| Border Zone Fanfare [Conducteur] - Facile De Haske Publications
Fanfare Band - Grade 2.5 SKU: BT.DHP-1084332-120 Composed by Jacob De Haa...(+)
Fanfare Band - Grade 2.5
SKU:
BT.DHP-1084332-120
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2008. 36 pages.
De Haske Publications
#DHP 1084332-120.
Published by De Haske
Publications
(BT.DHP-1084332-120).
9x12 inches.
English-German-French-Dut
ch. Border
Zone vertelt een
muzikaal verhaal over het
dorp Dinxperlo. Deel een
begint met de
Batavierenrace, een
studentenestafetteloop
van de universiteit van
Nijmegen naar die van
Twente, die na een route
door Duitsland bij
Dinxperloweer de grens
overgaat. Dit thema wordt
afgewisseld met spannende
maten waarin de
smokkelaars worden
verklankt die hier
vroeger actief waren. In
deel twee komt de
jaarlijkse processie in
Dinxperlo tot uiting.
Deel drie geeftde
grensmarkt weer die
jaarlijks op
Hemelvaartsdag
plaatsvindt, afgewisseld
met koraalmatige klanken
- gebaseerd op het
kleinste kerkje van
Nederland. Beide
elementen voeren het werk
naar een pakkend
einde.
Border
Zone ist eine
musikalische Erzählung
in drei
zusammenhängenden
Sätzen. Diese
beschreiben verschiedene
Szenen aus einem
holländischen Dorf
nahe der deutschen
Grenze: Satz eins beginnt
mit einem traditionellen
Staffellauf, der sich mit
einem zweiten Thema u?ber
die Schmuggler im
Grenzgebiet abwechselt.
Im zweiten Satz wird die
eine Prozession im Dorf
musikalisch
wiedergegeben, im dritten
Satz der lebhafte
Grenzmarkt und zum
Schluss die
Festlichkeiten zu
Pfingsten. Bunt und
abwechslungsreich!
Border Zone (Zone
frontalière) est
une ?uvre en trois
tableaux musicaux qui
racontent lâ??histoire
de Dinxperlo, un village
situé lâ??est des
Pays-Bas dans la
région de
lâ??Achterhoek, non loin
de la frontière
allemande.Le premier
tableau sâ??ouvre avec
une description de la
Course des Bataves, une
course de relais
inter-universitaire entre
lâ??Université de
Nimègue et celle de
Twente. Après un
passage sur le sol
allemand, les
participants reviennent
aux Pays-Bas en
traversant la
frontière Dinxperlo.
Ce thème est joué
en alternance avec un
thème énergique et
audacieux qui dépeint
les contrebandiers,
longtemps très actifs,
des deux côtés de
la frontière. Le
second tableauillustre la
grande procession qui a
lieu chaque année
Dinxperlo. Le
troisième et dernier
tableau sâ??ouvre sur
les sons joyeux qui
montent du traditionnel
marché de Pentecôte
qui sâ??étend de
lâ??autre côté de
la frontière. Les sons
animés du marché
sont entrecoupés
dâ??un tissu sonore
écrit dans
lâ??esthétique
dâ??un choral et qui
fait référence la
plus petite église des
Pays-Bas, un site
culturel très
prisé. Les deux
thèmes cheminent vers
un finale brillant et
passionnant. $29.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Border Zone Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 2.5 SKU: BT.DHP-1084332-020 Composed by Jacob De Haa...(+)
Fanfare Band - Grade 2.5
SKU:
BT.DHP-1084332-020
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2008. De
Haske Publications #DHP
1084332-020. Published by
De Haske Publications
(BT.DHP-1084332-020).
9x12 inches.
English-German-French-Dut
ch. Border
Zone vertelt een
muzikaal verhaal over het
dorp Dinxperlo. Deel een
begint met de
Batavierenrace, een
studentenestafetteloop
van de universiteit van
Nijmegen naar die van
Twente, die na een route
door Duitsland bij
Dinxperloweer de grens
overgaat. Dit thema wordt
afgewisseld met spannende
maten waarin de
smokkelaars worden
verklankt die hier
vroeger actief waren. In
deel twee komt de
jaarlijkse processie in
Dinxperlo tot uiting.
Deel drie geeftde
grensmarkt weer die
jaarlijks op
Hemelvaartsdag
plaatsvindt, afgewisseld
met koraalmatige klanken
- gebaseerd op het
kleinste kerkje van
Nederland. Beide
elementen voeren het werk
naar een pakkend
einde.
Border
Zone ist eine
musikalische Erzählung
in drei
zusammenhängenden
Sätzen. Diese
beschreiben verschiedene
Szenen aus einem
holländischen Dorf
nahe der deutschen
Grenze: Satz eins beginnt
mit einem traditionellen
Staffellauf, der sich mit
einem zweiten Thema
über die Schmuggler
im Grenzgebiet
abwechselt. Im zweiten
Satz wird die eine
Prozession im Dorf
musikalisch
wiedergegeben, im dritten
Satz der lebhafte
Grenzmarkt und zum
Schluss die
Festlichkeiten zu
Pfingsten. Bunt und
abwechslungsreich!
Border Zone (Zone
frontalière) est
une œuvre en trois
tableaux musicaux qui
racontent
l’histoire de
Dinxperlo, un village
situé l’est des
Pays-Bas dans la
région de
l’Achterhoek, non
loin de la frontière
allemande.Le premier
tableau s’ouvre
avec une description de
la Course des Bataves,
une course de relais
inter-universitaire entre
l’Université de
Nimègue et celle de
Twente. Après un
passage sur le sol
allemand, les
participants reviennent
aux Pays-Bas en
traversant la
frontière Dinxperlo.
