Bridal Chorus from Lohengrin. Composed by Richard Wagner (1813-1883). Arranged by Wolfgang Birtel. This edition: Saddle stitching. Sheet music. Cello-Bibliothek (Cello Library). Classical, Wedding. Score and parts. 16 pages. Schott Music #CB 207. Published by Schott Music

Brass quartet - intermediate

SKU: CY.CC2894

Composed by Tomas Luis de Victoria. Arranged by Andrew Converse. Christmas Motet. Score and parts. Published by Cherry Classics (CY.CC2894).

Victoria's rich, mysterious and serene 4-part Renaissance Christmas motet, O Magnum Mysterium was written in 1572. The composer intended it to be sung at another service later in the year. It has become a Christmas tradition for many choirs.
Andrew Converse has arranged this beautiful 4-minute work of moderate difficulty for Brass Quartet of 2 Trumpets in B-flat and 2 Trombones. An additional Horn substitute for the Trombone I part has been included as well.

SATB/SATB/SATB choir

SKU: CA.966300

Pentecost sequence. Composed by Ko Matsushita. Edited by Stefan Schuck. Contemporary Choir Music. Sacred vocal music, Whitsun. Full score. 24 pages. Duration 6 minutes. Carus Verlag #CV 09.663/00. Published by Carus Verlag (CA.966300).

ISBN 9790007167684. Language: Latin.

Matsushita has conceived his setting of the Pentecost sequence entirely in the Renaissance polychoral tradition. He employs the full choir (within individual choirs divisi passages also occasionally occur) solely for magnificent sounding climaxes at conclusions, prior to these occurrences he repeatedly combines groups of voices or he allows individual choirs to sing, effectively, in alternation. This type of reduction is even carried over to quasi Gregorian passages sung by one voice in unison. The piece is tonal throughout, with occasional diatonic seasoning. The consistently homophonic setting is oriented towards the declamation of the Latin text. Melodically it is in the style of modal, Gregorian structures, without quoting the well-known sequence. A fast, rhythmically syncopated declamatory section introduces, the dramaturgically appropriate climax to the solemn conclusion, which, molto legato, returns once again with large upward swings to the text of the first strophe. Matsushita writes in a comfortable vocal range so that the work can be sung, at the same time, in both a relaxed and grandiose manner. For large choirs, even for oratorio choirs with only limited experience in a cappella singing, this piece is aptly suited for performance and the music is both grateful and brings much joy for singers.

Bridal Chorus from Lohengrin. (String Trio - Violin, Viola, Cello). By Richard Wagner (1813-1883). For String Trio. String. Score and parts. 20 pages. Schott Music #ED20376. Published by Schott Music

Flute 2 (solos: SSATB - choir: SATB - 2./2rec.0.0.0 - 0.0.0.0 - 2vl.2va.vc - bc(org))

SKU: BR.EOS-8041-04

Composed by Marc-Antoine Charpentier. Edited by Jean-Paul Montagnier. Choir; stapled. Eulenburg Orchestral Series. Mass; Renaissance/early Baroque; Baroque. Solo part. 12 pages. Duration 20'. Breitkopf and Haertel #EOS 8041-04. Published by Breitkopf and Haertel (BR.EOS-8041-04).

ISBN 9790004789599. 8.5 x 11.5 inches.

Of the 11 surviving settings of the Mass by Charpentier, the present work, ,Messe de Minuit', ist without doubt one of the most popular. The work belongs to the tradition of the parody-Mass: the composer adapted 10 noels - whose titles are given in the autograph - to the text of the Ordinary. The resulting music is fresh, charming and jubilant.
The single extant source is book 66 of the 25th volume of Charpentier's autograph ,Meslanges' which was sold to the Bibliotheque Royale (now Bibliotheque Nationale) Paris. The manuscript is extremely clear. All editorial additions are placed in square brackets.
(Jean-Paul Montagnier)
(Jean-Paul Montagnier)
The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected.
(Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.

Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.

Nac h der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung.

