Harpsichord SKU: BT.ALHE33874 Composed by Richard Siegel. Book with Onlin...(+)
Harpsichord
SKU:
BT.ALHE33874
Composed
by Richard Siegel. Book
with Online Audio. 60
pages. Heugel & Cie
#ALHE33874. Published by
Heugel & Cie
(BT.ALHE33874).
French.
Richard
Siegel won prizes for the
Harpsichord and Chamber
Music at the Paris
Conservatoire before
going on the win first
prize in the 1977
International Harpsichord
Competition. He has since
recorded over 30 CDs and
his passionfor the
instrument has been
further apparent in his
production of Apprendre
Toucher le Clavecin. As
stated in the preface,
the study of the
Harpsichord has long been
reserved, frequently
dismissed as an
'old-fashioned'instrument
. However, a recent rise
in the popularity of
early music has rekindled
interest in the
Harpsichord. In Apprendre
Toucher le Clavecin,
volume 1 being the first
of two helpful volumes to
aid student's learning
andprogression, Siegel
enables Harpsichord
beginners to learn
through repertoire pieces
themselves, drawn from
the Keyboard masters of
the Baroque period. The
pupil will be guided
towards an understanding
of technique and
stylesuited to the
Harpsichord. Furthermore,
Apprendre Toucher le
Clavecin, which is
accompanied by a CD,
enables adults who learnt
the instrument as a child
to return to the
instrument and have the
instant feeling of making
music.
Harpsichord SKU: HL.48188975 Composed by Richard Siegel. Leduc. Softcover...(+)
Harpsichord
SKU:
HL.48188975
Composed
by Richard Siegel. Leduc.
Softcover. 64 pages.
Heugel and Cie #HE33876.
Published by Heugel and
Cie (HL.48188975).
UPC: 888680948825.
9x12 inches.
French.
?Richard
Siegel won prizes for the
Harpsichord and Chamber
Music at the Paris
Conservatoire before
going on the win first
prize in the 1977
International Harpsichord
Competition. He has since
recorded over 30 CDs and
his passion for the
instrument has been
apparent further in his
production of Learn to
Play the Harpsichord. As
stated in the preface,
the study of the
Harpsichord has long been
reserved, frequently
dismissed as an
'old-fashioned'
instrument. However, a
recent rise in the
popularity of early music
has rekindled interest in
it. In Learn to Play the
Harpsichord Volume 2
being the second of two
helpful volumes to aid
student's learning and
progression, Siegel
enables Harpsichord
beginners to learn
through repertoire pieces
themselves, drawn from
the Keyboard masters of
the Baroque period. The
pupil will be guided
towards an understanding
of technique and style
suited to the
Harpsichord. Furthermore,
Learn to Play the
Harpsichord enables
adults who learnt the
instrument as a child to
return to the instrument
and have the instant
feeling of ??music
making??. andrdquo.
ISBN 9790006505623. 31
x 24.3 cm inches.
Preface: Denis
Herlin.
‘Once
again the French
musicologist Denis
Herlin, who mastered the
harpsichord under the
tutelage of such keyboard
legends as Kenneth
Gilbert and Huguette
Dreyfus, has presented an
exemplary edition of a
classic from the
harpsichord
repertoire.’ (Jury
of the German Music
Edition Prize on BA
10844)
Bärenrei
ter presents Book II of
Couperin’s
“Pièces de
clavecinâ€, first
published in 1717, In
addition the eight
preludes and one
allemande from his
treatise
“L’Art de
toucher le
clavecin†are
included in the appendix.
For the first time Denis
Herlin has evaluated the
many later impressions of
the original print, most
of which he unearthed
himself in international
libraries. By preserving
the essential features of
the original print while
largely dispensing with
disruptive page-turns
within the pieces, the
volume brings modern
performers close to the
special sound of this
music. Rounding off this
pioneering new edition
are an extensive
Foreword, notes on
historical performance
practice, a comprehensive
glossary, facsimile pages
and a detailed Critical
Commentary.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Piano or Harpsichord SKU: BT.EMBZ20018 France 1. By Szilvia Elek_A...(+)
Piano or Harpsichord
SKU: BT.EMBZ20018
France 1. By
Szilvia Elek_Anikó
Horváth. By Szilvia
Elek. Classical. Book
Only. Composed 2020. 108
pages. Editio Musica
Budapest #EMBZ20018.
