Violin & orchestra SKU: HH.HH052-IPT Composed by Antonio Vivaldi. Edited ...(+)
Violin & orchestra
SKU: HH.HH052-IPT
Composed by Antonio
Vivaldi. Edited by
Rebecca Kan. Violin &
Orchestra. Set of parts.
Edition HH Music
Publishers #HH052-IPT.
Published by Edition HH
Music Publishers
(HH.HH052-IPT).
ISBN
9790708041030.
This
critical edition sheds
light on the special
qualities linking RV 198
(here published for the
first time) to the
musicians of the Saxon
court, and offers the
first detailed comparison
between two versions of
the concerto. Passages of
brilliant figuration and
finely spun diminutions
characterize the solo
episodes in the fast
movements. An alternative
Adagio is included in
each of the various
formats (scores, keyboard
reduction and parts).
Viollin & piano SKU: HH.HH052-KBD Composed by Antonio Vivaldi. Edited by ...(+)
Viollin & piano
SKU:
HH.HH052-KBD
Composed
by Antonio Vivaldi.
Edited by Rebecca Kan.
Viollin & Piano. Keybarod
score & solo part.
Edition HH Music
Publishers #HH052-KBD.
Published by Edition HH
Music Publishers
(HH.HH052-KBD).
ISBN
9790708041023.
This
critical edition sheds
light on the special
qualities linking RV 198
(here published for the
first time) to the
musicians of the Saxon
court, and offers the
first detailed comparison
between two versions of
the concerto. Passages of
brilliant figuration and
finely spun diminutions
characterize the solo
episodes in the fast
movements. An alternative
Adagio is included in
each of the various
formats (scores, keyboard
reduction and parts).
Violin & orchestra SKU: HH.HH052-MIN Composed by Antonio Vivaldi. Edited ...(+)
Violin & orchestra
SKU: HH.HH052-MIN
Composed by Antonio
Vivaldi. Edited by
Rebecca Kan. Violin &
Orchestra. Miniature
score. Edition HH Music
Publishers #HH052-MIN.
Published by Edition HH
Music Publishers
(HH.HH052-MIN).
ISBN
9790708041009.
This
critical edition sheds
light on the special
qualities linking RV 198
(here published for the
first time) to the
musicians of the Saxon
court, and offers the
first detailed comparison
between two versions of
the concerto. Passages of
brilliant figuration and
finely spun diminutions
characterize the solo
episodes in the fast
movements. An alternative
Adagio is included in
each of the various
formats (scores, keyboard
reduction and parts).
Violin & orchestra SKU: HH.HH052-STR Composed by Antonio Vivaldi. Edited ...(+)
Violin & orchestra
SKU: HH.HH052-STR
Composed by Antonio
Vivaldi. Edited by
Rebecca Kan. Violin &
Orchestra. String set.
Edition HH Music
Publishers #HH052-STR.
Published by Edition HH
Music Publishers
(HH.HH052-STR).
This critical
edition sheds light on
the special qualities
linking RV 198 (here
published for the first
time) to the musicians of
the Saxon court, and
offers the first detailed
comparison between two
versions of the concerto.
Passages of brilliant
figuration and finely
spun diminutions
characterize the solo
episodes in the fast
movements. An alternative
Adagio is included in
each of the various
formats (scores, keyboard
reduction and parts).
4 voices (Countertenor, 2 Tenors and Bass) and ensemble (1(afl, pic).0.ca.0.ssax...(+)
4 voices (Countertenor, 2
Tenors and Bass) and
ensemble (1(afl,
pic).0.ca.0.ssax.1(cbsn)-
1.0.1.0-perc(crot, vib,
mar, bell plate, sizz
cym, Swiss cow bell, gong
[horizontal], tam-t, 2
bng, 2slit drum, wood
drum, 2cong, 2b.d, marac,
5tempbl,
vibraslap)-hp-str(0.0.1.0
.1))
SKU:
HL.49043942
For
four voices and
instrumental
ensemble. Composed by
John Casken. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Softcover. Composed 2008.
124 pages. Duration 30'.
Schott Music #ED13468.
Published by Schott Music
(HL.49043942).
