(Artistic Settings of Selections from the Masterful Oratorio by George Frideric ...(+)
(Artistic Settings of
Selections from the
Masterful Oratorio by
George Frideric Handel).
By George Frideric Handel
(1685-1759). Arranged by
Jan Sanborn. For Piano.
Book; Piano Collection;
Piano Supplemental.
Sacred Performer
Collections. Baroque;
Christmas; Sacred;
Winter. Advanced. 32
pages. Published by
Alfred Music Publishing
The newly born child Soli, choeur mixte et accompagnement [Vocal Score] Carus Verlag
(Cantata for the Sunday after Christmas). Composed by Johann Sebastian Bach (168...(+)
(Cantata for the Sunday
after Christmas).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Christiane Hausmann.
Arranged by Paul Horn.
For SATB vocal soli, 3
recorders, 2 oboes,
english horn, 2 violins,
viola, basso continuo.
This edition: Paperbound.
Stuttgart Urtext Edition.
German title: Das
neugeborne Kindelein.
Cantatas, Christmas.
Vocal score. Language:
German/English. Composed
1724. BWV 122. 20 pages.
Duration 16 minutes.
Published by Carus Verlag
(Cantata for the Sunday after Christmas). Composed by Johann Sebastian Bach (168...(+)
(Cantata for the Sunday
after Christmas).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Christiane Hausmann.
Arranged by Paul Horn.
For SATB vocal soli, 3
recorders, 2 oboes,
english horn, 2 violins,
viola, basso continuo.
Stuttgart Urtext Edition.
German title: Das
neugeborne Kindelein.
Cantatas, Christmas.
Organ part. Language:
German/English. Composed
1724. BWV 122. 12 pages.
Duration 16 minutes.
Published by Carus Verlag
Composed by Dietrich Buxtehude (1637-1707). Edited by Gunter Graulich. Arranged ...(+)
Composed by Dietrich
Buxtehude (1637-1707).
Edited by Gunter
Graulich. Arranged by
Paul Horn. For SATB
choir, 3 violins, basso
continuo. This edition:
Paperbound. Stuttgart
Urtext Edition. German
title: Das neugeborne
Kindelein 13. Cantatas,
Christmas. Full score.
Language: German/English.
BuxWV 13. 28 pages.
Duration 8 minutes.
Published by Carus Verlag
Volume 103 - David Sanborn Instruments Sib, Mib, Do et Bass clef [Partition + CD] - Intermédiaire/avancé Jamey Aebersold Jazz
Volume 103 - David Sanborn by David Sanborn. Edited by Jamey Aebersold. For any ...(+)
Volume 103 - David
Sanborn by David Sanborn.
Edited by Jamey
Aebersold. For any C, Eb,
Bb, bass instrument or
voice. Play-Along series
with accompaniment CD.
Jamey Aebersold
Play-A-Long series.
Intermediate, advanced.
Book and CD. 64 pages.
Published by Jamey
Aebersold jazz
By Antony Holborne, William Brade, Claude Gervaise, Thomas Ravenscroft, And John...(+)
By Antony Holborne,
William Brade, Claude
Gervaise, Thomas
Ravenscroft, And John
Dowland. Arranged by
Andrew Dabczynski. Music
by Antony Holborne,
William Brade, Claude
Gervaise, Thomas
Ravenscroft, and John
Dowland / arr. Andrew
Dabczynski. For String
Orchestra. String
Orchestra. String
Explorer. Level: 2 (grade
2). Conductor Score and
Parts. Published by
Alfred Publishing.
Choir SKU: CA.260200 Composed by Various. Edited by Johannes Tusch, Erzbi...(+)
Choir
SKU:
CA.260200
Composed by
Various. Edited by
Johannes Tusch, Erzbistum
Paderborn. This edition:
Paperbound. Hymns by
Martin Luther: Mitten wir
im Leben sind; Choral
collections for men's
choir. Paderborner
Mannerchorbuch. Sacred
vocal music, Motets,
Psalms, German, Whole
church year / Omni
tempore. Choir Book.
Carus Verlag #CV
02.602/00. Published by
Carus Verlag (CA.260200).
ISBN
9790007137243.
A
many-faceted cross
section of interesting
works for men's choir
from the Romantic era. -
Contains works by
Cornelius, Bortnjanskij,
Faure, Hauptmann, Hiller,
Spohr, Mendelssohn
Bartholdy, Loewe, Rinck
etc., many of whom in
world's premiere
editions. - This
valuable, representative
collection of works will
enable choirs to
rediscover pieces for
performance which today
are scarcely known. - The
works range from easy to
mid-level difficulty. -
Genuine rarities: the
collection contains music
and texts of the highest
quality which are no
longer accessible in
other editions. - In
addition to choruses for
three voices modeled on
the works of the classic
era (e.g., Spohr, Klein
and Rinck), there are
also easy to perform
compositions scored for
large ensembles.
