Clarinet in B-Flat (NOTEN CD) - easy SKU: HL.49032524 Klarinettenschul...(+)
Clarinet in B-Flat (NOTEN
CD) - easy
SKU:
HL.49032524
Klarinettenschule fur
den fruhen Anfang.
Composed by Rudolf Mauz.
This edition:
Paperback/Soft Cover.
Sheet music with CD.
Edition Schott. Edition
with CD. 92 pages. Schott
Music #ED 8082-50.
Published by Schott Music
(HL.49032524).
ISBN
9783795756482. German.
Andreas
Schuermann.
Die
Mauz-Klarinettenschule
(Deutsches und
Bohm-System) richtet sich
an Anfanger und ist fur
den Einzel- und
Gruppen-unterricht
geeignet.Nun ist Band 2
dieser mittlerweile zum
Standardwerk avancierten
Schule auch mit CD
lieferbar. Die
Spielfreude wird dadurch
noch gesteigert, denn auf
der CD sind viele Stucke
sowohl mit Klarinette als
auch als
Play-Along-Version zum
Mitspielen enthalten.
Einige schnelle Stucke
sind ausserdem in
langsamerem Tempo zum
Uben eingespielt.
Methods and Music for Children SKU: UT.DM-39A Composed by Gabrielangela S...(+)
Methods and Music for
Children
SKU:
UT.DM-39A
Composed by
Gabrielangela Spaggiari.
Saddle stitching. Fare
Musica. Classical. Ut
Orpheus #DM 39A.
Published by Ut Orpheus
(UT.DM-39A).
ISBN
9790215309579. 9 x 12
inches.
Il secondo
quaderno dedicato alla
musica d’insieme
è diviso in due
parti: la prima comprende
partiture classiche da me
trascritte per strumenti
musicali tradizionali con
alcuni interventi dello
strumentario Orff, la
seconda propone alcune
attività di
esplorazione sullo
strumento, di
elaborazione di materiali
sonori e di
improvvisazione
collettiva. I brani
trascritti ed elaborati
nella prima parte del
quaderno si susseguono
secondo un ordine di
difficoltà
crescente e sono presi
dal repertorio colto: dal
tardo barocco alla prima
metà del
Novecento. Le
trascrizioni non
prevedono organici
originali della
letteratura cameristica
classica: le partiture
sono state scritte con
intenti principalmente
didattici. La pratica
di musica
d’insieme, come
abbiamo già
ricordato presentando
Fare musica insieme n.
1, rappresenta
un’esperienza
fondamentale nella
formazione musicale
perché abitua lo
studente ad ascoltarsi in
rapporto agli altri e
rende più
consapevole e disinvolto
il suo rapporto con lo
strumento. Con questo
secondo quaderno vorremmo
però proporci
anche un obiettivo
più ambizioso:
quello di tentare di
favorire e stimolare le
capacità
analitiche,
interpretative e anche
creative. È per
questo che accanto allo
studio e
all’esecuzione
delle partiture vengono
qui suggerite anche una
serie di esperienze che,
sempre partendo
dall’ascolto e
dalla
‘analisi’
della musica, offrono lo
spunto per diverse
attività di
improvvisazione
collettiva e di
invenzione
musicale.
Il
percorso proposto nella
seconda parte del
quaderno si articola in
quattro fasi:
a)
L’allievo viene
sollecitato in un primo
momento a indagare e
sperimentare i diversi
suoni che riesce ad
ottenere con il proprio
strumento per poi
contribuire a creare,
anche con l’aiuto
di stimoli extramusicali
e sinestesici, situazioni
sonore insieme al
gruppo. b) Viene
proposta
l’elaborazione di
nuovi progetti
compositivi partendo
dalle partiture
trascritte nel quaderno:
aggiungendo, togliendo,
mescolando e modificando
gli elementi
musicali. c) Vengono
proposte diverse
attività di
improvvisazione prendendo
spunto dai principi
costruttivi individuati
ascoltando alcuni
brani. d) Si propone
di creare situazioni
sonore progettando e
interpretando grafici
inventati a partire dalle
analogie strutturali
ricavabili osservando le
strutture e gli elementi
che caratterizzano un
quadro,
un’architettura, un
elemento della natura,
ecc. L’intento
è quello di
aiutare l’allievo a
sviluppare le proprie
capacità di
comprensione, di
interpretazione e di
invenzione della musica e
nel contempo di favorire
una duttilità
esecutiva aperta, non
irrigidita,
creativa.