ISBN
9790220134562.
8.25x11.75x0.396 inches.
English.
The
Anglo-Saxon poem The
Dream of the Rood was
probably written in the
8th Century and is the
earliest dream-vision
poem in Old English. A
fragment of the poem from
the section that
describes the crucifixion
can be found carved on
the Ruthwell Cross in
Dumfriesshire, and set in
stone at a time when
Ruthwell was part of the
ancient kingdom of
Northumbria. In
responding to a
commission for the
Hilliard Ensemble, I was
keen to find a dramatic
text, but one that would
also invite a musical
response appropriate to
the very nature of this
kind of vocal quartet.
Writing for the Hilliards
together with a mixed
instrumental ensemble,
and for a generous
cathedral acoustic, has
had a strong influence on
the types of textures and
sonorities I have used.
The structure of the work
is dictated by the form
of the poem, but the
music could also be seen
as consisting of a
sequence of motets with
both vocal and
instrumental
interludes.John
Casken.
Vesperpsalm.
Composed by Johann Adolf
Hasse. Edited by Wolfgang
Hochstein. Arranged by
Wolfgang Hochstein. 1x
40.970/21 flute, 1x
40.970/22 oboe 1, 1x
40.970/23 oboe 2. Laudate
Pueri (Gem. Chor) (Psalm
112). Sacred vocal music,
Cantatas, Psalms, Daily
hours. Set of Orchestra
Parts. Composed circa
1737-1756. 18 pages.
Duration 25 minutes.
Carus Verlag #CV
40.970/09. Published by
Carus Verlag
(CA.4097009).
ISBN
9790007221676. Key: A
major. Language:
Latin.
Venezian
version The Laudate pueri
was composed between 1735
and 1749 for the Ospedale
degl'Incurabili in
Venice. Since the
Ospedale was an
institution for the
musical training of
gifted girls and young
women, the vocal parts
are scored for female
voices. As Director of
Music at the Saxon-Polish
Court of Dresden, Hasse
was also responsible for
church music, and
therefore he arranged
works which were
originally written for
the Ospedale.. Now that
the Dresden version has
already been published in
the Hasse-Werk-Ausgabe,
the original composition
is printed here for the
first time. Score and
parts available
separately - see item
CA.4097000.
Vesperpsalm.
Composed by Johann Adolf
Hasse. Edited by Wolfgang
Hochstein. Arranged by
Wolfgang Hochstein.
Laudate Pueri (Gem. Chor)
(Psalm 112). Sacred vocal
music, Cantatas, Psalms,
Daily hours. Set of
Orchestra Parts. Composed
circa 1737-1756. Duration
25 minutes. Carus Verlag
#CV 40.970/19. Published
by Carus Verlag
(CA.4097019).
ISBN
9790007221683. Key: A
major. Language:
Latin.
Venezian
version The Laudate pueri
was composed between 1735
and 1749 for the Ospedale
degl'Incurabili in
Venice. Since the
Ospedale was an
institution for the
musical training of
gifted girls and young
women, the vocal parts
are scored for female
voices. As Director of
Music at the Saxon-Polish
Court of Dresden, Hasse
was also responsible for
church music, and
therefore he arranged
works which were
originally written for
the Ospedale.. Now that
the Dresden version has
already been published in
the Hasse-Werk-Ausgabe,
the original composition
is printed here for the
first time. Score and
parts available
separately - see item
CA.4097000.
Chorale
cantata. Composed by
Max Reger. Edited by
Gunther Massenkeil.
German title: O Haupt
voll Blut und Wunden.
Sacred vocal music,
Cantatas, Lent and
Passiontide, Holy Week.
Single Part, Viola.
Composed 1904. Op. WoO
V/4 Nr. 3. 4 pages.
Duration 18 minutes.
Carus Verlag #CV
50.403/12. Published by
Carus Verlag
(CA.5040312).
ISBN
9790007081676. Key: A
minor. Language:
German/English.
Reg
er's cantata for Good
Friday, based on the
famous Passion hymn by
Paul Gerhardt, was
composed in 1904 and
belongs to a group with 4
further choral cantatas -
Reger's independent and
most comprehensive
contribution to a key
family of protestant
church music. The Carus
edition of these works is
intended to make Reger's
choral cantatas
accessible for musical
practice and
musicological reasearch
for the first time in a
modern critical edition.
