Essential Jazz Standards. (Jazz Play-Along Volume 7). By Various. For E, C Instr...(+)
Essential Jazz Standards.
(Jazz Play-Along Volume
7). By Various. For E, C
Instruments, B-flat
Instruments. Jazz Play
Along. Play Along.
Softcover with CD. 68
pages. Published by Hal
Leonard
Songs in the Style of Linda Ronstadt. By Linda Ronstadt. Music Minus One....(+)
Songs in the Style of
Linda Ronstadt. By
Linda Ronstadt. Music
Minus One. Big Band,
Standards. Softcover with
CD. 24 pages. Music Minus
One #MMO2184. Published
by Music Minus One
(HL.152965).
40 Sheet Music Bestsellers -- Jazz Standards. (Piano/Vocal/Guitar). For Guitar; ...(+)
40 Sheet Music
Bestsellers -- Jazz
Standards.
(Piano/Vocal/Guitar). For
Guitar; Keyboard; Piano;
Voice. This edition:
Piano/Vocal/Guitar. Book;
P/V/C Mixed Folio;
Piano/Vocal/Chords. 40
Sheet Music Bestsellers.
Jazz; Standard. 160
pages. Published by
Alfred Music Publishing
Ligne De Mélodie, Paroles et Accords [Fake Book] - Intermédiaire Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord n...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics, chord
names and guitar chord
chart. Gospel and
worship. Series: Hal
Leonard Fake Books. 295
pages. 9x12 inches.
Published by Hal Leonard.
Composed
by Franz Joseph Haydn.
Edited by Andreas
Friesenhagen. This
edition: urtext edition.
Stapled. Score. Hob.
I:88. Duration 23
minutes. Baerenreiter
Verlag #BA10980_00.
Published by Baerenreiter
Verlag (BA.BA10980).
ISBN 9790006562831. 31
x 24.3 cm inches. Key: G
major. Text Language:
German, English. Preface:
Andreas
Friesenhagen.
This
edition clarifies a
performance aspect of
Haydn’s Symphony
in G major that has long
been misunderstood: in m.
1 of the second movement
(Largo) the viola,
violoncello and several
wind instrument parts are
marked
“soloâ€,
indicating that they play
important motifs or
themes and ought to stand
out. Contrary to
other editions, the
“soloâ€
marking in the
violoncello should not be
construed as indicating a
solo instrument with the
remaining cellos doubling
the basses. Rather, the
cellos should play as a
section so as to stand
out all the more
clearly.
Continuin
g the collaboration
between Bärenreiter
and the Henle publishing
company in large-scale
choral works, operas and
symphonies, this edition
is based on the Henle
Complete Edition of the
“Works of Joseph
Haydnâ€. The
complete performance
material for several
“Sturm und
Drang†symphonies
and all of the London and
Paris symphonies is now
available from
Bärenreiter.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
15 Classic Songs Arranged for Solo Guitar. Guitar Solo. Fingerstyle, Standards. ...(+)
15 Classic Songs Arranged
for Solo Guitar. Guitar
Solo. Fingerstyle,
Standards. Softcover
Audio Online. With guitar
tablature. 56 pages.
Published by Hal Leonard
Singer's Jazz Anthology - High Voice with Recorded Piano Accompaniments Online...(+)
Singer's Jazz Anthology -
High Voice with Recorded
Piano Accompaniments
Online.
Composed by Various.
Singer's
Jazz Anthology. Jazz,
Standards. Softcover
Audio
Online. 110 pages.
Published
by Hal Leonard
Piano, Voix et Guitare [Feuillet] - Intermédiaire Hal Leonard
Composed by Frank Loesser. For voice, piano and guitar chords. Format: piano/voc...(+)
Composed by Frank
Loesser. For voice, piano
and guitar chords.
Format:
piano/vocal/chords
single. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Broadway
and Vocal Standards. F
Major. 4 pages. 9x12
inches. Published by Hal
Leonard.
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Randb and classic
soul. Series: Hal Leonard
Fake Books. 437 pages.
9x12 inches. Published by
Hal Leonard.
Electronic Keyboard; Organ; Piano/Keyboard SKU: HL.281046 E-Z Play Tod...(+)
Electronic Keyboard;
Organ; Piano/Keyboard
SKU: HL.281046
E-Z Play Today Volume
284. Composed by
Various. E-Z Play Today.
Standards. Softcover. 250
pages. Published by Hal
Leonard (HL.281046).
ISBN 9781540033253.
UPC: 888680785352.
9.0x12.0x0.603
inches.
This
songbook provides a
treasury of 100 classics
by our most beloved
vocalists in our
trademark E-Z Play(r)
Today notation. Includes:
All the Way (Etta James)
* Count Your Blessings
Instead of Sheep
(Rosemary Clooney) *
Everybody Loves Somebody
(Dean Martin) * Fever
(Peggy Lee) * Heart and
Soul (Mel Torme) * How
High the Moon (Ella
Fitzgerald) * I Left My
Heart in San Francisco
(Tony Bennett) * People
(Barbra Streisand) *
Route 66 (Nat King Cole)
* Sentimental Journey
(Doris Day) * Swinging on
a Star (Bing Crosby) *
That's Entertainment
(Judy Garland) * What a
Wonderful World (Louis
Armstrong) * Young at
Heart (Frank Sinatra) *
and many more.
