Urtext. Composed
by Johann Baptist Vanhal.
Edited by Tobias
Glockler. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Early classical;
Classical. Set of parts.
16 pages. Duration 20'.
Breitkopf and Haertel #OB
15143-30. Published by
Breitkopf and Haertel
(BR.OB-15143-30).
ISBN
9790004342046. 10 x 12.5
inches.
The
unbroken popularity of
Vanhal's sole double bass
concerto in competitions
and for practice and
concert purposes is
reason enough for us to
publish the work in
Breitkopf Urtext. The
edition profits from
Tobias Glockler's
experience of many years.
As with the other great
double-bass concertos of
the classical Viennese
repertoire (Dittersdorf,
Hoffmeister), Glockler
arrives at convincing
solutions. He began by
filtering out a solid
musical text from the
source (which was not
always free of
contradictions) that was
supplied with many
additions. The
disposition of the solo
part required detailed
knowledge of performance
practice, since the work
was written in the
historical Viennese
double bass tuning, and a
few passages cannot be
played without difficulty
on a modern instrument.
As with Dittersdorf and
Hoffmeister, the piano
reduction makes it
possible to use three
different double-bass
tunings (solo, orchestral
and Viennese). Moreover,
it contains the editor's
virtuoso cadenzas as
well.I have performed the
Vanhal in Viennese tuning
and it was my thesis
topic so I am thrilled to
see an edition that makes
this tuning so
accessible. I highly
recommend this
all-encompassing edition.
(Marian Heckenburg,
Stringendo).
Mixed choir SKU: FG.55009-399-7 Composed by Josquin Desprez. Published by...(+)
Mixed choir
SKU:
FG.55009-399-7
Composed by Josquin
Desprez. Published by
Fennica Gehrman
(FG.55009-399-7).
ISBN
979-0-55009-399-7.
This is a modern
performing edition of the
Mass to the Blessed
Virgin by Josquin. In the
16th century, this was
the best known mass by
the most celebrated
composer of the day. It
is a troped mass, with
textual additions to the
Gloria making it
appropriate for a Marian
service. It is also
varied in style and
demonstrates a mastery
which is exemplary of
Josquin's late works.
Published in the Fazer
Editions of Early Music
series - a choral series
under the editorial
supervision of Paul
Hillier, founder and
artistic director of the
renowned Hilliard
Ensemble. Although each
title in this series is
the result of careful
scholarly research and is
a reliable source for
musicologists, the
series' main purpose is
to make practical
performing editions
available to choirs and
other vocal ensembles.
The original C clefs have
been replaced by G and F
clefs and the note values
adapted to conform to
modern practice. All the
works in the series are
intended for mixed
voices. Each title
includes a lengthy
introduction in English
and notes on the
editorial principles.
Where necessary, an
English translation of
the text and a guide to
pronunciation are
provided.
Piano Accompaniment; Vocal (VOCAL SCORE) SKU: HL.50603346 Vocal Score ...(+)
Piano Accompaniment;
Vocal (VOCAL SCORE)
SKU: HL.50603346
Vocal Score based on
the Critical Edition.
Composed by Antonio
Vivaldi. Edited by
Michael Talbot. Vocal
Score. Classical.
Softcover. 42 pages.
Ricordi #CP141990.
Published by Ricordi
(HL.50603346).
ISBN
9788881920600. UPC:
840126921472.
8.0x10.5x0.268
inches.
Urtext. Composed
by Johann Baptist Vanhal.
Edited by Tobias
Glockler. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Early classical;
Classical. Part. 8 pages.
Duration 20'. Breitkopf
and Haertel #OB 15143-26.
Published by Breitkopf
and Haertel
(BR.OB-15143-26).
ISBN
9790004342039. 10 x 12.5
inches.
The
unbroken popularity of
Vanhal's sole double bass
concerto in competitions
and for practice and
concert purposes is
reason enough for us to
publish the work in
Breitkopf Urtext. The
edition profits from
Tobias Glockler's
experience of many years.
As with the other great
double-bass concertos of
the classical Viennese
repertoire (Dittersdorf,
Hoffmeister), Glockler
arrives at convincing
solutions. He began by
filtering out a solid
musical text from the
source (which was not
always free of
contradictions) that was
supplied with many
additions. The
disposition of the solo
part required detailed
knowledge of performance
practice, since the work
was written in the
historical Viennese
double bass tuning, and a
few passages cannot be
played without difficulty
on a modern instrument.