In order to encourage the
spread of Reger's choral
works in the anglo-saxon
countries, a singable
English translation has
been added. Score and
part available separately
- see item
CA.5040300.
Chorale
cantata. Composed by
Max Reger. Edited by
Gunther Massenkeil.
German title: O Haupt
voll Blut und Wunden.
Sacred vocal music,
Cantatas, Lent and
Passiontide, Holy Week.
Set of Orchestra Parts.
Composed 1904. Op. WoO
V/4 Nr. 3. Duration 18
minutes. Carus Verlag #CV
50.403/19. Published by
Carus Verlag
(CA.5040319).
ISBN
9790007138356. Key: A
minor. Language:
German/English.
Reg
er's cantata for Good
Friday, based on the
famous Passion hymn by
Paul Gerhardt, was
composed in 1904 and
belongs to a group with 4
further choral cantatas -
Reger's independent and
most comprehensive
contribution to a key
family of protestant
church music. The Carus
edition of these works is
intended to make Reger's
choral cantatas
accessible for musical
practice and
musicological reasearch
for the first time in a
modern critical edition.
In order to encourage the
spread of Reger's choral
works in the anglo-saxon
countries, a singable
English translation has
been added. Score and
parts available
separately - see item
CA.5040300.
(Vesperpsalm). By Johann Adolf Hasse (1699-1783). Edited by Wolfgang Hochstein. ...(+)
(Vesperpsalm). By Johann
Adolf Hasse (1699-1783).
Edited by Wolfgang
Hochstein. Arranged by
Wolfgang Hochstein. For
Soli SSA, SSAA choir, 2
violins, viola, basso
continuo (cello/double
bass, organ). This
edition: Paperbound.
A-Dur (A major). Score
availab
Organ (solos: SATB - choir: SATB - 2.2.chal.0(2) - 2.2.0.0. - timp - theorbe - s...(+)
Organ (solos: SATB -
choir: SATB -
2.2.chal.0(2) - 2.2.0.0.
- timp - theorbe - str)
SKU: BR.OB-5593-11
Urtext. Composed
by Jan Dismas Zelenka.
Edited by David Erler.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Royal Funeral
Music
Requiem;
Baroque. Part. 40 pages.
Breitkopf and Haertel #OB
5593-11. Published by
Breitkopf and Haertel
(BR.OB-5593-11).
ISBN
9790004344309. 10 x 12.5
inches.
For the
funeral rites after the
death of King Augustus I.
of Saxony (Augustus the
Strong), Zelenka composed
the Requiem in D (ZWV 46)
and the Officium
Defunctorum (ZWV 47),
both integral parts of
the exequies for the
Saxon-Polish ruler.
Zelenka had to finish
this work in a great
hurry, and implemented -
suitable to the occasion
- an impressing abundance
of sound colors and
inventiveness: muted
trumpets and horns,
chalumeau, obligate
fagotti as well as
extremely virtuoso solo
parts and fully developed
counterpoints in the
choral settings. With the
present Urtext edition
David Erler is closing
one of the last gaps in
the series of large-scale
sacred works of Zelenka
in Breitkopf & Hartel's
catalog.Have a look into
the piano vocal
score.
Urtext. Composed
by Jan Dismas Zelenka.
Edited by David Erler.
Choir; Folder.
Orchester-Bibliothek
(Orchestral Library).
Royal Funeral
Music
Requiem;
Baroque. Set of parts.
116 pages. Breitkopf and
Haertel #OB 5593-30.
Published by Breitkopf
and Haertel
(BR.OB-5593-30).
ISBN
9790004344859. 10 x 12.5
inches.
For the
funeral rites after the
death of King Augustus I.
of Saxony (Augustus the
Strong), Zelenka composed
the Requiem in D (ZWV 46)
and the Officium
Defunctorum (ZWV 47),
both integral parts of
the exequies for the
Saxon-Polish ruler.