About Hal
Leonard E-Z Play
Today
For
organs, pianos, and
electronic keyboards. E-Z
Play Today is the
shortest distance between
beginning music and
playing fun. Now there
are more than 300 reasons
why you should play E-Z
Play Today. * World's
largest series of music
folios * Full-size books
- large 9 x 12 format
features easy-to-read,
easy-to-play music *
Accurate arrangements...
simple enough for the
beginner, but accurate
chords and melody lines
are maintained *
Eye-catching, full-color
covers * Lyrics... most
arrangements include
words and music * Most
up-to-date registrations
- books in the series
contain a general
registration guide, as
well as individual song
rhythm suggestions *
Guitar Chord Chart - all
songs in the series can
also be played on
guitar.
Combo Edition of Books 1 and 2 with Online Audio. Guitar Tab Method. Instructi...(+)
Combo Edition of Books 1
and 2
with Online Audio. Guitar
Tab
Method. Instruction,
Method.
Softcover Audio Online.
64
pages. Published by Hal
LeonISBN 9781705141724.
9.0x12.0 inches.
Get started quickly and
easily, and with songs
you
want to play! Learn the
notes
of the bass with riffs
like
"Day Tripper" and "Stand
by
Me," reading rhythms and
tab
with classics by the Who
and
Red Hot Chili Peppers,
fingerstyle and pick
technique with songs like
"Roxanne" and "Low
Rider,"
beginning slap technique
with
songs like "Higher
Ground"
and "Fly Away," and much
more. The method's
unique,
well-paced, and logical
teaching sequence will
get
students playing more
easily
than ever before, and
music
from popular artists like
the
Beatles, Nirvana, and
Green
Day will keep them
playing
and having fun. This
special
combo edition includes
books
one and two of the series
plus online audio
access.ard
By Pam Wedgwood. For Piano. This edition: Revised Edition. Book; CD; Piano Colle...(+)
By Pam Wedgwood. For
Piano. This edition:
Revised Edition. Book;
CD; Piano Collection;
Piano Supplemental. Faber
Edition: Jazzin' About.
Jazz; Standard.
Intermediate. Published
by Faber Music
(Favorite Jazz Standards for Piano / Keyboard). By Pam Wedgwood. For Piano. This...(+)
(Favorite Jazz Standards
for Piano / Keyboard). By
Pam Wedgwood. For Piano.
This edition: Revised
Edition. Book; CD; Piano
Collection; Piano
Supplemental. Faber
Edition: Jazzin' About.
Jazz. Elementary.
Published by Faber Music
Elephant Orchestre d'harmonie - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS127 Composed by Peter Sciaino. Fol...(+)
Band concert band - Grade
1
SKU: CF.BPS127
Composed by Peter
Sciaino. Folio. Bps. Set
of Score and Parts.
8+2+8+2+5+2+2+8+3+6+2+3+1
+1+2+2+12 pages. Duration
2 minutes, 39 seconds.
Carl Fischer Music
#BPS127. Published by
Carl Fischer Music
(CF.BPS127).
ISBN
9781491156209. UPC:
680160914746. 9 x 12
inches.
Program
Notes Elephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however, it's
their trumpeting that
makes them stand out as
the instrumentalists of
the animal kingdom! In
this selection, an
elephant's slow gate and
general demeanor are
represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young percussionists.
At m. 33 the
trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or lunch-bag
mutes, over their bells
(in their bells for horn
players). For the trumpet
players, the mutes can be
enhanced with an
additional balled-up
piece of paper placed at
the bottom of the bag
prior to slipping it over
the bell. Horns should
ball up the bag itself
and experiment with
placement to create the
most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age. Note to the
Conductor This piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece. Younger students
will likely need a
reasonable amount of
practice in successfully
using the lunch-bag
mutes. Allowing
additional rehearsal time
for this is
recommended. Program
Notes Elephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however, it's
their trumpeting that
makes them stand out as
the instrumentalists of
the animal kingdom! In
this selection, an
elephant's slow gait and
general demeanor are
represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young percussionists.
At m. 33 the
trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or lunch-bag
mutes, over their bells
(in their bells for horn
players). For the trumpet
players, the mutes can be
enhanced with an
additional balled-up
piece of paper placed at
the bottom of the bag
prior to slipping it over
the bell. Horns should
ball up the bag itself
and experiment with
placement to create the
most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age. Note to the
Conductor This piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece. Younger students
will likely need a
reasonable amount of
practice in successfully
using the lunch-bag
mutes. Allowing
additional rehearsal time
for this is
recommended. Program
NotesElephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however,
it’s their
trumpeting that makes
them stand out as the
instrumentalists of the
animal kingdom! In this
selection, an
elephant’s slow
gait and general demeanor
are represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young
percussionists. At m.
33 the trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or
“lunch-bag
mutes,†over their
bells (in their bells for
horn players). For the
trumpet players, the
mutes can be enhanced
with an additional
balled-up piece of paper
placed at the bottom of
the bag prior to slipping
it over the bell. Horns
should ball up the bag
itself and experiment
with placement to create
the most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age.Note to the
ConductorThis piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece.Younger students
will likely need a
reasonable amount of
practice in successfully
using the
“lunch-bag
mutes.†Allowing
additional rehearsal time
for this is
recommended.