| Cantiga's Renaissance Festival Favorites Violon [Partition + Accès audio] Mel Bay
Violin - Beginning-Intermediate SKU: MB.99960M For All Instruments wit...(+)
Violin -
Beginning-Intermediate
SKU: MB.99960M
For All Instruments
with Guitar Chords.
Composed by Robert
Bielefeld. Wire bound,
Mandolin, Acoustic: Other
Non-String, Flute,
Acoustic: Other Strings,
Violin, Tunebooks, Folk.
Early Music /
Renaissance. Book and
online audio. 152 pages.
Mel Bay Publications, Inc
#99960M. Published by Mel
Bay Publications, Inc
(MB.99960M). ISBN
9780786689972. 8.75 x
11.75
inches. Players of
all kinds of instruments
including flute, fiddle,
mandolin, recorder,
whistle, guitar, harp and
more can use this
collection of music which
is popular at modern
renaissance festivals.
The music is presented
simply, with melody lines
and chord symbols,
allowing for a wide range
of interpretation. In
addition to many period
dance tunes, the book
contains a selection of
vocal numbers with lyrics
included. Each selection
is accompanied by text to
suggest ideas for
performance, place the
music in a modern
festival context and
provide useful
information to those
interested in studying
historical sources of
early music. Cantigas
arrangements of some of
the tunes in this book
can be heard on the
companion recording. They
are played at a listening
tempo by the ensemble:
Wooden flute or recorder,
fiddle, cello, harp and
percussion. Includes
access to online
audio. $29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Bluegrass Overture Orchestre d'harmonie - Avancé Anglo Music
Score and Parts Concert Band (Score & Parts) - Grade 5 SKU: HL.44012905 <...(+)
Score and Parts Concert
Band (Score & Parts) -
Grade 5 SKU:
HL.44012905 For
Concert Band.
Composed by Philip
Sparke. Anglo Music
Concert Band. Bluegrass,
Concert. Softcover.
Composed 2017. Anglo
Music Press #AMP447010.
Published by Anglo Music
Press (HL.44012905).
English-German-French-
Dutch. A Bluegrass
Overture was commissioned
by Gabriel Wooley and
funded by a grant from
Leslie and Cathy Anderson
for the Central Kentucky
Concert Band to celebrate
their 40th anniversary in
2016. This energetic
overture opens with an
introduction loosely
based on bluegrass chords
before a slower, legato
chorale appears in the
clarinets and flutes.
This is short-lived and
soon a new mood is
introduced, based on a
repeated-note
accompaniment. This leads
to the main theme,
heavily syncopated with
bluesy inflections. A
central section features
a cantabile melody, which
changes key frequently,
before the main theme
reappears, leading to a
triumphal presentation of
the earlier chorale
melody. $150.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Raider's Last Crusade - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euph...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Euphonium, Euphonium
T.C., Flute, Horn, Jingle
Bells, Mallet Percussion,
Marimba, Oboe, Percussion
1, Percussion 2,
Percussion 3, Snare Drum,
Suspended Cymbal,
Tambourine and more. -
Grade 2.5 SKU:
CF.YPS251 Composed by
Ed Kiefer. Yps. Set of
Score and Parts.
16+4+8+8+8+4+4+10+4+4+8+8
+8+8+6+6+6+4+6+2+2+4+4+1+
24 pages. Duration 3
minutes, 10 seconds. Carl
Fischer Music #YPS251.
Published by Carl Fischer
Music (CF.YPS251).
ISBN 9781491161340.
UPC:
680160919932. Commi
ssioned by the Midway
High School Band, NC
Joshua Tew and Jesse
Shelton, Directors
Commission funded by the
Simple Gifts Grant Fund
(Clinton, NC) In memory
of Deborah Tew, mother of
Joshua Tew This
composition is a great
concert opener or
festival selection for a
young band. Beginning
with a joyful motive and
lots of featured
percussion, it uses
sudden dynamic changes
and a dark middle section
to create plenty of
contrast and excitement.