Ce thème est joué
en alternance avec un
thème énergique et
audacieux qui dépeint
les contrebandiers,
longtemps très actifs,
des deux côtés de
la frontière. Le
second tableauillustre la
grande procession qui a
lieu chaque année
Dinxperlo. Le
troisième et dernier
tableau s’ouvre
sur les sons joyeux qui
montent du traditionnel
marché de Pentecôte
qui s’étend de
l’autre côté
de la frontière. Les
sons animés du
marché sont
entrecoupés
d’un tissu sonore
écrit dans
l’esthétique
d’un choral et qui
fait référence la
plus petite église des
Pays-Bas, un site
culturel très
prisé. Les deux
thèmes cheminent vers
un finale brillant et
passionnant. $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tongoy Triptych 2 Guitares (duo) Schott
Guitar Duet (Score) SKU: HL.49047318 For Two Guitars in Three Movement...(+)
Guitar Duet (Score)
SKU: HL.49047318
For Two Guitars in
Three Movements
Score. Composed by
Dominique Le Grande.
Guitar. Classical.
Softcover. Duration 540
seconds. Schott Music
#ED14159. Published by
Schott Music
(HL.49047318). ISBN
9798350121940. UPC:
196288201359. Compo
sed for two guitars, this
suite in three movements
was inspired by a trip to
northern Chile with two
close friends whose lives
have been dedicated to
Human Rights activism and
to whom the suite is
dedicated. Each of the
three movements evokes
the spirit of the place
where the music locates
itself. The first
movement, Tongoy Sea
captures the sleepy
seaside town of Tongoy on
the Pacific coast with
its long stretch of beach
onto which spills the
village, the fishing
boats and the fish market
while families gather in
the local fish
restaurants that line the
beach looking out to sea.
The second movement,
Tololo Sky, recalls the
long car drive up the
winding mountain towards
the Inter-American
observatory, Cerro
Tololo. Driving up the
mountain I was struck by
the starkness of our car
winding its way on a
single desert mountain
road surrounded by a vast
sky of an intense and
translucent blue. The
final movement, Elqui
Earth, evokes the gentle
slow pace of the town of
Vicuña, birthplace of
the poet Gabriela Mistral
in the Elqui Valley. This
fertile stretch of green
with its abundant
vineyards and fruit
orchards stands out
against the dry mountains
that encircle it below a
limpid sky. Dominique Le
Gendre (2023). $9.99 - Voir plus => Acheter | | |
| Hotel Noel - Choral Book Chorale Unison - Facile Word Music
Unison choir - Easy SKU: WD.080689656170 Composed by Gina Boe. Choral, ca...(+)
Unison choir - Easy
SKU:
WD.080689656170
Composed by Gina Boe.
Choral, cantatas.
Christmas. Book. Word
Music #080689656170.
Published by Word Music
(WD.080689656170).
UPC:
080689656170. As
our story’s family
begins their journey on
Christmas Eve, they find
themselves in an epic
snowstorm that threatens
their safe arrival at
Grandma’s house.
Forced off the road by
the storm, they
miraculously come across
an unexpected
“this-didn’t
-show-up-on-anygps-
maps†safe
harbor… Hotel
Noel! With a name
like Hotel Noel, full of
the promise of holiday
festivities and
decorations, the kids are
severely disappointed as
they discover it to be a
plain, bland,
not-a-decoration-in-sight
hotel. Unknown to the
family, however, the
hotel is staffed by
Christmas angels tasked
to share the true meaning
of Christmas with those
in need of hearing their
message of hope and
salvation. These special,
heavenly envoys - Gloria,
Gabriel, Michael, and
Angela - step in to share
the origins and meaning
of the hotel’s
name, Noel,
explaining that Christmas
is more about celebrating
the birth of our Savior
than about brightly
wrapped gifts and shiny
holiday decorations. This
new Simply
WordKidz Musical
for a Christmas carries
the hallmarks of the
series – easy to
learn, easy to sing, easy
to produce – while
featuring fun and
powerful new songs of the
season along with
familiar carols.
Celebrate the birth of
Jesus this Christmas with
Hotel Noel and let
your kids choir share
with the world what
Christmas is really all
about! $10.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Requiem in C major Orgue Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal
soloists, SATB choir, 2
flutes, 2 oboes, english
horn, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
tuba, timpani, bass drum,
harp, percussion, 2
violins, viola, cello,
contrabass, organ SKU:
CA.2731515 Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Double Bass. CG op.
Posth. 8 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/15. Published
by Carus Verlag
(CA.2731515). ISBN
9790007201739. Key: C
major. Language:
Latin. Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Red Planet - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2
SKU: CF.YAS103
Composed by Joseph
Compello. SWS FS. Young
String Orchestra. Set of
Score and Parts. With
Standard notation.
16+16+4+10+10+10+4+8
pages. Carl Fischer Music
#YAS103. Published by
Carl Fischer Music
(CF.YAS103). ISBN
9780825889080. UPC:
798408089085. 8.5 x 11
inches. Key: B
minor. Joseph
Compello depicts the
planet Mars with The Red
Planet, a heavy, brooding
piece in 5/4. This piece
provides cross-curricular
opportunities to work
with the school’s
science department. Best
of all, it will allow
your group to show off
the maturity of their
playing. The Red
Planet is an original
concert piece in time for
a string ensemble with at
least one year’s
training. The opening
section should be played
in a boldly aggressive
style. To give the parts
a less complex
appearance, staccato
quarter-notes are used in
lieu of eighth-notes
followed by eight-rests.
This notation will enable
young players to count
with greater ease.Notes
on the
performance:Measure 7
introduces the main theme
in the first
violins.Measure 15
introduces a secondary
theme which becomes
increasingly important as
thepiece
progresses.Measure 24
introduces a third theme
and its counter-melody.
This section should be
played in a lyrically
flowing style, in
contrast to the main
theme from m. 9.Measure
35, marked fugato, will
require particular
attention to entrances.
The playing style reverts
to the boldness of the
opening mood.Measure 55
is the recapitulation
with an addition of a new
chromatic line. This
line, given to first
violins, should be
soaring and equal in
volume to the main theme.