Parts Only. Performed by Empire Brass. By Anthony Holborne. Arranged by Empire B...(+)
Parts Only. Performed by
Empire Brass. By Anthony
Holborne. Arranged by
Empire Brass. Brass
Ensemble. Size 8.5x11
inches. 20 pages.
Published by G. Schirmer,
Inc.
Saxophone Alto [Partition] - Intermédiaire Hal Leonard
Performed by David Sanborn. Instrumental solo songbook for alto saxophone solo. ...(+)
Performed by David
Sanborn. Instrumental
solo songbook for alto
saxophone solo. With
chord names, introductory
text and discography.
Series: Hal Leonard
Artist Transcriptions. 76
pages. Published by Hal
Leonard.
Arr. Fred Bock/Jan Sanborn for 4-hand duet. Arranged by Jan Sanborn, Fred Bock. ...(+)
Arr. Fred Bock/Jan
Sanborn for 4-hand duet.
Arranged by Jan Sanborn,
Fred Bock. Fred Bock
Publications. Size 9x12
inches. 8 pages.
Published by Fred Bock
Music Company.
Vere languores Chorale SATB SATB A Cappella CanticaNOVA Publications
Composed by Mark Siebert. A mainly homophonic setting of the text Vere languores...(+)
Composed by Mark Siebert.
A mainly homophonic
setting of the text Vere
languores ( Surely he
hath borne our
infirmities ) which uses
a variety of dynamics to
portray the drama of the
lyrics. This is an
effective contemporary
addition to any SATB
choir's Holy Week
repertoire! Lent,
Triduum. Published by
CanticaNOVA Publications
(C5.5026).
Composed by Traditional
African-American
Spiritual. Arranged by
Kevin Phillip Johnson.
Set of Score and Parts.
44+32+2 pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9743IN.
Published by Carl Fischer
Music (CF.CM9743IN).
ISBN 9781491162231.
UPC: 680160920990. Key: E
minor. English. Iyana
Davis. Negro Spiritual
with Rap crafter by Ayana
Davis.
This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The
composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a
popular interpretation of
the text. One for the
little bitty baby born,
born, born in
Bethlehem: This refers
to the infant Jesus. Two
for Paul and
Silas: This verse
honors Paul and Silas who
went on many missionary
journeys to spread the
teachings of Christ.ÂÂ
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for
the four that stood at
the door: Many people
interpret the four
to be the four writers
of the Gospel books
– Matthew, Mark,
Luke and John, though
this does not explain the
part about standing at
the door. Five for the
gospel preachers: The
five are Matthew, Mark,
Luke, John and Peter.
Paul is already mentioned
above, in line two. Six
for the six that never
got fixed: Could this
mean the sinners who
never change their
ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be
the seven stars in
Ursa
Major or the sev
enfold
spirit of God or
 the seven early
 Christian churches
 or the sevenÂÂ
stars in the
right hand of Ch
rist mentioned inÂ
 the Revelation.
Eight for the eight that
stood at the gate: This
could refer to the eight
people who entered
Noah’s ark (Noah,
his wife, their three
sons and their wives).
Nine for the nine that
dressed so fine: This
could refer to the nine
orders of Angels in
heaven. Ten for the
ten commandments: This
refers to the ten
commandments given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun!
Choral SATB Choir, Bass Guitar, Percussion, Piano SKU: CF.CM9743 Composed...(+)
Choral SATB Choir, Bass
Guitar, Percussion, Piano
SKU: CF.CM9743
Composed by Traditional
African-American
Spiritual. Arranged by
Kevin Phillip Johnson. 20
pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9743.
Published by Carl Fischer
Music (CF.CM9743).
ISBN 9781491161562.
UPC: 680160920211. Key: E
minor. English. Iyana
Davis. Negro Spiritual
with Rap crafter by Ayana
Davis.
This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The
composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a
popular interpretation of
the text. One for the
little bitty baby born,
born, born in
Bethlehem: This refers
to the infant Jesus. Two
for Paul and
Silas: This verse
honors Paul and Silas who
went on many missionary
journeys to spread the
teachings of Christ.ÂÂ
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for
the four that stood at
the door: Many people
interpret the four
to be the four writers
of the Gospel books
– Matthew, Mark,
Luke and John, though
this does not explain the
part about standing at
the door. Five for the
gospel preachers: The
five are Matthew, Mark,
Luke, John and Peter.
