Joplin's Entertainer for Flute and Piano composed by Scott Joplin (1868-1917). A...(+)
Joplin's Entertainer for
Flute and Piano composed
by Scott Joplin
(1868-1917). Arranged by
Tony Santorella. For
flute solo and piano
accompaniment. Solo with
Accompaniment. Ragtime.
Score and solo part. Text
Language: English. 12
pages. Published by
Santorella Publications
(for Flute and Piano). By Scott Joplin (1868-1917). Arranged by Wolfgang Birtel....(+)
(for Flute and Piano). By
Scott Joplin (1868-1917).
Arranged by Wolfgang
Birtel. Woodwind.
Softcover. 20 pages.
Schott Music #ED20461.
Published by Schott Music
Flute and Piano SKU: BT.EMBZ14076 Für Flöte und Klavier. Com...(+)
Flute and Piano
SKU:
BT.EMBZ14076
Für Flöte und
Klavier. Composed by
Ferenc Farkas. Book Only.
Composed 1995. 12 pages.
Editio Musica Budapest
#EMBZ14076. Published by
Editio Musica Budapest
(BT.EMBZ14076).
This set of
early dances of bygone
days which proves to be
of lasting freshness and
popularity was arranged
for flute with piano
accompaniment this time.
The composer Ferenc
Farkas dedicated the work
to the outstanding
flutist András
Adorján.
Sortileges Flûte traversière et Piano [Conducteur et Parties séparées] - Facile FLEX Editions
Chamber Music & Piano Accompaniment 1 Flute 1 Piano - Grade 3 SKU: FL.FX07429...(+)
Chamber Music & Piano
Accompaniment 1 Flute 1
Piano - Grade 3
SKU:
FL.FX074293
Composed
by Pascal Proust.
Original Composition.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX074293.
Published by FLEX
Editions (FL.FX074293).
This piece must
be played very freely,
almost like a cadence, by
a young wizard-musician
casting his spells! From
4 years of practice. -
Pascal PROUST ;
Instruments: 1 Flute 1
Piano; Difficuly Level:
Grade 3; Duration: 2 mn
20 s; Musical Style:
Classical, Educational;
Category: Original
Composition; Composer:
Pascal PROUST.
Flute; Piano Accompaniment SKU: HL.48186403 Composed by Yuko Uebayashi. L...(+)
Flute; Piano
Accompaniment
SKU:
HL.48186403
Composed
by Yuko Uebayashi. Leduc.
Classical. Softcover. 66
pages. Alphonse Leduc
#AL30617. Published by
Alphonse Leduc
(HL.48186403).
UPC:
888680828219.
9.0x12.0x0.228
inches.
Contemporar
y Japanese composer, Yuko
Uebayashi moved to Paris
in 1998. Uebayashi's
works have been met with
much success in both
Japan and France, Sonata
for Flute and Piano being
no exception. Flautist
Jean Ferrandis described
Uebayashi's works as gems
that, although they are
so different, they yet
belong to the same world,
a world of vivacity,
dreams, tenderness,
humour, and one that is
subtly contradicted by
vehemence, virtuosity,
melancholy and sorrow.
Sonata for Flute and
Piano is made up of four
movements with a typical
performance lasting
around 26 minutes. Sonata
for Flute and Piano is
modern in style,
exploiting tonality,
rhythm and the ensemble,
making this a sublime
addition to the advanced
repertoire of the
instrument.
Leduc.
CD. 40 pages. Alphonse
Leduc #AL30658. Published
by Alphonse Leduc
(HL.48186431).
UPC:
888680830458.
9.0x12.0x0.142
inches.
“Comp
osed by Armando Ghidoni,
Jazzy Flute Challenge is
a piece for Flute and
Piano accompaniment.
Lasting approximately ten
minutes, it is dedicated
to Maxence Larrieu and
was commissioned for the
International Flute
Contest. Quite technical,
this piece requires some
upper
intermediate/advanced
skills and a good
knowledge of the
instrument. It is an
enjoyable notated jazz
work which will
definitely be loved by
players and their
audience. Armando Ghidoni
is a French composer with
Italian origins who plays
Saxophone and Flute. He
has been edited since
1989 by Alphonse
Leduc.â€.
Leduc. CD
only. 14 pages. Alphonse
Leduc #AL30632. Published
by Alphonse Leduc
(HL.48186414).
UPC:
888680831325. 9x12
inches.
âBorn
in 1970, Eric Ledeuil is
a versatile musician,
working as a flautist,
composer, conductor and
teacher. All his combined
expertise has created the
sublime Polka Sonatina
for Flute and Piano.
Suitable for grade 7 and
8 standard flautists,
Polka Sonatina is made up
of two movements;
Romantica, and Polka and
Polonaise. Polka Sonatina
is an exciting and varied
addition to the Flute
repertoire with a typical
performance lasting
around 7 minutes and 30
seconds. Ledeuil's Polka
Sonatina is essential to
advanced flautists
seeking to improve and
expand their
repertoire.andrdquo.