The ending begins very
softly, building to a
tension filled climax
that eventually returns
to the joyful motive from
the beginning of the
piece. Lots of fun for
the musicians and the
audience! Be sure to keep
the tempo moving
throughout--don't let it
slow down or it will lose
energy, especially in the
soft sections. Keep
articulations crisp and
let the horns wail
(doubles in altos). Make
sure your percussionists
observe the marked
dynamics and do not cover
the winds. Otherwise,
this piece is very
accessible, with
reasonable ranges and
rhythmic challenges. It
may take a minute or two
to balance the dark
chords in the middle
section, but it will be
well worth it for the
contrast. Have
fun!. Commissioned by
the Midway High School
Band, NCJoshua Tew and
Jesse Shelton,
DirectorsCommission
funded by the Simple
Gifts Grant Fund
(Clinton, NC)In memory of
Deborah Tew, mother of
Joshua TewThis
composition is a great
concert opener or
festival selection for a
young band. Beginning
with a joyful motive and
lots of featured
percussion, it uses
sudden dynamic changes
and a dark middle section
to create plenty of
contrast and excitement.
The ending begins very
softly, building to a
tension filled climax
that eventually returns
to the joyful motive from
the beginning of the
piece. Lots of fun for
the musicians and the
audience!Be sure to keep
the tempo moving
throughout--don’t
let it slow down or it
will lose energy,
especially in the soft
sections. Keep
articulations crisp and
let the horns wail
(doubles in altos). Make
sure your percussionists
observe the marked
dynamics and do not cover
the winds. Otherwise,
this piece is very
accessible, with
reasonable ranges and
rhythmic challenges. It
may take a minute or two
to balance the dark
chords in the middle
section, but it will be
well worth it for the
contrast. Have fun! $65.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| White Light Orchestre d'harmonie - Intermédiaire Anglo Music
Concert Band - Grade 3 SKU: HL.44011005 Grade 3 - Score Only. Comp...(+)
Concert Band - Grade 3
SKU: HL.44011005
Grade 3 - Score
Only. Composed by
Philip Sparke. Anglo
Music Concert Band. Score
Only. Composed 2011. 22
pages. Anglo Music Press
#AMP317140. Published by
Anglo Music Press
(HL.44011005). UPC:
884088637651. 9x12
inches.
English-German-French-Dut
ch. White
Light was
commissioned by Fumiko
Teramoto, oboist with the
Musashino Grand Concert
Band in Tokyo, Japan. The
request was for a
moderately slow piece of
intermediate difficulty
that included the work
“white” (Ms.
Teramoto's lucky color)
in the title. The
composer used this
suggestion to write a
piece that was both
bright and light in terms
of harmony, color and
orchestration, with much
use of simple major and
minor chords and an
emphasis on the pure,
transparent timbres of
the upper woodwinds of
the band; he was also
keen to capture the
essence and history of
the oboe as a solo
instrument. The piece is
pastoral in character and
often almost baroque in
style. It opens with a
chorale-like passage on
flutes and clarinets; the
soloist enters with a
recitative over trilling
clarinets. The main theme
is then introduced,
accompanied by the
woodwinds. After a short
bridge passage, a change
of key heralds a second
theme by the soloist,
with gentle brass
punctuations. This builds
to a climax, ending on a
high trill from the
soloist. After short
passage over a timpani
roll, the band recalls
the main theme, taken up
once again by the
soloist. This leads to a
short cadenza before the
closing bars bring the
work peacefully to a
close. $29.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| White Light Orchestre d'harmonie - Intermédiaire Anglo Music
Grade 3 - Score and Parts. Composed by Philip Sparke (1951-). Anglo Music...(+)
Grade 3 - Score and
Parts. Composed by
Philip Sparke (1951-).
Anglo Music Concert Band.
Anglo Music Press
#AMP317010. Published by
Anglo Music Press
(HL.44011004).
$117.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| To Create a Voice Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euph...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion 1, Mallet
Percussion 2, Marimba,
Oboe, Percussion 1,
Percussion 2, Shaker,
Snare Drum and more. -
Grade 3 SKU:
CF.CPS226 Composed by
Carol Brittin Chambers.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
16+4+8+16+16+4+4+4+4+4+4+
8+8+8+4+4+6+6+6+8+2+2+2+6
+12+24+4 pages. Duration
3 minutes, 55 seconds.