Mentre
il primo quaderno di
Fare musica
insieme è
pensato principalmente
per bambini di 8-12 anni,
questo prevede invece che
l’allievo abbia
già acquisito una
certa abilità
tecnica sullo
strumento. Il quaderno
si rivolge soprattutto
agli allievi delle scuole
di musica e delle scuole
medie a
indirizzo musicale.<
/p>
Tribute to a Maestro Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1195884-140 Variations on ...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1195884-140
Variations on a theme
by Jean-Philippe
Rameau. Composed by
Jan de Haan. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2019. 40
pages. De Haske
Publications #DHP
1195884-140. Published by
De Haske Publications
(BT.DHP-1195884-140).
English-German-French-
Dutch.
Tribute
to a Maestro is an
homage to Jean-Philippe
Rameau (1683 1764), one
of the most important
French Baroque composers.
Rameau was a hugely
significant composer,
organist, harpsichordist
and music teacher: he
also published several
authoritative books on
music theory. Jan de Haan
based this tribute on a
theme from ‘Les
Sauvages’ (The
Savages), the fourth act
of Rameau’s
ballet-opera, Les
Indes Galantes
(The Amorous
Indies). The work
begins with two
variations, whereupon the
striking theme can be
heard. After a short
intermezzo, four more
variations follow, of
which the last one is
composed in Baroque
style.
Tribute
to a Maestro is een
hommage aan Jean-Philippe
Rameau (1683 1764), een
van de belangrijkste
componisten uit de barok.
Deze Fransman was niet
alleen componist,
organist, klavecinist en
muziekpedagoog, maar ook
muziektheoreticus. Hij
publiceerde verschillende
toonaangevende boeken
over muziektheorie. Jan
de Haan baseerde dit
eerbetoon op een thema
uit het oeuvre van
Rameau, namelijk
‘Les
Sauvages’ (De
wilden) uit de vierde
akte van een van Rameaus
balletopera’s,
Les Indes Galantes
(De hoffelijke
Indiërs). Het werk
begint met twee
variaties, waarna het
markante thema is te
beluisteren. Na een kort
intermezzo volgen dan nog
vier variaties, waarvan
delaatste in barokstijl
is gecomponeerd.
Tribute to a
Maestro ist eine
Hommage an Jean-Philippe
Rameau (1683 1764), einen
der bedeutendsten
Komponisten der
Barockzeit. Der Franzose
war nicht nur Komponist,
Organist, Cembalist und
Musiklehrer, sondern auch
Musiktheoretiker. Er
veröffentlichte einige
grundlegende
musiktheoretische
Bücher. Jan de Haan
stützte seine
Huldigung auf ein Thema
aus Rameaus Werk,
nämlich Les
Sauvages“ (Die
Wilden“) aus dem
vierten Akt von Rameaus
Ballettoper Les Indes
galantes. Das
Stück beginnt mit zwei
Variationen, woraufhin
das bemerkenswerte Thema
erklingt. Nach einem
kurzen Intermezzo folgen
vier weitere Variationen,
von denen die letzte im
Barockstilkomponiert ist.
African Scenes Orchestre d'harmonie - Débutant De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 1.5 SKU: BT.DHP-1135407-215 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 1.5
SKU:
BT.DHP-1135407-215
Composed by Eric J. Hovi.
De Haske Flexible Series.
Original Light Music.
Score Only. Composed
2012. 10 pages. De Haske
Publications #DHP
1135407-215. Published by
De Haske Publications
(BT.DHP-1135407-215).
9x12 inches.
English-German-French-Dut
ch.
This work in
four sections is written
for a four-part variable
instrumentation together
with drums. We start
off_x001E_ in the
_x001F_first movement on
an adventurous safari. In
the second and third
movements we’re on
the hunt for great beasts
of Africa, which can also
be heard with all their
stomping, screeching and
yelling. A wonderful
musical safari that all
musicians and listeners
alike will enjoy!
Dit werk voor
vierstemmige variabele
bezetting met slagwerk
beschrijft in vier
deeltjes verschillende
taferelen van het
Afrikaanse continent. In
het eerste deel gaan we
op safari. In het tweede
deel gaan we op zoek naar
een olifant, een
neushoorn, een luipaard
een leeuw en een buffel.
Welke reptielen kunnen we
ontdekken in het derde
deel? En hoe kan het
beter stoppen dan met een
‘Monkey
Rock’? Tijdens het
werk kun je actief
verschillende
dierengeluiden nabootsen,
waardoor je je echt in de
jungle
waant!
Dieses
vierteilige Werk ist
für eine vierstimmig
variable Besetzung und
Schlagzeug
instrumentiert. Der Titel
spricht schon für
sich: In African
Scenes spielt der
schwarze Kontinent die
Hauptrolle. Im ersten
Satz starten wir zu einer
abenteuerlichen Safari.