Zelenka had to finish
this work in a great
hurry, and implemented -
suitable to the occasion
- an impressing abundance
of sound colors and
inventiveness: muted
trumpets and horns,
chalumeau, obligate
fagotti as well as
extremely virtuoso solo
parts and fully developed
counterpoints in the
choral settings. With the
present Urtext edition
David Erler is closing
one of the last gaps in
the series of large-scale
sacred works of Zelenka
in Breitkopf & Hartel's
catalog.Have a look into
the piano vocal
score.
Chorus (with soloists) and piano (solos: SATB - choir: SATB - 2.2.chal.0(2) - 2....(+)
Chorus (with soloists)
and piano (solos: SATB -
choir: SATB -
2.2.chal.0(2) - 2.2.0.0.
- timp - theorbe - str)
SKU: BR.EB-8913
Urtext. Composed
by Jan Dismas Zelenka.
Edited by David Erler.
Arranged by Andreas Kohs.
Choir; stapled. Edition
Breitkopf.
Royal
Funeral Music
Requiem; Baroque.
Piano/Vocal Score. 80
pages. Breitkopf and
Haertel #EB 8913.
Published by Breitkopf
and Haertel (BR.EB-8913).
ISBN 9790004185797.
7.5 x 10.5
inches.
For the
funeral rites after the
death of King Augustus I.
of Saxony (Augustus the
Strong), Zelenka composed
the Requiem in D (ZWV 46)
and the Officium
Defunctorum (ZWV 47),
both integral parts of
the exequies for the
Saxon-Polish ruler.
Zelenka had to finish
this work in a great
hurry, and implemented -
suitable to the occasion
- an impressing abundance
of sound colors and
inventiveness: muted
trumpets and horns,
chalumeau, obligate
fagotti as well as
extremely virtuoso solo
parts and fully developed
counterpoints in the
choral settings. With the
present Urtext edition
David Erler is closing
one of the last gaps in
the series of large-scale
sacred works of Zelenka
in Breitkopf & Hartel's
catalog. Have a look into
the piano vocal
score.
Urtext. Composed
by Jan Dismas Zelenka.
Edited by David Erler.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Royal Funeral
Music
Requiem;
Baroque. Part. 12 pages.
Breitkopf and Haertel #OB
5593-19. Published by
Breitkopf and Haertel
(BR.OB-5593-19).
ISBN
9790004344330. 10 x 12.5
inches.
For the
funeral rites after the
death of King Augustus I.
of Saxony (Augustus the
Strong), Zelenka composed
the Requiem in D (ZWV 46)
and the Officium
Defunctorum (ZWV 47),
both integral parts of
the exequies for the
Saxon-Polish ruler.
Zelenka had to finish
this work in a great
hurry, and implemented -
suitable to the occasion
- an impressing abundance
of sound colors and
inventiveness: muted
trumpets and horns,
chalumeau, obligate
fagotti as well as
extremely virtuoso solo
parts and fully developed
counterpoints in the
choral settings. With the
present Urtext edition
David Erler is closing
one of the last gaps in
the series of large-scale
sacred works of Zelenka
in Breitkopf & Hartel's
catalog.Have a look into
the piano vocal
score.
Urtext. Composed
by Jan Dismas Zelenka.
Edited by David Erler.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Royal Funeral
Music
Requiem;
Baroque. Part. 20 pages.
Breitkopf and Haertel #OB
5593-15. Published by
Breitkopf and Haertel
(BR.OB-5593-15).
ISBN
9790004344316. 10 x 12.5
inches.
For the
funeral rites after the
death of King Augustus I.
of Saxony (Augustus the
Strong), Zelenka composed
the Requiem in D (ZWV 46)
and the Officium
Defunctorum (ZWV 47),
both integral parts of
the exequies for the
Saxon-Polish ruler.
Zelenka had to finish
this work in a great
hurry, and implemented -
suitable to the occasion
- an impressing abundance
of sound colors and
inventiveness: muted
trumpets and horns,
chalumeau, obligate
fagotti as well as
extremely virtuoso solo
parts and fully developed
counterpoints in the
choral settings. With the
present Urtext edition
David Erler is closing
one of the last gaps in
the series of large-scale
sacred works of Zelenka
in Breitkopf & Hartel's
catalog.Have a look into
the piano vocal
score.