Note that the secondary
theme (originally played
in m. 15) is played only
after the repeat.Measure
66 should be played much
more slowly and in a
grandiose manner. Here,
the main theme should be
given much more weight
than it received in the
opening statement.Note
that at m. 68 the
secondary theme concludes
the piece ponderously in
thelow strings. The
conductor may dictate
each note at this point
and disregard the
meter.This arrangement
has been recorded by Carl
Fischer. The performance
is available on line free
of charge.Thank you for
choosing this
composition. I hope your
students and audience
will find it
instructiveand
enjoyable.Joseph
CompelloGlen Arm,
Maryland.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Requiem in C major Orgue [Conducteur et Parties séparées] Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal
soloists, SATB choir, 2
flutes, 2 oboes, english
horn, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
tuba, timpani, bass drum,
harp, percussion, 2
violins, viola, cello,
contrabass, organ SKU:
CA.2731509 Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. 1x 27.315/21
flute 1, 1x 27.315/22
flute 2, 1x 27.315/23
oboe 1, 1x 27.315/24 oboe
2, 1x 27.315/25 clarinet
1, 1x 27.315/26 clarinet
2, 1x 27.315/27 bassoon
1, 2x 27.315/28 bassoon
2, 1x 27.315/31 horn 1,
1x 27.315/32 horn 2, 1x
27.315/33 horn 3, 1x
27.31. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Set of
Orchestra Parts. CG op.
Posth. 104 pages.
Duration 35 minutes.
Carus Verlag #CV
27.315/09. Published by
Carus Verlag
(CA.2731509). ISBN
9790007201685. Key: C
major. Language:
Latin. Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and parts available
separately - see item
CA.2731500. $82.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem in C major Orgue Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal
soloists, SATB choir, 2
flutes, 2 oboes, english
horn, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
tuba, timpani, bass drum,
harp, percussion, 2
violins, viola, cello,
contrabass, organ SKU:
CA.2731513 Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Viola. CG op.
Posth. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/13. Published
by Carus Verlag
(CA.2731513). ISBN
9790007201715. Key: C
major. Language:
Latin. Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem in C major Soli, choeur mixte et accompagnement [Vocal Score] Carus Verlag
By Charles Francois Gounod (1818-1893). Edited by Barbara Grolmann. For SATB voc...(+)
By Charles Francois
Gounod (1818-1893).
Edited by Barbara
Grolmann. For SATB vocal
soloists, SATB choir, 2
flutes, 2 oboes, english
horn, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
tuba, timpani, bass drum,
harp, percussion, 2
violins, viola, cello,
contrabass, organ. This
edition: Paperbound.
C-Dur (C major).
Stuttgart Urtext
editions. Requiem, End of
the church year,
Mourning, death. Vocal
score. Language: Latin.
Op. Posth.. 44 pages.
Duration 35 min.
Published by Carus Verlag
$21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem in C major Orgue [Conducteur et Parties séparées] Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal
soloists, SATB choir, 2
flutes, 2 oboes, english
horn, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
tuba, timpani, bass drum,
harp, percussion, 2
violins, viola, cello,
contrabass, organ SKU:
CA.2731519 Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
German title: Requiem
(Gounods Letztes Werk).
Sacred vocal music,
Requiem, End of the
church year, Mourning,
death. Set of Orchestra
Parts. CG op. Posth.
Duration 35 minutes.
Carus Verlag #CV
27.315/19. Published by
Carus Verlag
(CA.2731519). ISBN
9790007137366. Key: C
major. Language:
Latin. Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and parts available
separately - see item
CA.2731500. $222.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem in C major Orgue Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal
soloists, SATB choir, 2
flutes, 2 oboes, english
horn, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
tuba, timpani, bass drum,
harp, percussion, 2
violins, viola, cello,
contrabass, organ SKU:
CA.2731512 Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Violin 2. CG op.
Posth. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/12. Published
by Carus Verlag
(CA.2731512). ISBN
9790007201708. Key: C
major. Language:
Latin. Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem in C major Orgue Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal
soloists, SATB choir, 2
flutes, 2 oboes, english
horn, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
tuba, timpani, bass drum,
harp, percussion, 2
violins, viola, cello,
contrabass, organ SKU:
CA.2731511 Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Violin. CG op.
Posth. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/11. Published
by Carus Verlag
(CA.2731511). ISBN
9790007201692. Key: C
major. Language:
Latin. Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem in C major Orgue [Conducteur] Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal
soloists, SATB choir, 2
flutes, 2 oboes, english
horn, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
tuba, timpani, bass drum,
harp, percussion, 2
violins, viola, cello,
contrabass, organ SKU:
CA.2731500 Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
German title: Requiem
(Gounods Letztes Werk).
Sacred vocal music,
Requiem, End of the
church year, Mourning,
death. Full score. CG op.
Posth. 136 pages.
Duration 35 minutes.
Carus Verlag #CV
27.315/00. Published by
Carus Verlag
(CA.2731500). ISBN
9790007095604. Key: C
major. Language:
Latin. Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. $91.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Symphonette Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Curnow Music
Concert Band - Grade 5 SKU: BT.CMP-0749-03-040 Composed by Stephen Bulla....(+)
Concert Band - Grade 5
SKU:
BT.CMP-0749-03-040
Composed by Stephen
Bulla. Signature Series.
Concert Piece. Set (Score
& Parts). Composed 2003.
Curnow Music #CMP
0749-03-040. Published by
Curnow Music
(BT.CMP-0749-03-040).
This three
movement work, modeled on
his earlier work
Rhapsody for
Brass, develops from
and mirrors the earlier
work, but with more
modern tonal outlines and
original melodic
material. The first
movement opens with
several fanfare-like
figures, which recur at
various times in
different instrumental
combinations. With
development, this music
takes on a carnival-like
atmosphere before
concluding with an upward
flourish. The second
movement commences
quietly with a slower
theme shared by several
solo instruments and
develops into an extended
study on The Water is
Wide, a folk song
which seems to have its
beginnings in the United
Kingdom as O Waley,
Waley. Thethird
movement reverts to the
rhapsodic format with a
lively theme marked
‘in a playful
manner’. This
substantial work is a gem
in the concert band
repertoire.
Dit
werk is opgedragen aan
wijlen Sir Dean Goffin en
in grote lijnen gevormd
naar de structuur van
diens Rhapsody in
Brass. Het eerste
deel opent met
fanfareachtige motieven,
die terugkeren in
verschillende
instrumentgroepen.Deel
twee begint met een
langzaam thema dat in
diverse solo-instrumenten
naar voren komt. De
muziek ontwikkelt zich
hier tot een etude over
het Amerikaanse lied
The Water is Wide.
