Libretto SKU: HL.49016078 Composed by Georges Bizet. Edition Schott. Clas...(+)
Libretto
SKU:
HL.49016078
Composed
by Georges Bizet. Edition
Schott. Classical. Book
Only. 352 pages. Schott
Music #GS34003. Published
by Schott Music
(HL.49016078).
UPC:
073999205350. 305 X 229
inches.
English
Only. Like 'The Consul'
(1950), 'The Saint of
Bleecker Street' is a
full-length, serious work
which features several
characteristics of
traditional opera. It is
in three acts, has a
large cast, including a
chorus, and a large
orchestra.The subject
matter is very serious
and touches on religious
experiences, violence,
and murder. Suggestions
of incest also appear in
the story, and there is
no happy ending.
The Saint of
Bleecker Street is set
incontemporary New York
City, in the Italian
community in and around
Bleecker Street.
Menotti's libretto
concerns the young
Annina, who every Good
Friday develops stigmata
on her hands. Her
possessive brother,
Michele, fights tokeep
the miracle-hungry
neighbors away from her
and to prevent her from
becoming a nun. When
Michele's mistress,
Desideria, accuses him of
being in love with his
sister, he stabs her in
the back. Very ill,
Annina take the nun'sveil
in a ceremony at her home
and dies in the process.
(9 Piano Solos Inspired by Great Works of Art). Composed by Catherine Rollin....(+)
(9 Piano Solos Inspired
by
Great Works of Art).
Composed by Catherine
Rollin. For Piano. Book;
Graded Standard
Repertoire;
Piano Collection; Piano
Supplemental. Museum
Masterpieces.
Intermediate;
Late Intermediate. 28
pages.
Published by Alfred Music
Violin and 1 other inst. (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str) <...(+)
Violin and 1 other inst.
(solo: vl - 2.2.2.2 -
2.2(or 2corn).0.0 - timp
- str)
SKU:
BR.EB-11238
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Solo instruments;
stapled. Edition
Breitkopf.
In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic; Late-romantic.
Piano reduction. 44
pages. Duration 9'.
Breitkopf and Haertel #EB
11238. Published by
Breitkopf and Haertel
(BR.EB-11238).
ISBN
9790201812380. 9.5 x 12
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Part. 4
pages. Duration 9'.
Breitkopf and Haertel #OB
15155-27. Published by
Breitkopf and Haertel
(BR.OB-15155-27).
ISBN
9790004344972. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Flute; Piano SKU: HL.49045188 For Flute and Piano. Composed by Cec...(+)
Flute; Piano
SKU:
HL.49045188
For
Flute and Piano.
Composed by Cecile
Chaminade. Edited by
Edmund Waechter and
Elisabeth Weinzierl. This
edition: Saddle
stitching. Sheet music.
Woodwind Solo. Classical.
Softcover. Op. 107. 36
pages. Schott Music
#FTR229. Published by
Schott Music
(HL.49045188).
ISBN
9790001200806. UPC:
841886023314.
The
great talent of Cecile
Chaminade (1857-1944)
showed very early: At the
age of 12, she published
her first composition.
Georges Bizet, a friend
of the family, predicted
her great future. After
her successful debut as a
pianist in Paris in 1877,
she began busy concert
activities as a solo
pianist, chamber musician
and conductor in many
European countries as
well as in the USA and
Canada.Although many of
her compositions became
bestsellers during her
lifetime, they are almost
all missing in the
concert programmes of
today. Only the
Concertino for flute and
orchestra Op. 107 is
still performed
regularly. The demanding
piece was written in 1902
as a competition piece at
the Paris Conservatoire -
initially still with
piano accompaniment. The
orchestral version was
composed by Chaminade two
years later.The piece
begins with a wide melody
and then turns into a
virtuoso solo section
which is followed by a
cadenza. The piece ends
with the initial theme as
recapitulation and a
coda.
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Part. 8
pages. Duration 9'.
Breitkopf and Haertel #OB
15155-23. Published by
Breitkopf and Haertel
(BR.OB-15155-23).
ISBN
9790004344965. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Part. 8
pages. Duration 9'.
Breitkopf and Haertel #OB
15155-15. Published by
Breitkopf and Haertel
(BR.OB-15155-15).
ISBN
9790004344934. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Part. 8
pages. Duration 9'.
Breitkopf and Haertel #OB
15155-19. Published by
Breitkopf and Haertel
(BR.OB-15155-19).
ISBN
9790004344958. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Carmen Suite Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
Arranged by Jack Bullock. Orchestra. Full Orchestra. Belwin Concert Full Orchest...(+)
Arranged by Jack Bullock.
Orchestra. Full
Orchestra. Belwin Concert
Full Orchestra. Grade
3.5. Conductor Score and
Parts. 360 pages.
Published by Alfred Music
Publishing
Violin and orchestra (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str) SK...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
2.2(or 2corn).0.0 - timp
- str)
SKU:
BR.PB-15155
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic; Late-romantic.
Full score. 40 pages.
Duration 9'. Breitkopf
and Haertel #PB 15155.
Published by Breitkopf
and Haertel
(BR.PB-15155).
ISBN
9790004215609. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Part. 8
pages. Duration 9'.
Breitkopf and Haertel #OB
15155-16. Published by
Breitkopf and Haertel
(BR.OB-15155-16).
ISBN
9790004344941. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Violin SKU: HL.48180833 For Violin and Piano. Composed by Johann S...(+)
Violin
SKU:
HL.48180833
For
Violin and Piano.
Composed by Johann
Sebastian Bach. Leduc.
Baroque. Softcover. 4
pages. Alphonse Leduc
#AL19371. Published by
Alphonse Leduc
(HL.48180833).
UPC:
888680857158.
9.0x12.0x0.02
inches.
Parisian
violinist Georges
Catherine (1872-1958)
compiles an exciting
collection for the violin
repertoire. J. S. Bach's
Menuet and Gigue is
clearly printed with all
edited and necessary
performance directions.
J.S. Bach (1685-1750) is
one of the greatest
composers of all time.
His compositions for the
violin were significant,
most of which remain
popular today in the
advanced violinist's
repertoire. The violin
solo line of Menuet and
Gigue makes use of
harmonics, bow
techniques,
aritculations, fast
semiquavers, and
ornamentation.
Catherine's series,
Violin Classics provides
essential access to
significant repertoire of
the violin, preparing
advanced violinists for
the major works of the
repertoire.
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Set of
parts. 50 pages. Duration
9'. Breitkopf and Haertel
#OB 15155-30. Published
by Breitkopf and Haertel
(BR.OB-15155-30).
ISBN
9790004344989. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
By Georges Bizet. Arranged by Robert Longfield. Holiday,transcription. Concert B...(+)
By Georges Bizet.
Arranged by Robert
Longfield.
Holiday,transcription.
Concert Band. Classics.
Level: Grade 3.5. Score
and set of parts.
Composed 1993. Duration
0:04:06. Published by
C.L. Barnhouse.