366 More Great Songs for Better Living. Arranged by Jim Beloff, Liz Belof...(+)
366 More Great Songs
for Better Living.
Arranged by Jim Beloff,
Liz Beloff. Fake Book.
Country, Pop,
Standards. Softcover. 416
pages. Published by Hal
Leonard (HL.212971).
(The Biggest Hits * The Greatest Artists (Piano/Vocal/Guitar)). For Guitar; Keyb...(+)
(The Biggest Hits * The
Greatest Artists
(Piano/Vocal/Guitar)).
For Guitar; Keyboard;
Piano; Voice. This
edition:
Piano/Vocal/Guitar;
Deluxe Annual. Book;
P/V/C Mixed Folio;
Piano/Vocal/Chords.
Greatest Hits. Pop; Rock.
224 pages. Published by
Hal Leonard
Soprano/Alto High Voice; Vocal SKU: HL.383303 Soprano/Alto Edition...(+)
Soprano/Alto High Voice;
Vocal
SKU:
HL.383303
Soprano/Alto
Edition. By Various.
Vocal Collection. Pop,
Pop/Rock, Rock.
Softcover. Published by
Hal Leonard (HL.383303).
ISBN 9781705154137.
UPC: 196288021421.
9.0x12.0x0.666
inches.
Do you need
a perfect contemporary
song for a vocal audition
or performance? The
Singer's Anthology of
Pop/Rock Ballads gives
you over 30 pop/rock
classics to choose
fromââall
transposed into
appropriate keys and
based on the original
recorded hits. These
songs fall into the new
wave of standards that
you are hearing more
often at cabaret,
concerts, and special
occasions. These songs
are most often identified
with singer-songwriters,
so this collection
features the work of
Billy Joel, Carole King,
Adele, and others. These
arrangements were custom
made for this collection
as authentic performing
editions, friendly to
both the singer and
accompanist. Keys were
carefully chosen, either
preserving the original
recorded key or
transposing as near the
original as possible to
increase accessibility.
This volume is presented
in separate editions for
Soprano/Alto and
Tenor/Baritone, with some
songs shared between the
two, and others specific
to the voice type. The
Soprano/Alto edition
features 31 songs,
including: All by Myself
⢠At Last â¢
Don't Know Why â¢
Hallelujah ⢠Hello
⢠I Can't Make You
Love Me ⢠I Will
Always Love You â¢
Killing Me Softly with
His Song ⢠Landslide
⢠Million Reasons
⢠(You Make Me Feel
Like) A Natural Woman
⢠New York State of
Mind ⢠She Used to
Be Mine ⢠Someone
like You ⢠A
Thousand Years â¢
Time After Time â¢
When We Were Young â¢
Will You Love Me Tomorrow
(Will You Still Love Me
Tomorrow) ⢠and
more.
(Performance Book 3) Edited by David Hoge, Leo Welch, Philip Groeber, Rey Sanche...(+)
(Performance Book 3)
Edited by David Hoge, Leo
Welch, Philip Groeber,
Rey Sanchez. Performance
part for guitar. Series:
The FJH Young Beginner
Guitar Method. 32 pages.
Published by The FJH
Music Company Inc.
Guitar Poems Guitare [Partition + CD] - Facile Ricordi
Guitar - early intermediate SKU: BT.SY-2909 20 Stücke für Gitarr...(+)
Guitar - early
intermediate
SKU:
BT.SY-2909
20
Stücke für Gitarre
solo - 20 Pieces for
Guitar Solo. Composed
by Giuseppe Di Girolamo.
Book, CD and Audio
Online. Composed 2019. 28
pages. Ricordi #SY 2909.
Published by Ricordi
(BT.SY-2909).
German-English.
With appealing melodies
that would be right at
home in catchy pop songs,
Giuseppe Di Girolamoâ??s
Guitar Poems
indulges in the
overwhelming beauty of
the sound of the acoustic
guitar. This publication
contains all twelve
pieces from Letters
for You, supplemented
by eight newly-composed
titles that complete the
collection. The pieces
are presented
progressively and contain
comprehensive fingerings
to make them as
technically accessible as
possible. Guitar
Poems also includes
first-rate demo
recordings of all the
pieces, performed
especially for this
edition by the young
concert guitarist and
international
prize-winner Julia
Trintschuk.
Man
schwelgt in der ganzen
Klangschönheit der
akustischen Gitarre und
in eingängigen
Melodien, die aus guten
Pop-Songs stammen
könnten: Das ist
Guitar Poems von
Giuseppe Di Girolamo. Die
Ausgabe enthält
sämtliche zwölf
Stücke aus Letters
for You, ergänzt
um acht neu komponierte
Titel, welche die
Sammlung ideal abrunden.
Alle Stücke wurden
progressiv angeordnet und
mit Fingersätzen
versehen, um sie
technisch noch leichter
zugänglich zu machen.
Ein zusätzliches
Bonbon von Guitar
Poems sind die
erstklassigen
Demo-Aufnahmen aller
Stücke, die von der
jungen Konzertgitarristin
und mehrfachen
internationalen
Preisträgerin Julia
Trintschuk eigens für
diese Ausgabe eingespielt
wurden.
By Groeber, Hoge, Sanchez, Welch. For Guitar. This book is supplemental to the F...(+)
By Groeber, Hoge,
Sanchez, Welch. For
Guitar. This book is
supplemental to the FJH
Young Beginner Guitar
Method. Guitar. Level:
Primer. Book. Published
by The FJH Music Company
Inc.
