Composed by David Bobrowitz. Sheet music. Score and parts. Duration 4' 45''. MDS (Music Distribution Services) #CFK 913725. Published by MDS (Music Distribution Services)

As Recorded by Portugal. The Man. By John Gourley, Zach Carothers, Jason Sechrist, Eric Howk, Kyle O'Quin, John Hill, Asa Taccone, Robert Bateman, Georgia Dobbins, William Garrett, Freddy Gorman, and Brian Holland [Portugal. The Man]. By John Gourley, Zach Carothers, Jason Sechrist, Eric Howk, Kyle O'Quin, John Hill, Asa Taccone, Robert Bateman, Georgia Dobbins, William Garrett, Freddy Gorman, and Brian Holland. Arranged by Mike Story. Marching Band; Performance Music Ensemble; Single Titles. Big and Easy. Pop. Part(s); Score. 116 pages. Alfred Music #00- 47035. Published by Alfred Music

By Joseph M. Martin and David Angerman. For SATB Choir (SATB). Shawnee Press. 11 pages

String Orchestra string orchestra with opt. 3rd Violin/Viola TC 3, piano and drumset - Grade 1.5

SKU: KN.8717

Composed by Timothy J. Isham. Accent String Orchestra. Kendor Music Inc #8717. Published by Kendor Music Inc (KN.8717).

UPC: 822795087178.

With all the energy and excitement of a top 40 song, this grade 1+ original will make your young orchestra students feel like pop superstars! Driving rhythms and simple syncopations give it an authentic feel, while keeping the technical demands to a minimum for beginning players. Duration 3:10.

Grade 3

SKU: CL.032-0258-00

Composed by Niehaus. Jazz Ensemble. Score and set of parts. Composed 1983. C.L. Barnhouse #032-0258-00. Published by C.L. Barnhouse (CL.032-0258-00).

A bright swing tune that really gets off the ground. This concert opener features solos for trumpet and piano along with a driving sax soli. ``Joyful’’ it is.

By Darren W. Jenkins. Music by Darren W. Jenkins. For Concert Band. Concert Band. Alfred Concert Band. Level: Grade 3. Conductor Score & Parts. 3 pages. Published by Alfred Publishing.

((Opus 3.14159)). Composed by Richard Meyer. Orchestra. Part(s); Score; String Orchestra. Highland String Orchestra. Form: Overture. Grade 3. 124 pages. Published by Highland/Etling

Piano

SKU: FG.042-08397-0

Composed by Einar Englund. Published by Fennica Gehrman (FG.042-08397-0).

ISBN 979-0-042-08397-0.

Englund's second piano sonatina The Parisian dates from 1984. Neoclassical in style, its brilliantly driving first movement gives way to the the sarabande-like middle movement, whose ambiguous harmonic motion in parallel thirds with octave doublings is challenged by a clangorous outburst of polytonality. The last movement is a fiery gigue on a jagged, syncopated theme.

Orchestra string orchestra - Grade 3.5

SKU: KJ.SO322F

Composed by Jeffrey Bishop. Score. Neil A. Kjos Music Company #SO322F. Published by Neil A. Kjos Music Company (KJ.SO322F).

UPC: 8402703221.

Erebus was an ancient demigod, most often represented as Night, the son of Chaos. Here, Mr. Bishop composed a work representing the attributes ascribed to Erebus: pensive anticipation, sullen darkness, driving passion. He features the ever-popular tritone to help create the sense of unease and with other dissonance, offers students an amazing opportunity to create an ensemble sound like no other.

Arranged by Larry Shackley. (SATB). Eternal Life, Gospel, Jazz/SwingStyle, Spiritual, Blues-Gospel-Spirituals and Sacred. Print Music Single (SATB). Published by Hope Publishing Company.

By Jay Althouse. For Choir. (SSAB, a cappella). Choral Octavo. Spiritual, Christmas. Level: Level 3 (grade L3). Choral Octavo. 8 pages. Published by Alfred Publishing.

