Cantata for the 1st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Die Elenden sollen
essen. Sacred vocal
music, Cantatas, Easter
and Eastertide, Trinity,
Praise and thanks. Single
Part, Violin 2. Composed
1723. BWV 75. 12 pages.
Duration 40 minutes.
Carus Verlag #CV
31.075/12. Published by
Carus Verlag
(CA.3107512).
ISBN
9790007044862. Key: E
minor / g minor.
Language:
German/English.
Sco
re available separately -
see item CA.3107500.
Cantata for the 1st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Die Elenden sollen
essen. Sacred vocal
music, Cantatas, Easter
and Eastertide, Trinity,
Praise and thanks. Single
Part, Violin 1. Composed
1723. BWV 75. 12 pages.
Duration 40 minutes.
Carus Verlag #CV
31.075/11. Published by
Carus Verlag
(CA.3107511).
ISBN
9790007044855. Key: E
minor / g minor.
Language:
German/English.
Sco
re available separately -
see item CA.3107500.
Cantata for the 1st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Die Elenden sollen
essen. Sacred vocal
music, Cantatas, Easter
and Eastertide, Trinity,
Praise and thanks. Choral
Score. Composed 1723. BWV
75. 16 pages. Duration 40
minutes. Carus Verlag #CV
31.075/05. Published by
Carus Verlag
(CA.3107505).
ISBN
9790007044824. Key: E
minor / g minor.
Language:
German/English.
Sco
re available separately -
see item CA.3107500.
Cantata for the 1st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Die Elenden sollen
essen. Sacred vocal
music, Cantatas, Easter
and Eastertide, Trinity,
Praise and thanks. Single
Part, Cello/Double Bass.
Composed 1723. BWV 75. 20
pages. Duration 40
minutes. Carus Verlag #CV
31.075/14. Published by
Carus Verlag
(CA.3107514).
ISBN
9790007044886. Key: E
minor / g minor.
Language:
German/English.
Sco
re available separately -
see item CA.3107500.
Composed
by Johann Georg Zechner.
Edited by Friedrich W.
Riedel. This edition:
Paperbound. Sacred vocal
music, Mass, latin.
German title: Grosse
Orgelsolomesse. Sacred
vocal music, Masses,
Latin. Full score. 72
pages. Duration 35
minutes. Carus Verlag #CV
40.682/00. Published by
Carus Verlag
(CA.4068200).
ISBN
9790007088934. Key: C
major. Language:
Latin.
Johann Georg
Zechner is considered to
be one of the most
prolific Austrian
composers of church music
during the time of Maria
Theresa. His ca. 250
surviving compositions,
including works in
practically all genre of
church music, found a
wide reception in many
Austrian, Bohemian and
Moravian monasteries and
in pilgrimage churches.
His Grosse Orgelsolomesse
was probably composed in
1761 for the dedication
of the organ in the
monastery at Gottweig. As
in other of his late
works, the strict royal
style, which essentially
characterizes Zechner's
compositions, is tempered
through the use of
elements of the galant
style of composition. The
organ plays solistically
in all of the
movements.
Arrangement for chamber orchestra (Linckelmann). Composed by Felix Bartholdy ...(+)
Arrangement for chamber
orchestra (Linckelmann).
Composed by Felix
Bartholdy
Mendelssohn (1809-1847).
Arranged by Joachim
Linckelmann. Gattungen
vokal:
Sacred vocal music. Full
Score. MWV A 25, Op. 70.
Duration 130 minutes.
Published by Carus Verlag
In 1828 Berlioz
wrote the Huit scènes
de Faust. The work was
soon withdrawn but almost
twenty years later each
of the eight scenes found
a place in the Lgende
dramatique La damnation
de Faust dedicated to
Franz Liszt. The first
part of the Damnation
exposes the figure of
Faust and has an
introductory nature. From
the second part onwards,
the course of action is
largely based on
Goethe’s
drama.
