S(A)TB vocal soli, SATB choir, flute, 2 oboes, 2 bassoons, horns, 2 trumpets, timpani, basso continuo

SKU: CA.2921409

Oratorio in three parts. Composed by George Frideric Handel. Edited by Friedrich Chrysander, Helmut Bornefeld, and Matthias Wamser. 1x 29.214/21 flute, 1x 29.214/22 oboe 1, 1x 29.214/23 oboe 2, 2x 29.214/24 2 bassoons, 1x 29.214/31 horn, 1x 29.214/32 trumpet 1, 1x 29.214/33 trumpet 2, 1x 29.214/41 timpani. L'Allegro Il Penseroso /Ed.Bornefeld. Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1740. HWV 55. 86 pages. Carus Verlag #CV 29.214/09. Published by Carus Verlag (CA.2921409).

ISBN 9790007203849. Language: German/English. Text: Milton, John / Jennens, Charles. Text: John Milton, Charles Jennens.

The two John Milton poems, L'Allegro (cheerfulness), and Il Pensi eroso (melancholy), describe the differences between these two moods. Charles Jennens fashioned a libretto from these texts, adding a third part entitled Moderato (moderation). From the first performance the oratorio was already a great success, a success which continued in later years. This edition is a revised reprint of Friedrich Chrysander's edition. The vocal score and the German singing text are by Helmut Bornefeld. Score and parts available separately - see item CA.2921400.

S(A)TB vocal soli, SATB choir, flute, 2 oboes, 2 bassoons, horns, 2 trumpets, timpani, basso continuo

SKU: CA.2921419

Oratorio in three parts. Composed by George Frideric Handel. Edited by Friedrich Chrysander, Helmut Bornefeld, and Matthias Wamser. L'Allegro Il Penseroso /Ed.Bornefeld. Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1740. HWV 55. Carus Verlag #CV 29.214/19. Published by Carus Verlag (CA.2921419).

ISBN 9790007133924. Language: German/English. Text: Milton, John / Jennens, Charles. Text: John Milton, Charles Jennens.

The two John Milton poems, L'Allegro (cheerfulness), and Il Pensi eroso (melancholy), describe the differences between these two moods. Charles Jennens fashioned a libretto from these texts, adding a third part entitled Moderato (moderation). From the first performance the oratorio was already a great success, a success which continued in later years. This edition is a revised reprint of Friedrich Chrysander's edition. The vocal score and the German singing text are by Helmut Bornefeld. Score and parts available separately - see item CA.2921400.

Composed by George Frideric Handel (1685-1759). Edited by Donald Burrows. For Choral, Piano Accompaniment (SATB). Music Sales America. Softcover. 205 pages. Novello and Co Ltd. #NOV162448. Published by Novello and Co Ltd.

(Oratorium in drei Teilen). Composed by George Frideric Handel (1685-1759). Edited by Helmut Bornefeld / Matthias Wamser / Friedrich Chrysander. For S(A)TB vocal soli, SATB choir, flute, 2 oboes, 2 bassoons, horns, 2 trumpets, timpani, basso continuo. German title: L'Allegro il Penseroso /arr. Bornefeld. Oratorios. Full score. Language: German/English. Composed 1740. HWV 55. Published by Carus Verlag

Music Sales America. Baroque. 140 pages. Music Sales #NOV950290. Published by Music Sales . Baroque.

By Franz Peter Schubert. Arranged by Friedrich Spiro. Choir and piano. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), SATB Choir, Piano. This edition: Paperback. Mass, Liturgical. Classical Period; Sacred/Hymns, German, Viennese. Vocal. Vocal Score. Classical Period; Sacred/Hymns, German, Viennese.

SATB Chorus and Organ

SKU: SU.90810285

For SATB Chorus and Organ. Composed by Nancy Galbraith. Vocal/Choral, Sacred Choral. Choral Octavo. Composed 2006. Subito Music Corporation #90810285. Published by Subito Music Corporation (SU.90810285).