Im zweiten Teil geht es
auf die Suche nach den
‚Big Five’ -
den großen
Fünf“: Elefant,
Nashorn, Leopard, Löwe
und Büffel. Im dritten
Satz begegnen wir
allerlei unheimlichen
Reptilien, bevor das Werk
fröhlich mit dem
‚Monkey
Rock’ endet, in
dem auch ein Affenruf
vertont
wird.
Questo
brano in quattro parti
è pensato per
strumentazione variabile
a quattro voci e
percussioni. Il titolo
parla da solo: in
African Scenes il
continente nero riveste
il ruolo principale. Il
primo movimento vede i
protagonisti iniziare un
avventuroso safari. Nella
seconda parte inizia la
ricerca dei
“Big-Fiveâ€:
elefante, rinoceronte,
leopardo, leone e bufalo.
Il terzo movimento si
caratterizza
dall’inaspettato
incontro con rettili
rari, e precede il quarto
e ultimo movimento.
Monkey Rock, in
stile più giocoso,
rappresenta
l’incontro con una
simpatica e vivace
scimmietta.
We Will Rock You Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2.5 SKU: BT.DHP-1115046-015 (+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2.5
SKU:
BT.DHP-1115046-015
As performed by
Queen. Arranged by
Lorenzo Bocci. Flexible 4
Series. Set (Score and
Parts). Composed 2011. De
Haske Publications #DHP
1115046-015. Published by
De Haske Publications
(BT.DHP-1115046-015).
9x12
inches.
Brian
Mayâ??s We Will Rock
You was not
Queenâ??s biggest hit
when it first came out.
However, looking back it
has become much more than
simply a successful song.
It is the groupâ??s
hymn, welcomed with loud
cheers whenever and
wherever it is played.Let
the good times roll with
Lorenzo Bocciâ??s
outstanding arrangement
that will rock your
band!
Toen het
werd uitgebracht, was het
nummer We Will Rock
You van Brian May
niet meteen een grote hit
voor Queen. Later is het
echter veel meer geworden
dan gewoon een
succesvolle song: het is
uitgegroeid tot de
herkenningstune van de
band. Waaren wanneer het
ook klinkt: het wordt
altijd met gejuich
begroet. Laat de goede
oude tijd herleven met
Lorenzo Bocciâ??s
bewerking - die beslist
rockt!
We Will
Rock You von Brian May
ist kurz nach seiner
Veröffentlichung nicht
einmal der grö�te
Erfolg fu?r die
Rockgruppe Queen gewesen
- ru?ckblickend,
anlässlich des
40-jährigen
Bu?hnenjubiläums, ist
er die Hymne und das
Erkennungszeichen der
Band schlechthin. Wenn
Sie einer der
groÃ?artigsten Rockbands
aller Zeiten ein
Konzertprogramm widmen
wollen, darf diese
Bearbeitung nicht fehlen!
We Will Rock
You è la prima
canzone dellâ??album
News of the World dei
Queen, uscito nel 1977 e
composta da Brian May.
Sulla facciata B del 45
giri si trovava We Are
the Champions, ciò
che spiega il fatto che
queste due canzoni furono
avolte eseguite insieme
nei concerti della band,
spesso una seconda volta
in una versione più
rapida. We Will Rock
You resta una delle
canzoni più popolari
del gruppo ed è stata
più volte ripresa da
vari artisti.
By Frank Koonce. For Guitar (Classical). Solos. Frank Koonce Series. Baroque. Le...(+)
By Frank Koonce. For
Guitar (Classical).
Solos. Frank Koonce
Series. Baroque. Level:
Intermediate. Book. Size
8.75x11.75. 176 pages.
Published by Mel Bay
Publications, Inc.
Guitar - intermediate SKU: M7.VOGG-85 Composed by Peter Bursch. Sheet mus...(+)
Guitar - intermediate
SKU: M7.VOGG-85
Composed by Peter Bursch.
Sheet music. Incl. TAB.
Voggenreiter #VOGG 85.
Published by Voggenreiter
(M7.VOGG-85).
ISBN
9783802400858.
FÃ
r alte und junge Hippies
Mit über 100 Songs,
die sich mit Spaß
singen und spielen
lassen. Von den Beach
Boys, Joan Baez, Bob
Dylan, Simon & Garfunkel,
John Denver, Reinhard
Mey, Fugees u. v. a. Dazu
die richtigen Griffe,
gute
Gitarrenbegleitungen,
Tabulaturen und alle
Texte. Mit
Hintergrundwissen und
Entstehungsgeschichte zu
den Liedern und ihren
Interpreten. Alles
Wichtige über die
Gitarre und andere
Folk-Instrumente.