Carl Fischer Music
#CPS226. Published by
Carl Fischer Music
(CF.CPS226). ISBN
9781491152522. UPC:
680160910021. Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it! $95.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| To Create a Voice Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euph...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion 1, Mallet
Percussion 2, Marimba,
Oboe, Percussion 1,
Percussion 2, Shaker,
Snare Drum and more. -
Grade 3 SKU:
CF.CPS226F Composed
by Carol Brittin
Chambers. Concert Band
(CPS). Full score. With
Standard notation. 24
pages. Carl Fischer Music
#CPS226F. Published by
Carl Fischer Music
(CF.CPS226F). ISBN
9781491153208. UPC:
680160910700. Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it! $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lake Champlain Suite Piano seul - Intermédiaire Alfred Publishing
Piano - Intermediate SKU: AP.48672 Composed by Wynn-Anne Rossi. Duet or D...(+)
Piano - Intermediate
SKU: AP.48672
Composed by Wynn-Anne
Rossi. Duet or Duo; Piano
Duet (1 Piano, 4 Hands);
Solo Small Ensembles.
Duet Recital Suite
Series. Form: Suite.
Score. 8 pages. Alfred
Music #00-48672.
Published by Alfred Music
(AP.48672). ISBN
9781470643768. UPC:
038081559469.
English. This
three-movement suite for
one piano, four hands was
inspired by one of the
largest lakes in North
America, bordering
Vermont, New York, and
Quebec. The first
movement, Wind on the
Water, is a flowing piece
in 5/4 meter that uses
broken chords, broken
intervals, and an
expansive melody to
capture the play of waves
on the lake. The second
movement, Mystery of the
Deep, uses two
contrasting sections, one
mysterious and one
cheerfully swinging, to
musically portray a
folkloric monster who
lurks in the depths of
Lake Champlain but also
delights locals with
occasional sightings. The
final movement, Tides of
Revolution, draws upon
the lake's history as a
pivotal battleground
during the American
Revolutionary War.
Driving rhythms, biting
dissonances, changing
meters, and dramatic
exchanges between the
players bring the suite
to an exciting close.
Optional parts for
percussion and
violin/flute are
available for download
for two of the
movements. $5.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Snake Pit Orchestre d'harmonie - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Cabasa, China Cymbal, Clarinet 1, Clarin...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Cabasa,
China Cymbal, Clarinet 1,
Clarinet 2, Congas,
Cowbell, Euphonium,
Euphonium T.C., Flute,
Flute 2, Glockenspiel,
Gong, Horn, Mallet
Percussion, Maracas,
Oboe, Percussion 1,
Percussion 2, Snare Drum
and more. - Grade 1.5
SKU: CF.FPS151
Composed by Tyler Arcari.
First Plus Band (FPS).
Set of Score and Parts.
With Standard notation.
8+2+4+4+2+5+2+2+4+4+4+6+3
+1+1+3+6+12+2 pages.
Duration 1 minute, 36
seconds. Carl Fischer
Music #FPS151. Published
by Carl Fischer Music
(CF.FPS151). ISBN
9781491152119. UPC:
680160909612. Every
one remembers the first
time that they saw a
snake. Though fascinating
to some and terrifying to
others, few animals are
as universally
mesmerizing. Composer
Tyler Arcari has crafted
a very fun piece making
use of auxiliary
percussion instruments to
emulate a snake's hiss or
ominous rattle. With very
strong and interesting
melodic material, and
scored to make a
developing band sound
great, this piece is sure
to be a favorite among
students. Everyone
remembers the first time
that they saw a snake.
The majority of people
have a base fear of them,
while others have a
“heebie-jeebiesâ
experience. We all
know how the great
explorer Dr. Indiana
Jones felt about snakes,
especially when he
famously fell into a
snake pit during Raiders
of the Lost Ark. However
you feel about snakes, a
pit of them certainly
sounds like an
adventure.About the
work:Snake Pit uses a lot
of auxiliary percussion
instruments. Some of
these sounds are intended
to subtly mimic the
sounds that snakes make.