As with Dittersdorf and
Hoffmeister, the piano
reduction makes it
possible to use three
different double-bass
tunings (solo, orchestral
and Viennese). Moreover,
it contains the editor's
virtuoso cadenzas as
well.I have performed the
Vanhal in Viennese tuning
and it was my thesis
topic so I am thrilled to
see an edition that makes
this tuning so
accessible. I highly
recommend this
all-encompassing edition.
(Marian Heckenburg,
Stringendo).
Double bass and orchestra (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str) ...(+)
Double bass and orchestra
(solo: db - 0.2.0.1(ad
lib.) - 2.0.0.0 - harps -
str)
SKU:
BR.PB-15144-07
Urtext. Composed
by Johann Baptist Vanhal.
Edited by Tobias
Glockler. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Early classical;
Classical. Study Score.
28 pages. Duration 20'.
Breitkopf and Haertel #PB
15144-07. Published by
Breitkopf and Haertel
(BR.PB-15144-07).
ISBN
9790004215968. 6.5 x 9
inches.
The
unbroken popularity of
Vanhal's sole double bass
concerto in competitions
and for practice and
concert purposes is
reason enough for us to
publish the work in
Breitkopf Urtext. The
edition profits from
Tobias Glockler's
experience of many years.
As with the other great
double-bass concertos of
the classical Viennese
repertoire (Dittersdorf,
Hoffmeister), Glockler
arrives at convincing
solutions. He began by
filtering out a solid
musical text from the
source (which was not
always free of
contradictions) that was
supplied with many
additions. The
disposition of the solo
part required detailed
knowledge of performance
practice, since the work
was written in the
historical Viennese
double bass tuning, and a
few passages cannot be
played without difficulty
on a modern instrument.
As with Dittersdorf and
Hoffmeister, the piano
reduction makes it
possible to use three
different double-bass
tunings (solo, orchestral
and Viennese). Moreover,
it contains the editor's
virtuoso cadenzas as
well.I have performed the
Vanhal in Viennese tuning
and it was my thesis
topic so I am thrilled to
see an edition that makes
this tuning so
accessible. I highly
recommend this
all-encompassing edition.
(Marian Heckenburg,
Stringendo).
Double bass and orchestra (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str) ...(+)
Double bass and orchestra
(solo: db - 0.2.0.1(ad
lib.) - 2.0.0.0 - harps -
str)
SKU:
BR.PB-15144
Urtext. Composed
by Johann Baptist Vanhal.
Edited by Tobias
Glockler. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). Solo
concerto; Early
classical; Classical.
Study Score. Duration
20'. Breitkopf and
Haertel #PB 15144.
Published by Breitkopf
and Haertel
(BR.PB-15144).
ISBN
9790004215968. 6.5 x 9
inches.
The
unbroken popularity of
Vanhal's sole double bass
concerto in competitions
and for practice and
concert purposes is
reason enough for us to
publish the work in
Breitkopf Urtext. The
edition profits from
Tobias Glockler's
experience of many years.
As with the other great
double-bass concertos of
the classical Viennese
repertoire (Dittersdorf,
Hoffmeister), Glockler
arrives at convincing
solutions. He began by
filtering out a solid
musical text from the
source (which was not
always free of
contradictions) that was
supplied with many
additions. The
disposition of the solo
part required detailed
knowledge of performance
practice, since the work
was written in the
historical Viennese
double bass tuning, and a
few passages cannot be
played without difficulty
on a modern instrument.
As with Dittersdorf and
Hoffmeister, the piano
reduction makes it
possible to use three
different double-bass
tunings (solo, orchestral
and Viennese). Moreover,
it contains the editor's
virtuoso cadenzas as
well.I have performed the
Vanhal in Viennese tuning
and it was my thesis
topic so I am thrilled to
see an edition that makes
this tuning so
accessible. I highly
recommend this
all-encompassing edition.
(Marian Heckenburg,
Stringendo).
Urtext. Composed
by Johann Baptist Vanhal.
Edited by Tobias
Glockler. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Early classical;
Classical. Part. 8 pages.
Duration 20'. Breitkopf
and Haertel #OB 15143-15.
Published by Breitkopf
and Haertel
(BR.OB-15143-15).
ISBN
9790004342008. 10 x 12.5
inches.
The
unbroken popularity of
Vanhal's sole double bass
concerto in competitions
and for practice and
concert purposes is
reason enough for us to
publish the work in
Breitkopf Urtext. The
edition profits from
Tobias Glockler's
experience of many years.