Contrasting
characters and dramatic
effect are of central
importance in
understanding
Berlioz’s musical
thought and his
compositional process.
Magic and fairy tale,
incantations and ghosts,
have been the
ever-recurring themes of
opera since the Baroque.
It is precisely this
fantasy in Berlioz's
Faust, the “Opra de
Concert en Quatre
actsâ€, which comes
very close to the spirit
of Goethe's
presentation.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
SATB vocal soli, SATB
choir, 2 english horn, 2
horns, 2 violins,
cello/contrabass, organ
solo, [2
clarinos/trumpets,
timpani]
SKU:
CA.4060309
Missa
in honorem Beatissimae
Virginis Mariae.
Composed by Franz Joseph
Haydn. Edited by
Christoph Grosspietsch.
This edition: urtext. 1x
40.603/21 English horn 1,
1x 40.603/22 English horn
2, 1x 40.603/31 horn 1,
1x 40.603/32 horn 2, 1x
40.603/33 clarino 1, 1x
40.603/34 clarino 2, 1x
40.603/41 timpani.
Stuttgart Urtext Edition:
Joseph Haydn, Sacred
vocal music. HAYDN:
GROssE ORGELSOLOMESSE IN
ES XXII:4. Sacred vocal
music, Masses, Latin. Set
of Orchestra Parts. Hob.
XXII:4. 64 pages.
Duration 40 minutes.
Carus Verlag #CV
40.603/09. Published by
Carus Verlag
(CA.4060309).
ISBN
9790007219338. Key: E
flat major. Language:
Latin.
Haydn's
so-called Great Organ
Solo Mass in E flat major
is among those works by
Joseph Haydn which early
in its history enjoyed
widespread dissemination.
The E flat major Mass,
with an unusual scoring
including two English
horns in the orchestra,
was composed around 1770
during the first years of
Haydn's tenure as Music
Director for the Court of
Esterhazy. Despite the
readily playable,
effective part for organ,
employed prominently as a
solo instrument in the
piece, the Missa in
honorem Beatissimae
Virginis Mariae, which
was composed for a Feast
to the Blessed Virgin
Mary, is seldom performed
today. The new critical
edition hopes to
stimulate new interest in
this work. Score and
parts available
separately - see item
CA.4060300.
SATB vocal soli, SATB
choir, 2 english horn, 2
horns, 2 violins,
cello/contrabass, organ
solo, [2
clarinos/trumpets,
timpani]
SKU:
CA.4060349
Missa
in honorem Beatissimae
Virginis Mariae.
Composed by Franz Joseph
Haydn. Edited by
Christoph Grosspietsch.
This edition: urtext.
Stuttgart Urtext Edition:
Joseph Haydn, Sacred
vocal music. HAYDN:
GROssE ORGELSOLOMESSE IN
ES XXII:4. Sacred vocal
music, Masses, Latin.
Single Part, Organ.
Composed 1766. Hob.
XXII:4. Duration 40
minutes. Carus Verlag #CV
40.603/49. Published by
Carus Verlag
(CA.4060349).
ISBN
9790007219376. Key: E
flat major. Language:
Latin.
Haydn's
so-called Great Organ
Solo Mass in E flat major
is among those works by
Joseph Haydn which early
in its history enjoyed
widespread dissemination.
The E flat major Mass,
with an unusual scoring
including two English
horns in the orchestra,
was composed around 1770
during the first years of
Haydn's tenure as Music
Director for the Court of
Esterhazy. Despite the
readily playable,
effective part for organ,
employed prominently as a
solo instrument in the
piece, the Missa in
honorem Beatissimae
Virginis Mariae, which
was composed for a Feast
to the Blessed Virgin
Mary, is seldom performed
today. The new critical
edition hopes to
stimulate new interest in
this work. Score and part
available separately -
see item CA.4060300.