In het levendige derde
deel gebruikte
Bulla,refererend aan
Goffin’s afkomst,
het Maori-lied Shout
the Sound. Na een
majestueuze herhaling van
de opening van het deel
wordt het werk afgesloten
met een presentatie van
technisch
kunnen.
In drei
unterschiedlichen
Sätzen entwickelt
dieses Werk die
Rhapsody in Brass
von Sir Dean Goffin
weiter, dem die
Symphonette auch
gewidmet wurde. Fanfare
ähnliche Figuren
eröffnen den ersten
Satz, der dann eine
ausgelassene Stimmung
entfaltet. Im zweiten
Satz wird ein langsameres
Thema von verschiedenen
Soloinstrumenten
präsentiert. Er
entwickelt sich zu einer
Studie über ein altes
englisches Volkslied. Im
letzten, rhapsodischen
Satz folgte Bulla Goffins
Wurzeln, indem er ein
Lied der Maori aus
Neuseeland verarbeitete.
Ein grandioses Werk, das
viele einzelne Facetten
Ihres Blasorchesters,
aber auch dessen
Können als Ensemble
beleuchtet.
Sym
phonette possède
des contours tonaux
modernes et des
mélodies originales.
La richesse orchestrale
des trois mouvements
s’inscrit dans la
suite de la délicieuse
Rhapsody for Brass
de Sir Dean Goffi n, qui
cette composition est
dédiée. $206.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem in C major Orgue Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal
soloists, SATB choir, 2
flutes, 2 oboes, english
horn, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
tuba, timpani, bass drum,
harp, percussion, 2
violins, viola, cello,
contrabass, organ SKU:
CA.2731514 Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Cello. CG op.
Posth. 8 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/14. Published
by Carus Verlag
(CA.2731514). ISBN
9790007201722. Key: C
major. Language:
Latin. Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| For Elise Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114418040 For Flute and Piano. ...(+)
Chamber Music flute,
piano SKU:
PR.114418040 For
Flute and Piano.
Composed by Daniel Dorff.
Set of Score and Parts.
With Standard notation.
16+8 pages. Duration 8
minutes. Theodore Presser
Company #114-41804.
Published by Theodore
Presser Company
(PR.114418040). ISBN
9781491109496. UPC:
680160639564. Commi
ssioned by flutist Cindy
Anne Broz in celebration
of her granddaughter
Elise, Dorff’s FOR
ELISE is a portrait of a
delightful 3-year-old, as
well as recital piece in
the slow-fast mold of the
great Conservatoire
repertory. The main body
of the work is a 6/8
rondo marked Exuberant,
in which playful yet
challenging episodes lead
into a recurring jazz
waltz, serving as a
“safeâ€
refrain. $16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Requiem in C major Orgue Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal
soloists, SATB choir, 2
flutes, 2 oboes, english
horn, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
tuba, timpani, bass drum,
harp, percussion, 2
violins, viola, cello,
contrabass, organ SKU:
CA.2731549 Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Organ. CG op.
Posth. 4 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/49. Published
by Carus Verlag
(CA.2731549). ISBN
9790007201746. Key: C
major. Language:
Latin. Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Verdi's Triumphs Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1094758-010 Composed by Giuse...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1094758-010
Composed by Giuseppe
Verdi. Arranged by Wil
van der Beek. The Great
Classics. Classical. Set
(Score & Parts). Composed
2009. De Haske
Publications #DHP
1094758-010. Published by
De Haske Publications
(BT.DHP-1094758-010).
9x12 inches.
English-German-French-Dut
ch. This piece, as
the title might suggest,
brings together
Verdi’s greatest
operatic triumphs.
Amongst his best hits are
Nabucco from 1842,
which signified a
turn-around after the
flop of a previous opera,
as well as
Rigoletto, which
in 1851 propelled him to
international fame.
Verdi’s Triumphs
features:
Triumphmarch and
Su! Del nilo al sacro
lido from
Aida, the
Prisoners’
Freedom Choir from
Nabucco and La
donna è mobile
from
Rigoletto.
Zoals de titel al doet
vermoeden, brengt dit
werk de grootste triomfen
van Verdi samen. Zijn
bekendste opera’s
zijn ongetwijfeld Nabucco
uit 1842, maar ook
Rigoletto uit 1851. Deze
opera’s bezorgden
hem eeuwige roem. In
Verdi’s
Triumphs vinden we de
Triumphmarch en
Su! Del nilo al sacro
lido uit Aida, het
Prisoners’
Freedom Choir uit
Nabucco en La donna
è mobile uit
Rigoletto terug.
Zu Verdis
größten Triumphen
zählen sicherlich die
Opern Nabucco von
1842, die eine Wende nach
einigen Misserfolgen
markierte,
Rigoletto, die ihm
1851 zum internationalen
Durchbruch verhalf und
Aida, die er zur
Eröffnung des
Suezkanals schrieb. Auch
aus heutiger Sicht sind
gerade diese Werke
besonders bekannt und
beliebt. Daher wählte
Wil van der Beek für
sein Arrangement die
folgenden Titel:
Triumphmarsch und
Su! Del nilo al sacro
lido aus Aida,
den Chor der
Gefangenen aus
Nabucco sowie
La donna è
mobile aus
Rigoletto.
Cette oeuvre comme le
titre l'indique,
rassemble les plus grands
trimphes d'opéras de
Verdi. On retrouve bien
entendu Nabucco,
Aida ainsi que
Rigoletto.
Verdi's Triumphs
contient les titres
suivants : Marche
Trimphale ! Del
nilo al sacro lido
extrait d'Aida,
Prisoners' Freedom
Choir extrait de
Nabucco et La donna
è mobile de
Rigoletto
Dopo
oltre un secolo dalla
loro creazione, le opere
di Verdi dominano ancora
il repertorio
dell’arte lirica.
Nabucco (1842),
Rigoletto (1851) e
Aida (composta in
occasione
dell’inaugurazione
del Canale di Suez), tra
le altre, sono entrate
nell’olimpo
dell’opera.
Verdi’s
Triumphs di Wil van
der Beek raccoglie
quattro temi molto
popolari: la Marcia
trionfale e Su!