Urtext. Composed
by Jan Dismas Zelenka.
Edited by David Erler.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Royal Funeral
Music
Requiem;
Baroque. Part. 20 pages.
Breitkopf and Haertel #OB
5593-27. Published by
Breitkopf and Haertel
(BR.OB-5593-27).
ISBN
9790004344354. 10 x 12.5
inches.
For the
funeral rites after the
death of King Augustus I.
of Saxony (Augustus the
Strong), Zelenka composed
the Requiem in D (ZWV 46)
and the Officium
Defunctorum (ZWV 47),
both integral parts of
the exequies for the
Saxon-Polish ruler.
Zelenka had to finish
this work in a great
hurry, and implemented -
suitable to the occasion
- an impressing abundance
of sound colors and
inventiveness: muted
trumpets and horns,
chalumeau, obligate
fagotti as well as
extremely virtuoso solo
parts and fully developed
counterpoints in the
choral settings. With the
present Urtext edition
David Erler is closing
one of the last gaps in
the series of large-scale
sacred works of Zelenka
in Breitkopf & Hartel's
catalog.Have a look into
the piano vocal
score.
Urtext. Composed
by Jan Dismas Zelenka.
Edited by David Erler.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Royal Funeral
Music
Requiem;
Baroque. Part. 20 pages.
Breitkopf and Haertel #OB
5593-23. Published by
Breitkopf and Haertel
(BR.OB-5593-23).
ISBN
9790004344347. 10 x 12.5
inches.
For the
funeral rites after the
death of King Augustus I.
of Saxony (Augustus the
Strong), Zelenka composed
the Requiem in D (ZWV 46)
and the Officium
Defunctorum (ZWV 47),
both integral parts of
the exequies for the
Saxon-Polish ruler.
Zelenka had to finish
this work in a great
hurry, and implemented -
suitable to the occasion
- an impressing abundance
of sound colors and
inventiveness: muted
trumpets and horns,
chalumeau, obligate
fagotti as well as
extremely virtuoso solo
parts and fully developed
counterpoints in the
choral settings. With the
present Urtext edition
David Erler is closing
one of the last gaps in
the series of large-scale
sacred works of Zelenka
in Breitkopf & Hartel's
catalog.Have a look into
the piano vocal
score.
Urtext. Composed
by Jan Dismas Zelenka.
Edited by David Erler.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Royal Funeral
Music
Requiem;
Baroque. Part. 16 pages.
Breitkopf and Haertel #OB
5593-16. Published by
Breitkopf and Haertel
(BR.OB-5593-16).
ISBN
9790004344323. 10 x 12.5
inches.
For the
funeral rites after the
death of King Augustus I.
of Saxony (Augustus the
Strong), Zelenka composed
the Requiem in D (ZWV 46)
and the Officium
Defunctorum (ZWV 47),
both integral parts of
the exequies for the
Saxon-Polish ruler.
Zelenka had to finish
this work in a great
hurry, and implemented -
suitable to the occasion
- an impressing abundance
of sound colors and
inventiveness: muted
trumpets and horns,
chalumeau, obligate
fagotti as well as
extremely virtuoso solo
parts and fully developed
counterpoints in the
choral settings. With the
present Urtext edition
David Erler is closing
one of the last gaps in
the series of large-scale
sacred works of Zelenka
in Breitkopf & Hartel's
catalog.Have a look into
the piano vocal
score.
Urtext. Composed
by Jan Dismas Zelenka.
Edited by David Erler.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Royal Funeral
Music
Requiem;
Baroque. Part. 20 pages.
Breitkopf and Haertel #OB
5593-13. Published by
Breitkopf and Haertel
(BR.OB-5593-13).
ISBN
9790004344866. 10 x 12.5
inches.
For the
funeral rites after the
death of King Augustus I.
of Saxony (Augustus the
Strong), Zelenka composed
the Requiem in D (ZWV 46)
and the Officium
Defunctorum (ZWV 47),
both integral parts of
the exequies for the
Saxon-Polish ruler.