The maraca in m. 4, of
course, is a
rattler’s call!
The Chinese cymbal is
intended to sound like
the “hiss†of
a not-so-friendly
serpent. The eighth-note
pattern at m. 9 is used
throughout as a
“creepyâ€
effect using dynamic
contrast so take care to
emphasize this when
present.I enjoy the gong
as a “colorâ€
instrument in the band. I
try to balance it with
the low brass. Take care
that at m. 42 the gong is
not “front-and
center†but more of
a support for the nice
accented chords in the
low brass. Also, the
trumpets can become
spaced too much here. The
accents are more for
emphasis and less
space. $60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Snake Pit Orchestre d'harmonie - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Cabasa, China Cymbal, Clarinet 1, Clarin...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Cabasa,
China Cymbal, Clarinet 1,
Clarinet 2, Congas,
Cowbell, Euphonium,
Euphonium T.C., Flute,
Flute 2, Glockenspiel,
Gong, Horn, Mallet
Percussion, Maracas,
Oboe, Percussion 1,
Percussion 2, Snare Drum
and more. - Grade 1.5
SKU: CF.FPS151F
Composed by Tyler Arcari.
First Plus Band (FPS).
Full score. With Standard
notation. 12 pages. Carl
Fischer Music #FPS151F.
Published by Carl Fischer
Music (CF.FPS151F).
ISBN 9781491152799.
UPC:
680160910298. Every
one remembers the first
time that they saw a
snake. Though fascinating
to some and terrifying to
others, few animals are
as universally
mesmerizing. Composer
Tyler Arcari has crafted
a very fun piece making
use of auxiliary
percussion instruments to
emulate a snake's hiss or
ominous rattle. With very
strong and interesting
melodic material, and
scored to make a
developing band sound
great, this piece is sure
to be a favorite among
students. Everyone
remembers the first time
that they saw a snake.
The majority of people
have a base fear of them,
while others have a
“heebie-jeebiesâ
experience. We all
know how the great
explorer Dr. Indiana
Jones felt about snakes,
especially when he
famously fell into a
snake pit during Raiders
of the Lost Ark. However
you feel about snakes, a
pit of them certainly
sounds like an
adventure.About the
work:Snake Pit uses a lot
of auxiliary percussion
instruments. Some of
these sounds are intended
to subtly mimic the
sounds that snakes make.
The maraca in m. 4, of
course, is a
rattler’s call!
The Chinese cymbal is
intended to sound like
the “hiss†of
a not-so-friendly
serpent. The eighth-note
pattern at m. 9 is used
throughout as a
“creepyâ€
effect using dynamic
contrast so take care to
emphasize this when
present.I enjoy the gong
as a “colorâ€
instrument in the band. I
try to balance it with
the low brass. Take care
that at m. 42 the gong is
not “front-and
center†but more of
a support for the nice
accented chords in the
low brass. Also, the
trumpets can become
spaced too much here. The
accents are more for
emphasis and less
space. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Let Us Go Rejoicing - Full Score and Parts Chorale SATB SATB, Clavier GIA Publications
SATB choir, cantor, voice solo, assembly, keyboard accompaniment, 2 octaves hand...(+)
SATB choir, cantor, voice
solo, assembly, keyboard
accompaniment, 2 octaves
handbells, 2 or 3 octaves
handbells, 3, 4, or 5
octaves handbells,
guitar, flute 1, flute 2,
clarinet in B-flat
SKU: GI.G-9024INST
Psalm 122.
