By Benjamin Britten (1913-1976). For Piano (Medium voice). Book; Masterworks; Vocal Collection. Faber Edition. 20th Century; Masterwork. Published by Faber Music

By Dream Theater. For Guitar. Guitar Recorded Version. Softcover. Guitar tablature. 136 pages. Published by Hal Leonard

By The Weeknd. Piano/Vocal/Guitar Artist Songbook. Softcover. 122 pages. Published by Hal Leonard

Collected Songs. (44 Songs, including 7 Cycles or Sets High Voice). By Gerald Finzi (1901-1956). High Voice. Boosey and Hawkes Voice. 176 pages. Boosey and Hawkes #M051934003. Published by Boosey and Hawkes

Edited by Cecil J. Sharp. For Voice. Song Folio. Dover Edition. Folk. Book. Published by Dover Publications

Unison Voices

SKU: HL.14006275

Catches (Paperback). Composed by Henry Purcell. Music Sales America. Secular. Book [Softcover]. Music Sales #NOV151103. Published by Music Sales (HL.14006275).

ISBN 9780711986237. UPC: 884088435141. 7.75x11 inches.

The first complete volume of Henry Purcell's Catches to appear in Purcell Society Edition since 1922. The new edition lays particular emphasis on accuracy and performance and includes a comprehensive commentary. Cloth edition available: NOV151103-01.

Cello; Piano Accompaniment

SKU: HL.50512037

Cello and Piano. Composed by Franz Liszt. Edited by Csiky Boldizsar. Arranged by Csí, ky Boldizsá, and r. Romantic. EMB. Classical. Softcover. 14 pages. Editio Musica Budapest #Z14779. Published by Editio Musica Budapest (HL.50512037).

ISBN 9790080147795. UPC: 884088668723. 9.0x12.0x0.079 inches. Ferenc Liszt; Boldizsar Csiky.

The arranger of this work (a well-known Hungarian composer living in Romania) writes: +This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinate one, may refer to its ostinato character. This is close to Liszt's programme concept, but the French word 'obstine' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the latter suggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration of stubborn resistance and defiance to the point of exhaustion was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltan Kocsis played the piece in Transylvania. At that time, I asked the composer, +Is the character of the continuous staccato in the left hand sharp, short, or an accompanying background like a constant shadow? Is it a weighty Brahmsian staccato, an ominous knocking? - and so on. Then there are the Bartokian false relations that keep recurring in the work, the B-E flat-G, etc. That foreshadows Debussy, creating harmonic thrills that, when I hear the work, keep my continuing interest alive for it. Finally, my immediate reason for arranging the work was of a family nature: in connection with Liszt's jubilee year, my daughter, who is a cellist, wanted a 'more energetic' piece to play at a bicentenary concert an addition to the existing slow, lyrical, or sombre works written by Liszt for the cello.+.

By Taylor Swift. Piano/Vocal/Guitar Artist Songbook. Pop. Softcover. 122 pages. Published by Hal Leonard

Arranged by Sondra K Tucker. For handbell choir (4 octaves). Handbell Quartets. Christmas, Sacred. Handbells

A Kind of Miniatures / Panta Rhei. By Lutz Gerlach. For Piano. Solos. AMA Verlag. Contemporary. Level: Beginning-Intermediate. Book. Size 9x12. 144 pages. Published by AMA Verlag. ISBN 3899220102.

Euphonium - beginning

SKU: SP.TS543

Composed by Tony Santorella. Reference; Educational. Reference, Educational. Chart. 4 pages. Santorella Publications #TS543. Published by Santorella Publications (SP.TS543).

ISBN 9781585609031.