Zelenka had to finish
this work in a great
hurry, and implemented -
suitable to the occasion
- an impressing abundance
of sound colors and
inventiveness: muted
trumpets and horns,
chalumeau, obligate
fagotti as well as
extremely virtuoso solo
parts and fully developed
counterpoints in the
choral settings. With the
present Urtext edition
David Erler is closing
one of the last gaps in
the series of large-scale
sacred works of Zelenka
in Breitkopf & Hartel's
catalog.Have a look into
the piano vocal
score.
Chorus (with soloists)
and orchestra (solos:
SATB - choir: SATB -
2.2.chal.0(2) - 2.2.0.0.
- timp - theorbe - str)
SKU: BR.PB-5593
Urtext. Composed
by Jan Dismas Zelenka.
Edited by David Erler.
Choir; Softbound.
Partitur-Bibliothek
(Score Library).
Royal
Funeral Music
Requiem; Baroque. Full
score. 176 pages.
Breitkopf and Haertel #PB
5593. Published by
Breitkopf and Haertel
(BR.PB-5593).
ISBN
9790004214039. 10 x 12.5
inches.
For the
funeral rites after the
death of King Augustus I.
of Saxony (Augustus the
Strong), Zelenka composed
the Requiem in D (ZWV 46)
and the Officium
Defunctorum (ZWV 47),
both integral parts of
the exequies for the
Saxon-Polish ruler.
Zelenka had to finish
this work in a great
hurry, and implemented -
suitable to the occasion
- an impressing abundance
of sound colors and
inventiveness: muted
trumpets and horns,
chalumeau, obligate
fagotti as well as
extremely virtuoso solo
parts and fully developed
counterpoints in the
choral settings. With the
present Urtext edition
David Erler is closing
one of the last gaps in
the series of large-scale
sacred works of Zelenka
in Breitkopf & Hartel's
catalog.Have a look into
the piano vocal
score.
Choral (Score) SKU: HL.49019937 Mixed Choir and Organ. Composed by...(+)
Choral (Score)
SKU:
HL.49019937
Mixed
Choir and Organ.
Composed by John Casken.
This edition: Saddle
stitching. Sheet music.
Choral. General Worship,
Sacred. Softcover.
Composed 2012-2013. 30
pages. Duration 15'.
Schott Music #ED13536.
Published by Schott Music
(HL.49019937).
ISBN
9790220134159. UPC:
888680029135.
8.25x12.0x0.135 inches.
English. Choral Music of
Our Time.
John
Casken's Magnificat and
Nunc Dimittis was
commissioned to mark the
return of the Lindisfarne
Gospels to the North East
of England, where Casken
lives. The book, dating
from the 7th century, is
one of the finest
examples of Anglo-Saxon
Northumbrian illuminated
manuscript, containing
the oldest surviving
translation of the
Gospels into English. The
manuscript was produced
at a monastery on the
island of Lindisfarne but
is normally housed at the
British Library in
London, and its special
exhibition in the Palace
Green Library at Durham
was marked by a
summer-long celebration
of the arts. Casken's
Magnificat and Nunc
Dimittis is set in
English.
Mixed choir (SATB) (Score) - difficult SKU: HL.49014865 A Northumbrian...(+)
Mixed choir (SATB)
(Score) - difficult
SKU: HL.49014865
A Northumbrian
elegy. Composed by
John Casken. Sheet music.
Edition Schott. Text from
Exra Pound's translation
of teh medieval poem The
Seafarer, Briggflats by
Basil Bunting and Bede's
Death Song (sung in the
original Anglo Saxon).
Classical. Choral score.
Composed 1984. 44 pages.
Duration 22'. Schott
Music #ED 12285.
Published by Schott Music
(HL.49014865).
Composed
by Johann Adolf Hasse.
Edited by Wolfgang
Hochstein. Arranged by
Paul Horn. This edition:
Complete edition.
Complete editions /
Selected works: Johann
Adolf Hasse. Selected
Works. Missa In G (1783).
Sacred vocal music,
Masses, Latin. Single
Part, Violin 1. 32 pages.
Duration 63 minutes.
Carus Verlag #CV
50.705/11. Published by
Carus Verlag
(CA.5070511).