Composed by Jeffrey
Honore. Common Psalm for
Last Weeks in Ordinary
Time, Advent 1 A, Christ
the King C. Sacred. Full
score and parts. With
guitar chord names. 3
pages. GIA Publications
#9024INST. Published by
GIA Publications
(GI.G-9024INST). UPC:
785147902492. English.
Text Source: Psalm 122,
The Revised Grail
Psalms The
guitar chords and
keyboard accompaniment
are printed in the full
score. The flute and
clarinet parts are
optional. $24.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Morning in Madrid Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Chimes, Clarinet 1, Clari...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Cabasa, Chimes, Clarinet
1, Clarinet 2, Clarinet
3, Claves, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Gong, Horn 1, Horn 2,
Mallet Percussion, Mark
Tree, Oboe, Percussion 1
and more. - Grade 3
SKU: CF.CPS104
Composed by Bill Calhoun.
FS SWS. Carl Fischer
Concert Performance
Series. Set of Score and
Parts. With Standard
notation.
8+8+4+8+8+8+4+4+4+4+4+4+8
+8+8+4+4+6+6+4+6+8+4+2+4+
18+24 pages. Duration 3
minutes, 54 seconds. Carl
Fischer Music #CPS104.
Published by Carl Fischer
Music (CF.CPS104).
ISBN 9780825874192.
UPC: 798408074197. 9x12
inches. Spanish-sty
le rhythms, melodies and
harmonies abound in this
lovely new concert work
from composer Bill
Calhoun. From the opening
“bird-likeâ€
calls from the woodwinds
accompanied by the
ascending chords in the
clarinets and the brass,
one can picture the sun
rising above the horizon
at the start of a Morning
in Madrid. This piece
will help you teach your
students about lyrical
expression while
playing. $90.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa ad Gentes: Maryknoll Centennial Mass (Full Score) Chorale SATB GIA Publications
SATB choir, cantor, priest, assembly, keyboard accompaniment, flute, oboe, trump...(+)
SATB choir, cantor,
priest, assembly,
keyboard accompaniment,
flute, oboe, trumpet 1 in
B-flat, trumpet 1 in C,
trumpet 2 in B-flat,
trumpet 2 in C, horn in
f, trombone 1, trombone
2, timpani, guitar
SKU: GI.G-7864FS
Revised Order of Mass
2010. Composed by Jan
Michael Joncas. Mass.
Sacred. Full score. With
guitar chord names. 68
pages. GIA Publications
#7864FS. Published by GIA
Publications
(GI.G-7864FS). UPC:
785147786498. English,
Latin, Spanish. Text
Source: Revised Order of
Mass 2010, Lectionary
for
Mass Commission
ed by the Maryknoll
Community to celebrate
its centenary of papal
approval in
2011, Missa ad
Gentes was composed
with a particular vision
– to create a Mass
setting with the 2010
revised English texts
representing both
Maryknoll’s United
States heritage as well
as the diverse cultures
in which Maryknoll
missioners serve in
Central and South
America, Africa, Asia,
and Oceania.  With
each piece of the Mass,
Fr. Joncas honors the
musical heritage of a
different culture,
creating a truly unique
setting celebrating the
Church’s
diversity. The title,
meaning “Mass
‘to the
peoples’â€
draws on the text of the
Second Vatican
Council’s document
on missionary activities.
“It is my hope that
the Missa ad
Gentes will assist
English-speaking Roman
Rite Catholics to worship
with new liturgical
texts, faithful to their
heritage but enriched by
the great diversity of
languages and cultures
that make up the Church
Catholic.†-Michael
Joncas Keyboard
accompaniment and guitar
chords are printed in the
edition. $20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Northern Dreams (Reves du Nord) - A Suite in Four Movements Trompette Fennica Gehrman
Trumpet, piano SKU: FG.55011-587-3 Composed by Heikki Sarmanto. Fennica G...(+)
Trumpet, piano SKU:
FG.55011-587-3
Composed by Heikki
Sarmanto. Fennica Gehrman
#55011-587-3. Published
by Fennica Gehrman
(FG.55011-587-3). ISBN
9790550115873. A
pioneer of Finnish modern
jazz, Heikki Sarmanto
(1939-) is renowned for
his renderings of jazz
numbers. No wonder,
therefore, that broken
chords and familiar keys
resonate and sit well
under the hand in the
piano part of this
Northern Dreams suite.
The solo passages for the
piano are like stylised
improvisations. In
addition to jazz idioms,
the suite features
Chopin-style arpeggios.