Del Nilo al sacro
lido
dall’Aida, il
Coro degli Schiavi
dal Nabucco e
La donna è
mobile dal
Rigoletto. $143.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Verdi's Triumphs Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1094758-140 Composed by Giuse...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1094758-140
Composed by Giuseppe
Verdi. Arranged by Wil
van der Beek. The Great
Classics. Classical.
Score Only. Composed
2009. 20 pages. De Haske
Publications #DHP
1094758-140. Published by
De Haske Publications
(BT.DHP-1094758-140).
9x12 inches.
English-German-French-Dut
ch. This piece, as
the title might suggest,
brings together
Verdi’s greatest
operatic triumphs.
Amongst his best hits are
Nabucco from 1842,
which signified a
turn-around after the
flop of a previous opera,
as well as
Rigoletto, which
in 1851 propelled him to
international fame.
Verdi’s Triumphs
features:
Triumphmarch and
Su! Del nilo al sacro
lido from
Aida, the
Prisoners’
Freedom Choir from
Nabucco and La
donna è mobile
from
Rigoletto.
Zoals de titel al doet
vermoeden, brengt dit
werk de grootste triomfen
van Verdi samen. Zijn
bekendste opera’s
zijn ongetwijfeld Nabucco
uit 1842, maar ook
Rigoletto uit 1851. Deze
opera’s bezorgden
hem eeuwige roem. In
Verdi’s
Triumphs vinden we de
Triumphmarch en
Su! Del nilo al sacro
lido uit Aida, het
Prisoners’
Freedom Choir uit
Nabucco en La donna
è mobile uit
Rigoletto terug.
Zu Verdis
größten Triumphen
zählen sicherlich die
Opern Nabucco von
1842, die eine Wende nach
einigen Misserfolgen
markierte,
Rigoletto, die ihm
1851 zum internationalen
Durchbruch verhalf und
Aida, die er zur
Eröffnung des
Suezkanals schrieb. Auch
aus heutiger Sicht sind
gerade diese Werke
besonders bekannt und
beliebt. Daher wählte
Wil van der Beek für
sein Arrangement die
folgenden Titel:
Triumphmarsch und
Su! Del nilo al sacro
lido aus Aida,
den Chor der
Gefangenen aus
Nabucco sowie
La donna è
mobile aus
Rigoletto.
Cette oeuvre comme le
titre l'indique,
rassemble les plus grands
trimphes d'opéras de
Verdi. On retrouve bien
entendu Nabucco,
Aida ainsi que
Rigoletto.
Verdi's Triumphs
contient les titres
suivants : Marche
Trimphale ! Del
nilo al sacro lido
extrait d'Aida,
Prisoners' Freedom
Choir extrait de
Nabucco et La donna
è mobile de
Rigoletto
Dopo
oltre un secolo dalla
loro creazione, le opere
di Verdi dominano ancora
il repertorio
dell’arte lirica.
Nabucco (1842),
Rigoletto (1851) e
Aida (composta in
occasione
dell’inaugurazione
del Canale di Suez), tra
le altre, sono entrate
nell’olimpo
dell’opera.
Verdi’s
Triumphs di Wil van
der Beek raccoglie
quattro temi molto
popolari: la Marcia
trionfale e Su!
Del Nilo al sacro
lido
dall’Aida, il
Coro degli Schiavi
dal Nabucco e
La donna è
mobile dal
Rigoletto. $27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| New Klezmer Tunes Violon et Piano SSA Schott
Score and Part Piano Accompaniment; Violin (Score and Solo Part) SKU: HL.4904...(+)
Score and Part Piano
Accompaniment; Violin
(Score and Solo Part)
SKU: HL.49046912
16 Pieces for Violin
and Piano Book/Material
Online. Composed by
Joachim Johow. String
Solo. Klezmer. Softcover.
64 pages. Schott Music
#ED23372. Published by
Schott Music
(HL.49046912). ISBN
9783795726409. UPC:
196288082118.
9.0x12.0x0.223
inches. Rousing
Klezmer pieces newly
composed! Inspired by old
klezmer melodies, Joachim
Johow has written 16 new
tunes for violin,
reenacting scenes from
life in a Jewish town,
such as 'Am Morgen in der
Gasse' [On the Street in
the Morning], 'Auf dem
Jahrmarkt' [At the Fair],
'Schlittenfahrt' [Sleigh
Ride], 'Tanz der
Grosseltern' [Dance of
the Grandparents], 'Am
Abend' [In the Evening].
With notated piano
accompaniment and
additional harmonic
symbols as well as an
additional bass part (for
download) which allow for
a variety of
instrumentations. The
audio MP3 pack contains
both full and playback
versions. $24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| New Klezmer Tunes Flûte à bec Alto, Piano [Partition + Accès audio] - Facile Schott
16 Pieces. Composed by Joachim Johow. This edition: Saddle stitching. Sheet ...(+)
16 Pieces. Composed by
Joachim Johow. This
edition:
Saddle stitching. Sheet
music with online
material.
Woodwind. 16 pieces for
treble recorder. Edition
with Online audio file.
68
pages. Schott Music #ED
23243. Published by
Schott
Music
$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Spirit Soars Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Curnow Music
Grade 3 - Score and Parts. By James Curnow. Arranged by James Curnow. Curnow Con...(+)
Grade 3 - Score and
Parts. By James Curnow.
Arranged by James Curnow.
Curnow Concert Band Full
Set. Published by Curnow
Music.
(2)$69.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| New Klezmer Tunes Clarinette et Piano [Partition + Accès audio] Schott
Book with Online Material Clarinet; Piano Accompaniment (Clarinet/Piano) SKU:...(+)
Book with Online Material
Clarinet; Piano
Accompaniment
(Clarinet/Piano) SKU:
HL.49047323 16
Pieces for Clarinet and
Piano Book with
Online. Composed by
Joachim Johow. Woodwind
Solo. Klezmer. Softcover
Media Online. 64 pages.
Schott Music #ED23389.