SATB vocal soli, SATB
choir, 2 english horn, 2
horns, 2 violins,
cello/contrabass, organ
solo, [2
clarinos/trumpets,
timpani]
SKU:
CA.4060319
Missa
in honorem Beatissimae
Virginis Mariae.
Composed by Franz Joseph
Haydn. Edited by
Christoph Grosspietsch.
This edition: urtext.
Stuttgart Urtext Edition:
Joseph Haydn, Sacred
vocal music. HAYDN:
GROssE ORGELSOLOMESSE IN
ES XXII:4. Sacred vocal
music, Masses, Latin. Set
of Orchestra Parts. Hob.
XXII:4. Duration 40
minutes. Carus Verlag #CV
40.603/19. Published by
Carus Verlag
(CA.4060319).
ISBN
9790007133207. Key: E
flat major. Language:
Latin.
Haydn's
so-called Great Organ
Solo Mass in E flat major
is among those works by
Joseph Haydn which early
in its history enjoyed
widespread dissemination.
The E flat major Mass,
with an unusual scoring
including two English
horns in the orchestra,
was composed around 1770
during the first years of
Haydn's tenure as Music
Director for the Court of
Esterhazy. Despite the
readily playable,
effective part for organ,
employed prominently as a
solo instrument in the
piece, the Missa in
honorem Beatissimae
Virginis Mariae, which
was composed for a Feast
to the Blessed Virgin
Mary, is seldom performed
today. The new critical
edition hopes to
stimulate new interest in
this work. Score and
parts available
separately - see item
CA.4060300.
Mass C major op. 86 Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. For SATB v...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Barry Cooper.
For SATB vocal soli, SATB
choir, orchestra (flute
[2], oboe [2], B-flat
clarinet [2], bassoon
[2], horn [2], trumpet
[2], timpani, violin [2],
viola, cello, double
bass, organ). This
edition: urtext edition.
Paperback. Score. Opus
86. Published by
Baerenreiter Verlag
Mass C major op. 86 Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Vocal Score] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. Arranged b...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Barry Cooper.
Arranged by Andrea
Campora. For SATB vocal
soli, SATB choir,
orchestra. This edition:
urtext edition.
Paperback. Vocal score.
Opus 86. Published by
Baerenreiter Verlag
Composed
by Johann Georg Zechner.
Edited by Friedrich W.
Riedel. This edition:
Paperbound. Organ. Sacred
vocal music, Masses,
Latin. Single Part,
Organ. Composed 1808. 24
pages. Duration 35
minutes. Carus Verlag #CV
40.682/49. Published by
Carus Verlag
(CA.4068249).
ISBN
9790007140069. Key: C
major. Language:
Latin.
Johann Georg
Zechner is considered to
be one of the most
prolific Austrian
composers of church music
during the time of Maria
Theresa. His ca. 250
surviving compositions,
including works in
practically all genre of
church music, found a
wide reception in many
Austrian, Bohemian and
Moravian monasteries and
in pilgrimage churches.
His Grosse Orgelsolomesse
was probably composed in
1761 for the dedication
of the organ in the
monastery at Gottweig. As
in other of his late
works, the strict royal
style, which essentially
characterizes Zechner's
compositions, is tempered
through the use of
elements of the galant
style of composition. The
organ plays solistically
in all of the movements.
Score and part available
separately - see item
CA.4068200.
Composed
by Johann Georg Zechner.
Edited by Friedrich W.
Riedel. 1x 40.682/31
trumpet 1, 1x 40.682/32
trumpet 2, 1x 40.682/41
timpani. Harmony parts.
Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. 20
pages. Duration 35
minutes. Carus Verlag #CV
40.682/09. Published by
Carus Verlag
(CA.4068209).
ISBN
9790007220228. Key: C
major. Language:
Latin.