As with the other great
double-bass concertos of
the classical Viennese
repertoire (Dittersdorf,
Hoffmeister), Glockler
arrives at convincing
solutions. He began by
filtering out a solid
musical text from the
source (which was not
always free of
contradictions) that was
supplied with many
additions. The
disposition of the solo
part required detailed
knowledge of performance
practice, since the work
was written in the
historical Viennese
double bass tuning, and a
few passages cannot be
played without difficulty
on a modern instrument.
As with Dittersdorf and
Hoffmeister, the piano
reduction makes it
possible to use three
different double-bass
tunings (solo, orchestral
and Viennese). Moreover,
it contains the editor's
virtuoso cadenzas as
well.I have performed the
Vanhal in Viennese tuning
and it was my thesis
topic so I am thrilled to
see an edition that makes
this tuning so
accessible. I highly
recommend this
all-encompassing edition.
(Marian Heckenburg,
Stringendo).
Urtext. Composed
by Johann Baptist Vanhal.
Edited by Tobias
Glockler. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Early classical;
Classical. Part. 12
pages. Duration 20'.
Breitkopf and Haertel #OB
15143-12. Published by
Breitkopf and Haertel
(BR.OB-15143-12).
ISBN
9790004342169. 10 x 12.5
inches.
The
unbroken popularity of
Vanhal's sole double bass
concerto in competitions
and for practice and
concert purposes is
reason enough for us to
publish the work in
Breitkopf Urtext. The
edition profits from
Tobias Glockler's
experience of many years.
As with the other great
double-bass concertos of
the classical Viennese
repertoire (Dittersdorf,
Hoffmeister), Glockler
arrives at convincing
solutions. He began by
filtering out a solid
musical text from the
source (which was not
always free of
contradictions) that was
supplied with many
additions. The
disposition of the solo
part required detailed
knowledge of performance
practice, since the work
was written in the
historical Viennese
double bass tuning, and a
few passages cannot be
played without difficulty
on a modern instrument.
As with Dittersdorf and
Hoffmeister, the piano
reduction makes it
possible to use three
different double-bass
tunings (solo, orchestral
and Viennese). Moreover,
it contains the editor's
virtuoso cadenzas as
well.I have performed the
Vanhal in Viennese tuning
and it was my thesis
topic so I am thrilled to
see an edition that makes
this tuning so
accessible. I highly
recommend this
all-encompassing edition.
(Marian Heckenburg,
Stringendo).
Voice, Piano SKU: FG.55009-510-6 Edited by Ismo Lahdetie. Arranged by Tan...(+)
Voice, Piano
SKU:
FG.55009-510-6
Edited
by Ismo Lahdetie.
Arranged by Taneli
Kuusisto. Published by
Fennica Gehrman
(FG.55009-510-6).
ISBN
979-0-55009-510-6.
Taneli Kuusisto (1905-88)
was a versatile influence
in Finnish musical life:
composer, pianist,
organist, church
musician, writer on
music, and Rector of the
Sibelius Academy. Of the
more than 120 solo songs
penned by him,
Suomalainen rukous (A
Finnish Prayer), a
setting of a poem by Uuno
Kailas composed in 1939
on the eve of the Winter
War, has acquired a
status all of its own.
The solo songs of Taneli
Kuusisto are published in
two volumes edited by
Ismo Lahdetie. The second
Kuusisto album for voice
and piano includes 28
folk song arrangements
with Finnish textsand
some of them have a
German translation.
Contents: Apilan kukka *
Ei tule suvi * Eiha se
paiva aina paista * Eihan
ne kaikki puolanmarjat *
Eloni kertoa tahdon *
Elamanlanka se kukkia
kasvaa * Ennen ne
Kerimaen kirkonkellot *
Etelasta lenti se
pikkunen lintu * Harvoin
ne tytot lauluja laulaa *
Heilani kammarin ikkunan
alla / Unter der Liebsten
Kammerfenster * Heilani
souteli venehella *
Kaikista Suomen parhaista
pojista * Kataja on
matala * Kehtolaulu /
Wiegenlied * Kevattuuli
lounaisesta puhalteli
hiljaa * Kivaari ol'
kirkas * Kulkuripoika /
Wanderbursch * Kullervon,
Kallervon poigu * Kultani
on Saimaan rannalla * Kun
ystavain minun heitti *
Linnan silta on sininen *
Lahdetaanpas niitylle *
Mene pois, sina ylpia
poika * Mika siina lie? *
Millapa lienen, kullapa
lienen * Mita sina tulit
narraamaan * Muistatkos,
poika, senkin illan *
Mull' on kulta entinen *
Maen laitaan / Am Abhang
* Naapurin poika se
pellollansa * Neiot
laulaa ringin keskella *
Niin hellasti, niin
vienosti * Nyt aion vahan
laulella / Jaakon ja
Marian laulu * Nyt on
poika yksin jaanyt * Ois
mulla sullen, tytto nuori
* Onko, poika, paperisi
kastunna * Pienet linnut
ne lehtipuuss' *
Piirilaulu / Reigenlied *
Pikku lintu eramaassa *
Pikkune lintu se illan
tulle * Pyhajarvi se
lainehtii * Rakkauden
takia * Ruskei neitsyt,
valgei neitsyt * Soi,
soi, minun lehmani /
Paimentyton valitus *
Taivaalla, taivaalla,
taivaan rannalla * Tie
meni sinne ja tie meni
tanne * Tuu, tuu,
tuomenkukka * Tama rinki
on varustettu * Vanha
loikko * Vierivan virran
reunalle * Voi kuinka
pitkalta jaatyna on *
Yksin istun, yksin laulan
* Yksin taytyy mun taalla
olla * aiti tuutii
poikiansa * aanen kuulin,
tulevan luulin.
