Three Movements For Improvising Oboe, Soprano Sax, Viola, Cello. Par LIEBMAN DAVID. It is natural as we age to contemplate the finality of passing on, if not personally, then certainly as an effect from others around you whom have left this space. Having to endure the passing of family and friends is of course very trying. This is especially true when the perception is that someone 'passed before their time” though there are those of us who believe in fate implying that the Force works in its own mysterious way. In some ways I can subscribe to that concept, but for me when someone passes early, say in their fifth or sixth decade of life, it is 'before their time.” Composers often commemorate passings with music as a means to mourn and as well to celebrate the life of an individual who meant something to them. Such is the nature of this piece. Movement 1 - Past uses as source material themes I wrote for my mother Frances and father Leo when they passed - movement 2 - Present centers around a choral ('Prayer for Mike”) I wrote for my dear friend, saxophonist Michael Brecker when he passed a few years ago. This same period also saw the passing of other friends and associates whom I had known for years, all way too premature, beginning with JF Jenny Clarke and Bob Berg, Hans Gruber, Thomas Stowsand, David Baker, James Williams, Dennis Irwin, John Stubblefield. The final movement - ­Future is a requiem of sorts for all of us still here. With its improvisational character, it is meant to suggest the positive implications of living life to its fullest./ Recueil / Hautbois, Saxophone Soprano, Alto et Violoncelle

Nouvelle collection play-along disponible ! 15 tubes presentes avec une demo professionnelle et des pistes d'accompagnement pour que vous puissiez jouer et sonner comme un pro ! Titres inclus : Evermore - Into the Unknown - It's All Right - Remember Me (Ernesto de la Cruz) - Speechless - Try Everything - You're Welcome - et bien d'autres. L'acces aux fichiers audio se fait en ligne a l'aide du code qui se trouve a l'interieur du recueil et peut tre ecoute ou telecharge. Les fichiers audio comprennent un PLAYBACK , un lecteur audio multifonctionnel qui vous permet de ralentir l'audio, de definir des boucles, de changer de tonalite et de faire un panoramique a gauche ou a droite.
15 hits presented with professional demo and backing tracks so you can play along and sound like a pro! Songs include: Evermore Into the Unknown It's All Right Remember Me (Ernesto de la Cruz) Speechless Try Everything You're Welcome and more. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
The Ballad Of The Lonesome Cowboy (from TOY STORY 4)
Evermore (from BEAUTY AND THE BEAST)
How Does A Moment Last Forever (from BEAUTY AND THE BEAST)
How Far I'll Go (from MOANA)
Into The Unknown (from FROZEN 2)
It's All Right (featured in SOUL)
Lava (from LAVA)
Lead The Way (from RAYA AND THE LAST DRAGON)
Never Too Late (from THE LION KING 2019)
The Place Where Lost Things Go (from MARY POPPINS RETURNS)
Remember Me (Ernesto de la Cruz) (from COCO)
Speechless (from ALADDIN)
Touch The Sky (from BRAVE)
Try Everything (from ZOOTOPIA)
You're Welcome (from MOANA)
/ Partitions variété - pop - rock / Musique films - comédies musicales / / HAL LEONARD

Par PROUST PASCAL. On joue cette musique en se passant un petit film amusant dans sa tête... Pour une audition ou un examen de second cycle. - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Hautbois 1 Piano - Niveau de Difficulté : 4/6 - Intermédiaire/Avancé - Durée : 4 mn 30 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Pascal PROUST - / Niveau : Intermédiaire à Avancé / Classique, Pédagogique / Répertoire / Hautbois et Piano

Carl Nielsen's Fantasy Pieces for Oboe and Piano were composed in 1889/90. Having just gained a position as a violinist in the Royal Danish Orchestra, Nielsen had already experienced success with his String Suite op. 1 both as a composer and as a conductor. Several sketches and autographs bear witness to his intensive work on these contrasting pieces for oboe, which were to appear in 1890 as his Opus 2. The two movements, Romance and Humoreske, are dedicated to the oboist Olivo Krause who played in the royal orchestra. His beautiful tone and virtuosic technique probably played no small part in the fact that these miniatures by the 'young, talented composer? took the public and critics by storm at their first performance in March 1891. / Hautbois Et Piano