Bridal Chorus from Lohengrin. Composed by Richard Wagner (1813-1883). Arranged by Wolfgang Birtel. This edition: Saddle stitching. Sheet music. Cello-Bibliothek (Cello Library). Classical, Wedding. Score and parts. 16 pages. Schott Music #CB 207. Published by Schott Music

Piano Solo - Moderately Easy

SKU: BU.EBR-A017

Composed by Johannes Brahms. This edition: French Edition. Classique. Anacrouse. Partition + Biographie + Notes sur l'oeuvre. Score. Editions Bourges #EBR-A017. Published by Editions Bourges (BU.EBR-A017).

ISBN 9790560151038. 8.58 x 12.48 inches.

La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.

Proposer tout à la fois des « incontournables  Â» du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces Å“uvres.

Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.



L’opus 39 est composé de seize valses. Sa version d’origine publiée en 1865 est à quatre mains, mais Brahms crée une version simplifiée à deux mains qui parait en 1867.
Le compositeur signe avec ces seize valses exquises son unique témoignage à la tradition viennoise. La valse n°3 opus 39, aussi délicieuse que la célèbre valse n°15 opus 39, nous enivre dans une mélodie tourbillonnante qui s’abandonne au va et vient du rythme ternaire. Ce balancement est une invitation à la danse. Cette valse est construite dans une forme simple : ABA. Cela signifie que le premier thème est repris dans la partie finale et que le thème central est différent. Les trois temps de cette valse sont bien définis au seconda de ses phrases nostalgiques.
Pianiste s amateurs de valses viennoises et de Strauss seront séduits par la vague harmonieuse et mélancolique de cette pièce pour finalement laisser libre court à la danse.

Cello and Piano. By Gaspar Cassado. Schott. Size 9x12 inches. 16 pages. Published by Schott.

Brass Ensemble, Brass Instruments, SATB

SKU: HL.14028037

Composed by Poul Ruders. Music Sales America. 20th Century. Score. Music Sales #KP00435. Published by Music Sales (HL.14028037).

ISBN 9788759871799.

Rude rs writes: gl0rIA is subtitled: a relique for large chorus and 12 brass-instruments. At the same time it is an exercise for chorus because only vowels do occur, or virtually no consonants are heard. The second part of the Missa Ordinarium, the Gloria in Exelcis Deo makes the literary basis of g10rIA, but I employ only the vowels, which in their full context form a non-language, - fragments of a tradition. A less dim vision of the severed body appears in the center of the piece, where the Domini Fili-section surfaces in its original shape. gl0rIA is a 20th century composer's hommage to the innocent faith of bygone days and a fanfare in honour of Claudio Monteverdi; thus the ever present elaborations of the introduction to the Vespro Della Beate Vergine. Superimposed on the torso of Latin, I wedge in a quotation from the Spanish renaissance poet Gonzalo de Berceo's Duelo de la Virgen, a surrealistic Lamento, in which the Jews, sent by Pilate to stand guard at the tomb of Christ, mock and ridicule Maria, Jesu mother. Thus a shadow has been cast over the jubilant religious appraisal of the past, which today's knowledge of atrocities and enormities engineered by Mankind, has - alas - made so hard to repeat.

Basso (cello/double bass) (solos: SSAATB - choir: SSATB - 0.0.0.0. - 0.2.0.0. - str - bc(hps))

SKU: BR.EOS-1064-26

For St. Cecilia's Day 1694. Composed by Henry Purcell. Edited by Denis Arnold. Choir; stapled. Eulenburg Orchestral Series. Cantata; Renaissance/early Baroque; Baroque. Part. 12 pages. Duration 20'. Breitkopf and Haertel #EOS 1064-26. Published by Breitkopf and Haertel (BR.EOS-1064-26).

ISBN 9790004785713. 8.5 x 11.5 inches.

