Sounds Classical Basson, Piano (duo) [Partition + CD] - Facile Anglo Music
Bassoon and Piano - early intermediate SKU: BT.AMP-362-400 17 Graded S...(+)
Bassoon and Piano - early
intermediate
SKU:
BT.AMP-362-400
17
Graded Solos for Bassoon
and Piano. Arranged
by Philip Sparke.
Classical. Book with CD.
Composed 2013. 32 pages.
Anglo Music Press #AMP
362-400. Published by
Anglo Music Press
(BT.AMP-362-400).
ISBN
9789043138826. 9x12
inches.
English-German-French-Dut
ch.
Sounds
Classical for Bassoon
is a collection of graded
solos selected
specifically for the
developing
bassoonist.
Designed to
correlate with grades 1-4
of the exam syllabus of
the Associated Board of
the royal Schools of
Music, the pieces are
drawn from four centuries
of classical repertoire
ranging from Susato to
Sullivan, and will
provide ideal material
forpractice or
recital.
Also
available: Sounds
Classical for Oboe,
AMP
361-400
Sounds
Classical for Bassoon
is een verzameling van
solos die speciaal voor
fagotleerlingen zijn
geselecteerd - in
oplopend niveau.
De
stukken komen qua
moeilijkheidsgraad
overeen met niveau 1-4
van de examenbundel van
de Britse Associated
Board of the Royal
Schools of Music. Ze
bestrijken een periode
van vier eeuwen klassiek
repertoire - van Susato
tot Sullivan - en ze
vormenideaal materiaal
voor zowel lessen als
optredens.
Ook
verkrijgbaar: Sounds
Classical for Oboe,
AMP 361-400
SOUNDS
CLASSICAL ist eine
Sammlung von im
Schwierigkeitsgrad
fortschreitenden Soli,
die speziell für
werdende Fagottisten
ausgewählt wurden.
Philip Sparke wählte
für dieses Buch
Stücke aus dem
klassischen Repertoire
aus vier Jahrhunderten
aus - vonSusato über
Telemann, Händel,
Grieg, Purcell, Mozart
bis Sullivan - das ideale
Material zum Ãœben oder
Vorspielen!
Bassoon and Piano SKU: ST.C130 Composed by Mark Tanner. Wind & brass musi...(+)
Bassoon and Piano
SKU:
ST.C130
Composed by
Mark Tanner. Wind & brass
music. Clifton Edition
#C130. Published by
Clifton Edition
(ST.C130).
ISBN
9790570811304.
As I
sit myself down to write
this brief foreword, I
ask myself can there be
music more stirring than
these old Cornish folk
melodies? Though not
Cornish myself (I confess
to being born a little
further up the road, in
Bristol), I feel I have
spent sufficient time in
these 'ere parts to
resonate with the sturdy
brass band tradition that
continues to permeate
this incomparably
beautiful, rugged county.
One can almost detect a
French 'accent' when
listening to the piano
music of Debussy, and
likewise, speaking as a
lapsed brass player,
there is undoubtedly
something of the Cornish
twang about Trelawny when
played on a cornet or
euphonium. Then again,
one gets a different, yet
entirely convincing
effect upon hearing these
melodies rendered on
woodwind instruments;
hence, with a little
gamesmanship on my part,
I am pleased to see my
collection of these
fifteen delectable
ditties come to fruition
in the form of
arrangements for treble
clef brass instruments
(in B flat and E flat),
trombone and tuba (bass
clef), horn in F, flute,
clarinet and bassoon.
While many will find
themselves humming the
likes of Going up
Camborne Hill, Lamorna or
The Helston Furry Dance
even before they have
turned to the first page
- for these are indelibly
intertwined with Cornish
culture – I wonder if I
might draw your attention
to The Cornish Squire,
The Pool of Pilate and
Cold Blows the Wind Today
Sweetheart, which are
quite simply sublime
melodies, perhaps needing
that extra bit of help in
bringing them to mind
nowadays. In the best
tradition of musical
hand-me-downs, Cornish
folk music works equally
ideally sung and played,
and only by doing so on a
regular basis can such
traditions hope to
continue forward with
vigour and authority. A
legitimate way of
achieving this is to
revitalise the harmonic
scheme of these ancient
tunes and bring them up
to date for a modern
audience; after all, it
was such an approach that
fuelled the imagination
of Benjamin Britten and
Ralph Vaughan Williams in
decades past, while
skilfully paying homage
to the underlying charm
and, for want of a better
word, simplicity, of the
original music. But this
is only a start – for
without an energetic
response from younger
generations, Cornish folk
music is destined to
wither on the vine in
much the same way as is
happening with the
Cornish dialect. So, put
your instrument to your
lips and proceed, not
with caution, but with
enthusiasm and a smile,
for your great
grandparents (and perhaps
even their grandparents)
would surely raise a
glass if they could hear
you doing your bit to
ensure the survival of
this splendid
heritage. Timeless
Cornish melodies, cooked
up for hungry clarinet
players Grades
1–4 Former Spartan
Press Cat. No.:
SP1219.