11 celebratory pieces
for weddings and other
occasions. Arranged
by Markus Schenk. De
Haske Brass Series. Set
(Score & Parts). Composed
2014. De Haske
Publications #DHP
1145594-070. Published by
De Haske Publications
(BT.DHP-1145594-070).
ISBN 9789043137010.
English-German-French-Dut
ch.
A collection of
classical works for
various occasions
including birthdays,
anniversaries, weddings
and funerals, arranged by
Markus Schenk especially
for this edition. These
works are distinguished
by their stylistic
diversity and character,
and areversatile thanks
to their range of
durations-from a short
Bach chorale to an
extended concert
work.
Of het nu
gaat om een verjaardag,
jubileumfeest, bruiloft
of uitvaart, er zijn veel
gelegenheden die vragen
om passende plechtige
blaasmuziek. Die muziek
mag vaak feestelijk zijn,
maar soms is eerder een
ingetogen stemming
gewenst. Voor zijn
Musicfor
Celebrations
selecteerde Markus Schenk
een aantal bekende en
minder bekende klassieke
werken, die hij speciaal
voor deze uitgave heeft
bewerkt. Deze verzamelde
werken onderscheiden zich
door hun stilistische
diversiteit en de
variatie insfeer, maar
ook door de wisselende
tijdsduur – van een
kort Bachkoraal tot een
omvangrijk concertwerk.
Derhalve is deze
veelzijdige bundel
geschikt voor
uiteenlopende
gelegenheden.
M
usic for Celebrations
enthält 11 klassische
Stücke für
verschiedene Anlässe
wie Geburtstage,
Jubiläen, Hochzeiten
und Beerdigungen, die von
Markus Schenk extra
für diese Ausgabe
arrangiert wurden. Die
sehr wohlüberlegte
Auswahl enthält
vomkurzen Bachchoral bis
zum längeren
Konzertwerk viele
charakterlich und
stilistisch
unterschiedliche
Werke.
Ebenfalls
erhältlich für
variables
Bläserensemble in
einer deutschen Ausgabe
(Feierliche
Bläserklänge
DHP
1145595-070).
Flute; Piano (Flute) - intermediate to advanced SKU: HL.49010539 Flute...(+)
Flute; Piano (Flute) -
intermediate to advanced
SKU: HL.49010539
Flute and Piano.
Composed by Joseph
Schubert. Edited by
Istvan Mariassy. Arranged
by Istvá, n
Má, riá, and
ssy. This edition: Saddle
stitching. Sheet music.
Il Flauto Traverso (Flute
Library). Classical.
Piano reduction with solo
part. Op. 1. 60 pages.
Duration 26'. Schott
Music #FTR 145. Published
by Schott Music
(HL.49010539).
ISBN
9790001118309.
9.0x12.0x0.155
inches.
Dieses
musikantische Konzert des
bohmischen Komponisten
Joseph Schubert
(1757-1837) ist eine
Bereicherung des
Flotenrepertoires der
Klassik. Partitur und
Stimmen sind in der Reihe
CONCERTINO
erhaltlich.
Organ SKU: NR.109865 Per l'organo o cembalo. Composed by Bonaventu...(+)
Organ
SKU:
NR.109865
Per
l'organo o cembalo.
Composed by Bonaventura
Josef Marianus Stecher.
Keyboard instruments.
Score. Noten Roehr
#109865. Published by
Noten Roehr (NR.109865).