Composed by Mark Vega. Saddle stitch. Jazz/Saxophone Instruction. Book and Downloadable audio. Duration 70 minutes. Published by ADG Productions

Baritone/Bass Book. By Various. Vocal Collection. Softcover. 248 pages. Published by Hal Leonard.

By Mark Vega. For Trumpet. Jazz. Level: intermediate. Book with CD. 37 pages. Published by ADG productions

Edited by James Douglas Esmond. For Guitar. Guitar. Softcover with CD. Guitar tablature. 40 pages. Published by Centerstream Publications

Composed by Various. Vocal Collection. Broadway, Musicals. Softcover. 376 pages. Published by Hal Leonard

Choir

SKU: WD.080689417238

Composed by Daniel Semsen. Arranged by Daniel Semsen. Choral. Sacred Anthem. Octavo. Word Music #080689417238. Published by Word Music (WD.080689417238).

UPC: 080689417238.

Also from the new Travis Ryan CD from Integrity Music, Until My Voice Is Gone is another of those songs that, once you start, you just don’t want to stop singing. The lyric expresses our compelling desire to bring Him praise at all times, at any cost, and to sing it out “Until My Voice is Gone”! Together, we can sing that we will raise our hands until our strength has faded, stand in honor until our knees give way, lift our voices and shout grateful songs…to sing…sing until our voice is gone! Dynamic and powerful SATB arrangement and orchestration by Daniel Semsen.

Composed by Mark Vega. Saddle stitch. Jazz/Guitar Instruction. Book and Downloadable audio. Duration 70 minutes. Published by ADG Productions

Baritone/Bass Accompaniment CDs. By Various. Vocal Collection. CD only. 8 pages. Published by Hal Leonard.

Orchestra STBarB vocal soli, SATB choir, 2 Flutes, 2 English Horn, 2 Clarinets, 2 Bassoons, 2 Horns, 4 Trumpets 3 Trombones, Timpani, Harp, 2 Violins, Viola, Cello, Contrabass, Organ - Level 3

SKU: CA.7003849

Trilogie sacree. Composed by Hector Berlioz. Edited by Paul Prevost. French Sacred Music. Organ. Sacred vocal music, Oratorios, Christmas. Single Part, Organ. Op. 25. 2 pages. Duration 95 minutes. Carus Verlag #CV 70.038/49. Published by Carus Verlag (CA.7003849).

ISBN 9790007227531. Key: E minor. Language: German/French.

The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the Flight to Egypt, which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled The dream of Herodes and The arrival at Sais, had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this sacred trilogy a grateful enrichment of the repertoire for Christmas music. Score and part available separately - see item CA.7003800.

Composed by Andrew D. Gordon. Arranged by Andrew D. Gordon. Latin Solo Series. Latin. Book/digital audio. ADG Productions #ADG183. Published by ADG Productions

Fakebook for voice and C instrument. With vocal melody, lyrics, leadsheet notation and chord names. Series: Hal Leonard Paperback Songs. 255 pages. Published by Hal Leonard.

Double Bass

SKU: HL.14021087

Composed by John McCabe. Music Sales America. Classical. Book [Softcover]. 8 pages. Music Sales #NOV955163. Published by Music Sales (HL.14021087).

8.25x12.0x0.059 inches.

John McCabe's Pueblo for solo Double Bass. Duration: approx. 7 minutes.

Pueblo is an off-shoot of a series of compositions inspired by desert country, and it was commissioned by Leon Bosch with the aid of funds provided by North West Arts. The piece is continous, falling into several sections, and is largeley based on the high circling motif heard at the start and referred to again in the harmonics at the close.
It is prefaced by the following quotation from Scenes in American Deserta by Reyner Banham, published by Thames and Hudson:

'Clouds, high and flat, were now building up in thesky, the wind was settling to silent calm, the weather was very cold, and the stream through the center of the pueblo was almost frozen across, the Indians chipping out ice to melt down for water.'

