The Grade By Grade series draws on the rich and varied Boosey and Hawkes catalogue of classical, contemporary and educational repertoire, highlighting composers including Serge Prokofieff, Dmitri Shostakovich, Karl Jenkins, Carol Barratt and Christopher Norton, alongside arrangements of traditional music from around the world by Peter Wastall, Vera Gray and others. Carefully selected by Janet Way, this practical anthology provides the complete repertoire resource for the aspiring Grade 3 saxophonist and creates the perfect package for teaching, exam preparation and performance. Each volume contains:19 pieces and short studies, each complemented by a useful practice and performance tipgrade-appropriate scales and arpeggios linked to the repertoire through bespoke text and exercisesbrand new sight-reading activitiesnewly-commissioned aural awareness tasksa piano accompaniment bookletPackaged with a CD of full performance demonstrations, piano backing tracks, and grade-appropriate aural awareness resources. Janet Way is an experienced performer and teacher. She is a tutor for the LRAM woodwind teaching course at the Royal Academy of Music, and has worked as a mentor and diploma examiner for the Associated Board of the Royal Schools of Music. She is founder and director of the internationally-acclaimed Oxford Flute Summer School. / Hautbois Et Piano

The Grade By Grade series draws on the rich and varied Boosey and Hawkes catalogue of classical, contemporary and educational repertoire, highlighting composers including Serge Prokofieff, Dmitri Shostakovich, Karl Jenkins, Carol Barratt and Christopher Norton, alongside arrangements of traditional music from around the world by Peter Wastall, Vera Gray and others. Carefully selected by Janet Way, this practical anthology provides the complete repertoire resource for the aspiring Grade 3 saxophonist and creates the perfect package for teaching, exam preparation and performance. Each volume contains:19 pieces and short studies, each complemented by a useful practice and performance tipgrade-appropriate scales and arpeggios linked to the repertoire through bespoke text and exercisesbrand new sight-reading activitiesnewly-commissioned aural awareness tasksa piano accompaniment bookletPackaged with a CD of full performance demonstrations, piano backing tracks, and grade-appropriate aural awareness resources. Janet Way is an experienced performer and teacher. She is a tutor for the LRAM woodwind teaching course at the Royal Academy of Music, and has worked as a mentor and diploma examiner for the Associated Board of the Royal Schools of Music. She is founder and director of the internationally-acclaimed Oxford Flute Summer School. / Hautbois Et Piano

This introduction has been written for primary school children who have not previously studied another instrument. It is suitable for groubs as well as for individuals.Every new note is colour contrasted, thus ensuring easy recognition. Relaxed by illustrations the school precedes in small steps. Exercises such as writing music, transposing, and playing echoes can be added if the child's progress allows for it. Most of the musical pieces and songs in the book are either traditional or well-known pieces by composers of the Baroque, Classical and Romantic periods.Duets are included here and there to give the children anopportunity to practise playing together early on. / Hautbois

Artiste: Yuri Maizels_Yuri Maizels. This collection of etudes, duets, and exercises was written, compiled and edited by Russian oboist and pedagogue Yuri Maizels to provide the most efficient means possible for young players to learn the basics of oboe playing. The composers, Hinke (a German composer who taught and worked in St. Petersburg during the reign of the Tsars), Wiedemann, Garnier and Debondue are among the finest of writers and pedagogues featured in this series. These studies begin very simply and gradually increase in difficulty, becoming more challenging melodically and rhythmically, with increasing comprehension of the instrument. Short phrases enable the student to learn to control both breathing and intonation. This collection of studies, in three volumes, can help a high school student or young professional to master technique, breathing, and intonation while developing the endurance that is vitally important for oboe players. Yuri Maizels was born in Leningrad (now St. Petersburg) in the former Soviet Union. After the conclusion of the Second World War, he was accepted at age 13 into the Naval Boarding Musical School in Leningrad (the school which had been organized in 1873 by Rimsky-Korsakov), to study the oboe. In 1964, he graduated from the College of Music with multiple degrees in oboe performance, oboe teaching, and conducting. During his career, Yuri Maizels played in major orchestras, working with such well-known conductors such as Yuri Temirkanov, Mariss Jansons, Yuri Simionov, Valery Gergiev and others. / Niveau : 4 / Etudes et exercices / Etude / Hautbois

Une collection de vingt-six morceaux faciles, dont beaucoup seront instantanémentreconnaissable. Tous ont un accompagnement très contemporaine fourni sur le CD il n'ya donc aucune chance de donner une performance terne. / Hautbois / 20 pages / niveau : Facile - Elémentaire / Partition + Cd

60 Progressive Duets for Oboes. Par SPARKE PHILIP. L’acquisition de nouvelles compétences, au sein d’une démarche structurelle, est indispensable dans l’apprentissage d’un instrument à vent. Un bon professeur est un élément-clé mais il est essentiel de posséder, en complément de la méthode utilisée, des outils pédagogiques motivants offrant une présentation structurelle des techniques de jeu et d’apprentissage. Chaque recueil d‘études, de solos et de duos fournissent un evironnement adéquat à l’introduction de nouveaux éléments musicaux en suivant une démarche logique qui facilite le développement rapide d’un “musicien complet”. Jouer en duo (professeur/élève et deux élèves) est un travail d’équipe dans sa forme laplus simple. Quelle que soit la forme choisie (étude, solo ou duo), chaque recueil est enrichissant et procure beaucoup de satisfaction. / Niveau : Très Facile à Facile / Pédagogie / Recueil / Hautbois

9 Points pour cette école de hautbois: - convenant à tous les âges d'environ 10 ans - assouplis par les illustrations et les étapes gérables photos - nombreuses mélodies bien connus et chansons-- progressivement mise en place de la lumière Mittell / Hautbois