Published by Schott Music
(HL.49047323). UPC:
196288201403. Rousi
ng klezmer pieces newly
composed! Inspired by old
klezmer melodies, Joachim
Johow has written 16 new
tunes, reenacting scenes
from life in a Jewish
town, such as 'Am Morgen
in der Gasse' [On the
Street in the Morning],
'Auf dem Jahrmarkt' [At
the Fair],
'Schlittenfahrt' [Sleigh
Ride], 'Tanz der
Grosseltern' [Dance of
the Grandparents], 'Am
Abend' [In the Evening].
Originally written for
recorder, the pieces have
now been arranged for the
clarinet. With notated
piano accompaniment and
additional harmonic
symbols as well as an
additional bass part (for
download) which allow for
a variety of
instrumentations. The
audio MP3 pack contains
both full and playback
versions. $22.99 - Voir plus => Acheter | | |
| Concerto In C For Piano And Symphonic Wind Orch. Orchestre d'harmonie [Conducteur] Beriato Music
Concert Band/Harmonie and Piano SKU: BT.BMP8095417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano SKU:
BT.BMP8095417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski.
Score Only. Composed
2008. Beriato Music
#BMP8095417. Published by
Beriato Music
(BT.BMP8095417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Over de
Amerikaanse componist
Leroy Anderson is veel
bekend. Deze zoon van
Zweedse immigranten
speelde piano, orgel,
accordeon, trombone, tuba
en contrabas. Hij sprak
vloeiend verschillende
talen en studeerde met
grote onderscheidingaf
aan Harvard en schreef
tijdens zijn legerdienst
in opdracht van het leger
een handboek grammatica
Ijslands.Al in zijn
studententijd begon hij
met het maken van
arrangementen, en vanaf
zijn 30ste arrangeerde en
componeerde hijvoor het
Boston Pops Orchestra.
Melodieën zoals
Serenata, The Typewriter,
Sleigh Ride en Bugler's
Holiday maakte hem
wereldberoemd. Zijn
bekendste werk Blue Tango
stond in 1952 op nummer
één in de VS
Charts, ener werden meer
dan een miljoen
exemplaren van verkocht.
Een jaar na zijn dood in
1975 kreeg hij een ster
op de Walk of Fame in
Hollywood.Zijn meeste
werken duren niet langer
dan drie minuten,
ongeveer de maximumduur
van een singletoen. Een
werk dat wel langer
duurt, is het
pianoconcerto in C voor
piano en orkest uit 1953.
Het werd in Chicago
gecreëerd onder zijn
leiding met Eugene List
aan de piano. Na drie
uitvoeringen echter, was
hij niet meer
tevredenover zijn werk en
trok dit terug. Hij had
zijn leven lang de
intentie het te herwerken
doch kwam er niet meer
toe. Pas in 1989 besliste
de Anderson Familie zijn
pianoconcerto toch
opnieuw uit te geven.Dit
driedelige werk
wordtenerzijds getypeerd
door een zorgeloze
elegantie, maar
anderzijds zijn invloeden
van Rachmaninoff,
Copland, Gerschwin en
zelfs Beethoven en Mozart
alsook de Weense
klassiekers te horen.Voor
de eerste beweging, past
Anderson de
sonatevormtoe. Op het
einde volgt een cadenza
die ons in het tweede
deel (in mi klein) voert.
Het derde deel is een
typische Amerikaanse,
vrolijke volksdans in
2/4, een zogenaamde Hoe
Down met als
middengedeelte een
zangerige,
lyrische
Ãœber
den amerikanischen
Komponisten Leroy
Anderson lässt sich
vieles berichten: Der
Sohn schwedischer
Immigranten spielte
Klavier, Orgel,
Akkordeon, Posaune, Tuba
und Kontrabass, sprach
neun Sprachen
fließend, absolvierte
mit
einemMagna-cum-laude-Absc
hluss die Harvard
Universität und
verfasste während
seiner Militärzeit im
Zweiten Weltkrieg für
die amerikanische Armee
eine Grammatik des
Isländischen. Schon
während seiner
Studentenzeit begann er
zu arrangieren, ab Mitte
der30er Jahre des letzten
Jahrhunderts arrangierte
und komponierte er für
das Boston Pops
Orchestra. Aus seiner
Feder stammen so bekannte
Werke der leichten Muse
wie Serenata, The
Typewriter, Sleigh Ride
oder Bugler�s
Holiday. Sein
wohlbekanntestes
Stück, Blue Tango,
wurde als erste
Instrumentalkomposition
über eine Million Mal
verkauft und belegte im
Jahr 1952 Platz 1 der
US-Charts. Für seine
Verdienste um die
Schallplattenindustrie
erhielt er ein Jahr nach
seinem Tod einenStern auf
dem Walk of Fame in
Hollywood.Charakteristisc
h für seine Werke ist
die Dauer: die meisten
sind rund drei Minuten
lang � mehr passte
nicht auf den damals
gebräuchlichen
Tonträger, eine
Singleschallplatte. Nur
wenige
seinerKompositionen
sprengen diesen
Zeitrahmen. Dazu
gehört sein Konzert
C-Dur für Klavier und
Orchester. Er komponierte
es 1953, die
Uraufführung fand
unter seiner Leitung und
mit Eugene List am
Klavier im selben Jahr in
Chicago statt. Da
Anderson mit demWerk aber
nicht zufrieden war, zog
er es im Sommer 1954,
nach nur drei
Aufführungen, wieder
ein. Er hatte zeitlebens
die Absicht, es zu
überarbeiten, allein,
es kam nicht mehr dazu.
Erst 1989 entschied sich
die Anderson-Familie
dazu, dasKlavierkonzert
wieder zu
veröffentlichen.Das
dreisätzige Werk zeigt
die Unbeschwertheit und
Eleganz, die Andersons
sämtliche
Kompositionen
auszeichnen. Dennoch
findet man darin auch
Anklänge an
Komponisten wie
Rachmaninoff, Copland,
Gershwin, undeben
Beethoven und Mozart,
sowie die Wiener
Klassiker. Der erste Satz
folgt der
Sonatenhauptsatzform. An
seinem Ende steht eine
Klavierkadenz, die direkt
in den langsamen zweiten
Satz (in e-Moll)
überleitet. Der dritte
Satz schließlich ist
einwaschechter Hoe Down,
ein fröhlicher
amerikanischer Volkstanz
im 2/4-Takt, in dessen
Zentrum aber eine
lyrisch-gesangliche
Passage steht. Eine
weitere Solo-Kadenz
führt das Werk in
einen spritzigen
Schlussabschnitt.In
seinem
Klavierkonzertvereinigt
Anderson einen
klassisch-traditionellen
Form- und
Kompositionsstil mit
Elementen der
Unterhaltungsmusik und
eingängigen Melodien,
die schon immer sein
Markenzeichen waren.
