Weather Jazz Basson, Piano (duo) [Conducteur] Peters
Voices (Solo) in Ensemble high voice, flute, clarinet, violin, cello, piano S...(+)
Voices (Solo) in Ensemble
high voice, flute,
clarinet, violin, cello,
piano
SKU:
PE.EP67712
Composed
by David Rakowski. Voices
(Solo) in Ensemble.
Edition Peters. Living
Composer. Score. 20
pages. Duration circa 3
minutes. Edition Peters
#98-EP67712. Published by
Edition Peters
(PE.EP67712).
ISBN
9790300744018.
English.
Weather
Jazz - (Eng)
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer.
Bassoon, piano SKU: FG.55011-586-6 Composed by Heikki Sarmanto. Fennica G...(+)
Bassoon, piano
SKU:
FG.55011-586-6
Composed by Heikki
Sarmanto. Fennica Gehrman
#55011-586-6. Published
by Fennica Gehrman
(FG.55011-586-6).
ISBN
9790550115866.
A
pioneer of Finnish modern
jazz, Heikki Sarmanto
(1939-) is renowned for
his renderings of jazz
numbers. No wonder,
therefore, that broken
chords and familiar keys
resonate and sit well
under the hand in the
piano part of this
Northern Dreams suite.
The solo passages for the
piano are like stylised
improvisations. In
addition to jazz idioms,
the suite features
Chopin-style arpeggios.
His music is melodic and
communicative, painting
feelings, situations and
events. Northern Dreams
was originally composed
with the tenor sax of
Juhani Aaltonen in mind,
and the solo part is a
transcription of his
improvisation. The solo
part is also available in
arrangements for alto
sax, flute, clarinet,
bassoon and trumpet.
Journey Basson, Piano (duo) [Reduction] Papagena Press
(Bassoon and Piano). By Katherine Hoover (1937-). For Bassoon, Piano. Premiered ...(+)
(Bassoon and Piano). By
Katherine Hoover (1937-).
For Bassoon, Piano.
Premiered by Peter Kolkay
(bassoon), Alexandra
Nguyen (piano), Teatro
Nacional, Panama City,
Panama. Bassoon Part and
Piano Score. 25 pages.
Published by Papagena
Press
Sonata Op. 41 Basson, Piano (duo) [Conducteur] Breitkopf & Härtel
Bassoon and piano SKU: BR.EB-5567 Original and Arrangements. Compo...(+)
Bassoon and piano
SKU:
BR.EB-5567
Original and
Arrangements.
Composed by Othmar
Schoeck. Edited by G.
Steidl. Arranged by
Gustav Steidl. Solo
instruments; stapled.
Edition Breitkopf.
Arrangements for
violoncello (EB 5566) and
bassoon (EB 5567) are
also available. Sonata;
Romantic; Late-romantic.
Score. 36 pages. Duration
15'. Breitkopf and
Haertel #EB 5567.
Published by Breitkopf
and Haertel (BR.EB-5567).
ISBN 9790004164440. 9
x 12 inches.
It is
considered a milestone in
the repertoire for bass
clarinet: Othmar
Schoeck's Sonata op. 41,
composed in 1927/28 for
the Swiss music patron
and amateur clarinetist
Werner Reinhart. In the
tension area between late
Romanticism and currents
of New Music of the
1920s, Schoeck created a
work of fascinating
colorfulness, which even
has jazz elements
flashing up in the
finale. This classic work
is one of the most
exciting, boldest
instrumental works by the
important song and opera
composer. CD: Renate
Rusche (bass clarinet),
Werner Hagen (piano) Sc
63072.
Bassoon and piano SKU: P2.40006 Composed by James Grant. Solo music, 20th...(+)
Bassoon and piano
SKU:
P2.40006
Composed by
James Grant. Solo music,
20th century. Published
by Potenza Music
(P2.40006).
James Grant
says, Slow jazz... What
musical language could
celebrate more
appropriately the
lyrical, sensuous,
expressive character of
the bassoon? The three
Chocolates, in this
version for bassoon and
piano, are torch songs in
the tradition of the
passionate, tuneful
ballads of the American
40s and 50s. The first
two Chocolates, Valentine
and Bittersweet, offer
soulful narratives that
speak to devotion,
poignancy, romance,
uncertainty, longing. The
third Chocolate, Triple
Mocha Indulgence, is
slightly less
soul-searching, more
ebullient, and
progressively becomes
more animated (a sugar
high, perhaps?) right up
to its raucous close.
Chocolates was
commissioned and
premiered in 1998 by
violist Michelle
LaCourse, to whom this
music is dedicated..
Bassoon and Piano SKU: ST.C183 Composed by Graham Sheen. Wind & brass mus...(+)
Bassoon and Piano
SKU:
ST.C183
Composed by
Graham Sheen. Wind &
brass music. Clifton
Edition #C183. Published
by Clifton Edition
(ST.C183).
ISBN
9790570811830.
Drunken Sailor —
the
sequel This
needs a plaintive tone
especially in the upper
register where the
dynamics are particularly
important. To capture the
mood of the piece those
slurs in bars 35 and 36,
for example, might even
be close to a glissando.
Use your imagination to
recreate the sailor’s
state of
health!
Th
e Vulgar
Boatman Not
only more hidden melodies
but more appalling puns!
(Volga Boatman for those
not versed in Russian
folksongs). This is like
a waltz: it is written in
3/4 time but played so as
to give the impression of
one beat in bar. The
melodies need to be well
sustained so that we hear
four, eight or even more
bars as a single phrase.
Clues for the musical
detective:- in addition
to the Volga Boatman, you
might spot just a hint of
Sailing down the
River on a Sunday
Afternoon, We
Sail the Ocean Blue
(H.M.S. Pinafore),
The Eton Boating
Song and even
Wagner’s Flying
Dutchman.
Last Tango in
Harris Everyo
ne must surely know these
thinly disguised Scottish
tunes, but can you make
them sound like a tango?
Bear in mind that tangos
are not jazz: the rhythm
is quite strict, but the
tango character is in the
tone and the phrasing.
Notice how expressive the
occasional shorter note
value can be, as in bars
4 and 5 in the bassoon
part.
Rheu
manian
Stretches Or
was that Rumanian
Sketches? This is a
chance to play the main
melody in two registers
of the bassoon. Try to
make a good even sound in
both octaves. This piece
requires careful counting
since the phrases in the
bassoon part don’t
always begin where you
might expect. Think of
this piece as a
song. Four Pieces for
Bassoon and
Piano