| GanJam Ensemble Jazz [Set de Parties séparées] Peters
By Ferdinand Jelly Roll Morton. Edited by James Dapogny. For 2 Alto Saxophones...(+)
By Ferdinand Jelly Roll
Morton. Edited by James
Dapogny. For 2 Alto
Saxophones, 2 Tenor
Saxophones, 3 Trumpets, 2
Trombones, Piano, Guitar,
Doublebass, Drum. Modern,
Jazz, Orchestral. Set of
Parts. Duration circa 4-7
minutes. Published by
Edition Peters
$56.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Stop and Go [Set de Parties séparées] Peters
Jazz Ensemble 2 Alto saxophones, 2 Tenor saxophones, 3 trumpet, 2 trombonne, pia...(+)
Jazz Ensemble 2 Alto
saxophones, 2 Tenor
saxophones, 3 trumpet, 2
trombonne, piano, guitar,
double bass, Dr SKU:
PE.EP68488A Composed
by Jelly Roll Morton.
Jazz Ensembles. Edition
Peters. Part(s). 60
pages. Edition Peters
#98-EP68488A. Published
by Edition Peters
(PE.EP68488A). ISBN
9790300758909.
English. At the
end of 1938, Jelly Roll
Morton (1890-1941)
returned to New York from
his years in Washington,
D.C. Recent publicity had
made a comeback seem
possible, and he hoped to
recapture the prominent
place in the jazz world
that he had held in the
1920s. Still well known,
though mainly as a New
Orleans music pioneer, he
understood that in order
to be taken seriously as
a contemporary artist, he
needed to form a big band
like those of his
competition, such as Duke
Ellington, Count Basie,
Benny Goodman, and Tommy
and Jimmy Dorsey. In the
1920s Morton's recordings
and tours featured a
ten-piece band following
the first-generation
big-band format. But in
the late 1930s, larger
groups were popular, so
Morton assembled a
conventional '30s band
consisting of four
saxophones, six brass,
and four rhythm. The band
was to open at the Golden
Gate Ballroom in Harlem
on April 17th, 1939, but
on opening night Morton
collapsed before going
onstage. During his
recuperation from the
asthma and heart problems
that dogged him, the band
broke up, never to
reassemble. Only six
items written for that
band's instrumentation
are known to exist:
Morton's arrangements of
his own compositions --
Finger Breaker, GanJam,
Good Old New York, Mister
Joe, and Stop and Go --
and an arrangement,
Mamies' Blues, by another
artist. -- James Dapogny
(Editor) As an
editor, Dapogny shows his
customary sound musical
scholarship and deep
knowledge of Morton's
style....The publishers
are to be congratulated
for bringing this
fascinating work into the
public domain, which
throws a totally new
light on 'Mister Jelly
Lord.' Who knows what he
would have achieved had
he lived beyond his
alleged 51 years?
--Martin Litton, for JUST
JAZZ (Feb 2011) $39.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| GanJam [Conducteur] Peters
By Ferdinand Jelly Roll Morton. Edited by James Dapogny. For 2 Alto Saxophones...(+)
By Ferdinand Jelly Roll
Morton. Edited by James
Dapogny. For 2 Alto
Saxophones, 2 Tenor
Saxophones, 3 Trumpets, 2
Trombones, Piano, Guitar,
Doublebass, Drum. Modern,
Jazz. Full score. 27
pages. Duration circa 4-7
minutes. Published by
Edition Peters
$18.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Stop and Go [Conducteur] Peters
Jazz Ensemble 2 Alto saxophones, 2 Tenor saxophones, 3 trumpet, 2 trombonne, pia...(+)
Jazz Ensemble 2 Alto
saxophones, 2 Tenor
saxophones, 3 trumpet, 2
trombonne, piano, guitar,
double bass, Dr SKU:
PE.EP68488 Composed
by Jelly Roll Morton.
Jazz Ensembles. Edition
Peters. Score. 36 pages.
Edition Peters
#98-EP68488. Published by
Edition Peters
(PE.EP68488). ISBN
9790300758893.
English. At the
end of 1938, Jelly Roll
Morton (1890-1941)
returned to New York from
his years in Washington,
D.C. Recent publicity had
made a comeback seem
possible, and he hoped to
recapture the prominent
place in the jazz world
that he had held in the
1920s. Still well known,
though mainly as a New
Orleans music pioneer, he
understood that in order
to be taken seriously as
a contemporary artist, he
needed to form a big band
like those of his
competition, such as Duke
Ellington, Count Basie,
Benny Goodman, and Tommy
and Jimmy Dorsey. In the
1920s Morton's recordings
and tours featured a
ten-piece band following
the first-generation
big-band format. But in
the late 1930s, larger
groups were popular, so
Morton assembled a
conventional '30s band
consisting of four
saxophones, six brass,
and four rhythm. The band
was to open at the Golden
Gate Ballroom in Harlem
on April 17th, 1939, but
on opening night Morton
collapsed before going
onstage. During his
recuperation from the
asthma and heart problems
that dogged him, the band
broke up, never to
reassemble. Only six
items written for that
band's instrumentation
are known to exist:
Morton's arrangements of
his own compositions --
Finger Breaker, GanJam,
Good Old New York, Mister
Joe, and Stop and Go --
and an arrangement,
Mamies' Blues, by another
artist. -- James Dapogny
(Editor) As an
editor, Dapogny shows his
customary sound musical
scholarship and deep
knowledge of Morton's
style....The publishers
are to be congratulated
for bringing this
fascinating work into the
public domain, which
throws a totally new
light on 'Mister Jelly
Lord.' Who knows what he
would have achieved had
he lived beyond his
alleged 51 years?--Martin
Litton, for JUST JAZZ
(Feb 2011) $18.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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