Published by Editio
Musica Budapest
(BT.EMBZ20018).
Hungarian-English-Germ
an-French.
This
brand-new series is
intended as a guide to
the keyboard music of the
16th to 19th centuries
for pupils of the piano
and the harpsichord, as
well as of other early
keyboard instruments.
Each volume contains
pieces by well-known and
lesser-known composers
from one country or
region. The main purpose
of the series is to
extend the repertoire and
stylistic knowledge of
both pianists and
harpsichordists while
also presenting fine
pieces and typical genres
based on original
sources. Our edition
retains the performance
indications of the
composers' manuscripts
and contemporary
editions. Each volume
includes:- suggestions
for stylistically
appropriate performance
bothon the piano and on
period instruments-
suggested elaborated
versions of some pieces
and excerpts- a fold-out
list of ornamentation
signs and the composers'
own tables of
ornamentation signs-
biographies of the
composers and the sources
of the pieces-
translations of
foreign-language
performance indications.
The two volumes devoted
to French keyboard music
includes close to 50
showy and relatively easy
works - preludes, dances,
suites, rondeaux, and
character pieces - from
the early 16th until the
late 18th century
(ordered
chronologically).This
publication is printed on
high-quality,
age-resistant paper that
is produced in an
environmentally-friendly,
climate-neutral manner
using renewable raw
materials.
Una nuova collana
ideata per offrire una
guida alla scoperta della
musica per pianoforte e
clavicembalo dal
sedicesimo al
diciannovesimo secolo.
Ogni volume include brani
di compositori di una
specifica nazione o area
geografica. L'intento
è amplicare la
conoscenza e il
repertorio di ogni
musicista. Inoltre in
ogni edizione sono
riportati fedelmente i
suggerimenti per
l'interpretazione e le
indicazioni presenti sui
manoscritti originali. I
due volumi dedicati alla
musica francese includono
circa 50 brani
significativi - preludi,
danze, suites, rondò e
altri - che risalgono
all'inizio del sedicesimo
secolo fino alla fine del
diciottesimo secolo,
rigorosamente inordine
cronologico.
Harpsichord SKU: FG.55011-764-8 Composed by Esa Pietilä. Classical, co...(+)
Harpsichord
SKU:
FG.55011-764-8
Composed by Esa
Pietilä. Classical,
contemporary. Book.
Fennica Gehrman
#55011-764-8. Published
by Fennica Gehrman
(FG.55011-764-8).
ISBN
9790550117648.
The
title of Esa
Pietilä’s solo
harpsichord work Fata
morgana (2019) refers to
a special weather
con-dition, which creates
illusory effect of
mirage-like fairy
castle-like monuments in
the horizon of the sea.
The piece brings forth
the frightening bass
sonority on double
manual, full size
harpsichord and the
brightness on the treble
and makes a dialogue out
of them. “I got
fasci-nated by the
sonority, character and
power of the low register
sound on the instrument,
es-pecially when used in
non-traditional way and
found some kind of
especially delightful and
outlandish cluster-mud
and airy glimmering
things which seem to play
together, the com-poser
describes. The challenges
of the piece lie in
rhythmical ideas, which
are surprisingly
multi-faceted and in the
short, improvised
section.
Duration: c.
6’
Esa
Pietilän
soolo-cembalolle tehdyn
sävellyksen otsikko
Fata morgana (2019)
viittaa erityisen
sääil-miön
aiheuttamaan
illusatoriseen
kangastuksen tapaiseen
efektiin, joka tuo esiin
satulinnojen kaltaisten
rakennelmien
ilmaantumisen meren
horisonttiin. Sävellys
tuo esiin cembalon
bas-sorekisterin
pelottavuuden sekä
diskantin kirkkauden ja
käy niillä
vuoropuhelua. Haltioiduin
cembalon alarekisterin
erityisestä soinnista,
karakteerista ja
voimasta, jos sitä
käyttää hyvinkin
ei-perinteisesti.
