Grade 2

SKU: CL.011-4649-01

Composed by Susi. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR395). Extra full score. Composed 2018. Duration 2 minutes, 23 seconds. C.L. Barnhouse #011-4649-01. Published by C.L. Barnhouse (CL.011-4649-01).

This entrancing work musically captures the dazzling dancing northern lights which have fascinated mankind for centuries. The opening theme is presented in varying styles, characterizing the many forms in which the lights appear, from patchy clouds to streaming arches. Trills and rolls symbolize the rippling formations, and the chromatic rising musical lines reflect the soaring rays which light the sky with an eerie glow. Bright brass fanfares depict the magnificent shades of green and pink. Exciting music for both audiences and performers, Aurora Borealis is a surefire winner!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Grade 1

SKU: CL.024-3921-01

(A Spook-tacular Suite). Young Concert Band. Rising Band Series for Developing Bands! Audio recording available separately (item CL.WFR370). Extra full score. Composed 2010. Duration 2 minutes, 11 seconds. C.L. Barnhouse #024-3921-01. Published by C.L. Barnhouse (CL.024-3921-01).

Expanding ranges and rhythms for the Rising Band! This exciting new suite for young band has all the magical ingredients necessary to bring about an entertaining experience for that special concert. Instruments scored where they sound best, clever melodic lines and a wide variety of percussion sounds all combine to create a composition that will deliver musical impact from beginning to end. From the first fall performance for your parent group to concert programming throughout the winter and spring, this suite will be a real crowd pleaser!

Teacher's Manual. By Emily Crocker, John Jacobson. (teacher edition). Expressive Art (Choral). Children's Musical. Softcover. Size 9x12 inches. 56 pages. Published by Hal Leonard.

Parts supplied with fingerings and bowing marks by Engelbert Rontgen. Composed by Ludwig van Beethoven (1770-1827). Edited by Engelbert Rontgen. The Breitkopf Originals series opens up a fascinating view into the Breitkopf and Hartel publishing-house archives. The focus is on its rarities and treasures, together with milestones in the history of interpretation for works of the . Breitkopf and Haertel #KM-254. Published by Breitkopf and Haertel

Parts Supplied with Fingerings and Bowing Marks by Engelbert Rontgen. Composed by Ludwig van Beethoven (1770-1827). Breitkopf and Haertel #KM 277. Published by Breitkopf and Haertel

Arranged by John Brimhall. For voice and piano. From the Broadway musical "Annie". Format: easy piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and easy piano notation. Broadway. 32 pages. 9x12 inches. Published by Hal Leonard.

By Charles Strouse. Vocal Score. Size 9x12 inches. 128 pages. Published by Hal Leonard.

Piano

SKU: BR.EB-6773

Piano Lessons by Johann Sebastian Bach. Composed by Johann Sebastian Bach. Edited by Heinz Walter. Solo instruments; Softcover. Edition Breitkopf. Baroque period. Score. 16 pages. Breitkopf and Haertel #EB 6773. Published by Breitkopf and Haertel (BR.EB-6773).

ISBN 9790004169728. 9 x 12 inches.

The pieces contained in the present volume provide a link between the easy, dance-like movements contained in the Anna Magdalena Bach Book and the two-part inventions. The text corresponds very largely to that of the original source; missing dynamic and tempo markings must be supplied by the player himself in accordance with the character of each piece. The training of the student's feeling for style must begin here, his technical capabilities being taken into account. The occasionally simplified ornaments can also be treated in this manner. The fingerings are intended as suggestions for small hands; they must, of course, be adapted to the particular player's hands, taking tempo and phrasing into consideration. The editor has attempted to solve the problems of phrasing and articulation by means of his own suggestions, but without cluttering the text too much. Various alternative solutions (as indicated in no. 3) are possible, and should - insofar as they make musical sense- be realized in practice. By independently choosing a phrasing and writing it into the music himself, the student improves his unterstanding of the polyphonic structure and the form. Heinz Walter, Salzburg, Spring 1977.

Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.2708203

Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Sacred vocal music, Masses, Latin. Vocal score. ZWV 14. 76 pages. Duration 38 minutes. Carus Verlag #CV 27.082/03. Published by Carus Verlag (CA.2708203).

ISBN 9790007188603. Language: Latin.

Jan Dismas Zelenka's Missa Sancti Josephi occupies a key position among his circa twenty large masses. In this mass, probably composed in 1732 for a feast of a Saint (thus, without a Credo), for the first time the composer took up the operatic style of Johann Adolf Hasse - the latter had first performed his opera Cleofide in Dresden in 1731. Zelenka's unmistakable individuality created a completely independent work with great technical demands which in many details presages the important masses among his late works. The sole source for the first edition of this mass, published here for the first time, is a considerably damaged autograph score which. It is preserved in the Sachsische Landes- und Universitatsbibliothek Dresden. For the Carus edition the experienced Zelenka scholar Wolfgang Horn has expertly reconstructed the missing passages. Score available separately - see item CA.2708200.

