SKU: AP.47882

UPC: 038081548555. English.

Show choirs rejoice! This rock-pop anthem is PANIC! AT THE DISCO's highest charting hit to date. Alan Billingsley's accessible arrangement is a faithful takedown of the original, equally effective in all voicings. The aspirational message is about rising to the top and a desire to be that one in a million. Three-part mixed choirs will enjoy the SAT(B) voicing as the baritone part is optional.

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

SKU: CF.CB139F

ISBN 9780825874529. UPC: 798408074524. 9x12 inches. Key: G minor.

Another installment in the Authentic Fillmore Edition series, The Golden Plume was written under the pen name of Will Huff, one of seven pseudonyms used by the famous march composer Henry Fillmore. It is a classic American style march in cut-time that is sure to find a place on your next concert or festival performance, in a new edition just like it was originally intended.

SKU: AP.47881

UPC: 038081548548. English.

Show choirs rejoice! This rock-pop anthem is PANIC! AT THE DISCO's highest charting hit to date. Alan Billingsley's accessible arrangement is a faithful takedown of the original, equally effective in all voicings. The aspirational message is about rising to the top and a desire to be that one in a million. Three-part mixed choirs will enjoy the SAT(B) voicing as the baritone part is optional.

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

SKU: GI.G-317228

SKU: MN.50-0457

UPC: 688670504570. English.

The familiar William Blake poem is set here in solid four-part writing with brief divisi in the soprano and alto parts.

SKU: CF.CM9625

ISBN 9781491156988. UPC: 680160915545. 6.875 x 10.5 inches. Key: Bb major. English, English. William Butler Yeats.

The Everlasting Voices is the perfect blend of textural variety and harmonic interest for the advanced treble ensemble. Employing a powerful text, Baas' vocal layering coupled with piano and optional cello make this compelling piece a programming must!.
O sweet everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will, Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore? O sweet everlasting Voices, be still. This SSAA choral work by Jimmy Baas was comissioned by the Lumberton HS Varsity Treble Choir. The opening and closing lines of the poem, O sweet everlasting voices, be still provide the perfect bookends for two larger sections of the poem. These two sections are equally divided into verses. The opening line is used once again as a transition between the verses. The previously mentioned lines, O sweet everlasting voices, are overlapped as different layers of voices enter and sustain. A fifth and sixth voice, the cello and piano accompaniment take part in these layers as well. The words be still are very much a part of the mood each time as the everlasting voices become quiet and still. The two verses feature different voices within the SSAA choir. Verse 1, the sopranos, and verse 2 the altos. There are many moments in this piece to explore the full range and color of the SSAA choir. The piano and cello play an important part throughout, making this piece an excellent choice for any festival women's chorus.
O sweet everlasting Voices, be still;Go to the guards of the heavenly foldAnd bid them wander obeying your will,Flame under flame, till Time be no more;Have you not heard that our hearts are old,That you call in birds, in wind on the hill,In shaken boughs, in tide on the shore?O sweet everlasting Voices, be still.This SSAA choral work by Jimmy Baas wascomissioned by the Lumberton HS Varsity Treble Choir.The opening and closing lines of the poem, “O sweeteverlasting voices, be still” provide the perfect bookendsfor two larger sections of the poem. These two sectionsare equally divided into verses. The opening line is usedonce again as a transition between the verses.The previously mentioned lines, “O sweet everlastingvoices,” are overlapped as different layers of voices enterand sustain. A fifth and sixth voice, the cello and pianoaccompaniment take part in these layers as well.The words “be still” are very much a part of the moodeach time as the everlasting voices become quietand still.The two verses feature different voices within the SSAAchoir. Verse 1, the sopranos, and verse 2 the altos. Thereare many moments in this piece to explore the full range andcolor of the SSAA choir. The piano and cello play an importantpart throughout, making this piece an excellent choice for anyfestival women’s chorus.

SKU: HL.1236599

ISBN 9781705198063. UPC: 196288148432. 6.75x10.5 inches.

A Gaelic Blessing was written for Louth Choral Society and uses a text written by William Sharp (under his pseudonym Fiona Macleod) and adapted by John Rutter for his 1978 piece, also called A Gaelic Blessing.

SKU: FH.VA5

ISBN 978-1-55440-567-1.

This groundbreaking series for viola offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring virtuoso. Representing all major style periods and a variety of genres, Viola Series, 2013 Edition offers all the music and tools needed to support a comprehensive course of study from the beginner to advanced levels. A rich and varied selection of music in each of these nine progressive volumes of repertoire appeals to violists of all ages. From the Preparatory Level through Level 8, students will be exposed to quality selections originally written for viola, fun arrangements of traditional fiddle and folk tunes, as well as contemporary pieces by notable composers such as Violet Archer, Carey Cheney, and Fritz Kriesler.
Concertos and Concertinos:
Concerto in C Minor, op. 12, no. 3 - Seitz, Friedrich
- First Movement
Concerto in G Major, TWV 51:G9 - Telemann, Georg Philipp
- Third Movement
- Fourth Movement
Concerto in D Minor, op. 3, no. 6, RV 356 - Vivaldi, Antonio arr. Christine Donkin
- Third Movement
Sonatas and Sonatinas:
Sonata in E flat Major - Dittersdorf, Carl Ditters von
Sonata - Cerha, Friedrich
- First Movement
- Second Movement
Sonata in G Major, op. 2, no. 6 - Flackton, William arr. Harold Birston
- Second Movement
- Third Movement
Concert Repertoire:
Langsam, op. 102, no. 2 - Schumann, Robert
La Provencale - Marais, Marin arr. May Mukle
Arioso - Bach, Johann Sebastian arr. Mark Mrozinski
Tambourin - d'Hervelois, Louis de Caix arr. Paul Doktor
Gypsy Pavan - Mozetich, Marjan
Space Dance - Mozetich, Marjan
Nocturne, op. 186, no. 2 - Kalliwoda, Johann Wenzel
Cradle Song - Bridge, Frank.