2 Violins, Viola, Cello Duration: 15' 1. Allegro; 2. Folk Fragments; 3. Chorale and Ostinato; 4. Appalachian Strings Set of Parts: available for sale: (#90880091) Composed: 2005 Published by: Subito Music Publishing.

SATB choir divisi and organ - Advanced

SKU: MN.56-0073

Composed by Howard Goodall. 21st Century. Instrument parts. Duration 5 minutes, 30 seconds. MorningStar Music Publishers #56-0073. Published by MorningStar Music Publishers (MN.56-0073).

UPC: 688670220760. Latin.

This mass setting was commissioned by the Friends of Christ Church Cathedral, Oxford and first performed on Ascension Sunday, 1994. Suitable for both church and concert use, the music is both lyrical and dramatic. The “Gloriaâ� �‚¬Â is set for SATB divisi (all parts divide) in a quick and rhythmic mixed meter. The movement begins with a sort of call and response where Choir 1 states a motif and Choir 2 responds with the same motif (sometimes at a different pitch level.) A soloist begins the middle section, Piu Allegro (“Qui tollis”) and the first material returns, but in unison this time, at “Jesu Christe.” Duration 5:30.

Choral (SATB a cappella)

SKU: HL.49045732

SATB a cappella. Composed by Nino Rota. Choral. Classical, General Worship, Mass. Octavo. 32 pages. Duration 720 seconds. Schott Music #C57625. Published by Schott Music (HL.49045732).

7.75x11.0x0.111 inches.

Contents: Kyrie * Andante ben moderato Credo * Allegro giusto Sanctus * Moderatamente mosso Benedictus * Molto sostenuto Agnus Dei * Appena mosso, espressivo Latin.

By Wolfgang Amadeus Mozart. Edited by And Arr. Patrick M. Liebergen. For Choir. (SATB). Choral Octavo. Choral Designs. Masterwork. Choral Octavo. 12 pages. Published by Alfred Publishing.

Composed by Matthew Phelps. For SATB choir (a cappella). Te Deum Choral Series. Sacred Anthem, Advent. Octavo. Published by Lorenz Publishing Company

By Franz Joseph Haydn. Arranged by Patrick M. Liebergen. For Choir. (SATB). Choral Octavo. Choral Designs. Masterwork. Choral Octavo. 12 pages. Published by Alfred Publishing.

SATB Choir, Piano

SKU: CA.926610

From: Sonne, Mond und Sterne. Composed by Peter Schindler. Carus digital: Extra digital products. Full Score. Duration 3 minutes. Published by Carus Verlag (CA.926610).

ISBN 9790007295578. German.

Peter Schindler's full-length secular choral work Sonne, Mond und Sterne (Sun, Moon and Stars) narrates a love story based on old texts which are given a new interpretation through these musical settings. Some individual numbers were published in spring, and now more movements with piano accompaniment are available in print and digitally.- choral work of medium difficulty- will appeal to experienced Brahms Requiem singers as well as ambitious chamber or youth choirs with a gospel, pop or jazz background-cross-over between jazz, chanson, and chamber music Peter Schindler about Was ist die Welt?A strict Allegro ben ritmato symbolises how inexorable the course of the world is. The choir chants the question about what Welt (the world) actually is. Hectic bustle is expressed through a pulsing basic motif. This is repeated constantly and moves through the parts. A lyrical B flat minor in the central section allows us to float like shadows on the way into a dream.The song text is a collage. The first verse, by the Baroque poet Christian Hoffmann von Hoffmannswaldau, is concerned with the vanitas motif: the world, and everything which seems beautiful to us, is ephemeral. The second and third verses were written in the 18th century by Johann Gottfried Herder. Here, the poet expounds the view that real life does not take place in the world and that people's mathematical abilities are insufficient to measure space and time.

Composed by Vicente Chavarria. Concert, General. Octavo. Santa Barbara Music Publishing #SBMP1319. Published by Santa Barbara Music Publishing (SB.SBMP-1319).