By Gary Fagan. Concert Band. Concert Band. Alfred Concert Band. Grade 3.5. Conductor Score and Parts. 280 pages. Published by Alfred Music Publishing

SATB choir, piano accompaniment - Early intermediate

SKU: GI.WW1798

Arranged by Ryan Murphy. Concert, School, Church. Andrew Crane Choral Series. Classical. Octavo. 20 pages. Walton Music #WW1798. Published by Walton Music (GI.WW1798).

UPC: 785147024866. English. Text Source: African American spiritual.

Ryan Murphy's arrangement of Music in the Air brings the song to an exciting new life. This setting includes a driving piano accompaniment and singable vocal parts, making this an achievable work for your choir with great impact. Andrew Crane Choral Series.

Composed by Ed Huckeby. Concert Band Series. Audio recording available separately (item CL.WFR392). Score and parts. Composed 2017. Duration 3 minutes, 55 seconds. Published by C.L. Barnhouse (CL.012-4586-00).

Concert Band Concert Band - Grade 2.5

SKU: FJ.B1643S

Score Only. Composed by Jack Wilds. Concert Band. FJH Young Band. Score. Duration 3:30. The FJH Music Company Inc #98-B1643S. Published by The FJH Music Company Inc (FJ.B1643S).

English.

Experie nce a magical winter solstice ceremony at the Megalithic Newgrange site in Ireland. A smooth, mystical introduction leads to a hypnotic dance groove as open fifths, driving drones and percussion ostinatos give the piece an ancient feel. Eventually the music builds one final time as it barrels to the powerful conclusion!

About FJH Young Band

Appro priate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5

Concert Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabassoon, English Horn, Euphonium, Flute 1, Flute 2, Flute 3, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3 and more.

SKU: PR.16500092L

For Concert Band. Composed by Dan Welcher. Spiral. Contemporary. Large Full Score. With Standard notation. Composed 1994. 76 pages. Duration 10 minutes. Theodore Presser Company #165-00092L. Published by Theodore Presser Company (PR.16500092L).

UPC: 680160039531. 11 x 17 inches.

Zion is the third and final installment of a series of works for Wind Ensemble inspired by national parks in the western United States, collectively called Three Places in the West. As in the other two works (The Yellowstone Fires and Arches), it is my intention to convey more an impression of the feelings I've had in Zion National Park in Utah than an attempt at pictorial description. Zion is a place with unrivalled natural grandeur, being a sort of huge box canyon in which the traveler is constantly overwhelmed by towering rock walls on every side of him -- but it is also a place with a human history, having been inhabited by several tribes of native Americans before the arrival of the Mormon settlers in the mid-19th century. By the time the Mormons reached Utah, they had been driven all the way from New York State through Ohio and, with tragic losses, through Missouri. They saw Utah in general as a place nobody wanted, but they were nonetheless determined to keep it to themselves. Although Zion Canyon was never a Mormon Stronghold, the people who reached it and claimed it (and gave it its present name) had been through extreme trials. It is the religious fervor of these persecuted people that I was able to draw upon in creating Zion as a piece of music. There are two quoted hymns in the work: Zion's Walls (which Aaron Copland adapted to his own purposes in both is Old American Songs and the opera The Tender Land) and Zion's Security, which I found in the same volume in which Copland found Zion's Walls -- that inexhaustible storehouse of 19th-century hymnody called The Sacred Harp. My work opens with a three-verse setting of Zion's Security, a stern tune in F-sharp minor which is full of resolve. (The words of this hymn are resolute and strong, rallying the faithful to be firm, and describing the city of our God they hope to establish). This melody alternates with a fanfare tune, whose origins will be revealed in later music, until the second half of the piece begins: a driving rhythmic ostinato based on a 3/4-4/4 alternating meter scheme. This pauses at its height to restate Zion's Security one more time, in a rather obscure setting surrounded by freely shifting patterns in the flutes, clarinets, and percussion -- until the sun warms the ground sufficiently for the second hymn to appear. Zion's Walls is set in 7/8, unlike Copland's 9/8-6/8 meters (the original is quite strange, and doesn't really fit any constant meter), and is introduced by a warm horn solo. The two hymns vie for attention from here to the end of the piece, with the glowingly optimistic Zion's Walls finally achieving prominence. The work ends with a sense of triumph and unbreakable spirit. Zion was commissioned in 1994 by the wind ensembles of the University of Texas at Arlington, the University of Texas at Austin, and the University of Oklahoma. It is dedicated to the memory of Aaron Copland.