Songliste: Alberta, All
around my hat, All my
trials, Amazing grace,
Banana-Boat (Day-O),
Banks of the Ohio,
Barbara Allen, Bella
ciao, Can the circle be
unbroken, Catch the wind,
Cocaine, Colours, Come
all ye fair and tender
ladies, Days of '49, Der
Deserteur, Der Winter ist
vergangen, Die freie
Republik, Die Gedanken
sind frei, Die
Moorsoldaten, Donna,
Donna, Drill ye tarriers,
drill, East Virginia, El
condor pasa, Es dunkelt
schon in der Heide, Es
geht ein' dunkle Wolk'
herein, Es saß ein
klein wild Vögelein,
Es zogen einst fünf
wilde Schwäne, Go
down, Moses,
Greensleeves, Grizzly
bear, Guantanamera, Gypsy
Rover, Havah nagila,
Heute hier, morgen dort,
House of the rising sun,
Ich komme schon durch
manche Land, (La
Marmotte), If I had a
hammer, I'll fly away, In
1841 (Paddy works on the
railway), Jackaroe, John
Barleycorn, Joshua fit
the battle of Jericho,
Kalinka, Killing me
softly, Kinder, Kisses
sweeter than wine,
Kumbaya, Lady in black,
La-le-lu, La Marmotte,
(Ich komme schon durch
manche Land), Lady in
black, Little beggarman,
Lord Franklin, Matty
Groves, Mein Vater wird
gesucht, Mr. Bo Jangles,
Nehmt Abschied,
Brüder, Oh, freedom,
Oh Susanna, Pick a bale
of cotton, Plaisir
d'amour, Pretty Peggy-O,
Puff, the magic dragon,
Sag mir, wo die Blumen
sind?, St. James
Infirmary, Santy Anno,
Scarborough Fair, Should
auld acquaintance (Auld
lang syne), Sloop John
B., Sometimes I feel like
a motherless child,
Stewball, Streets of
London, Take me home,
country roads, The bonny
lass of FYVIE-O, The
circle game, The cuckoo,
The Foggy Dew, The last
thing on my mind, The
marvelous toy, There but
for fortune, Three
drunken maidens, The
trees they grow high,
This land is your land,
Three drunken maidens,
Trotz alledem, Turn,
turn, turn, Ãœber den
Wolken, Un as der Rebbe
singt, Waxie's Dargle,
Wayfaring stranger, We
shall overcome, What
shall we do with the
drunken sailor?, Where
have all the flowers
gone?, Whiskey in the jar
(Gilgary Mountain), Will
ye go, lassie, go (Wild
Mountain Thyme).
Oratorio in two
parts. Composed by
George Frideric Handel.
Edited by Terence Best.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series I,
Volume 3. Complete
edition, Score. HWV 47.
Duration 1 hour, 50
minutes. Baerenreiter
Verlag #BA04096_00.
Published by Baerenreiter
Verlag (BA.BA04096).
ISBN 9790006550098. 33
x 26 cm inches. Text
Language: Italian.
Preface: Terence Best.
Text: Carlo Sigismondo
Capece.
The Italian
oratorio La Resurrezione
(The Resurrection) was
written during
Handel’s time in
Rome. It was performed on
Easter Sunday 1708 with
great splendour and
extravagance by a large
orchestra conducted by
Arcangelo Corelli in the
Palazzo Bonelli, the
Roman palazzo of
Handel’s patron
the Marchese Francesco
Maria Ruspoli. In its
dramatic structure and
characterisation of the
protagonists, the work
displays a striking
affinity with Italian
opera. Lucifer’s
raging sixty fourth notes
call to mind the demon
characters in Venetian
opera and
Maddalena’s arias
are so full of expressive
power and virtuosity that
Handel later incorporated
one of them into his
opera Agrippina. The
unusual musical richness
of this work and the
virtuosic and masterly
shaping of the arias make
it a welcome addition to
any concert programme.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Organ SKU: BR.EB-8041 Of the 'Musical Offering' by J.S. Bach. Comp...(+)
Organ
SKU:
BR.EB-8041
Of the
'Musical Offering' by
J.S. Bach. Composed
by Jurg Baur. Solo
instruments; Softcover.
Edition Breitkopf.
World premiere:
Dusseldorf, May 20,
1978
Music post-1945.
Score. Composed 1977. 24
pages. Duration 13'.
Breitkopf and Haertel #EB
8041. Published by
Breitkopf and Haertel
(BR.EB-8041).
ISBN
9790004174401. 9 x 12
inches.