St. Cecilia's Day was celebrated in England during Restoration times with a great festival of music. The soloists were among the best singers of the day, and their music was deliberately florid to show their virtuosity. It is in this tradition that Purcell wrote his festal ,Te Deum and Jubilate'. It was composed for St. Cecilia's Day, 1694, and shows the same ornate style as he odes composed in previous years. It was the grand manner which assured the popularity of the work. After the initial performance, it was given annually on St. Cecilia's day for many years. This fame ensured that the work was printed in score.
The present edition has been prepared from the second edition, a copy of which is now in the possession of Glasgow University.
(Denis Arnold) Die einzige bekannte Quelle befindet sich in Heft 66 von Band 25 der Meslanges-Autographen die an die Bibliotheque Royale (heute Bibliotheque Nationale) Paris verkauft wurde. Das Manuskript ist sehr sorgfaltig geschrieben. Alle Zusatze des Herausgebers stehen in eckigen Klammern.
(Jean-Paul Montagnier)
(Jean-Paul Montagnier)
The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected.
(Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur.

Piano Solo - Moderately Easy

SKU: BU.EBR-A044

Composed by Johannes Brahms. This edition: French Edition. Classique. Anacrouse. Partition + Biographie + Notes sur l'oeuvre. Score. Editions Bourges #EBR-A044. Published by Editions Bourges (BU.EBR-A044).

ISBN 9790560151151. 8.58 x 12.48 inches.

La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.

Proposer tout à la fois des « incontournables  Â» du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces Å“uvres.

Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.



L’opus 39 est composé de seize valses. La version d’origine publiée en 1865 est à quatre mains, mais Brahms en crée une version simplifiée à deux mains qui parait en 1867. Le compositeur signe avec ses seize valses exquises son unique témoignage de la tradition viennoise.
L'écritu re de ces valses est d'une grande simplicité. Leurs structures sont différentes de celles des valses viennoises de Strauss. Elles ne présentent ni introduction lente, ni trio, ni coda mais s'apparentent plutôt à un ländler par la sobriété de la pièce. Toutes ces valses sont de formes ABA où deux motifs thématiques s'entremêlent et se lient l’un à l’autre.
Le registre de la mélodie de la Valse n°5 en mi majeur est assez inhabituel. Celle-ci chante dans l'intermédiaire du piano, à la voix d'alto. Elle est enveloppée de notes longues et tenues sur un ton nostalgique où l'on distingue un accompagnement en croches constantes sur une durée de temps régulière.
A l'opposé du caractère de cette valse n°5, se présente sur un ton enjoué la valse n°9 en ré mineur. D'une grande expressivité, cette pièce à danser a un rythme binaire sur un tempo à 4/4. Beaucoup de soupirs s'entremêlent dans cette valse. Rossini y voyait des réminiscences d'une valse de Schumann du recueil Davidsbündler.
Les pianistes amateurs de valses viennoises et de Strauss seront étonnés de découvrir que Brahms s'est évertué à vouloir « faire valser » son public. Ecoutez ces deux petites valses harmonieuses et mélancoliques pour finalement laisser libre court à la danse.

Harpsichord/piano (solos: SSAATB - choir: SSATB - 0.0.0.0. - 0.2.0.0. - str - bc(hps))

SKU: BR.EOS-1064-12

For St. Cecilia's Day 1694. Composed by Henry Purcell. Edited by Denis Arnold. Choir; stapled. Eulenburg Orchestral Series. Cantata; Renaissance/early Baroque; Baroque. Part. 16 pages. Duration 20'. Breitkopf and Haertel #EOS 1064-12. Published by Breitkopf and Haertel (BR.EOS-1064-12).

ISBN 9790004785676. 8.5 x 11.5 inches.

St. Cecilia's Day was celebrated in England during Restoration times with a great festival of music. The soloists were among the best singers of the day, and their music was deliberately florid to show their virtuosity. It is in this tradition that Purcell wrote his festal ,Te Deum and Jubilate'. It was composed for St. Cecilia's Day, 1694, and shows the same ornate style as he odes composed in previous years. It was the grand manner which assured the popularity of the work. After the initial performance, it was given annually on St. Cecilia's day for many years. This fame ensured that the work was printed in score.
The present edition has been prepared from the second edition, a copy of which is now in the possession of Glasgow University.
(Denis Arnold) Die einzige bekannte Quelle befindet sich in Heft 66 von Band 25 der Meslanges-Autographen die an die Bibliotheque Royale (heute Bibliotheque Nationale) Paris verkauft wurde. Das Manuskript ist sehr sorgfaltig geschrieben. Alle Zusatze des Herausgebers stehen in eckigen Klammern.
(Jean-Paul Montagnier)
(Jean-Paul Montagnier)
The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected.
(Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur.