Johann Georg
Zechner is considered to
be one of the most
prolific Austrian
composers of church music
during the time of Maria
Theresa. His ca. 250
surviving compositions,
including works in
practically all genre of
church music, found a
wide reception in many
Austrian, Bohemian and
Moravian monasteries and
in pilgrimage churches.
His Grosse Orgelsolomesse
was probably composed in
1761 for the dedication
of the organ in the
monastery at Gottweig. As
in other of his late
works, the strict royal
style, which essentially
characterizes Zechner's
compositions, is tempered
through the use of
elements of the galant
style of composition. The
organ plays solistically
in all of the movements.
Score and parts available
separately - see item
CA.4068200.
Composed
by Johann Georg Zechner.
Edited by Friedrich W.
Riedel. Violin 1. Sacred
vocal music, Masses,
Latin. Single Part,
Violin 1. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
40.682/11. Published by
Carus Verlag
(CA.4068211).
ISBN
9790007220235. Key: C
major. Language:
Latin.
Johann Georg
Zechner is considered to
be one of the most
prolific Austrian
composers of church music
during the time of Maria
Theresa. His ca. 250
surviving compositions,
including works in
practically all genre of
church music, found a
wide reception in many
Austrian, Bohemian and
Moravian monasteries and
in pilgrimage churches.
His Grosse Orgelsolomesse
was probably composed in
1761 for the dedication
of the organ in the
monastery at Gottweig. As
in other of his late
works, the strict royal
style, which essentially
characterizes Zechner's
compositions, is tempered
through the use of
elements of the galant
style of composition. The
organ plays solistically
in all of the movements.
Score and part available
separately - see item
CA.4068200.
Composed
by Johann Georg Zechner.
Edited by Friedrich W.
Riedel. This edition:
Paperbound. Sacred vocal
music, Masses, Latin.
Vocal score. 48 pages.
Duration 35 minutes.
Carus Verlag #CV
40.682/03. Published by
Carus Verlag
(CA.4068203).
ISBN
9790007018771. Key: C
major. Language:
Latin.
Johann Georg
Zechner is considered to
be one of the most
prolific Austrian
composers of church music
during the time of Maria
Theresa. His ca. 250
surviving compositions,
including works in
practically all genre of
church music, found a
wide reception in many
Austrian, Bohemian and
Moravian monasteries and
in pilgrimage churches.
His Grosse Orgelsolomesse
was probably composed in
1761 for the dedication
of the organ in the
monastery at Gottweig. As
in other of his late
works, the strict royal
style, which essentially
characterizes Zechner's
compositions, is tempered
through the use of
elements of the galant
style of composition. The
organ plays solistically
in all of the movements.
Score available
separately - see item
CA.4068200.
Composed
by Johann Georg Zechner.
Edited by Friedrich W.
Riedel. Violin 2. Sacred
vocal music, Masses,
Latin. Single Part,
Violin 2. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
40.682/12. Published by
Carus Verlag
(CA.4068212).
ISBN
9790007220242. Key: C
major. Language:
Latin.
Johann Georg
Zechner is considered to
be one of the most
prolific Austrian
composers of church music
during the time of Maria
Theresa. His ca. 250
surviving compositions,
including works in
practically all genre of
church music, found a
wide reception in many
Austrian, Bohemian and
Moravian monasteries and
in pilgrimage churches.
His Grosse Orgelsolomesse
was probably composed in
1761 for the dedication
of the organ in the
monastery at Gottweig. As
in other of his late
works, the strict royal
style, which essentially
characterizes Zechner's
compositions, is tempered
through the use of
elements of the galant
style of composition. The
organ plays solistically
in all of the movements.
Score and part available
separately - see item
CA.4068200.
Composed
by Johann Georg Zechner.
Edited by Friedrich W.
Riedel. Sacred vocal
music, Masses, Latin.
Choral Score. 20 pages.
Duration 35 minutes.
Carus Verlag #CV
40.682/05. Published by
Carus Verlag
(CA.4068205).