Flute (Flute) SKU: HL.48185739 Composed by Eric Ledeuil. Leduc. Classical...(+)
Flute (Flute)
SKU:
HL.48185739
Composed
by Eric Ledeuil. Leduc.
Classical. Softcover.
Alphonse Leduc #AL29454.
Published by Alphonse
Leduc (HL.48185739).
Born in 1970,
Eric Ledeuil is a
versatile musician,
working as a flautist,
composer, conductor and
teacher. All his
expertise combined have
created the sublime At
the Castle of Marquis for
Flute and Piano
accompaniment. Suitable
for intermediate
flautists, At the Castle
of Marquis is made up of
four sections which
depict the life within
the castle. At the Castle
of Marquis is an exciting
and varied addition to
the young flautist's
repertoire, with a
typical performance
lasting around four
minutes. Ledeuil's At the
Castle of Marquis is
essential to intermediate
flautists seeking to
improve and expand their
repertoire for
performances..
Santorella Singles for Flute and Piano composed by Various. Arranged by Jonathon...(+)
Santorella Singles for
Flute and Piano composed
by Various. Arranged by
Jonathon Robbins. For
flute solo and piano
accompaniment. This
edition: Paperback. Solo
with Accompaniment.
Classical. Score and solo
part. Text Language:
English. 48 pages.
Published by Santorella
Publications
Duo Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114422710 Composed by Charles Gibb. Se...(+)
Chamber Music flute,
piano
SKU:
PR.114422710
Composed
by Charles Gibb. Set of
Score and Parts. 44+8
pages. Duration 24
minutes. Theodore Presser
Company #114-42271.
Published by Theodore
Presser Company
(PR.114422710).
ISBN
9781491136072. UPC:
680160688227.
DUOâ
€™s succinct movement
titles (I. Here, II.
Open, III. Stark, IV.
Ardent) tease at
revealing the grand and
heartfelt inspiration for
exuberant romanticism in
this sonata-like work of
symphonic proportions and
depth. Charles Gibb is
both an accomplished
pianist and an
award-winning flutist,
who has written of this
compelling major addition
to the literature:
“This work is a
journey. What journey and
whose journey does not
matter. It is my journey,
it is your journey. It is
the journey of those who
came before us, and of
those who will come after
us. I wrote this hoping
that we can find each
other along the road, so
we can realize that we
don’t need to go
on the journey
alone.â€
Gibb’s DUO is sure
to become a favorite
major work for flute
recitalists. This work
is a journey. What
journey and whose journey
does not matter. It is my
journey, it is your
journey. It is the
journey of those who came
before us, and of those
who will come after us. I
wrote this hoping that we
can find each other along
the road, so we can
realize that we
don’t need to go
on the journey
alone.“Hereâ€
begins with three notes
that shape the rhythmic
and harmonic content of
the entire work. Melodies
and harmonies including
the tonic, dominant, and
leading tone can be found
in each of the four
movements. The first
moments of this movement
introduce the melody,
offering itself
unencumbered and
uninhibited. It shows
itself as it is. The
melodies soar, the
harmonies become voiced
more intricately, and the
opening theme repeats in
full grandeur. The
momentum slows down, and
the movement ends with a
sense of completion, yet
remains unbalanced.A
striking piano gesture
launches
“Open,†the
idea of instability
reflected with the
flowing flute trills and
unclear meter patterns in
the piano. The sensation
of an unsteady grace in
5/8 time arrives with a
piano ostinato. The
melody is expressive, yet
insecure and unbalanced
due to changing meters.
After a grand pause, the
movement transitions to
4/4 time with the flute
switching between duplet
and triplet flourishes.
After a rapid descent in
the flute, the opening
gesture returns, changed
and abruptly
interrupted.The third
movement,
“Stark,†is
very static, beginning
plainly but markedly. The
falling fifth calls out
continually throughout
the movement, searching,
lost. Melodies appear in
pieces, some smooth and
flowing, others rather
disjunct. The piece
climaxes with a line of
mournfulness, yet
revealing a deeper
strength through intense
projection of tone in the
high register. However,
the static harmonies
return, this time
unsteady all the way to
its foundation. This
destabilization repeats,
and then quietly
recedes.“Ardentâ
is the longest of the
movements and spans a
wide range of musical
emotion. Part of the
movement is fast paced,
energetic, and balances
order and disarray.
However, once the chaos
dies down, a gentle,
expressive theme comes
in. The theme itself is
very resolute; it is
order appearing from the
pandemonium. Conflict
returns, and order and
chaos become less
distinguishable from one
another, and soon fuse
together. However, order
returns with new meaning,
synthesized with previous
musical content, creating
a truer, deeper sense of
awareness or
understanding. A moment
of ambiguity arises, but
the flute persists,
supported by the
sensitive but firm
figuration in the piano,
and resoundingly comes to
a close, unburdened and
at ease.