Löysin myös
erityisen hauskasti
soivaa klusteri-mutaa ja
ilmavaa kimallusta, jotka
sointuvat yhteen,
Pietilä kuvaa
sävellystään.
Kappaleen haasteena ovat
rytmisesti
yllät-tävät ja
monitahoiset ideat
sekä lyhyt
improvisaatiojakso.
Harpsichord SKU: HL.50491458 Per Clavicembalo - Edizione Giapponese(+)
Harpsichord
SKU:
HL.50491458
Per
Clavicembalo - Edizione
Giapponese. By
Alessandro Longo. By
Domenico Scarlatti. MGB.
Book Only. Composed 1977.
Ricordi #ER46301.
Published by Ricordi
(HL.50491458).
Harpsichord SKU: OT.21125 Composed by Daniel Akiva. 5 short pieces for ha...(+)
Harpsichord
SKU:
OT.21125
Composed by
Daniel Akiva. 5 short
pieces for
harpsichord/cembalo.
Classical. Score. OR-TAV
Music Publications
#21125. Published by
OR-TAV Music Publications
(OT.21125).
ISBN
9789655051117. 8.27 x
11.69 inches.
The
five short movements for
solo cembalo are brief,
personal prayers that
depict how the subject
manages a range of
feelings and emotions.
The miniatures each
represent a different
emotional state:
reflection, searching,
meditation, agitation,
and resolution. Each is a
small-scale
representation of a
grand, wide-ranging
prayer of
supplication. As a
composer, performer, and
researcher of early
music, writing for
cembalo allows me not
only to express my
special connection to the
instrument and the period
in which it flourished,
but also to present its
contemporary dimensions
as a rich and versatile
instrument. The
piece was composed at the
request of Hagai Yodan,
who performs it with
great skill. Daniel
Akiva is a composer,
performer, and educator
whose performances on
guitar and lute have won
great acclaim. Mr. Akiva
graduated from the Rubin
Academy of Music in
Jerusalem in 1981, where
he studied classical
guitar with Haim Asulin
and composition with Haim
Alexander. In 1987 he
completed his studies at
the Geneva Conservatorium
in Switzerland where he
studied lute with
Jonathon Rubin and
composition with Jean
Ballisa. For many years,
he headed the Music
Department at the WIZO
High School for the Arts
in Haifa, which he
founded in 1986, and
served as the Artistic
Director of the Guitar
Gems Festival from
2006-2019. As part of his
work at WIZO High School,
he has developed a method
for teaching free
improvisation that has
been incorporated into
the music program at the
school. Mr. Akiva has
appeared in concert as a
guitarist and lutist and
given master classes in
Israel, Europe, Russia,
the United States, and
Latin America. Daniel
Akiva’s
compositional output
includes works for solo
instruments, chamber
ensembles, choir, voice
and guitar, piano, and
chamber orchestra. His
works have been recorded
on twelve CDs, the latest
of which, Malchut, was
issued by OR-TAV in
2014. A native of
Haifa whose family has
lived in Israel for over
five hundred years, he
was steeped in the
Sephardic
(Jewish-Spanish)
tradition from his youth.
Much of his compositional
output has been devoted
to a dialogue with the
music of the Sephardic
Jews. Daniel Akiva has
also maintained a
creative dialogue over
many years with the poets
and writers Amnon
Shamash, Rivka Miriam,
and Avner Peretz.
Baritone and piano or violin, flute, oboe, bassoon and harpsichord SKU: HL.49...(+)
Baritone and piano or
violin, flute, oboe,
bassoon and harpsichord
SKU: HL.49006034
Nach Texten
schweizerischer
Minnesanger. Composed
by Heinrich Sutermeister.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Piano
reduction. Composed 1968.
24 pages. Duration 11'.
Schott Music #ED 6119.
Published by Schott Music
(HL.49006034).