ISBN
9790007110130. Key: C
major. Language:
Latin.
Johann Georg
Zechner is considered to
be one of the most
prolific Austrian
composers of church music
during the time of Maria
Theresa. His ca. 250
surviving compositions,
including works in
practically all genre of
church music, found a
wide reception in many
Austrian, Bohemian and
Moravian monasteries and
in pilgrimage churches.
His Grosse Orgelsolomesse
was probably composed in
1761 for the dedication
of the organ in the
monastery at Gottweig. As
in other of his late
works, the strict royal
style, which essentially
characterizes Zechner's
compositions, is tempered
through the use of
elements of the galant
style of composition. The
organ plays solistically
in all of the movements.
Score available
separately - see item
CA.4068200.
Composed
by Johann Georg Zechner.
Edited by Friedrich W.
Riedel.
Violoncello/double bass.
Sacred vocal music,
Masses, Latin. Single
Part, Cello/Double Bass.
16 pages. Duration 35
minutes. Carus Verlag #CV
40.682/13. Published by
Carus Verlag
(CA.4068213).
ISBN
9790007220259. Key: C
major. Language:
Latin.
Johann Georg
Zechner is considered to
be one of the most
prolific Austrian
composers of church music
during the time of Maria
Theresa. His ca. 250
surviving compositions,
including works in
practically all genre of
church music, found a
wide reception in many
Austrian, Bohemian and
Moravian monasteries and
in pilgrimage churches.
His Grosse Orgelsolomesse
was probably composed in
1761 for the dedication
of the organ in the
monastery at Gottweig. As
in other of his late
works, the strict royal
style, which essentially
characterizes Zechner's
compositions, is tempered
through the use of
elements of the galant
style of composition. The
organ plays solistically
in all of the movements.
Score and part available
separately - see item
CA.4068200.
Composed
by Johann Georg Zechner.
Edited by Friedrich W.
Riedel. Complete
orchestral parts. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Duration 35
minutes. Carus Verlag #CV
40.682/19. Published by
Carus Verlag
(CA.4068219).
ISBN
9790007220266. Key: C
major. Language:
Latin.
Johann Georg
Zechner is considered to
be one of the most
prolific Austrian
composers of church music
during the time of Maria
Theresa. His ca. 250
surviving compositions,
including works in
practically all genre of
church music, found a
wide reception in many
Austrian, Bohemian and
Moravian monasteries and
in pilgrimage churches.
His Grosse Orgelsolomesse
was probably composed in
1761 for the dedication
of the organ in the
monastery at Gottweig. As
in other of his late
works, the strict royal
style, which essentially
characterizes Zechner's
compositions, is tempered
through the use of
elements of the galant
style of composition. The
organ plays solistically
in all of the movements.
Score and parts available
separately - see item
CA.4068200.
Kantate für
Männerchor und
Orchester
(tschechisch/deutsch/engl
isch) mit Supplement:
Erste Fassung 1911,
(tschechisch).
Composed by Leos Janacek.
Edited by Jan Hanus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek B/3.
Complete edition, Score.
Composed 1920. Duration 7
minutes. Baerenreiter
Verlag #BA06844_00.
Published by Baerenreiter
Verlag (BA.BA06844).
ISBN 9790006483266.
34.3 x 27 cm inches. Text
Language: Czech, German,
English. Translation:
Kurt Honolka / Bernard
Keeffe. Text: Martin
(Pseudonym fur Maximilian
Kunert)
Kurt.
Kantate fur
Mannerchor und Orchester
(tschechisch/deutsch/engl
isch) mit Supplement:
Erste Fassung 1911,
(tschechisch).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Dramma per musica. Klavierauszug nach dem Urtext der Haydn- Gesamtausgabe (itali...(+)
Dramma per musica.
Klavierauszug nach dem
Urtext der Haydn-
Gesamtausgabe
(italienisch/deutsch). By
Franz Joseph Haydn.
