SKU: HL.14009122

ISBN 9781870997263. English.

A traditional Nativity play conveying the peace and hope of Christmas with eight new carols. It is ideal for mixed age groups, with added parts suitable for older children up to age 12. There is the minimum of stage direcions leaving teachers free to interpret the actions as befits their setting and available talent. Additional musical interludes for all the usual mime expected in a school nativity play. Script available in student book. If you need to license a school/youth theatre performance of this product, please use the online application form.

SKU: HP.C6159C

UPC: 763628961596.

Frenc h carol This dynamic setting features the French carol NOEL NOUVLET and the familiar words 'Sing we now of Christmas, sing we now Noel,' which lead beautifully into a refrain of 'What Child Is This. 'Culled from Lloyd's top-selling cantata, Were You There on That Christmas Night, code no. 8611, this regal carol is available in both SATB and SAB opt. Two-Part Mixed settings with piano or orchestral accompaniment.

SKU: WD.080689614170

SKU: GI.G-6336

UPC: 785147633600. English. Text Source: Watson, Maurice, Terrell, Jay. Text by Maurice Watson.

An original gospel song straight from the vibrant worship of the Black church. The beauty of this edition for choirs who desire to occasionally sing gospel but lack the intuitive sense of the style, is that every note is on the page. Sing what's there and you've arrived!

SKU: BA.BA08860-01

ISBN 9790006558131. 33.5 x 25.5 cm inches. Text Language: French. Preface: Sylvie Bouissou. Text: Louis Fuzelier.

The main body of the new edition of Les Indes galantes, published in Opera Omnia Rameau (OOR IV.2, 7), restores the version authorised by Rameau in 1736. This basic editorial decision has made it possible to present a fully coherent and authenticated reading of the work (after the adjustments from the earliest performances). All other versions before and after 1736 are gathered together in 19 complements.

Sylvi e Bouissou's new edition differs markedly from previous modern editions and all existing recordings. With its complements she does justice to the performer's need for Rameau's various revisions while finally making accessible a version actually authorised by Rameau. For the first time it is presented in its complete stylistic and dramatic context.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SKU: BA.BA07566

ISBN 9790006544066. 31 x 24.3 cm inches. Preface: Schwemer, Bettina.

Antonio Vivaldiâ??s twelve concertos op. 4 known by the name of â??La Stravaganzaâ? were first mentioned as a collection of â??Concerti a 4â? in the 1711 Foreword of â??Lâ??Estro Armonicoâ? op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, â??La Stravaganzaâ? is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7).

The many reprints of â??La Stravaganzaâ? bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel.

This edition of â??La Stravaganzaâ? is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh and Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SKU: HL.1295431

ISBN 9798350106404. UPC: 196288170150. 6.75x10.5x0.036 inches.

Wow, what a way to introduce customs and greetings from around the world! The piano and available track add rhythmic energy and set the stage for movement and even costumes! Whether you have a mixed choir or treble voices, this new original will win your singers' and audience's hearts alike!