Due to the success of our Instrumental Fingering Posters, we thought it would be helpful to create a smaller version that could be tucked comfortably into any method book as a reference guide. Unbeknownst to us after days of research, we were left with countless questions, much confusion, and a slew of poorly crafted images from contradicting publications. That being said, we realized that there weren't truly any trustworthy resources in print and decided to address the void. We consulted experts in every category asking questions until both we and they and we were satisfied. Finally, a guide to fingering for beginners that even the experienced players will find beneficial. Santorella's Basic Fingering Charts are essential for anyone that picks up an instrument. Initially intended for beginners but after understanding the importance of false fingerings or more appropriately called, alternate fingerings their necessity is vital for playing certain musical passages on a particular instrument. In addition, after observing the difficulties that students had in identifying key signatures, we decided to include the Circle of Fifths diagram and every major scale in two octaves in every key including their enharmonic counterparts. After all was said in done, we now know, we now have the best educational products available for fingering in the industry. Our Basic Fingering Charts are perfect for private students, classroom study, or simply for a quick and easy reference guide while practicing at home. These graphic reference guides for assorted brass, reeds, woodwinds, and orchestral strings are specifically available for Clarinet, Bass Clarinet, Trumpet, Flute, Piccolo, Recorder, Baritone Horn, Trombone, Bass Trombone, Alto Sax, Soprano Sax, Tenor Sax, Baritone Sax, French Horn, Euphonium, Tuba, Oboe, Bassoon, Violin, Viola, Cello, and Bass. Every chart displays the entire range of each instrument by clearly depicting the fingering for each note including all their enharmonic substitutions. Each chart includes a diagram identifying the levers, valves, keys, slides, frets and more of each and every instrument. Learn where, when, and why to place your fingers. Now is the time to truly start playing with assured confidence.

By Cathy Blair. For Games. General music. Published by Heritage Music Press. (30/2006H)

Organ

SKU: ST.C460

Composed by Mark Goddard. Organ music. Clifton Edition #C460. Published by Clifton Edition (ST.C460).

ISBN 9790570814602.

This series offers a range of essential repertoire, re-arranged for manuals ONLY, and in some cases slightly simplified, yet maintaining the integral strength and effectiveness of the music. Ideal for the confirmed pianist, called upon to act as organist, sometimes at short notice!

Organ solo
Former Spartan Press Cat. No.: SP610

Titles in this series: Book 1, Book 2, Book 3, Book 4, Book 5, Book 6, Book 7, Book 8, Book 9.

[playlist images=false ids=65676,65677].

Piano - Late Intermediate, Advanced

SKU: OT.21124

Composed by Maayan Tal. 7 etudes for piano. Classical. Score. OR-TAV Music Publications #21124. Published by OR-TAV Music Publications (OT.21124).

ISBN 9789655050981. 8.27 x 11.69 inches.

Perpetuum Mobile, meaning perpetual motioni, is a Latin term that describes an impossible situation in which a substance has infinite energy. This situation is impossible because it violates the first and second laws of Newton.
But it is possible in music. Imagine a musical piece that is a continuous stream of notes. These are exactly the etudes in this album. They do not stop, they are always in motion and they can be played continuously.
Etudes are solo pieces, purposed to help the musician practice his technique. In this album, each etude is designed to practice another technique.
In addition, the etudes in this album are arranged according to the circle of fifths - each etude ends in a key which is dominant to the beginning of the next etude, even the last etude to the first one, and so on and so forth. This further emphasizes the infinite mobility of the music in this piece.
Once you enter the loop, you can't get out of it. All the etudes start in a minor key, as a symbol of the sadness of the matter, and end in a major key, to represent the hope, a false hope, that perhaps the next etude will take you out of the loop.
This album is a three-year-long project, in which I gathered ideas from the environment in which I live, from the people in it and from their thoughts, from life that continues all the time, and the music that will never stop.
Maayan Tal, 17, is a young Israeli musician, pianist and composer.

SAB vocal soli, SATB choir, [2 oboes], 3 trombones, timpani, 2 violins, viola, basso continuo

SKU: CA.3913612

Cantata for St. Michael's Day. Composed by Georg Philipp Telemann. Edited by Brit Reipsch. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Siehe, Es Hat Uberwunden Der Lowe. Sacred vocal music, Cantatas, Special days. Single Part, Violin 2. Composed 1722/23. TVWV 1:1328. 8 pages. Duration 15 minutes. Carus Verlag #CV 39.136/12. Published by Carus Verlag (CA.3913612).