SATB Choir - Grade 3

SKU: BT.DHP-0991451-050

Composed by Jacob De Haan. Inspiration Series. Set (Score & Parts). Composed 1999. De Haske Publications #DHP 0991451-050. Published by De Haske Publications (BT.DHP-0991451-050).

English.

Pacific Dreams describes the experience of Miguel, a traveling composer from Spain who, feeling somewhat alienated from his homeland, is wandering through an area of Sydney known as The Rocks. At a small outdoor market in a typical street of this oldcolonial neighbourhood, he discovers a print of William DeShazos painting Pacific Dreams Portrayed in the painting is the surf of one of the exotic islands in the Pacific. Next, with the impressive Sydney Harbour Bridge looming over the narrowstreets of The Rocks, he envisions sultry Pacific beaches. Suddenly a theme he once composed about the lakes in Japan comes to him. Is it the Asian influences present in cosmopolitan Sydney that bring this theme to mind? Or perhaps the waters aroundSydney, over which he could sail to Tahiti? He is uncertain. Could this same theme be used to create a new composition about his feelings for the metropolis Sydney? How then to work his Pacific Dreams into the mix? Miguel is certainly no fan ofHawaiian music. Mayby he could use the vocabularies of islands like Hawaii and Tahiti, their beautiful vowel combinations being sung ad libitum by a mixed choir.With these ideas and his newly purchased print of Pacific Dreams, he boards the Metroat Circular Quay. He has a final glimpse of the harbour and the Sydney Opera House as the train races into the ground. On to the hotel! To work! He must compose!Maestoso : Miguel is impressed as he gazes upon the Sydney Harbour Bridge. And yet, hewants to go away from this city. Away, to an exotic island in the Pacific.Steady Rock : In the Rocks, musicians are playing at a square. Miguel basks in the atmosphere but at the same time he is fantasizing about Hawaii and Tahiti.Andante Lamentoso :In his hotel room, Miguel is feeling sad and lonely in this big city. He takes comfort in his Pacific Dreams.Allegro : Miguel boards the boat that takes him from Darling Harbour to Circular Quay. In his mind he is traveling on to Hawaii. Or is ithome, where the bolero is playing? He is pulled back to reality by the skyline of Sydney.

Wir schlüpfen in die Haut von Miguel und reisen mit ihm nach Australien. Einigermaßen entfremdet von seiner spanischen Heimat schlendert er durch das Viertel The Rocks in Sydney. Auf einem kleinen Markt entdeckt er einen Druck des Gemäldes Pacific Dreams von William DeShazo. Das Bild stellt die Meeresbrandung auf einer exotischen Insel im Pazifik dar. Während die eindrucksvolle Harbour Bridge von Sidney vor ihm auftaucht, ist er in Gedanken bei den heißen Stränden im Stillen Ozean. Auf einmal kommt ihm das Thema in den Sinn, das er einst über die Gewässer Japans komponiert hatte. Liegt es an den asiatischen Einflüssen, die im kosmopolitischen Sydney so vielfältig vertretensind? Oder sind es die Wasser rund um Sydney, über die er nach Tahiti segeln könnte? Er ist sich unsicher. Könnte er genau dieses Thema für eine neue Komposition über die Metropole Sydney verwenden? Wie sollte er seine Träume vom Pazifik, seine Pacific Dreams, in diese Mixtur einbringen? Vielleicht könnte er den Wortschatz von Inseln wie Hawaii und Tahiti für seine Komposition verwenden. Und einen gemischten Chor die schönen Vokalverbindungen ad libitum singen lassen. Mit diesen Ideen im Kopf steigt er in die Metro am Circular Quay. Auf ins Hotel und frisch ans Werk! Jetzt muss er einfach komponieren....

By George Frideric Handel (1685-1759). Arranged by Henry Clough-Leighter. For SATB Choir, keyboard (Mixed Voices). Secular. Choral. 20 pages. Published by E.C. Schirmer Publishing

Composed by Jacob Narverud. Fold. Octavo. 8 pages. Duration 2 minutes. Carl Fischer Music #CM9648. Published by Carl Fischer Music