Composed by Charles Strouse, lyrics by Martin Charnin. For voice, piano and guitar chords. From the Broadway musical "Annie". Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names, guitar chord diagrams and color photos. Broadway. 56 pages. 9x12 inches. Published by Hal Leonard.

(2012 Revival Edition). By Charles Strouse. For Piano/Vocal. Vocal Selections. Softcover. 56 pages. Published by Hal Leonard

(The best in contemporary jazz from Europe). By Various. Edited by Chuck Sher. For C instruments. This edition: spiral-bound. Fake book. 423 pages. Published by Sher Music Company

Parts Supplied with Fingerings and Bowing Marks by Engelbert Rontgen. Composed by Ludwig van Beethoven (1770-1827). Breitkopf and Haertel #KM 286. Published by Breitkopf and Haertel

(The best in contemporary jazz from Europe). Composed by Various. Edited by Chuck Sher. For Bb instruments. This edition: spiral-bound. Fake book. 423 pages. Published by Sher Music Company

Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.2708209

Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. 1x 27.082/21 flute 1, 1x 27.082/22 flute 2, 1x 27.082/23 oboe 1, 1x 27.082/24 oboe 2, 1x 27.082/31 horn 1, 1x 27.082/32 horn 2, 3x 27.082/33 Trombone 1+2 and timpani. Harmony parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. ZWV 14. Duration 38 minutes. Carus Verlag #CV 27.082/09. Published by Carus Verlag (CA.2708209).

ISBN 9790007242985. Language: Latin.

Jan Dismas Zelenka's Missa Sancti Josephi occupies a key position among his circa twenty large masses. In this mass, probably composed in 1732 for a feast of a Saint (thus, without a Credo), for the first time the composer took up the operatic style of Johann Adolf Hasse - the latter had first performed his opera Cleofide in Dresden in 1731. Zelenka's unmistakable individuality created a completely independent work with great technical demands which in many details presages the important masses among his late works. The sole source for the first edition of this mass, published here for the first time, is a considerably damaged autograph score which. It is preserved in the Sachsische Landes- und Universitatsbibliothek Dresden. For the Carus edition the experienced Zelenka scholar Wolfgang Horn has expertly reconstructed the missing passages. Score and parts available separately - see item CA.2708200.

Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.2708219

Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Complete orchestral parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. ZWV 14. Duration 38 minutes. Carus Verlag #CV 27.082/19. Published by Carus Verlag (CA.2708219).

ISBN 9790007242992. Language: Latin.

Jan Dismas Zelenka's Missa Sancti Josephi occupies a key position among his circa twenty large masses. In this mass, probably composed in 1732 for a feast of a Saint (thus, without a Credo), for the first time the composer took up the operatic style of Johann Adolf Hasse - the latter had first performed his opera Cleofide in Dresden in 1731. Zelenka's unmistakable individuality created a completely independent work with great technical demands which in many details presages the important masses among his late works. The sole source for the first edition of this mass, published here for the first time, is a considerably damaged autograph score which. It is preserved in the Sachsische Landes- und Universitatsbibliothek Dresden. For the Carus edition the experienced Zelenka scholar Wolfgang Horn has expertly reconstructed the missing passages. Score and parts available separately - see item CA.2708200.

Soli SATB Voices, SATB Choir, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.2708205

Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Sacred vocal music, Masses, Latin. Sacred vocal music, Masses, Latin. Choral Score. ZWV 14. 28 pages. Duration 38 minutes. Carus Verlag #CV 27.082/05. Published by Carus Verlag (CA.2708205).

ISBN 9790007241971. Language: Latin.

Jan Dismas Zelenka's Missa Sancti Josephi occupies a key position among his circa twenty large masses. In this mass, probably composed in 1732 for a feast of a Saint (thus, without a Credo), for the first time the composer took up the operatic style of Johann Adolf Hasse - the latter had first performed his opera Cleofide in Dresden in 1731. Zelenka's unmistakable individuality created a completely independent work with great technical demands which in many details presages the important masses among his late works. The sole source for the first edition of this mass, published here for the first time, is a considerably damaged autograph score which. It is preserved in the Sachsische Landes- und Universitatsbibliothek Dresden. For the Carus edition the experienced Zelenka scholar Wolfgang Horn has expertly reconstructed the missing passages. Score available separately - see item CA.2708200.

For voice and keyboard (right hand only). From the Broadway musical "Annie". Format: easy piano/vocal/chords songbook. With vocal melody, lyrics, chord names, big note notation, introductory text and color photos. Broadway. Series: Hal Leonard E-Z Play Today. 56 pages. 9x12 inches. Published by Hal Leonard.

By Charles Strouse, Martin Charnin. Piano/Vocal/Chords Vocal Selections (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 82 pages. Published by Hal Leonard.