ISBN 9790007216047. Language: German. Text: von Lingen, Hermann Ulrich. Text: Hermann Ulrich von Lingen.

Thanks to the false attribution to Johann Sebastian Bach (BWV 219) of the cantata for St. Michael's Day Siehe! es hat uberwunden der Lowe TVWV 1:1328 by Georg Philipp Telemann, one of Telemann's works experienced an unusually early renaissance. In 1884 the cantata was published in the Bach-Gesamtausgabe (Complete Edition) and from then onwards enjoyed some fame as an apocryphal Bach cantata. Alfred Durr was able to identify the work as a composition by Telemann in the 1950s. Score and part available separately - see item CA.3913600.

(Voice and Piano)

SKU: HL.48009941

Boosey & Hawkes Voice. Softcover. 118 pages. Hal Leonard #M060034480. Published by Hal Leonard (HL.48009941).

UPC: 073999994353. 8.5x11.75x0.317 inches.

Contents: A Pretty Pretty Ducke (Bartlet) * Away With These Self-Loving Lads (Dowland) * Beauty is but a Painted Hell (Campion) * Breake Now My Heart and Die (Campion) * Come Away (Dowland) * Come You Pretty False-Eyed Wanton (Campion) * Downe-a-Downe (Pilkington) * Ev'ry Dame Affects Good Fame (Campion) * Farewell Unkind Farewell (Dowland) * Flora Without Torment Me (Morley) * Her Rosie Cheekes (Campion) * I Heard of Late (Bartlet) * If There be Any One (Bartlet) * Now O Now I Needs Must Part (Dowland) * O Deare That I With Thee Might Live (Campion) * Oft Have I Sighed for Him (Campion) * Shall a Smile or a Guileful Glance? (Corkine) * Shall I Sue Shall I Seek For Grace? (Dowland) * Sorrow Sorrow Stay (Dowland) * Stay Time Awhile thy Flying (Dowland) * Sweet Was the Song (Attey) * The Peaceful Westerne Winde (Corkine) * Thrice Tosse These Oaken Ashes in the Air (Corkine) * Weep No More Sad Fountaines (Dowland) * What if I Never Speede (Dowland) * What Thing Is Love? (Bartlet) * When From My Love I Lookte (Bartlet) * Whither Runeth My Sweetheart (Bartlet) * Who Doth Behold My Mistress' Face (Bartlet).

By Thomas Morley. Arranged by David Sabourin. Brass Quintet. For 2 Trumpets, Horn in F, Trombone, Tuba. Baroque English. Level: intermediate. Full score and parts. Published by Cherry Classics.

Perfect binding, Solos. Studies. Book. 32 pages. Mel Bay Publications, Inc #31016. Published by Mel Bay Publications, Inc

Instructional DVD for Guitar. By Steve Lukather. DVD. DVD . Guitar tablature. Published by Hal Leonard.

By Mark Burrows. For games and CD. General music. Published by Heritage Music Press. (30/2314H)

SAB vocal soli, SATB choir, [2 oboes], 3 trombones, timpani, 2 violins, viola, basso continuo

SKU: CA.3913605

Cantata for St. Michael's Day. Composed by Georg Philipp Telemann. Edited by Brit Reipsch. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Siehe, Es Hat Uberwunden Der Lowe. Sacred vocal music, Cantatas, Special days. Choral Score. Composed 1722/23. TVWV 1:1328. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.136/05. Published by Carus Verlag (CA.3913605).

ISBN 9790007097929. Language: German. Text: von Lingen, Hermann Ulrich. Text: Hermann Ulrich von Lingen.

Thanks to the false attribution to Johann Sebastian Bach (BWV 219) of the cantata for St. Michael's Day Siehe! es hat uberwunden der Lowe TVWV 1:1328 by Georg Philipp Telemann, one of Telemann's works experienced an unusually early renaissance. In 1884 the cantata was published in the Bach-Gesamtausgabe (Complete Edition) and from then onwards enjoyed some fame as an apocryphal Bach cantata. Alfred Durr was able to identify the work as a composition by Telemann in the 1950s. Score available separately - see item CA.3913600.