The aim in writing the piece was to express in musical terms a response to the vivid picture of a scene relating to life in the American desert conveyed by Reyner Banham's text. Although not numbered among other Desert works, this belongs to this family of compositions, along with another Banham setting, written for the King's Singers, Scenes In America Deserta. - John McCabe
< /em>

Orchestra - Grade 3

SKU: AP.43825S

(Opus 3.14159). Composed by Richard Meyer. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Form: Overture. Score. 20 pages. Duration 4:20. Highland/Etling #00-43825S. Published by Highland/Etling (AP.43825S).

UPC: 038081496894. English.

Try assigning the first 32 digits of Pi to a scale degree to create five melodies that flow together, and you'll have a start to this awesome composition. With a light jazzy feel, driving accompaniments, and features of all sections, here's another creative hit from the master. (4:20).

Flute, bassoon, piano

SKU: FG.55011-538-5

Myrsky vesilasissa. Composed by Kirmo Lintinen. Parts (including score = piano part). Fennica Gehrman #55011-538-5. Published by Fennica Gehrman (FG.55011-538-5).

ISBN 9790550115385.

The air is heavy with flashy comments, when the flute, the bassoon and the piano start their debate in Storm in a Teacup (2014) by Kirmo Lintinen (b. 1967). Only 4'30'' of length, this virtuosic trio finds the piece after the grand rampage. Kirmo Lintinen is a man of many musical talents: composer, pianist and conductor. His catalogue encompasses almost all genres and categories of composition, from solo work to opera, and he operates with ease from one to another without being a crossover artist; in his case, the versatility is both internalised and innate. He often finds inspiration in French music of the 1920s and its intrinsic musicality. Humour and playfulness are characteristic elements of his music, as are a natural, musicianly approach and an enchantingly effervescent, even tongue-in-cheek texture.

Composed by Andrew D. Gordon. Arranged by Andrew D. Gordon. Latin Solo Series. Latin. Book/digital audio. ADG Productions #ADG179. Published by ADG Productions

By Barry Finerty. For all instruments. Instructional book. 200 pages. Published by Sher Music Company.

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 3.5

SKU: CF.CAS107

Composed by Alan Lee Silva. SWS FS. Carl Fischer Concert String Orchestra Series. Set of Score and Parts. With Standard notation. 24+24+6+15+15+15+6+20 pages. Duration 4 minutes, 17 seconds. Carl Fischer Music #CAS107. Published by Carl Fischer Music (CF.CAS107).

ISBN 9781491146675. UPC: 680160904174. 9 x 12 inches. Key: E minor.

Triangle of the Tempest is a fast-moving composition with interesting rhythmic challenges and dynamic color shifts. Starting with syncopated figures over a repeated eight-measure progression, the piece builds in intensity as more sections and layers are added. The second part changes tone and is led by a heroic violin melody with a soaring cello obligato. The themes intertwine and the material develops into a dramatic conclusion with a final explosive ensemble hit. Action-packed and full of rhythmic drive, this piece is a good choice for contest or festival performance.
An up-tempo 3⁄4 piece in E minor, Triangle of the Tempest features inviting rhythmic challenges, provocative melodic variations and dynamic color shifts .The A-section is based on a repeating eight-measure harmonic progression with punctuated open voicings and syncopated figures . Each section builds in intensity as new elements are added in subsequent eight-measure increments . Rhythmically, the pattern in the A-section (mm . 1–36) follows a two-measure form: the first of the two measures has a dotted quarter-eighth syncopated figure, and the rhythms in the second measure fall primarily on the beats . After the main eight-measure pattern is established, the A-melody and its variations are introduced on top of it .A two-measure build (mm . 35–36), highlighted by fast moving ensemble triplet figures, propels the piece as it crescendos into the jubilant B-section (mm . 37–52), changing tone and moving to the relative G major . The violins carry the soaring melody atop sonorous major chords in the mid and low strings . Rhythmically, the alternating syncopated measure/non-syncopated measure form continues through this section .Returning to the dramatic E minor A-section phrases in mm . 53–86, the piece shifts to the original eight-measure harmonic progression with melodic variations in the violins over the top . After reprising the B-section (mm . 87–102), intertwining motifs at m . 103 offer a variation on the A-theme where the melodic entrances happen at one-measure intervals .The tempo slows slightly and the tone changes again in the flowing and magical C-section at m . 123 as the piece moves again to the relative G major . Repeating lyrical legato violin lines create the musical background for a majestic viola melody, featured in mm . 126–146 . A brief fanfare statement with motifs spread throughout the orchestra at m . 153, prepares the return to E minor and the A-theme in mm . 160–193 .Measure 194 introduces an E-pedal point and tension builds, ramping up emotionally to the ending . The ensemble thunders at m . 202 as the violins and violas begin a four-measure syncopated question/answer section with the cellos and basses . The phrases crescendo and build for another four measures at m . 206, setting up the driving unison, tutti figures at m . 211 and a final explosive hit on the downbeat of m . 212 .

