UPC:
822795091069. This
medley of 7 patriotic
tunes contains excellent
material for concert
performances and
celebrations. The
accelerando and ritards
leading to/from tempo
changes demand that
players watch the
conductor carefully. The
piece closes out fast and
strong, and use of the
optional percussion part
for snare and bass drums
will contribute to the
patriotic mood. Duration
4:10. Available in
SmartMusic. $52.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Reflections on the Mississippi Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé Hal Leonard
(for Tuba and Symphonic Band). Composed by Michael Daugherty (1954-). For Concer...(+)
(for Tuba and Symphonic
Band). Composed by
Michael Daugherty
(1954-). For Concert Band
(Full Score). Michael
Daugherty Music. Grade
5-6. Softcover. Published
by Hal Leonard
$65.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| All Strings Attached Orchestre [Conducteur et Parties séparées] - Débutant Kendor Music Inc.
String Orchestra string orchestra (88555) with optional 3rd violin/viola TC (3),...(+)
String Orchestra string
orchestra (88555) with
optional 3rd violin/viola
TC (3), piano and
percussion (2) - Grade 1
SKU: KN.8108
Composed by Lennie
Niehaus. Accent String
Orchestra. Score and set
of parts. Duration 2
minutes, 20 seconds.
Kendor Music Inc #8108.
Published by Kendor Music
Inc (KN.8108). UPC:
822795081084. This
five-part rondo showcases
the high, middle and low
registers of the
orchestra in contrasting
passages. A mix of
majestic and lyrical
themes adds to the
overall appeal. If the
optional percussion part
for snare and bass drums
is used, care should be
taken to ensure that the
string parts are clearly
heard at all times.
Duration 2:20. Available
in SmartMusic. $48.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| On The Horizon Ensemble de Percussions [Conducteur et Parties séparées] - Intermédiaire Row-Loff Publications
Composed by Paul Jebe. For concert percussion ensemble (6-8 players: Snare Drum,...(+)
Composed by Paul Jebe.
For concert percussion
ensemble (6-8 players:
Snare Drum, Triangle, (4)
Tonal Drums, Bells,
Xylophone, Piano,
Tambourine, Hi Hat,
Suspended Cymbal,
Cowbell). Indiana State
Solo and Ensemble List,
Missouri State Solo and
Ensemble List, Texas
State Solo and Ensemble
List, Virginia State Solo
and Ensemble List. Grade
5. Score and parts.
Duration 3:12. Published
by Row-Loff Publications
$40.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto for Brass and Orchestra Orchestre [Conducteur] Theodore Presser Co.
By Donald Erb. Orchestra. For Flute, Oboe, English Horn, Clarinet, Bass Clarinet...(+)
By Donald Erb. Orchestra.
For Flute, Oboe, English
Horn, Clarinet, Bass
Clarinet in Bb, Bassoon,
Contra Bassoon, Horn,
Trumpet, Tenor Trombone,
Bass Trombone, Tuba,
Timpani, Vibraphone,
Marimba, Crotales,
Chimes, Harmonica (in C),
Small Bass Drum, Tuned
Drums, Gallon Jug, Small
Mounted Wine Glass, Large
Suspended Cymbal, Large
Suspended Cymbal, Snare
Drum, Glockenspiel,
Roto-Toms, Harmonica (in
B), Harmonica (in D),
Medium Bass Drum, Medium
Bass Drum, Wine Glasses
(Partially Filled with
Water), Medium Mounted
Wine Glass, Medium
Suspended Cymbal, Medium
Tam-Tam, Vibraphone
(Normal Mallets and 2
Double Bass Bows),
Xylophone, Harmonica (in
Bb), Nipple Gong (in C),
Bass Drum, Tom-Tom, Wine
Glass, Small Suspended
Cymbal, Small Tam-Tam,
Harp, Violin I, Violin
II, Viola, Cello,
Contrabass, Piano,
Celesta, Yamaha Dx7 with
Phase Shifter. Full Score
- Large. 90 pages.
Published by Theodore
Presser Company.
$45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Misa Criolla Chorale SATB Volonte and Co
SATB Choir SKU: BT.VOLMB247 Composed by Ariel Ramirez. Method. Book Only....(+)
SATB Choir SKU:
BT.VOLMB247 Composed
by Ariel Ramirez. Method.
Book Only. Volonte e Co
#VOLMB247. Published by
Volonte e Co
(BT.VOLMB247). ISBN
9788863882414.
International. Musi
c: Ariel Ramirez. Spanish
liturgical text: Osvaldo
Catena, Alejandro Mayol,
Jesus Gabriel Segade.
English text: Louise
Dobbs. Arrangement for
chorale: Père Jésus
Gabriel Segade.
Instrumentation: Piano or
Harpsichord,
Guitar,Double-Bass,
Percussions (3), 2 Tenor
Drums, 2 Tom-Tom,
Triangle, Jingles, Small
Gong, Temple Wood Blocks,
Snare Drum Brushes. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Cloudburst w/Tutor Tracks - Intermédiaire Row-Loff Publications
Snare, Tenors, Crash Cymbals, Bass Drums, Bells, Xylophone, (2) Vibes, (2) Marim...(+)
Snare, Tenors, Crash
Cymbals, Bass Drums,
Bells, Xylophone, (2)
Vibes, (2) Marimbas,
Timpani, (4) Toms,
Timbales, Hi-Hat,
Cowbell, (2) Suspended
Cymbals, Concert Bass
Drum, Electric Piano
(optional) - Grade 4
SKU: RF.M603-WTCD
Composed by Matthew
Curley. Marching Series.
Score and digital audio.
Row-Loff Publications
#M603-WTCD. Published by
Row-Loff Publications
(RF.M603-WTCD).
$70.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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