(The Drummer's Guide to the Genre and the Legends Who Defined It). By Rich Lackowski and John O'Reilly, Jr.. For Drumset. Artist/Personality; Book; CD; Method/Instruction; Percussion - Drum Set Method or Collection. On the Beaten Path. Jazz. 108 pages. Published by Alfred Music Publishing

Concert Band; Orchestra - Grade 1.5

SKU: AP.49117S

Composed by Kirk Vogel. 5 or More; MakeMusic Cloud; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Quartet; Single Titles; Solo Small Ensembles. Alfred Debut Series. Novelty. Score. 20 pages. Duration 2:36. Alfred Music #00-49117S. Published by Alfred Music (AP.49117S).

UPC: 038081563442. English.

This version of In Search of Yeti by Kirk Vogel is part of our Alfred FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 4 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. The 4-part instrumentation will support balanced instrumentation of the lower voices. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

In Search of Yeti by Kirk Vogel is a colorful piece representing the search for Sasquatch, Bigfoot, the Abominable Snowman, Voormi, or Yeti. Whatever the name, stories have persisted from the Arctic to the Himalayas of this ape-like creature. (2:35)

Percussion Accompaniment Track Downloads:
with click
without click.

This title is available in MakeMusic Cloud.

Concert Band; Orchestra - Grade 1.5

SKU: AP.49117

Composed by Kirk Vogel. 5 or More; MakeMusic Cloud; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Quartet; Single Titles; Solo Small Ensembles. Alfred Debut Series. Fall; Novelty. Score and Part(s). 107 pages. Duration 2:36. Alfred Music #00-49117. Published by Alfred Music (AP.49117).

UPC: 038081563435. English.

This version of In Search of Yeti by Kirk Vogel is part of our Alfred FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 4 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. The 4-part instrumentation will support balanced instrumentation of the lower voices. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

In Search of Yeti by Kirk Vogel is a colorful piece representing the search for Sasquatch, Bigfoot, the Abominable Snowman, Voormi, or Yeti. Whatever the name, stories have persisted from the Arctic to the Himalayas of this ape-like creature. (2:35)

Percussion Accompaniment Track Downloads:
with click
without click.

This title is available in MakeMusic Cloud.

Orchestra String Orchestra - Grade 4.5

SKU: FJ.ST6462

Composed by Brian Balmages. Series; String Orchestra. FJH String Orchestra. Light Concert; Multicultural; Novelty. Score and Part(s). Duration 4:45. The FJH Music Company Inc #98-ST6462. Published by The FJH Music Company Inc (FJ.ST6462).

UPC: 241444396254. English.

Featuring string quartet and orchestra, this tour de force follows a few straggling Irish musicians (the quartet) who find themselves in a junkyard picking up scrap instruments. As the quartet begins to find their groove, they are joined by the rest of the orchestra and the party is on! While not based on a specific folksong, the piece draws on elements ranging from a traditional pub band to Irish stepdance. So much fun, and playable on acoustic or electric instruments!

About FJH String Orchestra

More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up

Orchestra String Orchestra - Grade 4.5

SKU: FJ.ST6462S

Score Only. Composed by Brian Balmages. Series; String Orchestra. FJH String Orchestra. Light Concert; Multicultural; Novelty. Score. Duration 4:45. The FJH Music Company Inc #98-ST6462S. Published by The FJH Music Company Inc (FJ.ST6462S).

English.

Featuri ng string quartet and orchestra, this tour de force follows a few straggling Irish musicians (the quartet) who find themselves in a junkyard picking up scrap instruments. As the quartet begins to find their groove, they are joined by the rest of the orchestra and the party is on! While not based on a specific folksong, the piece draws on elements ranging from a traditional pub band to Irish stepdance. So much fun, and playable on acoustic or electric instruments!

About FJH String Orchestra

More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up

Violin duet - Easy

SKU: YM.GPW01096340

Strings. Combination. Sheet music. Yamaha Music Media #GPW01096340. Published by Yamaha Music Media (YM.GPW01096340).

ISBN 9784636963403.

24 arrangements for two violins.
24Shou Xiao Ti Qin Er Zhong Zou Le Qu .