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Paperback Lyrics. By Various. Paperback Lyrics. Softcover. Size 4.25x6.75 inches. 256 pages. Published by Hal Leonard.

By Greg Fishman. For saxophone duet. Play Along, Jazz. Book and 3 CDs. Published by Greg Fishman Jazz Studios.

By Alford. Arranged by Arthur Frackenpohl. For 2 trumpets, french horn, trombone and tuba with optional snare drum. Brass Quintet. Level: Grade 4. Published by Kendor Music Inc.

Piano - Late Intermediate, Advanced

SKU: OT.21124

Composed by Maayan Tal. 7 etudes for piano. Classical. Score. OR-TAV Music Publications #21124. Published by OR-TAV Music Publications (OT.21124).

ISBN 9789655050981. 8.27 x 11.69 inches.

Perpetuum Mobile, meaning perpetual motioni, is a Latin term that describes an impossible situation in which a substance has infinite energy. This situation is impossible because it violates the first and second laws of Newton.
But it is possible in music. Imagine a musical piece that is a continuous stream of notes. These are exactly the etudes in this album. They do not stop, they are always in motion and they can be played continuously.
Etudes are solo pieces, purposed to help the musician practice his technique. In this album, each etude is designed to practice another technique.
In addition, the etudes in this album are arranged according to the circle of fifths - each etude ends in a key which is dominant to the beginning of the next etude, even the last etude to the first one, and so on and so forth. This further emphasizes the infinite mobility of the music in this piece.
Once you enter the loop, you can't get out of it. All the etudes start in a minor key, as a symbol of the sadness of the matter, and end in a major key, to represent the hope, a false hope, that perhaps the next etude will take you out of the loop.
This album is a three-year-long project, in which I gathered ideas from the environment in which I live, from the people in it and from their thoughts, from life that continues all the time, and the music that will never stop.
Maayan Tal, 17, is a young Israeli musician, pianist and composer.

Composed by Mark Vega. Saddle stitch. Jazz/Trombone Instruction. Book and Download. Duration 70 minutes. Published by ADG Productions

Viola

SKU: HL.14046104

Composed by Francisco Serra. CARISCH - MUSIC SALES. Tuition. General Merchandise. Real Musical #MK19129. Published by Real Musical (HL.14046104).

ISBN 9788438712696. Spanish.

The Viola First Steps collection, is divided into four volumes and is aimed at young violists who want to start learning the instrument together with musical language and theory. Each book is divided into different teaching sections, every one containing the musical language necessary for exercises and works. Alongside the exercises, this volume contains popular songs, pieces from classical authors in different periods and cultural context - consisting of quotations, anecdotes relating to the Viola and information on the origin of the instrument, composers and curiosities . Beside technique and theory, this book will help violists to develop their rhythm skills,prepare for auditions and more. The MP3 CD is fundamental to the method and will help students to achieve the objectives in each section. Each song is recorded in three different ways. The first track is the complete song accompanied by another instrument with a slow tempo. The second track is the same piece with its real tempo. The third track is only the accompaniment so that the student can play along. Francisco Serra studied Viola and Chamber music at the Conservatory of Oscar Espla in Alicante, Spain. Since 2003 he has been an official professor at the Conservatory of Music of Villena (Alicante).