By Amy Appleby. For Piano and Voice, with Guitar chord symbols. Irish, Folk, Cel...(+)
By Amy Appleby. For Piano
and Voice, with Guitar
chord symbols. Irish,
Folk, Celtic. Level:
Intermediate to Advanced.
Sheet Music. Published by
Wise Publications.
By Groeber, Hoge, Sanchez, Welch. For Guitar. Lesson Book 2 provides a seamless ...(+)
By Groeber, Hoge,
Sanchez, Welch. For
Guitar. Lesson Book 2
provides a seamless
transition from Book 1.
Guitar. Level: Late
Elementary. Book.
Published by The FJH
Music Company Inc.
Edited by Tim Jumper. For 5 string banjo. Format: banjo songbook (spiral bound)....(+)
Edited by Tim Jumper. For
5 string banjo. Format:
banjo songbook (spiral
bound). With banjo
tablature, lyrics, chord
names, chord charts,
instructional text, strum
and pick patterns and
introductory text. Folk.
288 pages. 9x12 inches.
Published by Oak
Publications.
Composed by Travis
Weller. Yps. Set of Score
and Parts.
16+4+8+8+4+4+6+4+4+4+8+8+
6+6+6+4+6+4+2+4+2+4+24
pages. Duration 2
minutes, 18 seconds. Carl
Fischer Music #YPS252.
Published by Carl Fischer
Music (CF.YPS252).
ISBN 9781491161357.
UPC:
680160919949.
A new
day. A new event. A new
opportunity. We look
forward to these things
and the potential they
hold. We live our lives
looking forward, but we
understand them looking
backward (a thought of
Danish philosopher Soren
Kierkegaard). We do not
always know what the
future may hold, but we
must remember: first,
there are no guarantees
beyond the time and
opportunity we are given
to do good. Second,
change around us is
inevitable. Finally, and
the most important
aspect, we have choices.
This lesson is fixed to
the composer's office
door: Today is the
greatest day of your
life, if you want it to
be. Why not look forward
to the Promise on the
Horizon and the
possibilities for
greatness that lie within
it? The opening motif of
this concert fanfare is
purposely inquisitive as
the piece seeks to
establish its first
steps. The subtle shift
at measure 37 and again
at measure 69 are
reminders of the
challenges that await us
during the journey. Here
again it is a matter of
choice - do we choose to
let circumstances define
us, or do we define the
circumstances? The
section at 93 is a
resounding answer that we
will move barriers,
overcome obstacles and
keep our vision looking
forward. The piece builds
toward an exciting
conclusion from measure
127 onward. The piece
reinforces several basic
rhythmic patterns in 6/8
time. As a number of
these rhythms are
repeated, it provides an
easy opportunity for the
entire ensemble to grow
more comfortable
performing in this meter.
While it is a
fanfare-type piece,
remind young musicians to
play with lightness and
precision, rather than
intensity in volume.
Maintaining this style of
articulation and accuracy
helps the rhythms in 6/8
time maintain their
buoyancy. It is vital
that each musician
listens for the melody
and balances their part,
especially in moments
where the melody is
passed between sections.
If vibes are not
available, a second bell
set can be employed in
its place. It is hoped
that this piece is an
uplifting way to open
your next concert, and a
meaningful opportunity
for you to discuss the
power of making positive
choices with your
students in the ensemble
(as a reminder, regular
practicing of their
instrument is a positive
choice). Wishing you and
your ensemble well as you
look to the Promise on
the Horizon. A new
day. A new event. A new
opportunity. We look
forward to these things
and the potential they
hold. We live our lives
looking forward, but we
understand them looking
backward (a thought of
Danish philosopher Soren
Kierkegaard). We do not
always know what the
future may hold, but we
must remember: first,Â
there are no guarantees
beyond the time and
opportunity we are given
to do good. Second,
change around us is
inevitable. Finally, and
the most important
aspect, we have choices.
This lesson is fixed
to the composer's office
door: “Today is the
greatest day of your
life, if you want it to
be.†Why not look
forward to the Promise on
the Horizon and the
possibilities for
greatness that lie within
it?The opening motif of
this concert fanfare is
purposely inquisitive as
the piece seeks to
establish its first
steps. The subtle shift
at measure 37 and again
at measure 69 are
reminders of the
challenges that await us
during the journey. Here
again it is a matter of
choice – do we
choose to let
circumstances define us,
or do we define the
circumstances? The
section at 93 is a
resounding answer that we
will move barriers,
overcome obstacles and
keep our vision looking
forward. The piece builds
toward an exciting
conclusion from measure
127 onward. The piece
reinforces several basic
rhythmic patterns in 6/8
time. As a number of
these rhythms are
repeated, it provides an
easy opportunity for the
entire ensemble to grow
more comfortable
performing in this meter.
While it is a
fanfare-type piece,
remind young musicians to
play with lightness and
precision, rather than
intensity in volume.
Maintaining this style of
articulation and accuracy
helps the rhythms in 6/8
time maintain their
buoyancy. It is vital
that each musician
listens for the melody
and balances their part,
especially in moments
where the melody is
passed between sections.
If vibes are not
available, a second bell
set can be employed in
its place. It is hoped
that this piece is an
uplifting way to open
your next concert, and a
meaningful opportunity
for you to discuss the
power of making positive
choices with your
students in the ensemble
(as a reminder, regular
practicing of their
instrument is a positive
choice). Wishing you and
your ensemble well as you
look to the Promise on
the Horizon. .