Viola and Piano. By Paul Hindemith. Schott. Size 9x12 inches. 36 pages. Published by Schott.

Violin 2 (solos: SSATB - choir: SATB - 2./2rec.0.0.0 - 0.0.0.0 - 2vl.2va.vc - bc(org))

SKU: BR.EOS-8041-16

Composed by Marc-Antoine Charpentier. Edited by Jean-Paul Montagnier. Choir; stapled. Eulenburg Orchestral Series. Mass; Renaissance/early Baroque; Baroque. Part. 12 pages. Duration 20'. Breitkopf and Haertel #EOS 8041-16. Published by Breitkopf and Haertel (BR.EOS-8041-16).

ISBN 9790004789629. 8.5 x 11.5 inches.

Of the 11 surviving settings of the Mass by Charpentier, the present work, ,Messe de Minuit', ist without doubt one of the most popular. The work belongs to the tradition of the parody-Mass: the composer adapted 10 noels - whose titles are given in the autograph - to the text of the Ordinary. The resulting music is fresh, charming and jubilant.
The single extant source is book 66 of the 25th volume of Charpentier's autograph ,Meslanges' which was sold to the Bibliotheque Royale (now Bibliotheque Nationale) Paris. The manuscript is extremely clear. All editorial additions are placed in square brackets.
(Jean-Paul Montagnier)
(Jean-Paul Montagnier)
The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected.
(Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.

Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.

Nac h der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung.

Orchestra Contrabass, Viola, Violin, Violin 1, Violin 2, Violoncello

SKU: PR.446412820

For Solo Violin and String Orchestra. Composed by Ellen Taaffe Zwilich. Sws. Premiere: New Century Chamber Orchestra, Nadja Salerno-Sonnenberg, violin. Contemporary. Full score. With Standard notation. Composed 2011. 48 pages. Duration 17 minutes. Theodore Presser Company #446-41282. Published by Theodore Presser Company (PR.446412820).

ISBN 9781598064384. UPC: 680160607495. 9x12 inches.

Given the opportunity to create a concertante work for violinist Nadja Salerno-Sonnenberg and the spirited New Century Chamber Orchestra, violinist-turned-composer Ellen Taaffe Zwilich looked to the commedia dell’arte tradition for a special theatrical program. With movements depicting the Harlequin, Columbine, and Captain characters from Italian Renaissance romantic comedies, Zwilich has created a playful, charming, and dramatic work, also adding percussion surprises for extra color in the string orchestra. For advanced players. Parts are available on rental.

Chorus (with soloists) and piano (solos: SSAATB - choir: SSATB - 0.0.0.0. - 0.2.0.0. - str - bc(hps))

SKU: BR.ED-12749

For St. Cecilia's Day 1694. Composed by Henry Purcell. Edited by Denis Arnold. Choir; Softcover. Cantata; Renaissance/early Baroque; Baroque. Piano/Vocal Score. Z 232. 56 pages. Duration 20'. Breitkopf and Haertel #ED 12749. Published by Breitkopf and Haertel (BR.ED-12749).

ISBN 9790220122354. 7.5 x 11 inches.

St. Cecilias Day was celebrated in England during Restoration times with a great festival of music. The soloists were among the best singers of the day, and their music was deliberately florid to show their virtuosity. It is in this tradition that Purcell wrote his festal ,Te Deum and Jubilate. It was composed for St. Cecilias Day, 1694, and shows the same ornate style as he odes composed in previous years. It was the grand manner which assured the popularity of the work. After the initial performance, it was given annually on St. Cecilias day for many years. This fame ensured that the work was printed in score.
The present edition has been prepared from the second edition, a copy of which is now in the possession of Glasgow University.
(Denis Arnold).

Guitar - intermediate

SKU: HL.49019315

Composed by Siegfried Schwab. This edition: Saddle stitching. Sheet music. Guitar. Softcover. 6 pages. Schott Music #GA559. Published by Schott Music (HL.49019315).