1. Amazing Grace; 2. Amapola; 3. The Path of the Wind from My Neighbor Totoro; 4. I Got Rhythm/Gershwin; 5. Le Temps des cerises; 6. Someday My Prince Will Come; 7. A Town with an Ocean View from Kiki's Delivery Service; 8. My Grandfather's Clock; 9. Hamabe no Uta(At the Shore); 10. The Last Rose of Summer; 11. Joy to the World; 12. Happy Birthday to You; 13. Salut d'amour Op.12/Elgar; 14. Minuet in G Major BWV anh. 114/Petzold(J. S. Bach); 15. Songs My Mother Taught Me from Lusalka/Dvorak; 16. String Quartets Op.76/3/Haydn; 17. Lascia ch'io pianga from Rinaldo/Handel; 18. O mio babbino caro from Gianni Schicchi/Puccini; 19. Plaisir d'amour/Martini; 20. Auf Flugeln des Gesanges Op.34/2/Mendelssohn; 21. Beautiful Dreamer/Foster; 22. Liebestraume No.3/Liszt; 23. Ave Maria/Caccini; 24. Siciliana from Antiche arie e danze per liuto/Respighi
1. Qi Yi En Dian ; 2. Ying Su ; 3. Feng Zhi Yong Dao Xuan Zi Long Mao ; 4. Wo De Jie Zou /Ge Shi Wen ; 5. Ying Tao Cheng Shou Shi ; 6. Zong You Yi Tian Wang Zi Hui Chu Xian ; 7. Neng Kan Jian Huan De Jie Dao Xuan Zi Mo Nu Zhai Ji Bian ; 8. Wo Ye Ye De Luo Di Zhong ; 9. Hai Bin Zhi Ge (At the Shore); 10. Xia Ri Zui Hou De Mei Gui ; 11. Ju Shi Huan Teng ; 12. Sheng Ri Kuai Le Ge ; 13. Ai De Li Zan Op.12/Ai Er Jia ; 14. GDa Diao Xiao Bu Wu Qu /Petzold(J. S. Bach); 15. Mu Qin Jiao Wo De Ge Xuan Zi Shui Xian Nu /De Wo Xia Ke ; 16. Xian Le Si Zhong Zou Op.76/3/Hai Dun ; 17. Rang Wo Tong Ku Ba Xuan Zi Li Na Er Duo /Heng De Er ; 18. A !Wo Qin Ai De Ba Ba Xuan Zi Jia Ni *Si Ji Ji /Pu Qi Ni ; 19. Ai De Xi Yue /Ma Di Ni ; 20. Cheng Zhao Ge Sheng De Chi Bang Op.34/2/Men De Er Song ; 21. Mei Li Meng Zhong Ren /Fu Si Te ; 22. Ai Zhi Meng No.3/Li Si Te ; 23. Sheng Mu Song /Qia Qi Ni ; 24. Xi Xi Li Wu Qu Xuan Zi Gu Dai Feng Ge Wu Qu /Lei Si Bi Ji.

By Terry Gibbs on More Vibes on Velvet. Edited by Dylan Canterbury, Rob DuBoff, and Rob DuBoff. Arranged by Manny Albam. For Jazz Saxophone Ensemble with Featured Soloist and Rhythm Section. Ballad. Medium. Full score and parts. Published by Jazz Lines Publications

Percussion solo

SKU: BR.KM-2409

Composed by Nicolaus A. Huber. Solo instruments; Folder. Kammermusik-Bibliothek (Chamber Music Library). World premiere: Freiburg, October 25, 1989. Music post-1945; New music (post-2000). Performance score. Composed 1989. 30 pages. Duration 19'. Breitkopf and Haertel #KM 2409. Published by Breitkopf and Haertel (BR.KM-2409).

ISBN 9790004501818. 11 x 14 inches.