His music is melodic and
communicative, painting
feelings, situations and
events. Northern Dreams
was originally composed
with the tenor sax of
Juhani Aaltonen in mind,
and the solo part is a
transcription of his
improvisation. The solo
part is also available in
arrangements for alto
sax, flute, clarinet,
bassoon and trumpet. $34.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Northern Dreams (Reves du Nord) - A Suite in Four Movements Clarinette Fennica Gehrman
Clarinet, piano SKU: FG.55011-584-2 Composed by Heikki Sarmanto. Fennica ...(+)
Clarinet, piano SKU:
FG.55011-584-2
Composed by Heikki
Sarmanto. Fennica Gehrman
#55011-584-2. Published
by Fennica Gehrman
(FG.55011-584-2). ISBN
9790550115842. A
pioneer of Finnish modern
jazz, Heikki Sarmanto
(1939-) is renowned for
his renderings of jazz
numbers. No wonder,
therefore, that broken
chords and familiar keys
resonate and sit well
under the hand in the
piano part of this
Northern Dreams suite.
The solo passages for the
piano are like stylised
improvisations. In
addition to jazz idioms,
the suite features
Chopin-style arpeggios.
His music is melodic and
communicative, painting
feelings, situations and
events. Northern Dreams
was originally composed
with the tenor sax of
Juhani Aaltonen in mind,
and the solo part is a
transcription of his
improvisation. The solo
part is also available in
arrangements for alto
sax, flute, clarinet,
bassoon and trumpet. $34.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Northern Dreams (Reves du Nord) - A Suite in Four Movements Saxophone Alto et Piano Fennica Gehrman
Alto saxophone, piano SKU: FG.55011-585-9 Composed by Heikki Sarmanto. Fe...(+)
Alto saxophone, piano
SKU:
FG.55011-585-9
Composed by Heikki
Sarmanto. Fennica Gehrman
#55011-585-9. Published
by Fennica Gehrman
(FG.55011-585-9). ISBN
9790550115859. A
pioneer of Finnish modern
jazz, Heikki Sarmanto
(1939-) is renowned for
his renderings of jazz
numbers. No wonder,
therefore, that broken
chords and familiar keys
resonate and sit well
under the hand in the
piano part of this
Northern Dreams suite.
The solo passages for the
piano are like stylised
improvisations. In
addition to jazz idioms,
the suite features
Chopin-style arpeggios.
His music is melodic and
communicative, painting
feelings, situations and
events. Northern Dreams
was originally composed
with the tenor sax of
Juhani Aaltonen in mind,
and the solo part is a
transcription of his
improvisation. The solo
part is also available in
arrangements for alto
sax, flute, clarinet,
bassoon and trumpet. $34.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Once In Love (Full Score) Ensemble Jazz - Facile Kendor Music Inc.
Jazz Ensemble standard jazz ensemble (playable by 10-17 players) with opt. flute...(+)
Jazz Ensemble standard
jazz ensemble (playable
by 10-17 players) with
opt. flute, clarinet, F
horn, tuba & vibes -
Grade 2 SKU:
KN.60580S Composed by
Jeff Jarvis. Jazz
Gateway. Kendor Music Inc
#60580S. Published by
Kendor Music Inc
(KN.60580S). UPC:
822795605808. This
lovely ballad for
developing groups is a
tip-of-the-hat to the
tuneful ballads of the
1940's and 1950's. Warm
textures are created by
the densely voiced chords
and winding melody.
Written or ad lib solo
space is provided for
trumpet. While the tempo
and note values of a
ballad are accessible in
terms of technical and
range demands, working on
proper blend, balance,
and nuance will sustain
the interest of even the
most seasoned groups.
Each set includes a
guitar chord chart by Jim
Greeson. Duration
3:30. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Today Is Born Our Savior - Full Score and Parts Chorale SATB GIA Publications
SATB choir, voice solo, assembly, keyboard accompaniment, guitar, flute, oboe, t...(+)
SATB choir, voice solo,
assembly, keyboard
accompaniment, guitar,
flute, oboe, trumpet in
B-flat, trumpet in C,
cello SKU:
GI.G-9230INST
Psalm for
Christmas. Composed
by John F. Wade. Arranged
by Tony Alonso S.J.