Daher bildet dieses Werk
eine perfekte Synthese
von ernster undleichter
Musik. Es passt �
wie beispielsweise auch
George Gershwins Rhapsody
in Blue �
gleichermaßen in einen
vornehmen Konzertsaal,
wie auch zur
zwanglos-lockeren
Atmosphäre einer
sommerlichen
Open-Air-Veranstaltung
oder
einesPops-Konzertes. <
br>Nous savons beaucoup
de choses sur le
compositeur américain
Leroy Anderson. Ce fils
dimmigrants suédois
jouait du piano, de
lorgue, de laccordéon,
du trombone, du tuba et
de la contrebasse. Il
parlait couramment
plusieurs langues et
était diplômé
avec grande distinction
de Harvard. Pendant son
service militaire, il
écrivit un manuel de
grammaire islandaise
commandé par
larmée.Étudiant,
il avait déj
commencé faire des
arrangements et dès l
ge de 30 ans, il
arrangeait et composait
pour le Boston Pops
Orchestra. Des
mélodies telles que
Serenata, The Typewriter,
Sleigh Ride et Buglers
Holiday lui valurent une
renommée mondiale. Son
uvre phare, Blue Tango,
fut numéro un
descharts américains
en 1952 et se vendit plus
dun million dexemplaires.
Un an après sa mort en
1975, il eut droit son
étoile sur le Walk of
Fame Hollywood.La plupart
de ses uvres nexcèdent
pas trois minutes, soit
peu près la durée
maximale dun single
lépoque. Son concerto
en ut pour piano et
orchestre de 1953 est
quant lui plus long. Il
fut créé Chicago
sous sa direction avec
Eugene List au piano.
Après trois
exécutions, Anderson
nétait toutefois plus
satisfait de son travail
et le retira. Toute sa
vie, il eut lintention de
le remanier mais ne le
fit pas. Ce nest quen
1989 que la famille
Anderson décida de
tout de m?me
rééditer son
concerto pour piano.Cette
uvre en trois parties se
caractérise par son
élégance
nonchalante mais aussi
par linfluence de
Rachmaninoff, Copland,
Gershwin et m?me de
Beethoven et Mozart,
ainsi que des classiques
viennois.Pour le premier
mouvement, Anderson opte
pour une sonate. la fin,
une cadence nous conduit
la deuxième partie (en
mi mineur). La
troisième partie est
une danse populaire
joyeuse et typiquement
américaine en 2/4, une
Hoe Down avec un passage
lyrique et mélodieux
en son milieu. la fin, un
solo est suivi par une
clôture rapide.Dans
son concerto pour piano,
Anderson unit une
composition pure et
classique des thèmes
beaux et simples, sans
oublier des
éléments de la
musique légère.
Cette uvre. $38.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Concerto In C For Piano And Symphonic Wind Orch. Orchestre d'harmonie [Conducteur et Parties séparées] Beriato Music
Concert Band/Harmonie and Piano SKU: BT.BMP8091417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano SKU:
BT.BMP8091417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski. Set
(Score & Parts). Composed
2008. Beriato Music
#BMP8091417. Published by
Beriato Music
(BT.BMP8091417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Over de
Amerikaanse componist
Leroy Anderson is veel
bekend. Deze zoon van
Zweedse immigranten
speelde piano, orgel,
accordeon, trombone, tuba
en contrabas. Hij sprak
vloeiend verschillende
talen en studeerde met
grote onderscheidingaf
aan Harvard en schreef
tijdens zijn legerdienst
in opdracht van het leger
een handboek grammatica
Ijslands.Al in zijn
studententijd begon hij
met het maken van
arrangementen, en vanaf
zijn 30ste arrangeerde en
componeerde hijvoor het
Boston Pops Orchestra.
Melodieën zoals
Serenata, The Typewriter,
Sleigh Ride en Bugler's
Holiday maakte hem
wereldberoemd. Zijn
bekendste werk Blue Tango
stond in 1952 op nummer
één in de VS
Charts, ener werden meer
dan een miljoen
exemplaren van verkocht.
Een jaar na zijn dood in
1975 kreeg hij een ster
op de Walk of Fame in
Hollywood.Zijn meeste
werken duren niet langer
dan drie minuten,
ongeveer de maximumduur
van een singletoen. Een
werk dat wel langer
duurt, is het
pianoconcerto in C voor
piano en orkest uit 1953.
Het werd in Chicago
gecreëerd onder zijn
leiding met Eugene List
aan de piano. Na drie
uitvoeringen echter, was
hij niet meer
tevredenover zijn werk en
trok dit terug. Hij had
zijn leven lang de
intentie het te herwerken
doch kwam er niet meer
toe. Pas in 1989 besliste
de Anderson Familie zijn
pianoconcerto toch
opnieuw uit te geven.Dit
driedelige werk
wordtenerzijds getypeerd
door een zorgeloze
elegantie, maar
anderzijds zijn invloeden
van Rachmaninoff,
Copland, Gerschwin en
zelfs Beethoven en Mozart
alsook de Weense
klassiekers te horen.Voor
de eerste beweging, past
Anderson de
sonatevormtoe. Op het
einde volgt een cadenza
die ons in het tweede
deel (in mi klein) voert.