During the
intensive study of Johann
Sebastian Bach's Musical
Offering for the creation
of a commissioned
composition for wind
trio, I had the idea of
writing a larger organ
work on the Royal Theme
at the same time. This is
how the Three Ricercare
came into being. They are
multi-part fantasies for
organ, which - connected
by the frequently
transformed thematic
material of the Musical
Offering and the
manifoldly reshaped
B-A-C-H motif - alternate
between free, rapsodic
parts on the one hand and
strictly structured parts
on the other. For my 60th
birthday, W. E. v.
Lewinski wrote an
appreciation under the
title: Music in the span
between constraint and
freedom. This formulation
aptly characterizes the
new organ work. (Jurg
Baur) CD: Martin
Herchenroder CD Koch
3-1846-3 H1 Bibliography:
Semrau , Arno: Polpyhone
Orgelmusik von Johann
Sebastian Bach bis Jurg
Baur, Augsburg: Wissner
2001, darin besonders pp.
259-304 und 510-532.
Richter , Reinhold:
Zwischen Tradition und
Avantgarde zwischen
Zweifel und Hoffnung.
Einige Notizen zur Chor-
und Orgelmusik von Jurg
Baur anlasslich des 85.
Geburtstages im
vergangenen November, in:
Forum Kirchenmusik 54
(2003), Heft 6, pp.
23-31.
We Will Rock You Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 2.5 SKU: BT.DHP-1115046...(+)
Concert
Band/Harmonie/Fanfare
Band/Brass Band - Grade
2.5
SKU:
BT.DHP-1115046-216
As performed by
Queen. Arranged by
Lorenzo Bocci. Flexible 4
Series. Pop & Rock. Score
Only. Composed 2011. 8
pages. De Haske
Publications #DHP
1115046-216. Published by
De Haske Publications
(BT.DHP-1115046-216).
9x12
inches.
Brian
May’s We Will Rock
You was not
Queen’s biggest
hit when it first came
out. However, looking
back it has become much
more than simply a
successful song. It is
the group’s hymn,
welcomed with loud cheers
whenever and wherever it
is played. Let the good
times roll with Lorenzo
Bocci’s
outstanding arrangement
that will rock your band!
We Will Rock You
von Brian May ist kurz
nach seiner
Veröffentlichung nicht
einmal der größte
Erfolg für die
Rockgruppe Queen gewesen
- rückblickend,
anlässlich des
40-jährigen
Bühnenjubiläums,
ist er die Hymne und das
Erkennungszeichen der
Band schlechthin. Wenn
Sie einer der
großartigsten
Rockbands aller Zeiten
ein Konzertprogramm
widmen wollen, darf diese
Bearbeitung nicht fehlen!
We Will
Rock You è la prima
canzone dell’album
News of the World dei
Queen, uscito nel 1977 e
composta da Brian May.
Sulla facciata B del 45
giri si trovava We Are
the Champions, ciò che
spiega il fatto che
queste due canzoni furono
a volte eseguite insieme
nei concerti della band,
spesso una seconda volta
in una versione più
rapida. We Will Rock You
resta una delle canzoni
più popolari del
gruppo ed è stata
più volte ripresa da
vari artisti.
Soprano solo, SATB choir, piano, organ, and brass ensemble (Horns I and II in F,...(+)
Soprano solo, SATB choir,
piano, organ, and brass
ensemble (Horns I and II
in F, B-flat Trumpets I
and II, Trombones I and
II, Tuba, Piano, Organ
(or digital keyboard if a
tuned pipe organ is
unavailable)) -
Intermediate
SKU:
MN.56-0120
Composed
by Howard Goodall.
Thanksgiving. MorningStar
Music Publishers
#56-0120. Published by
MorningStar Music
Publishers (MN.56-0120).
UPC: 688670221484.
English.
The first
movement in the larger
work Unconditional Love.
This piece compares the
journey of the pilgrims
to a new land to where we
are today.
By Various. Edited by Hans Sitt. For 2 violin, viola, violoncello. 11 short piec...(+)
By Various. Edited by
Hans Sitt. For 2 violin,
viola, violoncello. 11
short pieces and quartet
movements.Bach,Beethoven,
Boccherini,Ch. Published
by C.F. Peters.
Study Guide for Preparation, Practice and Performance. Composed by Ingrid Ja...(+)
Study Guide for
Preparation,
Practice and Performance.
Composed by Ingrid
Jacobson
Clarfield and Phyllis
Alpert
Lehrer. Book; Graded
Standard Repertoire;
Masterworks; Piano
Collection. Classics for
the
Developing Pianist.
Masterwork. 56 pages.
Published by Alfred Music