..., und selten larmetDer Schall durchs offne Feld, ......, die Lufte wehenDie Zweig und Aste durch ... (Friedrich Holderlin: Der Herbst)Eine insistierende herbstliche Klanglandschaft, Ausgangspunkt fur ,,Herbstfestival. Es war schwer, in die rhythmischen Verwebungen der ausserst leisen Ereignisse einzudringen, vor allem eines davon als ,,Anfang zu bestimmen. Ich versuchte mit der Stoppuhr kunstliche Zeitausschnitte zu markieren, um die enthaltene Polyphonie besser studieren zu konnen. Aber Struktur und Erlebnisart dieser Herbstklange deckten sich uberhaupt nicht mit meinen kompositorischen Wiedergabebedurfnissen. Die auf mich zukommende Klangnatur musste in eine Musiklandschaft von Fellen, Holzern, Metallen und klangerzeugenden Bewegungen transformiert werden.Das Stuck ist wie ein Gedicht in Zeilen aufgegliedert. Die Zeilenketten sind so angelegt, dass trotz logischer Folge der Farbsets sozusagen ins Unubersichtliche gezahlt wird. Aufgrund der Nichtproportionalitat von Zeilenlange und Ereignisdichte pro Zeile entsteht aus der sich steigernden Pressung eine polyphone Ineinanderschiebung, die sich auf ihrem Hohepunkt zugleich aus Poly- in Monochromie gewandelt hat. Aus solcher Fluiditat wachst die neunzehnminutige Crescendostruktur der Komposition. Sie lasst Entfernung in eigenartig erlebbare Musik-Nahe umschlagen. Die Komposition verzichtet auf aufruttelnde Reklame fur ihre Klangereignisse. Sie braucht offenes, entspannt-aufmerksames, zulassendes Horen.Die Sagen, die der Erde sich entfernen,Vom Geiste, der gewesen ist und wiederkehret,Sie kehren zu den Menschen sich, und vieles lernenWir aus der Zeit, die eilends sich verzehret.(Friedrich Holderlin: Der Herbst)(Nicolaus A. Huber, 1989)CDs:Schlagquartett KolnCD BV HAAST 9407Schlagquartett KolnPolmic 023 CD No.5Bibliography:Huber, Nicolaus A.: Die Zeit ist buchstabengenau und allbarmherzig. Zu Holderlin in meinen Kompositionen, in: Dissonanz, Heft 76, August 2002, pp. 4-13, und Heft 77, Oktober 2002, pp. 4-15.Le temps est litteral et misericordieux. La place de Friedrich Holderlin dans mes compositions, in: Dissonance, Heft 76, August 2002, S. 4-13, und Heft 77, Oktober 2002, pp. 4-15.ders.: THIRTY ARE BETTER THAN ONE (A. Warhol), in: Neue Musik und andere Kunste, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 50), Mainz u.a.: Schott 2010, pp. 220-235.Reinhold, Steffen: Herbstmusik. Wie die Natur durch die Musik spricht, in: Musik & Bildung 48 (2016), Heft 3, S. 50-55.

Chorus a cappella (solos: SATBB - choir: SSAATB - 2.2.2.2.dble bsn.serp - 4.2.3.0 - timp - org - str)

SKU: BR.CHB-5297-02

Oratorio on Words from the Holy Scriptures - Urtext. Composed by Felix Bartholdy Mendelssohn. Edited by Michael Marker. Choir; Softbound. Chor-Bibliothek (Choral Library).

Marker's Urtext edition is based on the first edition of the score from 1835.

Oratorio/passion; Romantic. Choral score. 84 pages. Duration 130'. Breitkopf and Haertel #ChB 5297-02. Published by Breitkopf and Haertel (BR.CHB-5297-02).

ISBN 9790004412237. 7.5 x 10.5 inches.

One can truly say that Mendelssohn's St. Paul oratorio is a genuine work in progress - such as one finds repeatedly in the composer's works. After the world premiere in Dusseldorf in 1836, the composer sighed: Since I changed a number of things after the performance, notably in the recitatives, and omitted a few pieces entirely, I really don't know how these changes can be made in the quartet parts that have already been engraved.Luckily, the score had not yet been printed at this point in time. It was published not long afterwards (1837) and served as the basis for the old Complete Edition, where, however, it was mixed together with other sources.Michael Marker's present Urtext edition uses the first edition of the score as the main source for the first time. Its inconsistencies were emended by the editor in agreement with other contemporary sources.By forgoing the version transmitted by Julius Rietz (1878), on which all later reprintings were based, in favor of the score of the first edition of 1835, which was personally supervised by the composer, a new Paulus has come to light: freed from a number of conventionalizing, adulterating retouchings, at times more angular in detail and thus more characteristic. (Michael Marker about his New Edition, 1997)

Marker's Urtext edition is based on the first edition of the score from 1835.