Het derde deel is een
typische Amerikaanse,
vrolijke volksdans in
2/4, een zogenaamde Hoe
Down met als
middengedeelte een
zangerige,
lyrische
Ãœber
den amerikanischen
Komponisten Leroy
Anderson lässt sich
vieles berichten: Der
Sohn schwedischer
Immigranten spielte
Klavier, Orgel,
Akkordeon, Posaune, Tuba
und Kontrabass, sprach
neun Sprachen
fließend, absolvierte
mit
einemMagna-cum-laude-Absc
hluss die Harvard
Universität und
verfasste während
seiner Militärzeit im
Zweiten Weltkrieg für
die amerikanische Armee
eine Grammatik des
Isländischen. Schon
während seiner
Studentenzeit begann er
zu arrangieren, ab Mitte
der30er Jahre des letzten
Jahrhunderts arrangierte
und komponierte er für
das Boston Pops
Orchestra. Aus seiner
Feder stammen so bekannte
Werke der leichten Muse
wie Serenata, The
Typewriter, Sleigh Ride
oder Bugler�s
Holiday. Sein
wohlbekanntestes
Stück, Blue Tango,
wurde als erste
Instrumentalkomposition
über eine Million Mal
verkauft und belegte im
Jahr 1952 Platz 1 der
US-Charts. Für seine
Verdienste um die
Schallplattenindustrie
erhielt er ein Jahr nach
seinem Tod einenStern auf
dem Walk of Fame in
Hollywood.Charakteristisc
h für seine Werke ist
die Dauer: die meisten
sind rund drei Minuten
lang � mehr passte
nicht auf den damals
gebräuchlichen
Tonträger, eine
Singleschallplatte. Nur
wenige
seinerKompositionen
sprengen diesen
Zeitrahmen. Dazu
gehört sein Konzert
C-Dur für Klavier und
Orchester. Er komponierte
es 1953, die
Uraufführung fand
unter seiner Leitung und
mit Eugene List am
Klavier im selben Jahr in
Chicago statt. Da
Anderson mit demWerk aber
nicht zufrieden war, zog
er es im Sommer 1954,
nach nur drei
Aufführungen, wieder
ein. Er hatte zeitlebens
die Absicht, es zu
überarbeiten, allein,
es kam nicht mehr dazu.
Erst 1989 entschied sich
die Anderson-Familie
dazu, dasKlavierkonzert
wieder zu
veröffentlichen.Das
dreisätzige Werk zeigt
die Unbeschwertheit und
Eleganz, die Andersons
sämtliche
Kompositionen
auszeichnen. Dennoch
findet man darin auch
Anklänge an
Komponisten wie
Rachmaninoff, Copland,
Gershwin, undeben
Beethoven und Mozart,
sowie die Wiener
Klassiker. Der erste Satz
folgt der
Sonatenhauptsatzform. An
seinem Ende steht eine
Klavierkadenz, die direkt
in den langsamen zweiten
Satz (in e-Moll)
überleitet. Der dritte
Satz schließlich ist
einwaschechter Hoe Down,
ein fröhlicher
amerikanischer Volkstanz
im 2/4-Takt, in dessen
Zentrum aber eine
lyrisch-gesangliche
Passage steht. Eine
weitere Solo-Kadenz
führt das Werk in
einen spritzigen
Schlussabschnitt.In
seinem
Klavierkonzertvereinigt
Anderson einen
klassisch-traditionellen
Form- und
Kompositionsstil mit
Elementen der
Unterhaltungsmusik und
eingängigen Melodien,
die schon immer sein
Markenzeichen waren.
Daher bildet dieses Werk
eine perfekte Synthese
von ernster undleichter
Musik. Es passt �
wie beispielsweise auch
George Gershwins Rhapsody
in Blue �
gleichermaßen in einen
vornehmen Konzertsaal,
wie auch zur
zwanglos-lockeren
Atmosphäre einer
sommerlichen
Open-Air-Veranstaltung
oder
einesPops-Konzertes. <
br>Nous savons beaucoup
de choses sur le
compositeur américain
Leroy Anderson. Ce fils
dimmigrants suédois
jouait du piano, de
lorgue, de laccordéon,
du trombone, du tuba et
de la contrebasse. Il
parlait couramment
plusieurs langues et
était diplômé
avec grande distinction
de Harvard. Pendant son
service militaire, il
écrivit un manuel de
grammaire islandaise
commandé par
larmée.Étudiant,
il avait déj
commencé faire des
arrangements et dès l
ge de 30 ans, il
arrangeait et composait
pour le Boston Pops
Orchestra. Des
mélodies telles que
Serenata, The Typewriter,
Sleigh Ride et Buglers
Holiday lui valurent une
renommée mondiale. Son
uvre phare, Blue Tango,
fut numéro un
descharts américains
en 1952 et se vendit plus
dun million dexemplaires.
Un an après sa mort en
1975, il eut droit son
étoile sur le Walk of
Fame Hollywood.La plupart
de ses uvres nexcèdent
pas trois minutes, soit
peu près la durée
maximale dun single
lépoque. Son concerto
en ut pour piano et
orchestre de 1953 est
quant lui plus long. Il
fut créé Chicago
sous sa direction avec
Eugene List au piano.
Après trois
exécutions, Anderson
nétait toutefois plus
satisfait de son travail
et le retira. Toute sa
vie, il eut lintention de
le remanier mais ne le
fit pas. Ce nest quen
1989 que la famille
Anderson décida de
tout de m?me
rééditer son
concerto pour piano.Cette
uvre en trois parties se
caractérise par son
élégance
nonchalante mais aussi
par linfluence de
Rachmaninoff, Copland,
Gershwin et m?me de
Beethoven et Mozart,
ainsi que des classiques
viennois.Pour le premier
mouvement, Anderson opte
pour une sonate. la fin,
une cadence nous conduit
la deuxième partie (en
mi mineur). La
troisième partie est
une danse populaire
joyeuse et typiquement
américaine en 2/4, une
Hoe Down avec un passage
lyrique et mélodieux
en son milieu. la fin, un
solo est suivi par une
clôture rapide.Dans
son concerto pour piano,
Anderson unit une
composition pure et
classique des thèmes
beaux et simples, sans
oublier des
éléments de la
musique légère.
Cette uvre. $361.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Two Sonatas for Pianoforte Piano seul Barenreiter
G minor, G major; Op. 49. Composed by Ludwig van Beethoven (1770-1827). E...(+)
G minor, G major; Op.
49. Composed by
Ludwig van Beethoven
(1770-1827). Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Performance
score, anthology. Opus
49. Baerenreiter Verlag
#BA10858. Published by
Baerenreiter Verlag
(BA.BA10858).
$10.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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