Arranged by Barthel,
Ernst R. For 3 Soprano
solo, Tenor solo, 2 Bass
solo, Mixed Choir-SATB, 2
Flute, 2 Oboe, 2 Eh, 2
Clarinet (b flat), 2
Bassoon, 2 Horn, 2
Trumpet, Kettledrum,
Harp, Strings, Basso
continuo. Piano
Reduction/Vocal Score
(paperbound). Hob.
XXVIII:13. Published by
Baerenreiter-Ausgaben
(German import).
Cantata for the 19th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Wo soll ich
fliehen hin. Sacred vocal
music, Cantatas. Set of
Orchestra Parts. Composed
1724. BWV 5. Duration 23
minutes. Carus Verlag #CV
31.005/19. Published by
Carus Verlag
(CA.3100519).
ISBN
9790007135928. Key: G
minor. Language:
German/English. Text:
Heermann, Johann. Text:
Johann
Heermann.
Score and
parts available
separately - see item
CA.3100500.
Cantata for the 19th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. This
edition: Paperbound.
German title: Wo soll ich
fliehen hin. Sacred vocal
music, Cantatas. Vocal
score. Composed 1724. BWV
5. 32 pages. Duration 23
minutes. Carus Verlag #CV
31.005/03. Published by
Carus Verlag
(CA.3100503).
ISBN
9790007041595. Key: G
minor. Language:
German/English. Text:
Heermann, Johann. Text:
Johann
Heermann.
Cantata
for the Trinity
Sunday. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Stuttgart Urtext Edition:
Bach vocal. O Heiliges
Geist- Und Wasserbad.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Viola. Composed
1715(?). BWV 165. 4
pages. Duration 13
minutes. Carus Verlag #CV
31.165/13. Published by
Carus Verlag
(CA.3116513).
ISBN
9790007209100. Text
language: German/English.
Text: Franck,
Salomo.
The cantata
O heilges Geist- und
Wasserbad (O Holy
spirit's solemn rite) BWV
165 is one of Bach's
earliest cantata
compositions and was
presumably first
performed in the Weimar
Schlosskirche for Trinity
Sunday in 1715. With a
simple instrumentation of
only strings and basso
continuo (including
bassoon), the cantata
offers an alternative to
the later Leipzig
cantatas for the Feast of
the Holy Trinity, also
with regard to the vivid
interpretation of the
text in the librettos by
Salomon Franck. In the
two expressive
recitatives and the three
distinctively different
arias, Bach repeatedly
emphasizes the central
words of the text, which
focuses on the meaning of
the rebirth of the spirit
through baptism. Score
and part available
separately - see item
CA.3116500.
Cantata
for the Trinity
Sunday. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Stuttgart Urtext Edition:
Bach vocal. O Heiliges
Geist- Und Wasserbad.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Bassoon. Composed
1715(?). BWV 165. 4
pages. Duration 13
minutes. Carus Verlag #CV
31.165/21. Published by
Carus Verlag
(CA.3116521).
Text
language: German/English.
Text: Franck,
Salomo.
The cantata
O heilges Geist- und
Wasserbad (O Holy
spirit's solemn rite) BWV
165 is one of Bach's
earliest cantata
compositions and was
presumably first
performed in the Weimar
Schlosskirche for Trinity
Sunday in 1715. With a
simple instrumentation of
only strings and basso
continuo (including
bassoon), the cantata
offers an alternative to
the later Leipzig
cantatas for the Feast of
the Holy Trinity, also
with regard to the vivid
interpretation of the
text in the librettos by
Salomon Franck. In the
two expressive
recitatives and the three
distinctively different
arias, Bach repeatedly
emphasizes the central
words of the text, which
focuses on the meaning of
the rebirth of the spirit
through baptism. Score
and part available
separately - see item
CA.3116500.