ISBN 9790001188029. UPC: 196288174783. 9.0x12.0x0.05 inches.

The guitarist Sigi Schwab from Munich has not only made a name for himself as a performer of classical guitar music and guitar chamber music but he has also become known as a jazz and studio musician, as a brilliant improviser and as a partner of Peter Horton in their legendary duo 'Guitarrissimo'. He has rather rarely presented written compositions. His 'Chaconne' for guitar continues the great chaconne tradition in the Renaissance and Baroque eras and varies a four-bar harmonic ostinato pattern as did the guitar compositions in the 16th and 17th centuries. In his work, Schwab still leaves enough room for improvisation. A rewarding original piece for concert and competition performances.

SATB Choir (Organ)

SKU: HL.14021606

By Andrew Parker. By Tomas Luis de Victoria. Edited by Andrew Parker. Music Sales America. Motet. Book [Softcover]. 72 pages. Music Sales #NOV020691. Published by Music Sales (HL.14021606).

ISBN 9781846091841. UPC: 884088434793. 6.75x10.0x0.222 inches.

This beautifully presented edition from Novello offers a full Mass setting alongside a Motet, both for large mixed chorus, by Tomas Luis De Victoria. Regarded by many as one of the greatest composers of Spanish renaissance polyphony, this Mass setting is rich in his characteristic tonalities and the textures of the sacred choral tradition. Alongside this is the original Motet upon which the Mass setting is based. Both are transcribed and edited by Andrew Parker. The pairing of the two works offers an exciting and fascinating performance opportunity, with the devout grandeur of the Mass set against the modesty of the original Motet. Missa Dum Complerentur for SAATTB voices. Motet: Dum Complerentur Dies Pentecostes for SSATB voices.

Viola 2 (solos: SSATB - choir: SATB - 2./2rec.0.0.0 - 0.0.0.0 - 2vl.2va.vc - bc(org))

SKU: BR.EOS-8041-20

Composed by Marc-Antoine Charpentier. Edited by Jean-Paul Montagnier. Choir; stapled. Eulenburg Orchestral Series. Mass; Renaissance/early Baroque; Baroque. Part. 20 pages. Duration 20'. Breitkopf and Haertel #EOS 8041-20. Published by Breitkopf and Haertel (BR.EOS-8041-20).

ISBN 9790004789643. 8.5 x 11.5 inches.

Of the 11 surviving settings of the Mass by Charpentier, the present work, ,Messe de Minuit', ist without doubt one of the most popular. The work belongs to the tradition of the parody-Mass: the composer adapted 10 noels - whose titles are given in the autograph - to the text of the Ordinary. The resulting music is fresh, charming and jubilant.
The single extant source is book 66 of the 25th volume of Charpentier's autograph ,Meslanges' which was sold to the Bibliotheque Royale (now Bibliotheque Nationale) Paris. The manuscript is extremely clear. All editorial additions are placed in square brackets.
(Jean-Paul Montagnier)
(Jean-Paul Montagnier)
The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected.
(Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.

Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.

Nac h der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung.

Composed by Georg Philipp Telemann (1681-1767). This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 48 pages. Schott Music #ED 4690. Published by Schott Music

Guitar - advanced to difficult

SKU: HL.49010840

Guitar Solo. Composed by Leo Brouwer. This edition: Saddle stitching. Sheet music. Gitarren-Archiv (Guitar Archive). Classical. Composed 1959. 8 pages. Schott Music #GA426. Published by Schott Music (HL.49010840).

ISBN 9783795798352. UPC: 073999663662. 9.0x12.0x0.075 inches.

Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians.Edition Schott ranges from Renaissance to Contemporary solo instruments to orchestra, well-known pieces to interesting rarities and includes about twenty of Schott's acknowledged and well-established instrumental series such as Guitar-Archive, Violin Library, Il Flauto Traverso and Original Music for Recorder.Edition Schott publications share the highest production values and a distinct house style with clear notations, practical page-turns and high-quality paper.Edition Schott maintains and extends the internationally recognized tradition of excellence and reliability established in 1770 by Schott Music.