Christmas Night. Tune
Name: Adeste Fideles.
Sacred. Full score and
parts. With guitar chord
names. GIA Publications
#9230INST. Published by
GIA Publications
(GI.G-9230INST).
English. Text Source:
Vv.: Psalm
96:1–2a,
2b–3,
11–12, 13, The
Revised Grail Psalms,
ref.: Luke 2:11,
Lectionary for
Mass Scripture: Psalm
96:1–2a,
2b–3,
11–12, 13, Luke
2:11. The guitar
chords and keyboard
accompaniment are printed
in the full score. $24.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Almost The Blues Ensemble Jazz [Conducteur] - Intermédiaire C.L. Barnhouse
Grade 3 SKU: CL.SCM-1111-01 Composed by Carubia. Jazz Ensemble. Extra ful...(+)
Grade 3 SKU:
CL.SCM-1111-01
Composed by Carubia. Jazz
Ensemble. Extra full
score. C.L. Barnhouse
#SCM-1111-01. Published
by C.L. Barnhouse
(CL.SCM-1111-01).
A moderate
tempo rock groove with
plenty of unison uses
call & response passages
stating the melody. Solos
are based on two chords
in the friendly key of
Bb. Two eight measure
ensemble sections follow
the solos then to a big
ending. Very upbeat and
an easy play for your
inexperienced group.
Includes an optional
flute part. Totally
Cool! $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mass from Age to Age (Full Score) Chorale 3 parties SAB GIA Publications
SAB choir, SATB choir, cantor, priest, assembly, keyboard accompaniment, flute, ...(+)
SAB choir, SATB choir,
cantor, priest, assembly,
keyboard accompaniment,
flute, trumpet in B-flat,
trumpet in C, cello,
guitar SKU:
GI.G-7860FS
Revised Order of Mass
2010. Composed by
Chris De Silva. Mass.
Sacred. Full score. With
guitar chord names. 64
pages. GIA Publications
#7860FS. Published by GIA
Publications
(GI.G-7860FS). UPC:
785147786092. English.
Text Source: Revised
Order of Mass 2010,
Lectionary for
Mass Keyboard
accompaniment and guitar
chords are printed in the
full score. $18.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Almost The Blues Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
Grade 3 SKU: CL.SCM-1111-00 Composed by Carubia. Jazz Ensemble. Score and...(+)
Grade 3 SKU:
CL.SCM-1111-00
Composed by Carubia. Jazz
Ensemble. Score and set
of parts. C.L. Barnhouse
#SCM-1111-00. Published
by C.L. Barnhouse
(CL.SCM-1111-00).
A moderate
tempo rock groove with
plenty of unison uses
call & response passages
stating the melody. Solos
are based on two chords
in the friendly key of
Bb. Two eight measure
ensemble sections follow
the solos then to a big
ending. Very upbeat and
an easy play for your
inexperienced group.
Includes an optional
flute part. Totally
Cool! $48.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Londonderry Air (Full Score) - Intermédiaire Kendor Music Inc.
Jazz Ensemble plus 2 flutes, oboe, 2 clarinets, bass clarinet, bassoon, F horn, ...(+)
Jazz Ensemble plus 2
flutes, oboe, 2
clarinets, bass clarinet,
bassoon, F horn, tuba &
percussion bells,
triangle - Grade 3
SKU: KN.52512S
Composed by Traditional.
Arranged by Sammy
Nestico. Kendor Archive
Editions. Kendor Music
Inc #52512S. Published by
Kendor Music Inc
(KN.52512S).
Scored for
augmented jazz ensemble,
this setting of the
famous theme (a.k.a.
Danny Boy) features
legato woodwind
flourishes and sustained
brass chords. In his
score notes, Sammy
Nestico says that all
real 'blowing' should be
saved for the ensemble
chorus midway through,
where a full, fat sound
will produce vivid
contrast with the quiet
opening and closing. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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