Violin, cello, piano SKU: HL.49045318 Score and Parts. Composed by...(+)
Violin, cello, piano
SKU: HL.49045318
Score and Parts.
Composed by Fred Lerdahl.
This edition: Folder.
Sheet music. Edition
Schott. Softcover.
Composed 2012. 172 pages.
Duration 20'. Schott
Music #ED31156. Published
by Schott Music
(HL.49045318).
ISBN
9781495082535. UPC:
888680656669.
9.5x12.0x0.515
inches.
The title
refers to three
instruments, three
movements, and three ways
of treating musical time.
The tone of the work is
serious yet as playful as
the title suggests.The
first movement, Ratios,
opens with a series of
seemingly unrelated ideas
in tempo ratios of 3:2
and 4:3. As the movement
proceeds, the ideas
develop, transform, and
superimpose in
increasingly wide
spirals. The slower
second movement, Cycles,
is a fantasy built on the
strict scaffolding of an
omnipresent, diatonic
cantus firmus set in
symmetrically expanding
and contracting cycles.
The quick finale, Phases,
is a moto perpetuo
tarantella in which the
instruments move in and
out of phase as they
chase one another. The
flowing eighth notes
merge and finally unify
ideas from the previous
movements.
Bassoon and Piano SKU: ST.C181 Composed by Graham Sheen. Wind & brass mus...(+)
Bassoon and Piano
SKU:
ST.C181
Composed by
Graham Sheen. Wind &
brass music. Clifton
Edition #C181. Published
by Clifton Edition
(ST.C181).
ISBN
9790570811816.
Polka-dotsThere are three
contrasting types of
expression for the
bassoonist here. The
opening phrase is
staccato which is
followed (at bar 11) by a
sustained counter melody.
Finally (at bar 19) both
these effects are
combined in a second
melody which needs very
clear dynamic
playing.
M
onkey
Puzzle Sustai
ning the sound while
rearticulating the notes
is important in this
piece. In other words,
the opening should be
played almost slurred. Be
aware of the changing
harmonies underneath the
held notes in the bassoon
part.
Seri
ous Song Long
but separate notes
contrast with real
legato. The main theme is
marked tenuto, so full
value for each note,
especially ending notes.
Even the quavers aren’t
very short at this speed.
Try to make the richest
sound you can like, for
example, a fine Russian
baritone. Three Pieces
for Bassoon and
Piano
Bassoon and Piano SKU: HL.14020992 Composed by Sir Peter Maxwell Davies. ...(+)
Bassoon and Piano
SKU:
HL.14020992
Composed
by Sir Peter Maxwell
Davies. Music Sales
America. 20th Century.
Book [Softcover].
Composed 1999. 60 pages.
Chester Music #CH60945.
Published by Chester
Music (HL.14020992).
ISBN 9780711936805.
9.0x12.0x0.185
inches.
Unusually
for him, Davies starts
his Bassoon Concerto not
with slow music but with
speed and brilliance: the
opening is a Presto,
initiated by the strings,
and only at the entry of
the soloist does the
tempo relax to that of a
real introduction. Out of
this grow a big dancing
Allegro. The slow
movement begins and ends
with a simple song,
around fantastical
ornamentation from the
soloist. The finale is
again a recitative and
dance, with a slow coda.
The whole work is an
immense show of stamina,
poetry and athleticism
for the bassoon, set
against an orchestra
coloured by low wind
(alto flute, clarinet in
A, bass clarinet,
contrabassoon, horns).
Bassoon part with piano
reduction of the
orchestral score.