ISBN
9790007224431. Language:
Latin.
After Johann
Adolf Hasse had ended his
career as a composer for
the opera stage and
finally settled down in
Venice, he wrote a number
of sacred works. Since he
had long been obligated
to the Saxon Court, where
he served as a composer
for three decades until
1763, these works were
originally intended for
the Catholic Court Church
in Dresden. The
solemn-pathetic Missa in
G minor (1783), with the
inserted movement Ad te
levavi, is Hasse's final
work: a crowning
conclusion to an oeuvre
whose significance in
music history has only
recently begun to be
recognized and has now
received the fitting
acknowledgement it
deserves. Score and part
available separately -
see item CA.5070500.
Composed
by Johann Adolf Hasse.
Edited by Wolfgang
Hochstein. Arranged by
Paul Horn. This edition:
Complete edition.
Complete editions /
Selected works: Johann
Adolf Hasse. Selected
Works. Missa In G (1783).
Sacred vocal music,
Masses, Latin. Single
Part, Viola. 28 pages.
Duration 63 minutes.
Carus Verlag #CV
50.705/13. Published by
Carus Verlag
(CA.5070513).
ISBN
9790007224455. Language:
Latin.
After Johann
Adolf Hasse had ended his
career as a composer for
the opera stage and
finally settled down in
Venice, he wrote a number
of sacred works. Since he
had long been obligated
to the Saxon Court, where
he served as a composer
for three decades until
1763, these works were
originally intended for
the Catholic Court Church
in Dresden. The
solemn-pathetic Missa in
G minor (1783), with the
inserted movement Ad te
levavi, is Hasse's final
work: a crowning
conclusion to an oeuvre
whose significance in
music history has only
recently begun to be
recognized and has now
received the fitting
acknowledgement it
deserves. Score and part
available separately -
see item CA.5070500.
Composed
by Johann Adolf Hasse.
Edited by Wolfgang
Hochstein. Arranged by
Paul Horn. This edition:
Complete edition.
Complete editions /
Selected works: Johann
Adolf Hasse. Selected
Works. Missa In G (1783).
Sacred vocal music,
Masses, Latin. Single
Part, basso continuo. 28
pages. Duration 63
minutes. Carus Verlag #CV
50.705/14. Published by
Carus Verlag
(CA.5070514).
ISBN
9790007224462. Language:
Latin.
After Johann
Adolf Hasse had ended his
career as a composer for
the opera stage and
finally settled down in
Venice, he wrote a number
of sacred works. Since he
had long been obligated
to the Saxon Court, where
he served as a composer
for three decades until
1763, these works were
originally intended for
the Catholic Court Church
in Dresden. The
solemn-pathetic Missa in
G minor (1783), with the
inserted movement Ad te
levavi, is Hasse's final
work: a crowning
conclusion to an oeuvre
whose significance in
music history has only
recently begun to be
recognized and has now
received the fitting
acknowledgement it
deserves. Score and part
available separately -
see item CA.5070500.
Composed
by Johann Adolf Hasse.
Edited by Wolfgang
Hochstein. Arranged by
Paul Horn. This edition:
Complete edition.
Complete editions /
Selected works: Johann
Adolf Hasse. Selected
Works. Missa In G (1783).
Sacred vocal music,
Masses, Latin. Single
Part, Violin 2. 32 pages.
Duration 63 minutes.
Carus Verlag #CV
50.705/12. Published by
Carus Verlag
(CA.5070512).
ISBN
9790007224448. Language:
Latin.
After Johann
Adolf Hasse had ended his
career as a composer for
the opera stage and
finally settled down in
Venice, he wrote a number
of sacred works. Since he
had long been obligated
to the Saxon Court, where
he served as a composer
for three decades until
1763, these works were
originally intended for
the Catholic Court Church
in Dresden. The
solemn-pathetic Missa in
G minor (1783), with the
inserted movement Ad te
levavi, is Hasse's final
work: a crowning
conclusion to an oeuvre
whose significance in
music history has only
recently begun to be
recognized and has now
received the fitting
acknowledgement it
deserves. Score and part
available separately -
see item CA.5070500.