Jazz Ensemble standard jazz ensemble (playable by 12-17 players) with opt. flute, clarinet, F horn, tuba and vibes - 3.2

SKU: KN.42055S

Composed by George Shutack. First Edition Series. Kendor Music Inc #42055S. Published by Kendor Music Inc (KN.42055S).

UPC: 822795420555.

A catchy melody, blues based harmony, and a driving rock groove combine to create a medium easy chart that is sure to be loads of fun. Everyone gets to play the melody and the written or ad lib open solo section features any soloists, making it a great choice for concerts and festivals alike. Written with reduced instrumentation (12-17 players), optional flute, clarinet, horn in F, tuba and vibes parts are included in each set. Duration 3:31.

Composed by Jeffrey Bishop. For string orchestra. Original Concert Work. Grade 4. Score and set of parts. Duration 5:18. Published by Wingert- Jones Publications

Choral (Studiotrax CD)

SKU: HL.35032363

Arranged by Richard A. Nichols. Shawnee Sacred. General Worship, Sacred. CD. Duration 220 seconds. Published by Shawnee Press (HL.35032363).

UPC: 888680783402. 5.0x5.0x0.152 inches. Acts 4:24, Job 26, Nehemiah 9:6, Psalm 89:11.

A regal celebration of a time-honored hymn is displayed in this festive arrangement! Classic brass motives define the introduction, raising the curtain on a joyful unison presentation of the well-known ELLACOMBE theme. A graceful middle verse offers a pleasing contrast of interesting choral textures, giving directors an opportunity for interpretive freedom. Driving to a climactic conclusion, the anthem explodes in a sensational sonic moment worthy of cathedral or concert hall. Score and Parts (hn, tpt 1-2, tbn, tba, sdm, bdm, cym, timp) available as a digital download.

Arranged by With New Words And Music, By Donald Moore. Traditional Spiritual. For Choir. (SAB). Choral Octavo. Choral Designs. Sacred; Secular; Spiritual. Choral Octavo. 8 pages. Published by Alfred Publishing.

By Jay Althouse. For Choir. (TTBB, a cappella). Choral Octavo. Spiritual, Christmas. Choral Octavo. 8 pages. Published by Alfred Publishing.

Composed by Brendon Urie, Ilsey Juber, Jacob Sinclair, Jenny Owen Young, Jonas Jeberg, Lauren Pritchard, Sam Hollander, Tayla Parx, and William Lobban Bean. Arranged by Doug Adams. 5 or More; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Quartet; Single Titles; Solo Small Ensembles. Pop Beginning Band. Light Concert; Pop/Rock. Score. Duration 2:00. Alfred Music #00- 49166S. Published by Alfred Music

Arranged by Joshua Spacht. Anthem. Octavo. Published by Word Music (WD.080689438233).

Orchestra Concert Band

SKU: PR.116400500

Composed by Carter Pann. Folio. Set of Score and Parts. 28+2+2+2+2+2+2+2+2+2+2+2+ 2+2+2+2+2+2+2+2+2+2+2+2+2 +2+2+2+4+16+16+20+20+10 pages. Duration 5 minutes. Theodore Presser Company #116-40050. Published by Theodore Presser Company (PR.116400500).

ISBN 9781491130773. UPC: 680160676729. 9 x 12 inches.