Paul is already mentioned
above, in line two. Six
for the six that never
got fixed: Could this
mean the sinners who
never change their
ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be
the seven stars in
Ursa
Major or the sev
enfold
spirit of God or
 the seven early
 Christian churches
 or the sevenÂÂ
stars in the
right hand of Ch
rist mentioned inÂ
 the Revelation.
Eight for the eight that
stood at the gate: This
could refer to the eight
people who entered
Noah’s ark (Noah,
his wife, their three
sons and their wives).
Nine for the nine that
dressed so fine: This
could refer to the nine
orders of Angels in
heaven. Ten for the
ten commandments: This
refers to the ten
commandments given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun!
Composed by Traditional
African American
Spiritual. Arranged by
Kevin Phillip Johnson. 16
pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9742.
Published by Carl Fischer
Music (CF.CM9742).
ISBN 9781491161555.
UPC: 680160920204. Key: E
minor. English. Iyana
Davis.
This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The
composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a
popular interpretation of
the text. One for the
little bitty baby born,
born, born in
Bethlehem: This refers
to the infant Jesus. Two
for Paul and
Silas: This verse
honors Paul and Silas who
went on many missionary
journeys to spread the
teachings of Christ.ÂÂ
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for
the four that stood at
the door: Many people
interpret the four
to be the four writers
of the Gospel books
– Matthew, Mark,
Luke and John, though
this does not explain the
part about standing at
the door. Five for the
gospel preachers: The
five are Matthew, Mark,
Luke, John and Peter.
Paul is already mentioned
above, in line two. Six
for the six that never
got fixed: Could this
mean the sinners who
never change their
ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be
the seven stars in
Ursa
Major or the sev
enfold
spirit of God or
 the seven early
 Christian churches
 or the sevenÂÂ
stars in the
right hand of Ch
rist mentioned inÂ
 the Revelation.
Eight for the eight that
stood at the gate: This
could refer to the eight
people who entered
Noah’s ark (Noah,
his wife, their three
sons and their wives).
Nine for the nine that
dressed so fine: This
could refer to the nine
orders of Angels in
heaven. Ten for the
ten commandments: This
refers to the ten
commandments given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun!
Choir SKU: GI.G-5907 Composed by Francis Patrick O'brien. Christmastide, ...(+)
Choir
SKU:
GI.G-5907
Composed by
Francis Patrick O'brien.
Christmastide, Christmas
Vigil, Christmas Night,
Christmas Dawn, Christmas
Day, Epiphany, Baptism of
the Lord. Sacred.
Collection. GIA
Publications #5907.
Published by GIA
Publications (GI.G-5907).
English.
Among
the many liturgical
composers who have shared
their talents with us
over the past few
decades, Fran O'Brien
consistently captures the
wants, needs, and
capacity of the Sunday
morning choir
beautifully! The Word Is
Born is a marvelous
collection of Christmas
offerings, with ideal
pieces for children's
choir, ensemble, and of
course, adult choir. Song
after song is highly
useable during the
season, from Advent
through the Baptism of
the Lord. Filled with
tastefully crafted and
highly singable music for
all types of choirs, The
Word Is Born is sure to
become a Christmas
standard for years to
come. Includes one of
each of following
octavos: Wood of the
Cradle - All the Ends of
the Earth - Epiphany
Carol - God of Surprises
- God’s Beloved
One - God’s
Delight at Bethlehem -
Hodie Christus natus est
- Journey On - Nova, Nova
- Of Woman Born - Song of
the Baptist - Song of the
Innocents - The Word Is
Born - Today Is Born Our
Savior - ’Twas in
the Noon of Wintertime -
Welcome All .
SAB chorus and piano - Medium-easy SKU: JK.01718 Composed by David R. Nay...(+)
SAB chorus and piano -
Medium-easy
SKU:
JK.01718
Composed by
David R. Naylor. Choral
SAB, Difficulty Easy
Medium, Piano Choir,
Seasonal Music Christmas,
Christmas, Jesus Christ -
Birth. Christian,
Inspirational. Duration
5:00. Jackman Music
Corporation #01718.
Published by Jackman
Music Corporation
(JK.01718).
Luke
2.
Quiet,
lyrical Christmas carol
for piano accompaniment
and three-part voicing,
testifying that nature
solemnly adds its
declaration that Christ
was born in
Bethlehem.
Compose
r: David R. Naylor
Lyricist: David R.
Naylor Difficulty:
Medium-easy
Performance time:
5:00 Reference: Luke
2.