TINY TATTOO was written after the composer visited a “treetop” bistro at Big Sur, California. The restaurant is named Nepenthe, after an ancient Greek elixir fabled to relieve any and all sorrows. This spot-on-the-cliff made such an impression on Pann that musical ideas immediately started flowing, giving rise to the opening hook of this 5-minute orchestral work. Written as a gift to conductor Alastair Willis, TINY TATTOO is a highly catchy and colorful work with exciting percussion parts, equally suitable for advanced student orchestras, professional ensembles, and everything in between.
TINY TATTOO (2017) was written after visiting a “treetop” bistro at Big Sur, California with my wife after driving the entire day up from L.A. The restaurant is called “Nepenthe,” named after an ancient Greek elixir fabled to relieve one from any and all sorrows. This spot-on-the-cliff made such an impression on me (in my exhausted state) that I immediately began humming the opening minimal hook in what is now this piece. Any well-known excerpts containted within the work are happy accidents.Tiny Tattoo was written as a gift to conductor Alastair Willis.

Score Only Concert Band (Score) - Grade 3

SKU: HL.4003293

Composed by Michael Oare. MusicWorks Grade 3. Contest, Festival. Softcover. 32 pages. Duration 210 seconds. Published by Hal Leonard (HL.4003293).

UPC: 884088864217. 9.0x12.0x0.096 inches.

Written in a driving fast tempo, this exciting work by Michael Oare incorporates the metric grouping of 3+3+2 as a recurring motif. At times superimposing layers of simple meter feel along with more complex patterns, Uproar generates energy and excitement while using a variety of textures and colors within the wind and percussion sections. An impressive-sounding work for young players. Dur: 3:30.

Grade 2

SKU: CL.032-4748-01

Composed by Barton. Jazz Ensemble. Extra full score. C.L. Barnhouse #032-4748-01. Published by C.L. Barnhouse (CL.032-4748-01).

Apocalypse is a hard-hitting, up-tempo rock tune with the feel of a cataclysmic event, and when combined with the composer’s signature driving rock feel, makes for a winning combination! Written solidly at the medium easy level, this tune features repetitive rhythms and patterns that guarantee you will be performance ready with a minimum of rehearsal time. Scored for limited instrumentation, with careful attention to instrument ranges, and written out solos over easy changes, Apocalypse will be accessible to the smallest and youngest ensembles, as well as a lot of fun for more advanced groups. Loaded with student and audience appeal, this tune is an ideal contest/concert selection. Guaranteed to rock every time you play it!

5-8 Octave Handbells - Grade 5

SKU: BP.HB756

Composed by Sandra Eithun. Handbell music. Score. Beckenhorst Press #HB756. Published by Beckenhorst Press (BP.HB756).

Written for 5 to 8 octave handbell choir. Level 5+.

Sandra Eithun has masterfully woven together the tune Creator of the Stars of Night with Do You Hear What I Hear? in this new addition to The Legacy Series. Changing meters and driving rhythms abound as listeners and ringers are treated to various styles and moods as the piece progresses. The tune rises in intensity and complexity before coming back to the opening feeling of rest and hopeful anticipation. A glorious choice for the advanced ensemble this holiday season!

Grade 3

SKU: CL.032-4658-00

Composed by Jr. Vuono. Jazz Ensemble. Jazz Festival. Score and set of parts. Composed 2018. Duration 4 minutes, 41 seconds. C.L. Barnhouse #032-4658-00. Published by C.L. Barnhouse (CL.032-4658-00).

This Big‐League chart spotlights all of the sections of the jazz ensemble with high‐energy and verve. Opening with an effective piano solo/rhythm section soli, Welcome to the Majors features a driving, lite‐shuffle beat that propels the breezy melody and crisp ensembles over a set of slightly altered blues changes. A 4‐bar kick‐off leads to a tenor sax solo, and this solo section may be opened up for other players as desired. An 8 bar trombone soli leads way to the incisive and biting shout chorus that builds and builds. Fresh, spirited, and lots of fun for concert and contest alike. A real home run!